Hey guys, as you know I just got approved for representation. I need to upload an acting reel for my resume. I put one together with all the projects that I've done. I would love some critique. Clip order? Maybe remove one of the clips? Should the duration be longer or shorter than 1:44? I would just love some help. Thanks! https://vimeo.com/manage/videos/1028888843
Found this fascinating especially with all the days and hours that go into Broadway: https://www.eonline.com/news/1410405/hamiltons-anthony-ramos-reveals-how-much-broadway-actors-really-make
I really enjoyed this video of Andrew breaking down his most iconic roles and not just talking about the basics of the projects, but getting into detail about his process and approach for roles that challenged him.Did any of these insights surprise you? Do you have similar or different approaches to character work when preparing for a role?https://m.youtube.com/results?sp=mAEA&search_query=andrew+garfield
Self-Tape or In-Person Auditions: Which is Better For Actors https://youtu.be/CsMmbtGkn4Y Watch and discover the unique advantages and challenges of each audition format. How do you prefer to audition? Leave a comment and let us know.
Casting director Laurie Records talks about social media and what advice she would give to #actors who are trying to build out their social media:“If you hate it, I would say then let it go. You do you. But if you have interest in it, be willing to put in the time, and that means daily or every other day. You need to be active. I would put it on my to-do list. Dedicate a half an hour of your time to cultivating that. I think that consistency is key. Just make it part of what you are doing for your acting career today. It will take time. You are not going to be on everybody’s radar from the get-go. But if you enjoy it, it should be a little bit of fun for you and [it] can absolutely be helpful in some situations. So, take the time, put in the effort and think about what you’re doing. Be careful, don’t slap things up that you might regret later. Be thoughtful. Keep your actor social media account pristine and with a focus that is going to serve you as an actor.”“As far as red flags I look for, clients care about offensive content. Stay away from extreme anything, whether it’s provocative photos, extreme political posts. I think that you can express how you feel politically, but it’s a danger zone. Staying civil is a good idea, and just staying away from crass, rude, crude stuff. You’re representing the brand in the end, that is how they’re looking at you. If you’re a known jerk online, that’s not going to work out for the brand.”“Eventually, it will help you down the line. I think it’s worth the time.I would say, if social media is not your bag, stay off! Don’t have an Instagram account. It’s all right! But I believe that if you have interest in it, you will be rewarded. Follow other actors. Look and see what they are doing. That’s a great way to get some content ideas. Some people do it very well, so watch and mimic them. You’ll be different because you are you, but that way you’re not reinventing the wheel. Actors have come before you and done this social media thing quite well. Be a student of theirs, get some great ideas, and have fun. But keep it focused.
hey guys! do you know the best representation agencies for acting and commercial roles in Michigan (Lansing and Detroit)?I’ve contacted a few, but I’m yet to find my ideal agency. let me know which ones you know of!
You know, as actors we can often get into a zone where we are waiting for the roles to come to us, just lose napkins fluttering in the breeze waiting for some gust (booking) to sail us in some direction or another. Whether it's a soap or a blockbuster may not matter as long as we get to touch that special feeling that only exists when the camera is on and the stakes are high. While luck favours only a few, the rest are left out here with unrealized characters and our shoelaces tied together.This happens all to often in Alberta, where I'm from. I'm sure it's not uncommon elsewhere either. Hundreds of talented and worthy actors don't get their shot because there is a stigma that actors from Alberta (or Demoine or Littlerock or wherever the f%&K are just bad. Want the truth? A ton of them are quite underwhelming. However, there are a few dozen stand out stars. People you will see on your screens in the decades to come. I'm obviously biased but I believe I'm one of them. I think anyone with a dream needs to have a bit of that belief in them. I'm seasoned, I'm practiced, I've led a pilot, I've led multiple shorts, I've won awards and that's all great - yay for me! However, it all pales in comparison to what is about to transpire. I'M DELIGHTED to share that I've recently received FUNDING (not through Stage32 connections) to produce and lead my first narrative pilot both behind and in front of the camera. Before you go ballistic about how impossible that might be, I assure you, it is not. This is not my first rodeo, just the first one I've owned outright. I'm thrilled to have the creative control and opportunity to truly show what I'm made of as an actor and television producer. We go to principal in Spring 2025 and release in Early 2026. The story is a gritty 90s themed dark-crime with a touch of comedy sprinkled in that explores the darker side of overzealous religious control on youth and communities. The pilot is called, "The Are No Squirrels in Lethbridge. I co-wrote the screenplay with Just For Laughs comedian and my good friend Conner Christmas. That's about all the details I can share at this time. If you want to stay up to date with what I'm up to you can find me at: @nick_bohle on Instagram. All of my activities are connected to that account.
