How did you start your career as a voice actor and what experience do you need to get yourself started on the career?
how does one get their name / project announced in one? i’m the lead in a film that has some name talent attached, but i have no clue if their teams or publicists will make the announcement since it’s a very small indie film. i don’t have a publicists, but just curious. it may seem silly but it’s always a fun actor milestone, imo.
I have been told by many friends and even online strangers that I have a voice for voice acting. When i was younger i wanted to be a seiyuu (Japanese voice actor) but for a while gave up on that dream cause i wasn't Japanese. I was also pretty young and indecisive cause I also wanted to be an astronaut or an actress but those got ruled out for me (too short/hate being put in a spotlight). I've since gone to college for Japanese language, studied abroad, graduated, and have grown an big interest/fondness in accents so I love repeating voice overs in games or even creating my own voices for characters in games as i play if there is a lot of dialogue. I have also been praised for my pronounciation when I speak Japanese and am often asked if I am Japanese online. This has honestly given me the confidence to actively try and make this a career for me, I just dont know where to start, how to get involved whether it be fandubbing or paid services, what kind of communities can I join to get my foot in the door, how do I find auditions whether locally or online? When i try to just google everything seems like a scam for newbies to pay for classes that are stretched out so long and provide little to no actual help. I tried joining a discord but there wasn't much activity there. Any advice is appreciated :)
I recently got a chance to be a background actor on a new Netflix show and it was such a great experience. As a film student being on set is such a great learning experience and I'm inspired to try my hand at acting. Does anyone know of any good acting classes I could take as a beginner? I don't really want to pay like $500 or $600 dollars but I want something that is affordable but still worth trying. I'm a university student so I would rather some suggestions outside of universities, like programs in Toronto and such.
Hi all! LA actor here pretty new to the “having a theatrical agent” thing and lately I’ve been booking some background work that I have procured myself and been paid for. I have paid my manager 10% on this work because I know that is standard, but I am wondering if I need to pay my theatrical agent as well? It’s a little unclear from our contract language and I’m wondering if there is an industry norm I should abide by. I was leaning towards “yes” because at the end of the day my theatrical agent is part of my team and putting in work for me even if I didn’t procure this specific work through them? Would appreciate the insight, thank you!
Hey friends! I’m an actor living in LA looking for a day job to supplement my career and was looking into becoming an office PA at places such as FX, WB, or Netflix. I figure working at these studios would allow me to meet people actually working in the industry. Befriend the right people, introduce them to things I’m writing/working on, you get the idea. My only reservation is the full time commitment. Unlike working at a bar or weighing tables, I would have fixed office hours Monday-Friday. My fear is that, if an audition came along, or I actually booked something, I would be unable to pursue unless quitting the job. What do you guys think? Has anyone been an office PA at one of these places and successfully led an acting career at the same time? Also, was it as beneficial as you thought? Thanks for the feedback and I hope you’re all crushing episodic season!
Currently looking for an agent, have my package set up and everything is ready to go. Going to try and submit for a few dozen agencies, hopefully a few will call me back, but in the event that they do, thoughts on Small vs Large agencies? Ive heard that smaller agencies may have better relationships, as they are relying on the actor to help them, as much as actor wants the agency to help them, while bigger agencies are a lot more hands off. Do bigger agencies actually have more pull? Or is it worth it to grow with a smaller, more personal agency? Based in BC ​
Tom Kenny: Spongebob Tara Strong: Cindy (The Boondocks) Grey Griffin: Mandy John DiMaggio: Scotsman Frank Welker: Scooby Doo Phil LaMarr: Samurai Jack Jeff Bennett: Kowalski Rob Paulsen: Yakko Warner Jess Harnell: Wakko Warner Richard Steven Horvitz: Zim Cree Summer: Numbuh 5 Keith David: Spawn Bill Farmer: Goofy Jim Cummings: Winnie the Pooh Eric Bauza: Daffy Duck Khary Payton: Cyborg (Original TT) Clancy Brown: Red Death (Venture Bros.) Kevin Michael Richardson: Principal Lewis Billy West: Ren Dana Snyder: Master Shake James Arnold Taylor: Obi-Wan Kenobi Steve Blum: Spike Spiegel Troy Baker: Joel Miller Josh Keaton: Spider-Man H. Jon Benjamin: Bob Belcher Tom Kane: Him (PPG) Doug Lawrence: Plankton Jack McBrayer: Wander Christine Cavanaugh: Dexter Alex Hirsch: Grunkle Stan Ben Schwartz: Leonardo Kate Micucci: Webby Josh Brener: Donatello Dante Basco: Zuko Dave Willis: Carl (ATHF) Bob Bergen: Porky Pig Jason Mantzoukas: Jay (Big Mouth) Liliana Mumy: Panini Seth MacFarlane: Palpatine (Robot Chicken) Thoughts?
