I wouldn’t call my self famous, but I have been pulled in the streets a few times. I acted as the CCTV footage of James Bulger on “CrimesThatShookBritain”. I had been coached acting through “stagecoach” within their studios. I have stopped acting for around, 5years. I leave school in May, so the question is; do I go back after school?
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The reason i’m asking is because I am always told I’m bad at lying so I also wonder if that has anything to do with it
Hi everyone! **15-second version:** Having a huge social media following and "engaging" (whatever the f\*\*\* that's even supposed to mean lol) with followers is like, way way WAY more important for your acting career than I thought (like... frighteningly so?), and apparently agents and the like think you should be on there pretty much constantly, which is scary for me because it is really bad for my mental health to spend a lot of time on insta and twitter and so forth, especially as a disabled person and a woman. (Not to mention the actual physical danger that can come with sharing too much with followers, on top of the deluge of harassment.) **Is there a way to deal with this? To further your career without losing touch with yourself or destroying your mental health?** Also - maybe this is just a spoiled-out-of-touch brat thing to say, but... does anybody feel uncomfortable with what this says about artistic integrity and the like? **Full:** Recently I heard something that really discouraged me re: acting careers and social media. Apparently there were two actresses going out for a lead in a regional production and the deciding factor for the director was that one of them had more Twitter followers than the other. (They were both by all appearances equally good actors, so at least there's that, but still something about that story just felt so... cold to me. Like, after all your training, that's what it comes down to? That's what matters?) And this apparently happens all the time. (And it's not even Broadway! I'm honestly surprised that that many people would decide whether to go see a regional production or not based on whether they know about the person from social media. Odd. Surely most of the people old enough to afford theatre tickets in the first place aren't the TikTok demographic, lol!!! \^\^) I also saw that a founder of a major casting office said that he uses social media "because it gives him a better idea of what actors are like" than the brief time he can spend seeing them in person does. Hearing about all of the above troubles me for two reasons: 1. I know acting is a business, and I respect that theaters have to get butts in seats, but it really discourages me that something like raw number of Twitter followers would be what it comes down to. (And I know musical theatre in general isn't designed to be piercingly intellectual for the most part - heck, I wouldn't probably love it as much if it was - but it does take a huge amount of emotional intelligence and dedication to you craft to excel in this field, and seeing how actors pour their heart and soul into auditions and roles, and believe in this art form with all their heart, I just... I hoped there was something more than just dollar signs going on behind the closed doors? If that makes sense?) Maybe I'm just really naive, but this made me really despair for artistic idealism and such. I dunno. Maybe I just need to get over myself about that. 2. Social media is incredibly stressful for me. It has had a horrendous impact on my mental health. I literally do not think I can ever get back on Twitter, the fighting and vitriol I saw on there depressed me so much. Not to mention how burdensome it is to now have what effectively amounts to another part-time job. Not only is it tiring, but it's taking away from the time actors could be spending on their craft. And of course there's the fact that it's more burdensome for some people than others. It's often harder for disabled people (in my case, I'm autistic, and my anxiety is already bad enough without social media lol! Let alone all the ableism that is thrown at you - AND the fact that it is harder for me to be charming and winning and likeable and witty and win friends, on social media as well as in person), and women and POC get harassed on there far more than more privileged individuals do. (E.g. Kelly Marie Tran and the actress who played Rey having to delete their twitters/instagrams/etc.) And the fact that I'm not as pretty as other actresses makes it harder for me to get followers. I can't just post a cute pouty selfy showing off my shiny hair every day and get 300 likes on it like other actresses can. I know looks matter \*some\* in this industry, and I've made my peace with that, but the specific reason I went into stage rather than film acting is because they (used to...?) matter less in theatre due to the heavy makeup and the lights and the audience being 30 feet away. It seems that's gone now? :/ People talk about social media supposedly levelling the playing field, but in fact in many ways it has made it worse. :( (Oh and a third reason, I lied haha \^\^) The idea that social media can really show who you are. (Looking at an actor's videos is one thing, but the profile overall? Like, their photo of themselves on vacation or whatever? I don't get it.) I find that troubling. I am not an instagram profile. Neither I nor anyone else can ever represent ourselves with one hundred percent accuracy on there. I've certainly never gotten a complete read on what someone's like in "real life" (I know those lines are blurry, but you know what I mean) based on their posts. Social media is designed to distort us and our image and our thinking, in whatever way is most profitable - it's built into the very DNA of every one of the major sites. Their very purpose is social engineering. I thought our performances were what is supposed to show "who we are"! For pete's sake, I've spent all these years working on the delicate art form of how to distill everything about "who I am" into sixteen bars, lol! That's been drilled into me since I was tiny. Like, what even is the point of getting good at auditioning well if that's not what makes the decision for them - if they think your twitter isn't pithy enough or your instagram photos are too washed out? (I exaggerate, of course, but still... you wonder!) It makes me sad that a director's or CD's decision could be clinched by someone's instagram profile or Twitter or what-have-you, rather than by their emotional rendition of a song. Let alone the thought that I could be passed up for a part because I needed to take a mental-health break and lost followers. (And don't even get me started on the idea that every person is a "brand"! I could go on about that for days haha!) Any thoughts are appreciated! :) Thank you so much! <3
I am currently doing a three year run theatre school in my country. I want to be an actor when we grow up. Will doing theatre help me with that, make me better in any kind of way?