For the third week of November Write Club, **Marla Sokoloff**, Screenwriter, Director, & Actress (The Merry Gentlemen, Rosé All Day, Betrayed By Love, Sweet On You), is having a **FREE Ask Me Anything in the Screenwriting Lounge**! The AMA is focused on “*Advice For Aspiring Screenwriters, Directors, & Actors.*”Join in with your questions! www.stage32.com/lounge/screenwriting/Ask-Me-Anything-AMA-Wednesday-11-20-to-Thursday-11-21-Advice-For-Aspiring-Screenwriters-Directors-and-Actor
This Stage 32 system does not allow us to delete our accounts. This is incredibly CREEPY !!!!!!!!!!!!!!!! Is Stage 32 designed and run by CREEPS?
Don't miss out on today's Stage 32 November Write Club LIVE Instagram Q&A with Screenwriter, Director, & Actress, Marla Sokoloff (The Merry Gentlemen, Rosé All Day, Betrayed By Love, Sweet On You)! Marla will be sharing advice, insights, and stories from her experiences growing up and working in the entertainment industry. How she transitioned from acting to writing and directing future films, including her new movie premiering on Netflix this week! So mark your calendars for today, November 19th at 12:00 pm PT!
How to Overcome Audition Anxiety | Acting Tips for Confidence https://youtu.be/6A0D9-cCR-4Have you ever struggled with audition anxiety? If so, watch and learn how to positively manage your performance anxiety. Have You Used Any Audition Techniques to Calm Down If you have any suggestions on how to feel less anxious during auditions please share them so we can learn from you.
I’ve noticed throughout my career, my preferred Acting Techniques have changed…In college I was taught more on the Stanvislosky /Meisner technique. Once I graduated college I found myself leaning completely into Meisner’s technique but for the past 3 years, I’ve been studying the Chubbuck technique with a certified Chubbuck coach but I do notice that in some instances, I will revert back to Meinser’s technique .Has anyone else experienced this in their career? What’s your preferred Actng technique? What are your thoughts overall?
Hi fellow creatives,I am a screenwriter from the Netherlands and would like to connect with fellowcreatives in this business. My biggest dream is to become a succesful scenarist and maybe moreRowan
I'm Prince Acheampong, and I'm conducting a survey to understand the needs and challenges faced by creative professionals and industry leaders in the film and media space. Your feedback will help provide valuable insights into the current landscape of short-term opportunities and creative work.If you're a director, producer, actor, model, or other creative professional interested in sharing your experiences, I’d love to hear from you! The survey is brief and should only take about 1-3 minutes to complete. https://www.surveymonkey.com/r/5QR3LHG
I’ve been obsessed with Carol since I was a little girl. My mom and I used to watch reruns of the Carol Burnett show whenever we could find them on TV and I went through a phase where we played our VHS of Annie repeatedly. The Carol Burnett show still makes me laugh so hard I cry. To call her an icon is an understatement. What are your favorite Carol Burnett roles or sketches from over the years?https://m.youtube.com/watch?v=craS1y4DIP8
How to Begin Acting With Zero Experience https://youtu.be/pDbvsFB5NjI Getting started in the acting industry is hard. I know. Although it was 40 years ago, I still remember not having a clue as to what I should be doing. Everything was guess work. Some things worked, others took me far away from what I should have done. And, sometimes spent money unnecessarily.Watch this video and learn the best way to get started and give yourself your best chance for success.If you have any suggestions to help others get started, share your comments here and on the channel. Subscribe to the channel and click the notification bell, so you have easy access to 500 + free videos and will always know when a new one has been uploaded.
