I put together an original sci-fi monologue, I'm seeking feedback or opportunities! Thanks!
Find this site difficult to navigate. Writers room news: Tune In TOMORROW for The Pitch Tank with Alexia Melocchi (International Producer)We're back in the Writers' Room for The Pitch Tank with Alexia Melocchi. Writers will have a precisely timed 5-minute window to present their pitches, while our seasoned experts meticulously dissect each presentation, providing constructive feedback.Get your pitches ready writers! But when, what time zone, how do you register?
Hi, I have been a director and acting teacher for about 25 years, 15 online and would love to work with you. I have taught Emmy winners, Drama Desk winners and worked with Golden Globe and Tony nominees! I will teach you the nuts and bolts of it all and then help you book bigger and better jobs as we work. You will have some homework as you must work hard to join this industry! Making a reel, auditioning and getting an agent are all steps I can help you with. I can be found on imdb at https://www.imdb.com/name/nm2467623/ and my site is https://sbartonfarcas.weebly.com/ and i can be contacted directly through that. You can also read many of my student reviews there too. I offer a free 30 minute class to get to know each other too if you want!
Hi All. I am new here and trying to get my foot in door for Acting. I have never done this before so a friend me here. I am looking for any advice, and suggestions on how to get started. I am interested in classes - preferably free right now but possibly could pay if it’s the right class, theater, commercials, TV, and Movies. I live in Elk Grove, CA and know they are doing lots more in Sacramento. I’m also willing to go to Bay Area - San Francisco on weekends. I’d like to explore Voice Acting as well. Thank you.
Great Acting Job Led To An Unexpected Secret Clearance https://youtu.be/OQS3CB2KV2M I had a great acting job for the DIA. At the time, I had no idea that DIA stands for the Defense Intelligence Agency. After getting booked, I learned that I would need a Secret Clearance. What an interesting experience. I hope you watch the video and learn about the Secret Clearance process.Watch the video and learn what happened, and about industrial/educational and corporate films. These can be wonderful jobs for actors, writers and crew.If you ever got a Secret Clearance or had an interesting experience doing a corporate film, share it with us.Don't forget to subscribe to the channel and click the notification bell so you always know when a new video has been uploaded.Can't wait to talk again soon.Aaron
“*Trying to monitor multiple things at once is challenging in your acting career: Casting directors, agents, casting calls, release dates, project greenlights, series renewals & cancellations, the list goes on and on... A solution to this issue is to make a google alert.*” — Kevin Marshall Pinkneywww.stage32.com/blog/how-to-stay-on-top-of-casting-directors-agents-producers-with-google-alerts-3886
I’ve noticed that a lot of acting teachers have different ways of teaching, but something clicked for me last night. It became clear that when you receive a script, it’s not just about reading it a few times and memorizing the lines. You have to go through it numerous times, and then you really need to dive into the backstory of each character — especially the one you're auditioning for or playing in a film. You need to know the character inside and out. That means understanding their emotions, figuring out the right voice inflection, and even knowing the gestures they might use. It’s all connected, and you’ve got to bring that to your performance to make it feel authentic. A lot of teachers might not always break it down this way, but for me, it’s about pulling all these elements together. This deep dive into script analysis is what I’m focusing on now — knowing the character so well that everything comes out naturally, from the emotions to the physicality. It’s definitely a process, but I’m excited to see where this takes me. Has anyone else had similar experiences or breakthroughs with how they approach character work?
