Kris Keppeler walks you through how to learn audio engineering the hard way in today’s blog. But don’t despair! Your engineering and voiceover skills will benefit you in the end. www.stage32.com/blog/how-to-learn-audio-engineering-voiceover-the-hard-way-3997
I loved this clip of Isabella Rossellini and her work with David Lynch on ‘Blue Velvet’ and her problem of working with agents! What do you think about her role in Blue Velvet and the problems of finding a good agent?https://youtu.be/HSfbgQs0xhU
Some thoughts on boundaries when working long term with characters. Have you ever experienced this?
Get ready for another exciting Stage 32 Community Wrap-Up this Friday at 10:00 am PT / 1:00 pm ET with Stage 32's Head of Community, Ashley Smith, and Community Manager / Writer's Room Producer, Kay Ross!We'll be covering all the amazing things happening right here on Stage 32 – from upcoming events and education to valuable resources, blog highlights, and more. Plus, it’s your chance to ask questions live and get insider tips to make the most of your Stage 32 experience. If you'd like us to discuss anything in particular, drop it in the comments below!Make sure you're following @Stage32 and @Stage32Scripts on Instagram so you don’t miss out! Set your reminder here:https://www.instagram.com/p/DFa985VSmWp/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
- Professional name visible at the top of the page- Current headshots prominently featured- Union affiliations clearly stated- Media, including audio and video reels- A properly formatted and updated résumé- Links to all of your online casting profiles- Links to all of your professional social media profiles- Latest career news- A fantastic “About Me” page- Mobile-friendly design- Contact Info / You and Your Representation#actor #tv #film #video #website #script #writer #drama #manager #agent #casting
The February Education schedule is up! Check out today’s blog to see the incredible webinar, classes, and labs available to the community. Don’t wait for all the spots to fill up! www.stage32.com/blog/stage-32s-february-2025-education-schedule-3994
I brought this up in another post of mine. Not sure why anybody wishes to address this but I could use some guidance since SAG is a necessary evil in the world of independent film.So SAG has a scale base pay for films of $2M and above. Why is the low $2M when we're seeing budgets in over $100M and beyond? Don't know. But SAG has a different pay scale for Premium Talent. How is that defined? Don't know. Can't seem to find a definite definition to the term. It's just something they say is God's word and you must submit to it. Now we have Schedule F. The most common definition of Schedule F is "A Schedule F SAG contract, also known as “deal performer” contract, is used to employ an actor on a film or television show for a specific period of time." A specific period of time? Yeah, it's called the shooting schedule! Once shooting and ADR are finished, who needs them any more. Now if you have to do re-shoots because someone "F'ed up" is that covered? You still have to pay them. Somehow, I don't think it is.They go to say: "As opposed to a daily or weekly contract, SAG Schedule F deals are usually reserved for lead or supporting actors who are needed for the entire run of a given project." What does "entire run" encompass? From the first day of rehearsals to the induction into the Film Industry Hall of Fame? SAG loves to create sub categories that seem to extort producers, investors and creators to create bigger hardships than needed and don't seem to put any onus on distribution where some of the best book cooking would win you the grand prize on an old episode of Chopped.So if there is anyone that can explain this to me and why SAG has no guarantees that their union member won't turn their audience against the film project that their member is starring in.They are like, "You HAVE to use our members governed by our rules and pay them what we say you have to pay them and pay our insurance and union fees but if said members says something stupid that makes an entire nation want to boycott the movie you and your investors risked everything on, well....that's not our responsibility."I would really love to hear your views on this considering there are more out of work actors out there than roles that need to be cast. Please, enlighten me.
What goes into crafting a truly memorable performance? Adrien Brody takes a walk down memory lane, revisiting scenes from some of his most iconic projects, including The Darjeeling Limited, King Kong, The Village, The Pianist, Succession, and The Brutalist.In this fascinating breakdown, he shares insights into his approach to character, the challenges of each role, and how his experiences on set shaped his performances. Whether it’s the intensity of The Pianist, the physicality of King Kong, or the layered storytelling of Succession, Brody’s reflections offer an inside look at the craft of acting from someone who fully immerses himself in every role.Watch the full video here: https://www.youtube.com/watch?v=iq98krk-7Oo Which of Adrien Brody’s performances has stuck with you the most? Or what’s a role that has challenged you as an actor in a similar way? Let’s chat below!