Being November 9th and having the people of America having their say through their votes, the results of the election of 2024 are over. It would seem to me that "unity" is always the driving platform priority but no one really seems to want that. Democrats are constantly pushing division because their little districts seem to support them but each district is different and only represents a small percentage of the population.I really don't understand where Hollywood A-List actors think their power comes from. They seem to think they are a great influence on America with no actual proof to support their claims. Kamala had every entertainer and their mothers supporting her.and yet only 20% of the country's population came out to vote for her. That's really all you can influence? On top of that, the whole Diddy Freak Off scandal has cast a pale shadow over the entire entertainment industry and add on blacklisting and death threats to conservative actors and creatives and Hollywood has a major identity crisis. Is it really wise to act like a bunch of uninformed college students.Investors and distributors always want "bankable" talent attached to a project even though the calculations are somewhat fictional. They need a large group of the general public to want to see the film to give the investors the best possible RIO they can achieve. They don't don't do this for free or for notes in a diary. They lose money and it's bye bye future projects. Actors get paid during production but can sink a project during post. (Hello Rachel Zegler). Snow White is expected to be a major bomb just because she said things people didn't like. SAG sure as hell won't reimburse investors because their union members torpedoed a project's earning potential even though studios and independent filmmakers are literally strong-armed in using their overpriced talent.Actors have to realize they aren't as important as they think they are. No one goes and sees an Avengers' movie to see Mark Ruffalo play Bruce Banner. They go to see the Hulk. Mark Ruffalo, on his own merits, is not a seat filler. You can argue with me all you want, but check the numbers. Who wants to hire some one that loves to piss off the very people that are buying what he's selling when all he does is try and insult the way they live and think. Not a great plan.Egos have a way of shooting their owners in their feet and yet the rest of brain never seems to learn the lesson. You may be an A-List actor but just remember that even though A is the first letter in the alphabet, a lot of "A" words have negative definitions. Try not to be an ass about it. Your career depends upon it.
1.5 years ago, I was cast in an independent feature being shot here in Taiwan, after auditioning. I was offered a small speaking role, which is really all I wanted. The writer/director/producer was basically shooting the movie scene by scene over time on a shoestring budget, which I have no problem with. I knew they were filming, as I had seen various listings for the project over the months looking to cast other roles for the specific scenes being shot. But I was not contacted to do my 2 scenes. I assumed that either my role had been cut or I had been recast.This week, the director sends me a message asking me if I would reaudition for the role I had already been cast for, saying that it had been so long that he wanted to see me audition again. But the silver lining was that he plans to shoot the scenes this character is in this month. So, I'm auditioning again for a role I thought I already had next week. Hopefully, I'm cast, for the second time, and the scenes actually get shot soon.
I received an audition that required a short monologue be performed looking directly into the camera. It fits on one page, so a teleprompter is not necessary. Do you spend an hour memorizing it and not worrying if you mess it up slightly? Is there a setup you use that allows you to look directly at the camera and see the script simultaneously? Thanks for the help!
6 Common Mistakes New Actors Make in Auditions And How to Avoid Them https://youtu.be/Lk747bkO4k4 Breaking into the acting industry can be hard, especially when starting out. Many actors struggle with auditions, often making easily fixable, simple mistakes that hold them back from landing roles. In this video, we’ll reveal the 6 most common audition mistakes new actors make—and how to fix them. ANY SUGGESTIONS Have you ever seen or made audition mistakes? If so, share them on the channel so we can learn from you. SHARE THE LINK Please share the link to the channel through your social media platforms so we can continue to build an acting community of actors learning from and helping each other.