While I’m in college I’m going to take some classes because my main path becoming a director, so knowing how to act or understanding the art can help translate some parts to the actors. Let’s say I really like acting, what’s the next step? I’m unsure where to take that art after college. I’m not interested in being in any plays or anything that’s not within the film or video genre. Where should I go after college?
Hey guys, I was wondering if you had some tips for identifying scams in casting calls? I am an unrepresented actor trying to get some experience/footage on camera and therefore am not qualified for the big-budget/obviously legit breakdowns. When looking at a casting call on Backstage, for example, I try to google the director if listed, the production company if listed, ensure the language is coherent, the character descriptions are thorough, and try to see if they are only seeking young women (sometimes a red flag). It scares me just showing up to a location once you book without having any solid info on the filmmakers you're working for. Usually, when I google the director or filmmaker, they are just starting out and there's very little online presence if any. I would really appreciate any tips or insights so I don't get kidnapped! Thanks!
Hi all, so recently I had someone (who is not a VA, she’s a therapist) tell me I need an LLC and business license to freelance (for tax purposes or something) and I was like what? Why? I’ve never heard of an actor needing these things to get work, and I don’t exactly have a ton of extra money to pay the fees at the moment. What do you think? For those of you who might have this, is it worth it? Thanks!
What are the differences between theatre and film prep prior to the show / shooting the film? I'm from the UK and have most experience from theatre. I'm interested to understand the process prior to shooting a film? My experience of theatre: Audition ---> get the part ---> script read ----> maybe sometime for exploring the text / characters together ---> pre-planned rehearsal period of a few months; during this time everyone does solo work outside of rehearsals on character development etc, but also that is done inside the rehearsal space. Eventually ends up approaching end of rehearsals and into tech run, dress run etc. and then boom show starts. As an actor in theatre I found it to be a real interesting process where people are learning and developing as we go together throughout the weeks. What's the process for film?
Hello, I am an aspiring Actress and trying to find auditions in NY besides backstage and actors access. Please help to identify other sources of auditions in the area. Also, would you please give me a hint where to find good monologues for my self-tapes. Thank you
So I teach a course that focuses on directing actors for camera - hence most of my students are non actors. However I believe it’s important that the director experiences life in front of the lens. I’ve got a few scenes I like to give them to go work on in groups of three - one director and two actors, but I’m looking for some fresh material now. Anyone here have some favorite scenes that are two-handers that present a fairly simple acting challenge? Preferably from films? I’m on the lookout for scenes that aren’t huge emotional moments but that do have some dramatic life to them.