In today’s blog, Alexandra Stevens talks about how specific techniques from Gestalt Therapy and EMDR can be applied in acting classes or one-on-one coaching to help actors deliver more embodied, emotionally authentic, and vulnerable performances.www.stage32.com/blog/how-therapy-can-make-you-a-better-actor-without-going-anywhere-near-the-couch-3995
Hey creatives! THE best way to get better as a creative is to read great scripts, and see how the pros do it. So, for your perusal, Stage 32 is giving away scripts to all of this year's Awards nominated moviesVisit the blog and download away!https://www.stage32.com/blog/announcing-the-stage-32-awards-season-script-giveaway-3988
3 Unbelievably Powerful TV Commercial Audition Tips Actors Needhttps://youtu.be/yRHSvH40p18Do you have any TV commercial audition tips? If so, share your experience here and on the Acting and Modeling Quick Tips Channel so we can learn from you. Subscribe and have access to 500 + videos.
What exactly does it mean to be a local hire?A local hire means that you are able to work in the shooting location without the need for travel expenses. If you consider yourself to be a local hire, it means you are willing to: fly yourself to the shooting location, put yourself up at a hotel or other residence, and get yourself to/from set without any reimbursement. Is it worth it?That’s a question you’ll want to ask yourself and your agent. If you have an offer for a weekly scale but you have to be a local hire in another state, the cost of airfare, accommodations & rental car/Uber will have you barely come out even (taxes & agency fees are other contributing factors).At the end of the day, it’s important to prioritize what it is that you consider valuable to your career. Will this job be your first credit? Will it give you career-changing footage for your reel? If so, it might be worth it. It’s important to know the facts & rules when it comes to being a local hire.Just saying you can be a local hire and having some friends/family in that region may not be enough to fully qualify as a “local hire.” Productions are going out of state due to the many tax incentives offered there and lower cost of shooting.However, in order to qualify for these incentives, they must hire a certain percentage of local cast & crew. Many times, for cast, the percentage that can be out-of-state is reserved for the larger, leading roles.This means that some states will require either a state ID, or a document proving you are resident within a certain number of miles from the shooting location. (these requirements differ by state)#actor #actorslife
Taxi Driver’ screenwriter calls AI ‘smarter' and 'better' than Oscar-nominated writers.Paul Schrader says he was 'stunned' by the capabilities of the technology! Better screenplays than top- tier human screenwriters."
Is anyone here planning to apply to SoloCom this year, or has anyone performed there in previous years?
“My approach is to look at the character’s world. Often, we get so locked into memorizing lines and practicing how we’re going to say those lines, when in reality the lines are just a symbol or representation of the person. I spend a lot of time getting into the character’s life. Every character has a point of view, so what informs this character’s point of view?” — Malcolm-Jamal Warner
The casting process in the film industry is an essential yet time-consuming task. The casting director acts as an intermediary between the director, producer, and actors. The process of selecting actors for a particular project can take a significant amount of time and effort, as it involves sifting through numerous profiles, showreels, and other materials to find the perfect fit for each role. The process can be slow and prone to human error, as subjective judgment plays a major role in the selection.With the rapid development of artificial intelligence, however, the casting process could become faster and more efficient. AI can assist casting directors by analyzing vast amounts of data, including actor profiles, portfolios, skills, and physical characteristics. It can quickly identify actors who match the director's specific needs, speeding up the selection process considerably. For example, AI could analyze keywords in a director’s request and match them with relevant data from actors, automatically sorting and filtering candidates based on the most relevant criteria.In this way, artificial intelligence could significantly ease the burden on casting directors, reducing the workload, speeding up the process, and improving the accuracy of actor selection. This could become a standard practice in the industry, enhancing both the quality and efficiency of casting calls in the future.How do you think?