So I really would like to be a voiceover actress for animated movies and cartoons. How would I best go about doing that?
i’m currently on a gap year after graduating highschool, i was supposed to apply to drama school for this year but i didn’t feel ready mentally. truthfully, i’ve just always had this weird feeling about drama school that i haven’t been able to pinpoint. is that demanding and intense 3 years worth it when you can learn the same things in a shorter (and often less stressful) period of time in acting classes? i live in england, where drama school training is glorified for actors more than anywhere else in the world so the pressure is a little higher in that sense too. i feel like my parents don’t trust me to be a bit more of a freelancer and want me to stay in education which is why they’d prefer if i got an acting BA, instead of doing my own thing and going to part time classes. long story short i just feel kinda stuck :’)
I do remember reading somewhere here about some famous actor who used to frequent this sub reddit a lot before they blew up? I’m thinking Simu but I could be wrong. Please help me lol it’s bothering me
Hi! We're creating a YouTube brand. It is going to be a video essay-style format, but instead of a human narrating, we have a malevolent alien. This alien is advising specific humans in power how to manipulate/influence the people they lead (presidents, military leaders, dictators, media company owners, etc.). Taking inspiration from the popular "How To Be A Tyrant" Netflix series. We need a voice for it. I do not want a human trying to sound like an alien (well done VO acting), but instead use tech to make the voice sound more alien-like. **The best way to explain the objective, is:** A voice that makes people question "Is this a human voice or an alien voice?". Since whatever humanness is in it, will be relatability/familiar (good for YouTube content). And whatever alien will fit the channel narrative. Both combined - will engage people's curiosity to listen. So crafting an interesting voice like this may be key and the most valuable balance... I’m thinking there might be a custom synthetic voice creation or voice-changer expert who can help me answer the following questions: * What are the pros and cons of a voicechanger? Compared to a synthetic voice? * Depending on which is chosen - where do we go to get it customised, and created? I'm thinking of something like this, but a bit more alien like... [https://youtu.be/UsNnkax2wNA?t=113](https://youtu.be/UsNnkax2wNA?t=113) Happy to pay for someone to provide expertise on the matter (e.g. $100 USD for 30 minutes of time discussing). And guide how we can create it. Also, any general tips from you voiceover actors would be most welcome. I'm sure everyone here has got a better idea than I on how to take the first step! Thanks, Oli PS. The purpose of this format is to help viewers become aware of their own susceptibility to influence by leaders in the modern-day. And do so with a fun format that sparks peoples’ imagination!
I’ve only been acting for about 2 1/2 years but but since the very beginning I’ve always taken classes that were built for on camera work. I’ve always heard that theater actors when transitioning to TV and film always have a tough time with that process (especially when it comes to self taping). I don’t know if I would be backtracking what I’ve learned so far if I go back and take theater classes. I heard that some casting directors love to see theater credits on resumes but Is it worth taking if you didn’t start out with that?
So I recently got cast in a film and yesterday we had a table read over Zoom. There were several times during the read when the director would stop us and ask, “Could you say the line like this?” It’s my ultimate pet peeve as an actor and I cannot stand it when directors do it. And every time I say the line the way he wants me to say it, it never feels natural. He really comes off as inexperienced. So I was wanting to know how you guys dealt with directors who would do this because I can’t possibly be the only one who gets so annoyed by this.