We're looking for a somewhat dark reading of the text below. However, we're open to different interpretations of it as well, maybe even a slightly brighter reading would contrast nicely with our music. Male and female voices are both fine. This will be for an American audience, so that accent is preferred but not required. The four lines below would be played throughout our performance to help the audience understand the theme of each song and the overall concept of the production. Our season has already started and we're hoping to get these recordings into the show by the weekend, so the turn around time is going to be pretty quick and I'll need to make a decision by tomorrow night (Sept. 14, 2021). However, if someone has the right voice and needs a bit more time I can wait until Wednesday or Thursday at the latest (Sept. 16). I'm offering $50 for the four lines below and if needed perhaps a re-read after we try them out with the band. Please feel free to post your material here or in a PM to me here on reddit. Once someone is chosen I'll send money via Paypal if that works. Looking forward to hearing the voices of whoever is interested. Thanks everyone for your awesome subreddit! ---Begin script--- **In Greek mythology, Pandora’s Box contained all the evils of the world. Upon opening the box, Pandora released those evils into the world leaving only “Hope” inside.** **Impelled by her curiosity Pandora opened the box, and all evil contained therein escaped and spread over the earth.** **She tried to close the container, but the whole contents had escaped, except for one thing that lay at the bottom - the Spirit of Hope.** **And as all the undesirable contents left the box, Pandora catches hope before it can escape.** ---End Script--- I'll update this post when it is finally closed.
I've done enough background acting in LA to be pretty familiar with the pay bumps. Do regular, non-background actors get the same bumps? It seems like the same things would apply, but I can't find rates for non-background pay bumps. When I google actor bumps all of the results are for background. I've tried looking through the SAG-AFTRA website but I don't think I'm looking in the right place. I'm assuming the same bumps would apply (wardrobe, late meals, etc) but I don't know if the rates are the same or higher. Do any of you know where I can find info on pay bumps for non-background?
Hi all I had an audition on Friday for an advert. I’m pretty sure I didn’t get it, as they need someone for costume fitting next Friday. One of the other actors waiting in the audition asked the receptionist who he should invoice for his recall fee. Mr Google has informed me this is around £50 and seems quite unique to commercials. I’m UK-based and unrepresented. Is it rude to ask the casting assistant for the £50? Is it something only agents can claim? Thanks
With Behind The Voice Actor's casting call sectional going down, I'd like to know some more sites that are similar to ccc. I've already seen Voice Acting Club and am part of their discord already.
Hi, Long story short - self funding a book to be published and im basically looking for some voice actors who'd be interested in helping me with a story. I can only charge £20 for the role and have the following characters; a friendly tiger, a manatee, general narrator, a whale, a shark and an otter. thanks
Hey guys! I'm a low/no income disabled actor, (that's relevant here I swear lol), and I'm so excited about this I wanted to share :D Plus, while I've got you here... (sorry if this isn't allowed, I'll remove it if it is), I'd also love some speculation from you folks as to what my earnings might be from this. I had been starting the process of applying for SSI, (disability income), and I won't qualify, or need to for a while, if this commercial brings in enough money for me to live off of for the time being. I'll put all the details of everything in a comment, so you can read that if you're willing/want to throw out your best guess. I'd really appreciate it. Sending good vibes to all of you. Acting is so fun, but it's not very forgiving. I hope that through any difficult times you face, you keep your love, your joy, and your passion for the craft. Cheers :)
I’m gonna keep this as short and simple as I can. So since January I’ve been dealing with burn out and I’ve been trying to keep pushing through because I haven’t really had time to have a break. And not just like a few days break I mean a few weeks worth of a break. I’m currently in college (i major in theater) as well as working as well as being full-time in our theater program. Right now we’re doing a show and I was cast as the lead. I have so many lines to remember and I’m just struggling more than I usually do to remember them. I feel like it has to do with the fact I feel so burnt out from literally everything. We’ve only been practicing this play for two weeks and he wants us to be off book. There’s so much dialogue in this play, especially for my character I say a lot. I just feel tired and drained all the time, I love acting with all my heart but right now my brain just cannot focus. I don’t know what to do I feel like a bad actor, and I don’t wanna let down any of the other actors that I’m acting with. I just don’t know how to stay focus and remember all the lines I need to.. how do i push through this??
As an actress who loves television and that’s all I really desire to work in, I was wondering how long it took my fellow actors to book their first co-star, guest star, reoccurring role or series regular? I’m feeling a little down about my skills today but I know it’s just a bump in the road and patience is a must.