Hi All, My friend and I are hosting three table reads. One script written by me and other two by him. We are still looking for more actors to join. If you are available and interested, please feel free to fill out the link below: Which date works best for you to attend? A) Feb 4th, 7:30pm Oops on a/ Christmas Night written by Gary McMillan Jr Genre: Christmas Romantic Comedy Longline: When a media mogul is forced to find a bride by Christmas to inherit his grandfather's fortune, his wedding plans turn out to be anything but festive. B) Feb 8th, 7:00pm City Crooks: Written by Shemar James Genre: superhero action with a focus on social justice. LoglineA group of outcast, second-generation immigrant friends become superheroes to protect their corrupt, crime-ridden city while battling bullying, racism, and family struggles. C) Feb 15th Abandonment: Written by: Gary McMillan Jr Genre: Psychological Thriller/Horror Logline: A young man, ostracized by his family and friends, descends into a spiral of paranoia and violence, seeking revenge on those he believes have abandoned him. https://docs.google.com/forms/d/e/1FAIpQLSe4HPd7DyklaJe3rrAk6cqOXYEAxBLj_emNI7zwtGjeMJI3Bw/viewform Thank you! Shemar
I just finish this project, although it was a very low project, but we have to do something
Get ready for another exciting Stage 32 Community Wrap-Up this Friday at 10:00 am PT / 1:00 pm ET with Stage 32's Head of Community, Ashley Smith, and Community Manager / Writer's Room Producer, Kay Ross!We'll be covering all the amazing things happening right here on Stage 32 – from upcoming events and education to valuable resources, blog highlights, and more. Plus, it’s your chance to ask questions live and get insider tips to make the most of your Stage 32 experience.Make sure you're following @Stage32 and @Stage32Scripts on Instagram so you don’t miss out! Set your reminder here: https://www.instagram.com/p/DFJLTOuzNYd/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==See you Friday!
What goes into crafting a compelling performance, and how do directorial choices influence an actor's approach to a scene? In this insightful breakdown, Anora director Sean Baker and lead actress Mikey Madison analyze a key scene from the film. Sean shares fascinating details about location scouting, keeping the story open to interpretation, and his collaborative approach to working with actors. Mikey provides valuable insights into her performance choices and how she brought depth and nuance to her character, Ani.This video offers a unique look into the creative process from both sides of the camera, making it an essential watch for actors and filmmakers alike.Watch the full video here: https://www.youtube.com/watch?v=ZgotC8YiNyM What aspects of an actor-director collaboration do you find most crucial in bringing authenticity to a performance? Share your thoughts in the comments below.
Just wanted to send out Love and Prayers to all who may be affected by the wildfires in California ♥️ ~Crystal
Hey Acting Lounge! THIS IS IT, THE TIME TO SIGN UP FOR THE WRITERS ROOM HAS COME! Please join us for a very special edition of The Writers Room TOMORROW 1/22 at 4pm PT! We will be talking to LONGLEGS writer/director Osgood Perkins and taking questions from our members. The film features standout performances across the board, including an absolutely bonkers turn from the one and only Nicolas Cage in the title role, all coming at their parts with that touch of Oz's style and influence.DO NOT MISS THIS! Should be an amazing conversation, cannot wait! FREE MONTH of the WR at the link below!Link to the Show:https://us02web.zoom.us/j/85858669122?pwd=rn2cIvWchFSe3XnA2iVXVCD84Td9M4.1FREE MONTH of the WR:https://www.stage32.com/writers-room/plans-vip
Character actress Suzana Norberg shares her snail’s pace journey in today’s blog, hoping it’ll encourage you to keep going. www.stage32.com/blog/a-case-study-in-slow-and-steady-3985
New SAG-AFTRA Self-Taping Rules Explained: What Actors Need to Know https://youtu.be/P32TQUevJL8 Do you have any self-taping tips? If so, share your experience here and on the acting and modeling quick tips channel, and let us know how self-taping has been for you.
Today, Stage 32's Head of Community, Ashley Smith, and Community Manager/Writer's Room Producer, Kay Ross, went LIVE on Instagram @Stage32 and @Stage32Scripts for our weekly Community Wrap-Up! We covered:-Tips for Introduce Yourself Weekend-Updates on Stage 32's Double Recommendation Program-How to network in a way that’s comfortable for YOU-The importance of updating your Stage 32 profile for 2025-Must-read free Stage 32 blogs- Exciting upcoming Writer’s Room events, AMAs, and education… AND SO MUCH MORE!Check it out HERE: https://www.instagram.com/reel/DE8BJTbxxIs/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
Hey, everyone. How do you get ready? Do you go over your lines, reread the script, get into character, mingle with other actors, relax, etc.? Are there any things you avoid doing when getting ready?