How did you start your career as a voice actor and what experience do you need to get yourself started on the career?
how does one get their name / project announced in one? i’m the lead in a film that has some name talent attached, but i have no clue if their teams or publicists will make the announcement since it’s a very small indie film. i don’t have a publicists, but just curious. it may seem silly but it’s always a fun actor milestone, imo.
I have been told by many friends and even online strangers that I have a voice for voice acting. When i was younger i wanted to be a seiyuu (Japanese voice actor) but for a while gave up on that dream cause i wasn't Japanese. I was also pretty young and indecisive cause I also wanted to be an astronaut or an actress but those got ruled out for me (too short/hate being put in a spotlight). I've since gone to college for Japanese language, studied abroad, graduated, and have grown an big interest/fondness in accents so I love repeating voice overs in games or even creating my own voices for characters in games as i play if there is a lot of dialogue. I have also been praised for my pronounciation when I speak Japanese and am often asked if I am Japanese online. This has honestly given me the confidence to actively try and make this a career for me, I just dont know where to start, how to get involved whether it be fandubbing or paid services, what kind of communities can I join to get my foot in the door, how do I find auditions whether locally or online? When i try to just google everything seems like a scam for newbies to pay for classes that are stretched out so long and provide little to no actual help. I tried joining a discord but there wasn't much activity there. Any advice is appreciated :)
I recently got a chance to be a background actor on a new Netflix show and it was such a great experience. As a film student being on set is such a great learning experience and I'm inspired to try my hand at acting. Does anyone know of any good acting classes I could take as a beginner? I don't really want to pay like $500 or $600 dollars but I want something that is affordable but still worth trying. I'm a university student so I would rather some suggestions outside of universities, like programs in Toronto and such.
Hi all! LA actor here pretty new to the “having a theatrical agent” thing and lately I’ve been booking some background work that I have procured myself and been paid for. I have paid my manager 10% on this work because I know that is standard, but I am wondering if I need to pay my theatrical agent as well? It’s a little unclear from our contract language and I’m wondering if there is an industry norm I should abide by. I was leaning towards “yes” because at the end of the day my theatrical agent is part of my team and putting in work for me even if I didn’t procure this specific work through them? Would appreciate the insight, thank you!
Hey friends! I’m an actor living in LA looking for a day job to supplement my career and was looking into becoming an office PA at places such as FX, WB, or Netflix. I figure working at these studios would allow me to meet people actually working in the industry. Befriend the right people, introduce them to things I’m writing/working on, you get the idea. My only reservation is the full time commitment. Unlike working at a bar or weighing tables, I would have fixed office hours Monday-Friday. My fear is that, if an audition came along, or I actually booked something, I would be unable to pursue unless quitting the job. What do you guys think? Has anyone been an office PA at one of these places and successfully led an acting career at the same time? Also, was it as beneficial as you thought? Thanks for the feedback and I hope you’re all crushing episodic season!
Currently looking for an agent, have my package set up and everything is ready to go. Going to try and submit for a few dozen agencies, hopefully a few will call me back, but in the event that they do, thoughts on Small vs Large agencies? Ive heard that smaller agencies may have better relationships, as they are relying on the actor to help them, as much as actor wants the agency to help them, while bigger agencies are a lot more hands off. Do bigger agencies actually have more pull? Or is it worth it to grow with a smaller, more personal agency? Based in BC ​
Tom Kenny: Spongebob Tara Strong: Cindy (The Boondocks) Grey Griffin: Mandy John DiMaggio: Scotsman Frank Welker: Scooby Doo Phil LaMarr: Samurai Jack Jeff Bennett: Kowalski Rob Paulsen: Yakko Warner Jess Harnell: Wakko Warner Richard Steven Horvitz: Zim Cree Summer: Numbuh 5 Keith David: Spawn Bill Farmer: Goofy Jim Cummings: Winnie the Pooh Eric Bauza: Daffy Duck Khary Payton: Cyborg (Original TT) Clancy Brown: Red Death (Venture Bros.) Kevin Michael Richardson: Principal Lewis Billy West: Ren Dana Snyder: Master Shake James Arnold Taylor: Obi-Wan Kenobi Steve Blum: Spike Spiegel Troy Baker: Joel Miller Josh Keaton: Spider-Man H. Jon Benjamin: Bob Belcher Tom Kane: Him (PPG) Doug Lawrence: Plankton Jack McBrayer: Wander Christine Cavanaugh: Dexter Alex Hirsch: Grunkle Stan Ben Schwartz: Leonardo Kate Micucci: Webby Josh Brener: Donatello Dante Basco: Zuko Dave Willis: Carl (ATHF) Bob Bergen: Porky Pig Jason Mantzoukas: Jay (Big Mouth) Liliana Mumy: Panini Seth MacFarlane: Palpatine (Robot Chicken) Thoughts?