How many people here actually have dreams and goals of being apart of the 1% of actors, and how many people are acting just because they love it and don’t have any desire to reach that status ?
I'm a recent grad and have zero money or budget for filmmaking but i have some bare minimum equipment and want to start making shorts and such. Problem is I don't really have any actor buddies, so would it be in bad taste to hit up my local college's theatre department to ask if any actors would be interested in participating in my short films. I honestly would not be able to pay them. The best i could do is provide pizza and drinks and of course a copy of their scenes if they want to use it in a reel or something. The project isn't really for profit, it would probably just go up on youtube and maybe entered into local film festivals depending on how it comes out. I don't expect much views if any on youtube for example, but if I were to make money off of it, i feel it would be fair to contact the actors again and pay them a fair cut. So do y'all think anyone would be interested in this, should i even bother asking? Edit: title should say: would it be IN bad taste...
I been reading about tonsil, and I’m planing on become an actor, I talked to friend of mine and says that my voice is a bit nasally and not very clearish Do you think this surgery would be HUGE for me? Thanks, and I would like a feedback.
Hi all, where’s the best place to find casting for new actors. I live in the UK and I’m fairly new so was hoping someone could advise me. Thanks
Just wondering if anyone else has been able to, I know iSpot isn’t really for the actors anymore.
Setup - Fox is an actor who is a 'ride along' with Woods (real cop) It is a great comic scene about masculinity. [https://www.youtube.com/watch?v=tnw2xelFnqQ](https://www.youtube.com/watch?v=tnw2xelFnqQ) Fox gets lots of sight (side?) gags but Woods drunken silence as he grasps for words is perfect. I ain'y no thesp' , but my theory is that it was 'workshopped' a great deal. Watch Fox, he has a 'stereotyping' female action for every shot. He is playing a male actor 'hamming it up' , but he does not steal attention or the scene. It is just so well crafted , there is so much going on. And it is shot really tight in on their faces too. The props and barman are there for timing and to let the gags 'land'.
I was rewatching the movie "Puppet Master" Which is a movie made in 1989 and there is this actress named Robin Frates. She looks to be 20 to 30 years old but I am so fascinated as to how little information there is about her. Nobody knows how she died nor how long she lived, or even if she got married or not, at this point I just want to know her age but to find out at least what happened to her would be great! [Robin Frates](https://preview.redd.it/c5fprgerozm71.jpg?width=210&format=pjpg&auto=webp&s=e36294fccae176f46f57551d473d79460d490e0d)
I get not wanting to get makeup on the costume, but won’t you do that when you pull it over your head? And in addition to getting it on the costume, won’t you also ruin the makeup and your hair? It just doesn’t make as much sense to me as getting dressed first, then just putting a makeup bib on over the costume while you do hair/makeup.
When I was a kid, I want to become an actor but quickly throw that dream upon realizing that I will be competing with lots and lots of people for a role. I am now working in a different field. my question is how hard is it for you to get a role for a project? how many of you are still struggling to find a role? are you willing to work for free or a low pay of 0.01$ per word to either get an experience or an edge over other candidates? Say, I am going to make a visual novel with fully voiced dialogue and planning to make a small profit out of it. Therefore, I can’t pay much even tough it is a commercial project. would you apply for that role? (Assume financial compensation is low).
Listening to a podcast with Jordan Harbinger as the guest, and this came up. It's brilliant, and they go on to discuss networking (in general, not for actors although its an LA based podcast) for quite a while. I feel like "networking" is so misunderstood by aspiring actors and many other folks, and this is a great description about what IMO "real" or productive and professional networking is. The podcast is at [https://podcasts.apple.com/us/podcast/jordan-harbinger/id1064978212?i=1000534542569](https://podcasts.apple.com/us/podcast/jordan-harbinger/id1064978212?i=1000534542569) and you probably should fast forward at first unless you are interested in three LA gals talking about 'ladygang' stuff! Trust me though, the networking discussion was a surprise gem. Don't feel like listening? "Dig the well before you are thirsty" means create your network before you need it. Make relationships and be a giver. Connect other people. Offer help. Stay in touch with people without needing anything. For details give it a listen.