In this Master Class of the Master and the best acting coach in the World GERMAN CHEKHOSLAVSKI, you won't learn for sure how to play drunk, but you can try. GERMAN CHEKHOSLAVSKI tells the story of how he met Jack Nicholson on the set of his friend Stanley Kubrick's "The Shining". What impact did he make on some "The Shining" scenes? Also, you'll see how to practice the golden knowledge here and now.https://youtu.be/sIgQYdj6joM
(https://www.interviewmagazine.com/film/juno-temple-in-conversation-with-miles-teller)
Just wrapped up one of my first acting clip where I fully memorized short lines and acted with someone else on the other end. Three days ago, I couldn’t remember any of it, but after studying for 3.5 days and listening to the script on Speechify until it became an earworm, I was able to recite 95% without notes and speak naturally on camera. No slate here—just straight into it. It felt like going back to my military days, responding to someone with precision when asked. This is a big step forward for me, and I’m excited to share it. Let me know what you think. Before you do here's the backstory: In this clip, Head Coach Mark Reynolds of the Denver Titans (played by me) receives devastating news: star running back Elijah Daniels has suffered a season-ending Achilles tear. Joined by Phyllis Whitaker, the team's Director of Athletic Communications, Mark shares the emotional weight of facing the worst-case scenario with no clear path forward. Experience the intense dialogue and raw emotions as they discuss the harsh reality of a depleted roster, tough decisions, and the burden of leadership during a pivotal moment. Dive into this gripping scene that showcases the struggle of holding it all together when everything falls apart.https://youtu.be/N3Hr9MHabpE
A good listen: https://slate.com/podcasts/working/2024/03/acting-tips-beginners-and-experts
Hey, Performers!Don’t miss this Friday’s Stage 32 Community Wrap-Up LIVE on Instagram withHead of Stage 32's Community, Ashley Smith, & Community Manager, Kay Ross! You can tune in on the @Stage32 or @Stage32Scripts Instagram accounts every Friday at 10:00 am PT/ 1:00 pm ET, to keep up to date on all of the wonderful things happening right here on Stage 32!Go to Instagram NOW to make sure that you're following the @stage32 and @stage32scripts accounts so that you're ready to join us!
Hi everyone~ this is just a random question more than anything but is it very hard to get into voice acting? What do you absolutely need to do first, for instance?
As a director (and directing coach) I am really interested in hearing from actors. We get a lot of advice from directors on how to work with actors which is of course very interesting but many times not that useful. How about we open the conversation and let the actors tell us what works for them, what doesn't work, when they want direction, when they want to be left alone. And if actors are dealing with fears (big topic) what are the biggest fears. We, as directors, are not mind readers. And I know that many actors are reluctant to share their own fears or insecurities, especially with a director or producer. Let's start a dialogue here that we can all learn from.
WHAT Makes Actors GREAT Actors? Part 1https://youtu.be/_iSiOa02aQoI interviewed 5 people, to gain insight on what makes a Great Actor in their craft. Writer- ZNation, Black Summer - Daniel Schaefer Production Assistant, Director, Writer - Jessica ToDirector, Writer - Tim EarnheartDirector, Writer - Seth ChristianTalent Agent - Bob Tomazic
I've been diving into a lot of YouTube courses and online resources lately, and I'm learning so much that my previous acting classes didn’t cover. It’s becoming clear to me that truly embodying a character goes beyond just memorizing lines. You have to understand the character, bring them to life, know the backstory, and really dig into script analysis. It’s about grasping the underlying purpose of the script, understanding your role, and delivering it in a way that aligns with the writer's vision. Good acting requires knowing the emotions, the intentions, and so many other nuances that I feel weren’t fully explored in my in-person classes.I’ve gained more from collaboration groups and just watching scenes from movies or soap operas, like The Young and the Restless. Watching a simple scene, practicing the performance, and recording myself has been eye-opening. It’s fascinating to analyze, rework, and refine a scene on my own. People-watching has also been a big part of my learning journey.Honestly, I wish these foundational elements had been emphasized more in my earlier classes. Thank goodness for YouTube, collaboration venues, and all the resources out there—from platforms like Stage 32 and Backstage to simply connecting with other actors and casting directors. This journey has motivated me to keep improving, to become the best actor I can be, one step at a time. Just wanted to share that for this Tuesday!