While I’m in college I’m going to take some classes because my main path becoming a director, so knowing how to act or understanding the art can help translate some parts to the actors. Let’s say I really like acting, what’s the next step? I’m unsure where to take that art after college. I’m not interested in being in any plays or anything that’s not within the film or video genre. Where should I go after college?
Hey guys, I was wondering if you had some tips for identifying scams in casting calls? I am an unrepresented actor trying to get some experience/footage on camera and therefore am not qualified for the big-budget/obviously legit breakdowns. When looking at a casting call on Backstage, for example, I try to google the director if listed, the production company if listed, ensure the language is coherent, the character descriptions are thorough, and try to see if they are only seeking young women (sometimes a red flag). It scares me just showing up to a location once you book without having any solid info on the filmmakers you're working for. Usually, when I google the director or filmmaker, they are just starting out and there's very little online presence if any. I would really appreciate any tips or insights so I don't get kidnapped! Thanks!
Hi all, so recently I had someone (who is not a VA, she’s a therapist) tell me I need an LLC and business license to freelance (for tax purposes or something) and I was like what? Why? I’ve never heard of an actor needing these things to get work, and I don’t exactly have a ton of extra money to pay the fees at the moment. What do you think? For those of you who might have this, is it worth it? Thanks!
What are the differences between theatre and film prep prior to the show / shooting the film? I'm from the UK and have most experience from theatre. I'm interested to understand the process prior to shooting a film? My experience of theatre: Audition ---> get the part ---> script read ----> maybe sometime for exploring the text / characters together ---> pre-planned rehearsal period of a few months; during this time everyone does solo work outside of rehearsals on character development etc, but also that is done inside the rehearsal space. Eventually ends up approaching end of rehearsals and into tech run, dress run etc. and then boom show starts. As an actor in theatre I found it to be a real interesting process where people are learning and developing as we go together throughout the weeks. What's the process for film?
Hello, I am an aspiring Actress and trying to find auditions in NY besides backstage and actors access. Please help to identify other sources of auditions in the area. Also, would you please give me a hint where to find good monologues for my self-tapes. Thank you
So I teach a course that focuses on directing actors for camera - hence most of my students are non actors. However I believe it’s important that the director experiences life in front of the lens. I’ve got a few scenes I like to give them to go work on in groups of three - one director and two actors, but I’m looking for some fresh material now. Anyone here have some favorite scenes that are two-handers that present a fairly simple acting challenge? Preferably from films? I’m on the lookout for scenes that aren’t huge emotional moments but that do have some dramatic life to them.
We're looking for a somewhat dark reading of the text below. However, we're open to different interpretations of it as well, maybe even a slightly brighter reading would contrast nicely with our music. Male and female voices are both fine. This will be for an American audience, so that accent is preferred but not required. The four lines below would be played throughout our performance to help the audience understand the theme of each song and the overall concept of the production. Our season has already started and we're hoping to get these recordings into the show by the weekend, so the turn around time is going to be pretty quick and I'll need to make a decision by tomorrow night (Sept. 14, 2021). However, if someone has the right voice and needs a bit more time I can wait until Wednesday or Thursday at the latest (Sept. 16). I'm offering $50 for the four lines below and if needed perhaps a re-read after we try them out with the band. Please feel free to post your material here or in a PM to me here on reddit. Once someone is chosen I'll send money via Paypal if that works. Looking forward to hearing the voices of whoever is interested. Thanks everyone for your awesome subreddit! ---Begin script--- **In Greek mythology, Pandora’s Box contained all the evils of the world. Upon opening the box, Pandora released those evils into the world leaving only “Hope” inside.** **Impelled by her curiosity Pandora opened the box, and all evil contained therein escaped and spread over the earth.** **She tried to close the container, but the whole contents had escaped, except for one thing that lay at the bottom - the Spirit of Hope.** **And as all the undesirable contents left the box, Pandora catches hope before it can escape.** ---End Script--- I'll update this post when it is finally closed.