Hi, I am very new to acting, just starting out. I don't have any formal training - just some unofficial improv experience - and signed up for Actors Access with the intent of getting into some background work. I got my first Actors Access role which was a supporting role, filming a trailer for a movie script that is trying to get funding. One of the guys I worked with recommended I put it on a resume, which might help get me other roles. I've been looking online, but I'm not sure how I should list it. Since it's a trailer, I feel like putting it under "FILM" is misleading, but I haven't seen any examples that list a title like "TRAILERS" or something. Does anyone have any suggestions? Or is this not something I should put on a resume?
SO, I received an audition request from my Agent for an MOW role. After looking through the 2 page sides a couple of times it appears to me that someone wasn't paying attention. Someone thought: "OK, it's named role and he's in more than 1 scene, so we can give it to a local Union actor, meaning we have the opportunity to see different actor's self-tapes for it." It looks as of it was duly sent out to CD's who duly passed it on to Agents and then to actors without anyone actually looking a it further. The role is for a priest and he is mentioned on 2 pages. One, chatting in the background to a minor character, and one standing next to the Groom in the Wedding scene. So, no scripted lines, no action, no movement. I replied to my Agent: "I'll need some help with direction for this audition. I could just stand there pretending to chat with no-one, but as I don't have a priest costume to wear, it won't have much impact. I could ad lib as the priest to the camera, but this is not what I'm asked for. As this character is only in 2 scenes, and these are the scenes sent to me, I can only guess that this is the totality of the role. How can I present this? I think that my headshot, reel and size card will probably suffice for this audition." I may be a broke actor, but I AM paying attention. Happy Friday, everyone.
What would happen if you were a male actor with a seemingly full head of hair who was cast in a role based off a self tape, but it turns out you're bald at the back? If this isn't something they desired for the role, how would this be navigated when you turn up to filming/wardrobe test? Same thing for tattoos.
Right now, I'm trying to finesse my quality of sound without having to spend TOO much money. I understand that any investment will be worthwhile in the long run, but as I save up to make sophisticated changes to my at home studio I want to feel out what I can do now to improve the sound of the actual audio. \*For reference, (and I'm embarrassed to type this as a working VO actor) I record in a closet, with cardboard as panelling, a yoga mat on the ground, a blanket as curtain nailed to the wall around me and my blue yeti mic that plugs in to a USB port on my Mac and use audacity to edit. Yes, I have a pop filter. \*\*I have booked work in radio commercials and series dubbing. My agents want me to dedicate the next few weeks on getting better sound because the actors with better quality are edging me out.