Here Are 5 Powerful Reasons For Declining Acting Jobs https://youtu.be/4lcwsWffq5U Out of nearly 1,300 bookings, I have turned down less than 10 auditions/jobs. It is hard for me to turn down work. However, it is essential that we say no to offers in certain circumstances. Watch the video - https://youtu.be/4lcwsWffq5U. and learn 5 reasons to decline a project.If you ever turned something down, share it with us so we can learn from you.SUBSCRIBE If you haven't done this, subscribe to the Acting and Modeling Quick Tips Channel and have free access to 500 + quick tip videos. And, when you click the notification bell, you will always be notified when a new video has been uploaded.
Other than writing, I have zero experience in getting a film made. I have private funding for a small film but need suggestions on the right person for taking it the rest of the way. What skillset/role should I be looking for to take the cash/the script - and handle all production elements to get it made?
Mom and Dad Having a parental look will go a long way for commercial auditions and day players. Having a solid cardigan or polo you can throw on to look approachable and relatable can suggest the role. You want to look a little conservative.Flirty If it’s within your range, having a flirty or seductive look might be something to consider for your self tape. Remember, you still want to look professional. Hair and makeup can go a long way too.Rugged/Gritty Get yourself that grungy gray tank top or well-worn tee. Having an appropriate jacket (army green, brown or other darker earth tone) might also be useful.Blue and White Collar Professional The white-collar look is an easy one to pull off for your self tape. Put it together with a blazer or suit. This can suggest any white-collar professional’s job from a lawyer to an accountant, detective, Real Estate agent, and others.Blue-collar work is also a simple look to pull off. A nice denim top with sleeves you can roll up can easily transform you into a farm hand, diner waitress, etc.Medical Professional Medical procedurals are always great to tape for! If you can get yourself some scrubs, you’re all set. If you don’t have scrubs, a solid color v-neck shirt can suggest a nurse or technician. A lab coat might be good to have on hand. You can sometimes find these at uniform stores.#selftape #audition #actor
1. Performance. When you’re self-submitting, casting folks have high expectations. Even though you may have just received the copy, we assume that you’ve had time to work on the material and can bring your A-game.2. Personality. Since casting is asking for your self-submission in lieu of an in-person audition, we miss out on getting the chance to meet you. If possible, we’d like to get to know you a little through your self-tape. One way to do this is to use your slate as a chance to show some of your personality as well as your professionalism.3. Technical Quality. Ultimately, we need to see and hear you. If we can’t, this could immediately take you out of the mix. It may sound obvious, but you’d be surprised how many times talent will submit clips that are lacking in one of those departments. And if they are, even if we love their performance, we won’t be able to send them through to the client to consider due to poor recording quality. Your best bet is to solve all of these technical issues ahead of time. Find a space in your home that you can designate as your self-tape spot. Set up a camera, lights, background, etc. and have it ready to go.4. Following Instructions. Make sure you read and follow the format and size specs for the clip. Also adhere to any slate, wardrobe, and direction that is given in the breakdown. Casting directors share these helpful instructions, which are usually passed along from the client, because they’re expecting to see them in the recordings.5. Fitting the Role. Make sure you’re appropriate for the role before going through the trouble of self-submitting. If you’ve specifically been asked to self-tape then by all means send something over, but if it’s a general call, save yourself the time and effort if you don’t fit the breakdown. Time is limited and valuable for everyone, so focus your efforts on submitting for roles best suited for you!- Melanie Forchetti, Casting Director for Netflix, Amazon, CNN, Oxygen, among others.#casting #selftape #audition #actor
https://www.youtube.com/watch?v=BRoT9KWhr-I
What Actors Need To Know Before Signing Agency Contracts https://youtu.be/VOfMX4vq68Q Are you considering signing an agency contract now or in the future? It’s crucial to understand specific details that can make or break your acting career. Many actors overlook critical elements in agency contracts, which can lead to costly mistakes. Don’t be one of them!Watch the video and learn what actors absolutely need to look for to make sure they aren't hurting their career.Have you signed an agency contract? If so, share your experience on the channel so we can learn from you.