I've done enough background acting in LA to be pretty familiar with the pay bumps. Do regular, non-background actors get the same bumps? It seems like the same things would apply, but I can't find rates for non-background pay bumps. When I google actor bumps all of the results are for background. I've tried looking through the SAG-AFTRA website but I don't think I'm looking in the right place. I'm assuming the same bumps would apply (wardrobe, late meals, etc) but I don't know if the rates are the same or higher. Do any of you know where I can find info on pay bumps for non-background?
Hi all I had an audition on Friday for an advert. I’m pretty sure I didn’t get it, as they need someone for costume fitting next Friday. One of the other actors waiting in the audition asked the receptionist who he should invoice for his recall fee. Mr Google has informed me this is around £50 and seems quite unique to commercials. I’m UK-based and unrepresented. Is it rude to ask the casting assistant for the £50? Is it something only agents can claim? Thanks
With Behind The Voice Actor's casting call sectional going down, I'd like to know some more sites that are similar to ccc. I've already seen Voice Acting Club and am part of their discord already.
Hi, Long story short - self funding a book to be published and im basically looking for some voice actors who'd be interested in helping me with a story. I can only charge £20 for the role and have the following characters; a friendly tiger, a manatee, general narrator, a whale, a shark and an otter. thanks
Hey guys! I'm a low/no income disabled actor, (that's relevant here I swear lol), and I'm so excited about this I wanted to share :D Plus, while I've got you here... (sorry if this isn't allowed, I'll remove it if it is), I'd also love some speculation from you folks as to what my earnings might be from this. I had been starting the process of applying for SSI, (disability income), and I won't qualify, or need to for a while, if this commercial brings in enough money for me to live off of for the time being. I'll put all the details of everything in a comment, so you can read that if you're willing/want to throw out your best guess. I'd really appreciate it. Sending good vibes to all of you. Acting is so fun, but it's not very forgiving. I hope that through any difficult times you face, you keep your love, your joy, and your passion for the craft. Cheers :)
I’m gonna keep this as short and simple as I can. So since January I’ve been dealing with burn out and I’ve been trying to keep pushing through because I haven’t really had time to have a break. And not just like a few days break I mean a few weeks worth of a break. I’m currently in college (i major in theater) as well as working as well as being full-time in our theater program. Right now we’re doing a show and I was cast as the lead. I have so many lines to remember and I’m just struggling more than I usually do to remember them. I feel like it has to do with the fact I feel so burnt out from literally everything. We’ve only been practicing this play for two weeks and he wants us to be off book. There’s so much dialogue in this play, especially for my character I say a lot. I just feel tired and drained all the time, I love acting with all my heart but right now my brain just cannot focus. I don’t know what to do I feel like a bad actor, and I don’t wanna let down any of the other actors that I’m acting with. I just don’t know how to stay focus and remember all the lines I need to.. how do i push through this??
As an actress who loves television and that’s all I really desire to work in, I was wondering how long it took my fellow actors to book their first co-star, guest star, reoccurring role or series regular? I’m feeling a little down about my skills today but I know it’s just a bump in the road and patience is a must.
How many people here actually have dreams and goals of being apart of the 1% of actors, and how many people are acting just because they love it and don’t have any desire to reach that status ?
I'm a recent grad and have zero money or budget for filmmaking but i have some bare minimum equipment and want to start making shorts and such. Problem is I don't really have any actor buddies, so would it be in bad taste to hit up my local college's theatre department to ask if any actors would be interested in participating in my short films. I honestly would not be able to pay them. The best i could do is provide pizza and drinks and of course a copy of their scenes if they want to use it in a reel or something. The project isn't really for profit, it would probably just go up on youtube and maybe entered into local film festivals depending on how it comes out. I don't expect much views if any on youtube for example, but if I were to make money off of it, i feel it would be fair to contact the actors again and pay them a fair cut. So do y'all think anyone would be interested in this, should i even bother asking? Edit: title should say: would it be IN bad taste...
I been reading about tonsil, and I’m planing on become an actor, I talked to friend of mine and says that my voice is a bit nasally and not very clearish Do you think this surgery would be HUGE for me? Thanks, and I would like a feedback.