As the wildfires continue to incinerate homes, Annette Bening wants those who work across the entertainment community to know that the Entertainment Community Fund is here to offer immediate short term help.Article: https://deadline.com/2025/01/annette-bening-financial-help-available-for-struggling-industry-workers-from-entertainment-community-fund-1236256828/Entertainment Community Fund website: https://entertainmentcommunity.org/
Hi to our community based in Canada. What are your thoughts about this new agreement? How does it compare to the SAG-AFTRA agreement?‘Canada’s actors’ union has reached a tentative deal with indie film and TV producers…“This agreement reflects the collective strength and determination of our membership which we could not have achieved without your continued support and unity,” ACTRA National president Eleanor Noble and Marie Kelly, ACTRA national executive director and chief negotiator, said in a statement.’https://www.hollywoodreporter.com/business/business-news/canadian-actors...
Is Acting Work Dead? Here Are 3 Proven Tips That Really Workhttps://youtu.be/1o-Z6IzvU84?feature=sharedEver Experience A Time When Acting Work Was Slow?Have you ever experienced a time when acting work was slow? What did you do to help get more activity? Share your experience here and on the acting and modeling quick tips channel, and let us know what you did so we can learn from you.
Don’t miss TODAY'S Stage 32 Community Wrap-Up LIVE on Instagram with Head of Stage 32's Community, Ashley Smith, & Stage 32'sCommunity Manager/ Writer's Room Producer Kay Ross! You can tune in on the @Stage32 or @Stage32Scripts Instagram accounts every Friday at 10:00 am PT/ 1:00 pm ET, to keep up to date on all of the wonderful things happening right here on Stage 32!Go to Instagram NOW to make sure that you're following the @stage32 and @stage32scripts accounts so that you're ready to join us! Or click here to set a reminder for yourself: https://www.instagram.com/p/DEoOXE0PVWG/?utm_source=ig_web_copy_link&igs...
https://variety.com/2025/film/columns/academy-awards-worthy-performances-2025-for-consideration-1236271152/
Hi All, I am having a virtual table read for my first feature film script, Modern Monarchy: The Caveman King Part One, based on my own comic book series. I am looking for more actors to join. If you are available and interested, please feel free to message me directly and share your email with me and I can add you to the list of participants. Date/Time: January 11th, 8pm-10:30pm CT You can find more info about the story here: https://www.stage32.com/profile/800940/Screenplay/Modern-Monarchy-The-Caveman-King-2 Thank you! Shemar
The Table-read for The Tattered Book is officially set for Jan 27th, 5:00 PST. I need more actors! Please join the growing group of actors and producers who will be attending. I can’t wait to see and hear this charming and unique screenplay read by you. I adapted this from a novel I wrote in response to a demand for a book in which “the main character falls in love with the reader.” Type it into the web and you’ll see it’s almost a cult following.Remember, this is just for fun and to practice your art. This is not an audition. That being said, it never hurts to get your face out there. ;) PM me if you're interested.Here’s the logline & synopsis of the storyline: Logline: A shy introverted woman buys a book about a handsome detective in Italy who seems to see her. As he begins to fall in love with her, she must choose between being pulled into a fictitious world or throwing the book away... and her chance at love. (The Lakehouse meets Just Like Heaven) Synopsis: Going for a morning run, Cassi stops at a garage sale and buys a tattered detective novel. Her family accuses her of living in a fictional world. Cassi disagrees, but as soon as she starts reading it, her carefully ordered life begins to unravel. Every time she reads the book, she dreams about it… about what hasn’t happened yet. And the main character seems to see her, even in the written pages of the book she’s reading. Shy by nature, Cassi attempts to talk to him in her dreams, but every time she does, she wakes up. Not knowing who she can trust with her bizarre secret, she confides in one of her elderly physical therapy patients who believes her. His advice is comical. Detective Marco Marino is working an intricate and dangerous case in Florence, Italy. The Scutari mob has threatened another business in Florence. Trained in the United States, he uses his extensive knowledge of mob families to corner this ancient family. As he works the case a mysterious woman keeps appearing and disappearing like a phantom. At first, he’s unnerved by this constant distraction from his work, until he realizes she is trying to help him solve the case. If only she could speak! When he takes her into his arms for a fleeting kiss, he knows she’s real. This is a mystery he must solve.