**TLDR; I don't like a script for an audition I have. I don't want to be in this movie. Do I still send in the tape?** This is rambly, bare with me. Hello! So my team sent me a self tape request, and I'm reading the script, and it's just awful... I confirmed the audition before reading the script. I normally do, it's never been a problem for me. I'm only 50 pages in and it is so dated, sexist, lame, and overall I'm just really offended by it. This is the first time I've felt so strongly about material sent to me. I don't fall in love with every script, but this one just feels like a gross flashback to early 2000s trashy late night rom-coms, in the \*worst\* way. Yes, I will finish reading it to see if it redeems itself, but based on the structure and some of the language used to describe women in the stage directions, I'm not hopeful. The project's got a notable team and actor attached to it, so I know it's legit. I'm just morally against and bored and exhausted of this kind of movie. So do I still submit for it? I'm worried about upsetting my team (my manager is a no-nonsense, serious, business lady--and she's hella good at her job) by turning something down. I don't want to come off as lazy for not wanting to tape or like a picky actor. I've booked some good jobs, but I don't feel like I'm in a place to turn down roles right now. I've only ever turned down auditions because of scheduling conflicts. I'm thinking of taping for it (the sides are 3 simple pages), and then adding a note to my team saying how I feel about the script? At the end of the day I don't want to be in this movie, you're gonna have to pay me a butt load of money to do it. I'm just trying not to disappoint anyone. I'm fairly new with my manager and she works with a really reputable company. We've been working together under a year, so I'm still trying to impress her and show her I'm dedicated. oy vey thanks for reading if you made it this far
Has anyones past experiences assisted them on their journey as an actor/actress so far? Here is my story. I fell in love with acting at 14. But I had no foundation I knew no one who acted and my parents didn't speak english. It felt like theater or acting was out of my reach I had no one to guide me. Through high school the older I got the higher level sports I would play. I reached a level of sport that was so cut and dry. "You're too small, lose more weight, get faster, get stronger..." sitting the bench when you know you are better and still being yelled at. When I graduated I didn't want to continue in sports. I was coming back from a injury that had me kept me out of sports for 6 months. My body was tired. Torn ligaments, constant aches. I knew I was done. When I turned 19 I wanted to look for something to do so I picked up acting at a well known school in NYC. I got to acting and started training with teachers in addition meeting my comrades aka my competition. I noticed even until today that when I would come out of a class people would be upset or angry about what the teacher said "did you hear his tone... ugh." Some person came to me after class once and said don't feel bad about what he said. In regards to an acting teacher getting a little loud at me trying to get something through to me. I didn't even realize he did anything wrong. Acting is cut and dry. It's hard. Landing a role is tough. Audition after audition. No and no. I've seen people quit the entire journey as a whole. Sports has made me unfazed to literally everything. Even the "mean" people don't seem mean at all. BUT... I have heard of some disrespectful teachers. But thats the beauty of this career. You get to make your own decisions. I gotta say if you want to get into acting it's not as scary as people claim it is. Just be prepared to be more disappointed than cheerful lol. Do it for the love of it. Sorry for any grammar errors lol.
Hello! Recently my art addiction has been reaching newer levels, and my favorite DnD character has been gaining a stronger voice in my head, so I want to try and get it actually realized. The voice I'm envisioning for her in my head would be something along the lines of [Kaine](https://www.youtube.com/watch?v=yG5ULEJ0wm0) from Nier Replicant (Laura Bailey). I'm looking to start on the smaller side first, thinking of a $20 budget via paypal for whatever amount of word's you'd be willing to give for that amount, and I don't have a particular hard deadline. I can be patient with longer times even, so long as I can get updates. Fair warning, I tend to be a repeat customer! A few sample images of my character: [One](https://cdn.discordapp.com/attachments/771230533639471124/885430078614409226/gfdsgfds.png), [Two](https://cdn.discordapp.com/attachments/771230533639471124/885430094808633364/marceline_WM.jpg)
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Us actors know only our side. I don't want to hear from actors. I want to hear from YOU. I want to be schooled (real talk) in the business of the craft from your end. I'm not talking about the 'how to act part' but can you just be brutally honest with us on behind the scenes? Direct offers? How much a top 4 agent really means for you (does it really make that much of a difference?) It seems like everyone is a series regular these days - how does that affect things. Can you tell us stories and give advice on your end? Stories of persistence or just warning stories of what NEVER to do as an actor? If you started off acting - what made you stop? What do you wish we knew as actors right now (re: is it truly that important to promote ourselves on tik tok or no?) Sometimes I question myself, "Would Meryl Streep have a tik tok when she was coming up in the 70s/80s?" I truly wonder....
I work for free and I’m open to do a lot as I’m new to voice acting and I already have done many short lines for halo machinimas for the past year but they never took off so I do have a bit of experience just let me know I you need a young male voice actor
As mentioned above, I received an eco cast for a self-tape audition on actors access about 1.5 weeks ago. I am currently in 7 classes, working, and auditioning multiple times a week. Any audition is exciting to get. However, this role is for an unpaid short film, I was excited to audition at first, but got slammed with so many other responsibilities that I never made the time to sit down and really work on the audition scene. (8 pages long). Tomorrow is the due date/work date, and I know it’s unprofessional to ignore the audition invitation. Should I just throw the audition together later today after school and submit it? Or is it better this late into the timeframe to just decline the invitation? I am convinced the role is already cast and I won’t be getting it because of the role type, age range, and length of time I waited to submit. What is the more professional way to handle this situation? I have never been in this position before.