Stage 32’s founder and CEO, Richard “RB” Botto, shares two videos in today’s blog. In the first video, Just an Observation analyzes one of the best antagonist characters in cinema, Kathy Bates’ Oscar-winning performance as Annie Wilkes in Misery. It’s an incredible performance and character study whether you’re an actor, director, or writer. In the second video, RB gives advice on how to deal with rejection. Grab your coffee/tea/pumpkin spice latte/etc. and jump in! www.stage32.com/blog/coffee-content-dealing-with-the-misery-of-rejection-3884
Hi everyone,I’m looking for some feedback on two monologues I recently performed. One is from Chicago PD, where I portrayed Detective Sergeant Hank Voight. This was assigned to me by a talent agency. One of the monologues is more dynamic, with some movement, while the other is more stationary.I’m a newer actor, having started in February, and I’ve got thick skin from my time in the military. So, I welcome all feedback—the good, the bad, and the ugly—but I’m really looking for constructive critiques that also highlight what I’m doing right. Whether it’s my lighting, delivery, confidence, or something else, I’d appreciate knowing what’s working as well. I’m used to talking in front of people, having presented to high-level audiences in the DoD when I was in the military, so being on stage isn’t an issue for me.I’m continuing to take acting courses wherever I can find them, constantly working on my craft. One thing I’ve noticed about these talent agencies is they often push classes just to get money from you, and that’s a red flag for me. That said, I still want to stress that I’m looking for objective feedback here. I want to know what’s going well and what isn’t, kind of like an after-action review (AAR). In the military, after every mission, we’d always conduct an AAR to go over what went right, what could be improved, and how to do better next time—and that’s the kind of feedback I’m hoping to get from you all.A quick note on one of the monologues (the dynamic one): In this scene, I’m standing in a room talking to a group of officers as their mentor. I’m at a podium giving them a motivational speech as they’re about to come off probation, and I’m getting ready to retire from the Chicago PD. So you’ll see a lot of movement in this monologue because it’s meant to be a dynamic, motivational speech. I’m moving around because of the energy and context of the scene. I didn’t have much to work with in terms of background at my home studio, so keep that in mind as you watch. The scene is set in a room with Chicago PD officers, and I’m giving them the “down and dirty” about what it’s like to be a cop.For context, I’m doing this part-time. I’m retired from the U.S. Army after 33 years and have a full-time career outside of acting. Since starting, I’ve taken several acting courses. I was recently in a movie called The Paranormal Lockdown, where I played an 1880s saloon business tycoon, and I’ve done a few UGC commercials for social media. I’ve also been booked for a local commercial here in Arizona.I’m a member of the Veterans Media and Entertainment Network and really like using this venue to get feedback. I’m located in Arizona, by the way.I’m getting ready to submit an audition for more of a comedy-type production, and I’ll be sending that along for your feedback as well. I’ll make sure to provide the criteria for that one when I do, but in the meantime, if you could take a look at the YouTube links below and give me your thoughts, it would really help me out. As a veteran, I’d greatly appreciate the support.Thanks so much!Here are the You tube linkshttps://youtu.be/usNKl6hA878https://youtu.be/yPFANmDxby8?si=i8EjowOpOSZydid0
Commercial Audition Advice for ActorsLooking to break in? Casting directors Ellen Jacoby of Miami and Los Angeles–based Stuart Stone, author of the book “The Keys to Commercial Acting,” can help. They know a thing or two about what works—and what doesn’t—in the commercial casting room. - Put the product first. “When you’re casting a commercial, you become a part of the product, so you’re not just selling yourself,” says Jacoby. “The product is No. 1, we have to believe you like the product.” - Get comfortable with the fourth wall. “A lot of times, you’re talking right to the camera. You have to be able to create that space.” - Practice on products you love. “To be believable in a commercial, actors should take a product they use every day that they know and love and do a commercial for their product. That’s when you’re being real, because you use it! Then transpose that into the product that you’re doing.” - Dress appropriately. “You should never wear black or white in front of the camera. It’s not great for your face. No geometric prints. Dress according to what you’re going out for. An upscale dinner guest at an upscale restaurant, we don’t expect you to be in jeans. Directors and producers recognize that. We show them a whole lot of people, and they’re looking first at all the stills, and then they click on the video. If you don’t look right, they won’t even click to see your video.” - When you get the job, know your place on set. “You don’t want to go and get behind the [directors, writers and producers] that are there and get in their way and try to chum up to them,” Stone warns. “You become an annoyance. They’ve got work to do. If they’re in their own little area with their monitor watching what’s going on and you’re over there trying to schmooze them, it’s a hindrance. The ideal way is to always stay in camera view of the director, just off to the side, because then they can call you at the last minute. Always make sure that you check with a second A.D. before you leave the set, because he’s responsible for you as an actor. First and foremost, your second A.D. needs to be your contact throughout the whole job.” #commercial #audition
Hey, All!There are 2 FREE Stage 32 in-person networking meetups coming up next Thursday, October 17th! I'm including links to the meetup pages for you all below. If you live in any of these cities or are nearby, be sure to RSVP and seize this opportunity to meet with other creatives in person and help build your local creative community! Austin, TX: https://www.stage32.com/meetups/1999/October-Stage-32-Austin-TX-In-Person-Meetup Phoenix, AZ: https://www.stage32.com/meetups/1998/Oct-Stage-32-Phoenix-In-Person-MeetupIf you're interested in becoming the host of a free monthly meetup in your area, you can reach out to me to discuss the details at community@stage32.com!