Hi all, where’s the best place to find casting for new actors. I live in the UK and I’m fairly new so was hoping someone could advise me. Thanks
Just wondering if anyone else has been able to, I know iSpot isn’t really for the actors anymore.
Setup - Fox is an actor who is a 'ride along' with Woods (real cop) It is a great comic scene about masculinity. [https://www.youtube.com/watch?v=tnw2xelFnqQ](https://www.youtube.com/watch?v=tnw2xelFnqQ) Fox gets lots of sight (side?) gags but Woods drunken silence as he grasps for words is perfect. I ain'y no thesp' , but my theory is that it was 'workshopped' a great deal. Watch Fox, he has a 'stereotyping' female action for every shot. He is playing a male actor 'hamming it up' , but he does not steal attention or the scene. It is just so well crafted , there is so much going on. And it is shot really tight in on their faces too. The props and barman are there for timing and to let the gags 'land'.
I was rewatching the movie "Puppet Master" Which is a movie made in 1989 and there is this actress named Robin Frates. She looks to be 20 to 30 years old but I am so fascinated as to how little information there is about her. Nobody knows how she died nor how long she lived, or even if she got married or not, at this point I just want to know her age but to find out at least what happened to her would be great! [Robin Frates](https://preview.redd.it/c5fprgerozm71.jpg?width=210&format=pjpg&auto=webp&s=e36294fccae176f46f57551d473d79460d490e0d)
I get not wanting to get makeup on the costume, but won’t you do that when you pull it over your head? And in addition to getting it on the costume, won’t you also ruin the makeup and your hair? It just doesn’t make as much sense to me as getting dressed first, then just putting a makeup bib on over the costume while you do hair/makeup.
When I was a kid, I want to become an actor but quickly throw that dream upon realizing that I will be competing with lots and lots of people for a role. I am now working in a different field. my question is how hard is it for you to get a role for a project? how many of you are still struggling to find a role? are you willing to work for free or a low pay of 0.01$ per word to either get an experience or an edge over other candidates? Say, I am going to make a visual novel with fully voiced dialogue and planning to make a small profit out of it. Therefore, I can’t pay much even tough it is a commercial project. would you apply for that role? (Assume financial compensation is low).
Listening to a podcast with Jordan Harbinger as the guest, and this came up. It's brilliant, and they go on to discuss networking (in general, not for actors although its an LA based podcast) for quite a while. I feel like "networking" is so misunderstood by aspiring actors and many other folks, and this is a great description about what IMO "real" or productive and professional networking is. The podcast is at [https://podcasts.apple.com/us/podcast/jordan-harbinger/id1064978212?i=1000534542569](https://podcasts.apple.com/us/podcast/jordan-harbinger/id1064978212?i=1000534542569) and you probably should fast forward at first unless you are interested in three LA gals talking about 'ladygang' stuff! Trust me though, the networking discussion was a surprise gem. Don't feel like listening? "Dig the well before you are thirsty" means create your network before you need it. Make relationships and be a giver. Connect other people. Offer help. Stay in touch with people without needing anything. For details give it a listen.
Hi, I am very new to acting, just starting out. I don't have any formal training - just some unofficial improv experience - and signed up for Actors Access with the intent of getting into some background work. I got my first Actors Access role which was a supporting role, filming a trailer for a movie script that is trying to get funding. One of the guys I worked with recommended I put it on a resume, which might help get me other roles. I've been looking online, but I'm not sure how I should list it. Since it's a trailer, I feel like putting it under "FILM" is misleading, but I haven't seen any examples that list a title like "TRAILERS" or something. Does anyone have any suggestions? Or is this not something I should put on a resume?
SO, I received an audition request from my Agent for an MOW role. After looking through the 2 page sides a couple of times it appears to me that someone wasn't paying attention. Someone thought: "OK, it's named role and he's in more than 1 scene, so we can give it to a local Union actor, meaning we have the opportunity to see different actor's self-tapes for it." It looks as of it was duly sent out to CD's who duly passed it on to Agents and then to actors without anyone actually looking a it further. The role is for a priest and he is mentioned on 2 pages. One, chatting in the background to a minor character, and one standing next to the Groom in the Wedding scene. So, no scripted lines, no action, no movement. I replied to my Agent: "I'll need some help with direction for this audition. I could just stand there pretending to chat with no-one, but as I don't have a priest costume to wear, it won't have much impact. I could ad lib as the priest to the camera, but this is not what I'm asked for. As this character is only in 2 scenes, and these are the scenes sent to me, I can only guess that this is the totality of the role. How can I present this? I think that my headshot, reel and size card will probably suffice for this audition." I may be a broke actor, but I AM paying attention. Happy Friday, everyone.