Hello all of you actors that are out there doing your thing. My name is Philip David Lee and I'm a screenwriter/Director in Maine. I'm wondering if some of you need material for your reels that will expand a producer's knowledge of your range and talents. I have a 10 page short called SUFFERING about paranoia and suicide that I am offering to an actor that can assemble an available crew that wants some material to post on Youtube, make for a festival, help use as a learning opportunity for crew or use parts for a reel. It centers around a cast of two with some extras needed for the final scene. I am not seeking compensation for the screenplay and I think it's a good vehicle for a short. Please contact me on my page and we can discuss if it's right for you. Thank you for your time.
Hi everyone, I wanted to share my latest take on the Harvey Dent monologue from The Dark Knight (2008). I’ve prepared two versions: one is a stock version with no background or effects, and the other includes a backdrop and music to enhance the intensity of the scene. I’m experimenting with adding these elements to see how it impacts the performance.This monologue comes from the scene where Harvey Dent addresses the crowd outside the courthouse, reflecting on his transformation from Gotham’s hero into something darker. He confronts the moral cost of becoming the very thing he fought against—this is a moment of deep internal conflict and realization for him.For this performance, I did a full character study, including backstory, script analysis, and exploring the emotions that drive Harvey’s actions. To make it even more personal, I drew on my own experiences from the Army and my career in cybersecurity. Having served as a U.S. Army lieutenant colonel for 33 years and leading troops in challenging situations, I’ve experienced moments that required tough decisions and moral dilemmas, similar to what Harvey faces. Relating these real-life experiences to the character allowed me to tap into the intensity of his journey.Compared to my last monologue, I feel I’ve improved in terms of pacing, emotional depth, and connecting to the character’s internal struggle. I’d really appreciate any constructive feedback on either version or both. Let me know what worked, what didn’t, and how I can continue to grow as an actor. Thanks for taking the time to watch, and I look forward to hearing your thoughts!Best, GlennMonologue Links belowhttps://youtu.be/Iii6HnreV_ghttps://youtu.be/TnEDzmk4O90
“It’s incumbent upon a director, if you want to pull the best performance out of an actor, you have to really work to who they are and how they work, and not just expect them to hit a mark every time. You have to be very adaptable in the approach that you use with every different actor.”– RUSSO BROTHERS Captain America: Civil War, Avengers: Infinity War“Be honest. If you don’t know the answer to something, own up to it. By doing that, you’re displaying openness and a lack of fear. That’ll make actors feel very comfortable because the miracle of acting, to me, is the total lack of fear they have to have. When they sense that lack of fear in somebody else, they recognize it and appreciate it.”– CURTIS HANSON L.A. Confidential, 8 Mile“You have to shoot the shock. Because even the most talented actor will have trouble being shocked twice. Because the timing of that is so instinctive, to reproduce it is almost impossible. I’ve worked with fantastic actors, and that’s the hardest thing, surprise. So if there is a surprise, you’ve got to shoot the surprise, which means you can’t show them the whole script before you start.”– KEN LOACH The Wind That Shakes the Barley, I, Daniel Blake“I think directors should at least take acting lessons to see what’s going on. And I think all actors should direct to see what a director has to go through.”– PENNY MARSHALL A League of Their Own, Riding in Cars with Boys“Performers are so vulnerable. They’re frightened of humiliation, sure their work will be crap. I try to make an environment where it’s warm, where it’s OK to fail — a kind of home, I suppose.”– JANE CAMPION Bright Star, Top of the Lake (TV)“The director’s job is to know what emotional statement he wants a character to convey in his scene or his line, and to exercise taste and judgment in helping the actor give his best possible performance. By knowing the actor’s personality and gauging his strengths and weaknesses a director can help him to overcome specific problems and realize his potential.”– STANLEY KUBRICK The Shining, Eyes Wide Shut“I don’t work with actors that are fearful.”- LEE DANIELS Precious, Empire
Ah well, I’m here sat between gates awaiting news of my flight and gate, only to find that my flight has been delayed because of a storm over the UK. And personally speaking, I blame Ashley. Check out the attached photo!