A fun read : ) https://www.buzzfeed.com/kristenharris1/actors-extreme-transformation-for-roles
Joker 2 is getting mixed reviews but this article about all of the actors who have played or voiced this iconic character is a super cool read. https://deadline.com/gallery/joker-actors-joaquin-phoenix-heath-ledger/the-dark-knight-heath-ledger-as-the-joker-2008-warner-bros-courtesy-everett-collection-3/
Hello! I'm a founder of a sensuality x mindfulness startup, and I'm headed to LA for Tech Week. I'm casting creators and looking for event suggestions where I can meet with fellow creative, uplifting and enthusiastic (and hard-working) people open to new opportunities. I'll be in town Oct 14 - 18. Any ideas?
It's Shockingly Easy to Misinterpret Your Agent’s Text https://youtu.be/InygBfTMAwsIt is so easy to misinterpret an agent’s text. It took me a while to learn that it is impossible to really understand what an agent truly means in a text. They are swamped and sometimes need to send information out very quickly. Typically, texts from agents are not personal notes. They are transactional. In this video, you will hear about a real example of where I got a text that I completely misinterpreted. And, I break down the mindset agents are in when communicating with you. Watch the video to learn why you shouldn't read too much into the "tone" of their words.Have you ever misinterpreted a text from an agent? If so, share your experience here so we can learn from you.
Hi everyone, My name is Delzad Tata, I am 18 . I from a very young age fell in love with cinema and decided that I want to be In this Industry and make movies. Even though I love to explore every kind of movie, Recently, I am just fascinated with movies such as "BULLET TRAIN" and "THE FALL GUY" directed by one of my favourite directors David Leitch.I don't have much of experience in Filmmaking but I am still learning, and so I am thinking of writing a story consisting of similar themes like the movies I mentioned and directing it. Because what intrigued me that even though genre of the movies mainly quotes action-comedy, I think there are plenty more elements and emotions that are well balanced which make the movie super entertaining.And so because I may not have THAT level of resources for such a theme as of yet, Is it still a good Idea to go with? or There is a different approach/mindset that I should be having before thinking about making such films?.( I am mostly Interested in Acting, Directing and Writing).