What would happen if you were a male actor with a seemingly full head of hair who was cast in a role based off a self tape, but it turns out you're bald at the back? If this isn't something they desired for the role, how would this be navigated when you turn up to filming/wardrobe test? Same thing for tattoos.
Right now, I'm trying to finesse my quality of sound without having to spend TOO much money. I understand that any investment will be worthwhile in the long run, but as I save up to make sophisticated changes to my at home studio I want to feel out what I can do now to improve the sound of the actual audio. \*For reference, (and I'm embarrassed to type this as a working VO actor) I record in a closet, with cardboard as panelling, a yoga mat on the ground, a blanket as curtain nailed to the wall around me and my blue yeti mic that plugs in to a USB port on my Mac and use audacity to edit. Yes, I have a pop filter. \*\*I have booked work in radio commercials and series dubbing. My agents want me to dedicate the next few weeks on getting better sound because the actors with better quality are edging me out.
**TLDR; I don't like a script for an audition I have. I don't want to be in this movie. Do I still send in the tape?** This is rambly, bare with me. Hello! So my team sent me a self tape request, and I'm reading the script, and it's just awful... I confirmed the audition before reading the script. I normally do, it's never been a problem for me. I'm only 50 pages in and it is so dated, sexist, lame, and overall I'm just really offended by it. This is the first time I've felt so strongly about material sent to me. I don't fall in love with every script, but this one just feels like a gross flashback to early 2000s trashy late night rom-coms, in the \*worst\* way. Yes, I will finish reading it to see if it redeems itself, but based on the structure and some of the language used to describe women in the stage directions, I'm not hopeful. The project's got a notable team and actor attached to it, so I know it's legit. I'm just morally against and bored and exhausted of this kind of movie. So do I still submit for it? I'm worried about upsetting my team (my manager is a no-nonsense, serious, business lady--and she's hella good at her job) by turning something down. I don't want to come off as lazy for not wanting to tape or like a picky actor. I've booked some good jobs, but I don't feel like I'm in a place to turn down roles right now. I've only ever turned down auditions because of scheduling conflicts. I'm thinking of taping for it (the sides are 3 simple pages), and then adding a note to my team saying how I feel about the script? At the end of the day I don't want to be in this movie, you're gonna have to pay me a butt load of money to do it. I'm just trying not to disappoint anyone. I'm fairly new with my manager and she works with a really reputable company. We've been working together under a year, so I'm still trying to impress her and show her I'm dedicated. oy vey thanks for reading if you made it this far
Has anyones past experiences assisted them on their journey as an actor/actress so far? Here is my story. I fell in love with acting at 14. But I had no foundation I knew no one who acted and my parents didn't speak english. It felt like theater or acting was out of my reach I had no one to guide me. Through high school the older I got the higher level sports I would play. I reached a level of sport that was so cut and dry. "You're too small, lose more weight, get faster, get stronger..." sitting the bench when you know you are better and still being yelled at. When I graduated I didn't want to continue in sports. I was coming back from a injury that had me kept me out of sports for 6 months. My body was tired. Torn ligaments, constant aches. I knew I was done. When I turned 19 I wanted to look for something to do so I picked up acting at a well known school in NYC. I got to acting and started training with teachers in addition meeting my comrades aka my competition. I noticed even until today that when I would come out of a class people would be upset or angry about what the teacher said "did you hear his tone... ugh." Some person came to me after class once and said don't feel bad about what he said. In regards to an acting teacher getting a little loud at me trying to get something through to me. I didn't even realize he did anything wrong. Acting is cut and dry. It's hard. Landing a role is tough. Audition after audition. No and no. I've seen people quit the entire journey as a whole. Sports has made me unfazed to literally everything. Even the "mean" people don't seem mean at all. BUT... I have heard of some disrespectful teachers. But thats the beauty of this career. You get to make your own decisions. I gotta say if you want to get into acting it's not as scary as people claim it is. Just be prepared to be more disappointed than cheerful lol. Do it for the love of it. Sorry for any grammar errors lol.
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
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Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