This month, you have the chance to learn from knowledgeable industry executives, award-winning writers, producers, directors, cinematographers, coaches, consultants, authors, actors, and representatives who worked on or represented such projects as JOY RIDE, NOW YOU SEE ME 2, OH, CANADA, CARD COUNTER, A SONG FOR IMOGENE, SMALLVILLE, and many more! Check out today’s blog to read their bios and see what services they’re providing as well as the full education schedule. www.stage32.com/blog/red-carpet-roll-out-january-2025s-new-executives-education-at-stage-32-3973
Which actors do you think will win SAG Awards this year? https://variety.com/lists/2025-sag-awards-predictions/
This Famous Actor Actually Deceived Me – Really Shockinghttps://youtu.be/S1-Rq-yM0a0Watch what happened to me behind the scenes in the acting world. In this video, I share a jaw-dropping experience where a famous actor deceived and lied to me—and the valuable lessons I learned from it.If someone lied to you, share it with us and explain how you handled the situation.
An original monologue, me trying some romantic comedy, let me know what you thing! :)
According to the Hollywood Reporter, Armie Hammer now has to turn down work because he's getting so many offers. https://www.hollywoodreporter.com/movies/movie-news/armie-hammer-talks-comeback-turning-jobs-down-podcast-1236097804/He got massively #MeToo-ed during COVID and had not worked in acting since. As the producer of the movie that facilitated his return to acting, Frontier Crucible (referenced in the article), I can say he was quite professional and charming during our entire three weeks of shooting.
In the below video, the Corridor Crew are joined by Stunt performers Gui DaSilva-Greene and Anis Cheurfa to breakdown action scenes in movies! What makes them good? What makes them bad? Did you learn anything new from this breakdown?https://www.youtube.com/watch?v=RcmYBsKEx1g
Start off the New Year with a dope game plan! This webinar will be taught by Treisa Gary, Actor, Author & Coach. You may have seen her on Grey's Anatomy, Physical, A League of Their Own or NCIS, and then some. She's bringing the truth about acting as a craft and a business, requiring clear steps, preparation, and consistency to succeed. By learning the realities of the industry, how to build experience, and what tools are essential, new actors can avoid these pitfalls. This webinar bridges the gap between dreaming and doing, ensuring that students step into their acting careers with the confidence, preparation, and knowledge they need to thrive.Email edu@stage32.com with any questions! More info sign up here: https://www.stage32.com/education/products/introduction-to-working-as-an...
მოგესალმებით ძვირფასო მანდილოსნებო. ვარ კაცი გამოძახებით (სანდო პიროვნება) მაქვს მრავალ წლიანი გამოცდილება და უამრავი ქალბატონი ან გოგო მყავს დაკმაყოფილებული. ჩემთან სერვისი რეალურია დავდივარ გამოძახებით. ვცხოვრობ თბილისში. ვარ საკმაოდ სიმპატიური ბიჭი მაღალი შავგვემანი სპორტული აღნაგობით. მაქვს დიდი და მსხვილი პენისი. ვარ სუფთა თავმოვლილი და მოწესრიგებული ( მანდილოსნებისგანაც ანალოგიურს ვითხოვ ) ვხვდები მოწესრიგებულ ჩამოყალიბებულ მანდილოსნებს. ვისაც რეალურად გადაწყვეტილი აქვს და გააზრებული ამის გაკეთება მხოლოდ იმათ ვხვდები. ვარ ჩემი საქმის მცოდნე მოგანიჭებთ დაუვიწყარ სიამოვნება და აგიხდენთ ყველანაირ სექსუალურ ფანტაზიებს რასაც სხვასთან ვერ ბედავთ. მიყვარს კუნილინგუსი PUSSY LICKING ეროტიული მასაჟი და სხვა მრავალი. ვარ სანდო ადამიანი ანონიმურობა რათქმაუნდა სრულად და უმაღლეს დონეზე იქნება დაცული. მეტი ინფორმაციის გასაგებად და დეტალების დასაზუსტებლად მომწერეთ Telegram 'ზე, Whatssup-ზე, ან | დატოვეთ SMS შეტყობინება მითითებულ ნომერზე.