I’m an American actor who is considering studying at a conservatory in the UK. I am interested in RADA, LAMDA, Bristol Old Vic and Guildhall. I’m interested in studying in the UK because: \- Studying in the UK is generally cheaper than studying in the US. \- One would receive training that is comparable to the training in the US. \- The idea of living/studying in another country is exciting. However, one major concern I have is being able to find representation after graduating. I plan to come back to the US after training. In my mind, I would be able to secure an agent in the UK that could then refer me to an agent in the US; but I don’t know if this is actually possible. I’m wondering if anyone might be able to shed some light on this? I would especially appreciate the input of any actors who have attempted to do/have done something like this.
I'm a pretty green actor and I'm in the east coast. There aren't any adult acting classes near by. I know no matter your experience getting some acting classes under your belt is pivotal. I've never landed a gig and I do plan to get some professional head shots soon but I wanna get some kind of real experience under my belt before doing that but my location is literally the opposite of for example California or New York or even Atlanta where it's pretty much actors land. I don't wanna pretend that my belief in my raw talent is enough to get me by, it's unrealistic and also moving locations is not in my cards right now. So what should I do to proceed?
I’ve been with a local agency: Big Fish NW Talent, and I’ve been with a particular agent that reps their youth actors for about 7 months. I’ve gotten some auditions and I’ve asked her about some submissions that she apparently submitted me for. I’ve asked her many times about potentially self submitting to roles and asked her about some managements that were interested in signing with me. She denied all of them, and I get a feeling like she really doesn’t like me. All of her answers are blunt, negative, and she’s very sure of her opinions. I’ve asked her to submit me for things that I felt I could accurately portray and she’s denied them, as well as she will answer certain questions differently than when I ask a bunch of industry professionals on. I’ve asked her about potentially submitting to agents and managers outside of the PNW and she has no problem denying my suggestions, but then won’t help me with actually finding them. I’m not sure if I should terminate the contract, or if I should just stay and see what happens. What do you think I should do?
Howdy folks! I'm working on starting in voiceover. Been doing my research: Dee Bradley Baker's site, VO Buzz Weekly, Voice Over Voice Actor, noodling with my sound equipment from multi-track recordings and all that jazz. I'm signed up for the online beginner commercial class with Voice Over Camp after seeing them recommended here, but I'm really interested in something in-person. Any folks from Northern Wisconsin know any coaches or classes in that area? Technically I'm in Michigan, but it's just as far to Marquette as it is to Green Bay, and as a lifelong Michigander I'm used to people forgetting the UP. Or if you've done both in-person and online coaching, how do they compare? My experience with online versions of other things has been generally that it's worse.
Hi all! Terribly sorry if this is not the place for this type of post, but I figured if anyone would know who it was it would be this group of lovely people. The voice acting in College Humor's "Everything That Will Kill You... From A to Z" is absolutely incredible. I have been searching for the voice actor of this video for a while now and I cannot find any credit to him on any of the video links not a mention of the name in the comments. There isn't even an IMDb page for the short. It's kind of driving me crazy
Sorry if this question was worded weirdly, but here we go-- an agency I know of in LA is seeking new clients in their commercial division for a few specific types of actors, and I happen to fall within one of these types. (This is a boutique agency & this would be my first time seeking out representation.) I personally know an actress who is already on their roster who actually recruited me to be an extra in a music video several months back, as their agent was looking for people to fill the positions at last minute. Should I mention this instance in my submission? What other questions should I ask them should I end up getting a meeting? Thank you for all your help in advance!
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