Haha! I’d like to thank Ashley for her interference with my flight home from Lisbon! ;-)
I’d like to thank Ashley for her interference in my journey home, from Lisbon! ;-)
CARTEL TIMES - a monologue by Austing JonesFor the record, I do not condone drugs or crime, this content is strictly for creative purposes!
Hi All! Happy Saturday! Hope everyone is doing well! Wanted to ask for some feedback. Here’s a voice-over reel titled "Life's Fleeting Moments: A Reflection on What Truly Matters," which I put together last night. It’s intended as an introduction for a family drama movie or film with a reflective, "after life" theme. I’d love some objective feedback on it. The goal was to capture genuine emotion, with a focus on making the delivery feel authentic. I worked hard on voice beats, flexion, and the overall emotional tone to match the script. Does it bring out the right emotions, and is it believable? I’m not just looking for subjective opinions but more objective feedback on things like pacing, layout, and how well it all comes together. Your insights would be much appreciated!https://youtu.be/PQUIju1gf-k
You know, I’ve been reflecting today. It’s Friday, and usually, I spend my weekends focused on my acting craft—working on auditions, improving my delivery, and staying sharp. Recently, I worked with an agency that asked me to submit a monologue. But after that, they kept pushing classes on me, telling me I needed more training. The thing is, I’ve already spent over $2,000 on acting and modeling courses, and I do this part-time.It got me thinking about mentorship. When I was promoted to captain in the Army back in 1999 and became a company commander, mentored new lieutenants. In the Army, of course you’re not allowed to charge for mentoring—it’s part of your duty to help develop the next generation of leaders. I would never have thought to charge them, because that’s just how it works—you give back to ensure the future is strong. I believe the same should apply in acting. Seasoned actors or full time working Actors, those who’ve made it and have a name in the industry, should mentor and coach new actors for the future. After all, when you’re gone, the legacy you leave behind is through the people you’ve helped. That’s how you build something lasting.I’m sharing this because my experience with that agency left me a bit disheartened. I wasn’t discouraged, but it made me question if some talent agencies are truly interested in developing actors or more focused on making money by selling courses. And let’s be honest—many new actors have already spent a lot on headshots, portfolio work, and courses including myself. In the military, mentorship was about leadership, growth, and leaving behind something meaningful. It should be the same in this industry. Collaboration and helping each other is what makes us stronger, and the reward for that goes far beyond money.Just some thoughts for the day. I hope many of you can relate....Best,Glenn Axelrod https://arizonaactors.com/listing/glenn-axelrod/https://www.imdb.com/name/nm16332133/?ref_=fn_al_nm_1
Don’t miss this Friday’s Stage 32 Community Wrap-Up LIVE on Instagram with Head of Stage 32's Community, Ashley Smith, & Community Manager, Kay Ross! You can tune in on the @Stage32 or @Stage32Scripts Instagram accounts every Friday at 10:00 am PT/ 1:00 pm ET, to keep up to date on all of the wonderful things happening right here on Stage 32!Go to Instagram NOW to make sure that you're following the @stage32 and @stage32scripts accounts so that you're ready to join us!https://www.instagram.com/p/DBOFoI5RFW7/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
feedback??
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