How to Avoid Career-Ending Sabotage in Acting https://youtu.be/iO_iVjkhLhU Learn how to avoid ruining your reputation and ensure you're someone everyone wants to work with. Ever experienced a time when your reputation was questioned or challenged? If so, share your and let us know what happened and how you dealt with it so we can learn from you.
- Go pro. Spend money-it’s worth it. Go to a professional who is trained, understands lighting, and takes headshots for a living, not some friend who happens to have a decent camera who “sorta knows a little about photography.”- Opt for personality over glamour. Make sure it looks like you. Chill with the airbrushing. Casting directors expect you to look just like your headshot and will not be happy when you show up looking totally different or 10 years older.- Remember: It’s all about the eyes. Just like with on-camera acting, it’s all about the eyes and what’s happening behind them. It’s your closeup, your moment. Your eyes should be perfectly in focus, alive, and energized, not dead and glazed over.- Pay attention to framing, lighting, and background. In general, a good headshot is chest up with good lighting on your face, and no strong dramatic shadows, unless you are going in for “The Phantom of the Opera.” Three-quarter shots are good for print, and extreme close-ups are good for, well, nothing.- Consider natural light vs. studio. Some photographers do both, as they offer a different look and feel. Natural light gives a very real, “film” look, which I prefer. Studio lighting tends to be a little more polished, with a more neutral backdrop. Both can be wonderful. If you are more of a sitcom actor, perhaps a well-lit studio headshot is more suited for you.- Don’t go crazy with clothing and props. I once saw a headshot of a guy with a bird on his head. Why? Because he wanted to stand out. Let’s not get crazy here. Keep it simple and classy. Professionalism not desperation gets you noticed. A simple, solid shirt with a little texture that fits you.- Go easy with the makeup. Yes, lots can be done with retouching. There is no need to put on tons of makeup. You want to look like yourself on your best day and not look like you tried too hard. Do your hair the way you would for every audition.- Matt Newton, On-Camera Acting Coach#actor #headshot
Hello guys.Besides anything else, I want to thank you for reading this.So I wanted to talk about my image. I dont consider myself as someone "ugly" nevertheless I dont sider myself as someone "beautiful" Im kinda someone common in terms of appearance. Black short hair, brown eyes, Not a gym body but not also a fat body. , kinda skinny. I have a litte problem in my noise. I´ve born of 6 months instead of 9 months just like a lot of people so I have one nostril bigger than the other. That´s the only thing that worry me.Im currently enrolling in a Acting Bachelor Degree in my original Country (Portugal) and I´m going in an Erasmus exchange program to Nanterre Paris University in France to study "Arts du Spectacle: Cinema and Theatre.Im telling all of this for you to know that I have acting experience and I´m going to get even more on France however what worries me most is the image.What should I do?
The TV Show That Made History: For The Wrong Reasonhttps://youtu.be/R7s95q0NgNYIt was disappointing to see a TV show (I was cast in,) that had such potential fail so miserably. There were so many amazing actors working on the show: Steven Pasquale, Phylicia Rashad, Lin-Manuel Miranda, F. Murray Abraham, James Cromwell, and Jurnee SmollettWatch the video and learn why.If you ever experienced a huge surprise after being cast in a project, share your experiences so we can learn from you.
Hello Actors!I'm Treisa Gary, Actor & Coach. I wanted to let you know that I will be hosting a webinar on starting your acting career on January 14th. I'm so excited about it and I hope to see you there. It's called, The Acting Blueprint: Steps to Start Your Career. Sign up today and I'll see you there! Happy Holidays!!!
https://www.indiewire.com/gallery/best-cast-films-2024/
My Beloved Mod Squad,If I don't say it enough, please know how much I appreciate each and every one of you. I couldn't do my job successfully without the support and dedication that you all show this fantastic community. I'd be lost without you all. I hope you all have wonderful holidays with your loved ones and that you take the time to rest and recover before the new year. I'm so excited for all that we'll accomplish in 2025! Best, Ash
Getting to work with Cynthia Erivo a few years back when she was famous but not a household name when she led our series GENIUS: ARETHA was incredible. I've always been in true awe. I am so happy I got to do that before her rocketship took off to Pluto. Amazing!!! https://deadline.com/2024/12/cynthia-erivo-james-mangold-sundance-film-f...
https://theconversation.com/bradley-cooper-cillian-murphy-and-the-myths-of-method-acting-224340
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