RSVP herehttps://www.stage32.com/meetups/1998
Writing trains your focus Writing makes you more empathetic Writing teaches you to listen Writing provides more opportunities. There have been more than enough cases where actors got their big break only because they dedicated time and effort to write their own content. Fortunately, we’re now living in an age where writing and producing your own material is possible with consistency and hard work. Find the time to sit down and write a short five-minute film, or a few episodes of a web series for YouTube, or maybe a scripted podcast. There’s absolutely no reason not to write.Just a few actors who wrote their own material: -Charlie Chaplin, everything Lake Bell, “In a World…” (2013) -Ed Burns, “The Brothers McMullen” (1995) -Simon Pegg, “Shaun Of The Dead” (2004) -Tina Fey, “30 Rock” (2006) -Jon Favreau, “Swingers” (1996) -Paddy Considine, “Dead Man’s Shoes” (2004) -Nia Vardalos, “My Big Fat Greek Wedding” (2002) -Matt Damon and Ben Affleck, “Good Will Hunting” (1997) -Brit Marling, “Another Earth” (2011) -Vin Diesel, “Multi-Facial” (1995) -Seth Rogen, “Superbad” (2007) -Steve Carell, “The 40-Year-Old Virgin” (2005) -Sylvester Stallone, “Rocky” (1976) -Mindy Kaling, “The Office” (2005) -Sacha Baron Cohen, “Borat” (2006) -Billy Bob Thornton, “Sling Blade” (1995) -Emma Thompson, “Sense and Sensibility” (1995) -Woody Allen, too many to name, but let’s go with “Annie Hall” (1977) -Kristen Wiig, “Bridesmaids” (2011) -Owen Wilson, “Rushmore” (1998) -Kevin Smith, “Clerks” (1994) -Ben Stiller, “Zoolander” (2001) -Will Ferrell, “Anchorman” (2004) -Lena Dunham, “Tiny Furniture” (2010) -Orson Welles, “Citizen Kane” (1941) #actor #writer
Don’t miss this TODAY'S Stage 32 Community Wrap Up LIVE on Instagram with Head of Stage 32's Community, Ashley Smith, & Community Manager, Kay Ross! You can tune in on the @Stage32 or @Stage32Scripts Instagram accounts every Friday at 10:00 am PT/ 1:00 pm ET, to keep up to date on all of the wonderful things happening right here on Stage 32!This week, they’re discussing:- Starting October STRONG by setting achievable goals!- Prepping for Austin Film Festival, American Film Market, and November Write Club!- Not to be missed Ask Me Anything events!- Keeping a finger on the pulse of the industry!- Discussions in the Community to help you level up your craft and business acumen!… AND SO MUCH MORE!Go to Instagram NOW to make sure that you're following the @stage32 and @stage32scripts accounts so that you're ready to join us! You can set a reminder here: https://www.instagram.com/p/DArb9xkSrF-/?utm_source=ig_web_copy_link&igs...
I love this story from Naomi Watts about auditioning with David Lynch for a different type of audition. Naomi shares about perseverance. You just never know when and where that breakthrough moment will come, so just keep pressing on!https://youtube.com/shorts/L3j30puBUJI?
Hi, I started a podcast and would like to extend the invitation to all filmmakers/Actors/Crew.The podcast is to serve several points- promote yourself as an filmmaker, promote a past, current or future project, help those who are looking to get into the industry with your experience and perspectives.Feel free to reach out if you'd like to be a part of the (virtual) podcast and I'll send you a booking link.https://www.youtube.com/@TheDowningCutI'd like to hear about your experiences promoting yourselves and your projects on podcasts. Post your experiences in the comments below.
Dates: Monday, 6.01.2025 - Friday, 10.01.2025 Location: DOCK 11 EDEN Breite Str. 43, 13187 Berlin, Germany Registration: https://www.nipai.org/programs/january-workshop This international workshop is designed for professional dancers, choreographers, actors, theatre directors, and performing arts practitioners from all over the world. The program is ideal for dancers who are interested in learning more about acting and actors who are interested in expanding their knowledge and practice of movement. The workshop is highly practical and aims to provide participants with the tools to develop a more physical approach to acting and performance. During the workshop, participants will explore how to build compelling characters, how to embody and express emotions through movement, and how to connect deeply with other performers. The workshop will also include training in improvisation, which will help participants become more spontaneous and present in their performances. The working language of the workshop is English.
Thought this was pretty creative: https://lbbonline.com/news/gary-oldman-and-louise-bourgoin-share-acting-tips-in-canal-and-apple-tv-crossover
Hi, I started a podcast and would like to extend the invitation to all filmmakers. The podcast is to serve several points- promote yourself as an filmmaker, promote a past, current or future project, help those who are looking to get into the industry with your experience and perspectives. Feel free to reach out if you'd like to be a part of the (virtual) podcast and I'll send you a booking link. https://www.youtube.com/@TheDowningCut I'd like to hear about your experiences promoting yourselves and your projects on podcasts. Post your experiences in the comments below.
Everything he does is an event. I like that he co-wrote this with his son and that his son is directing - he's coming back for so much more than money. Can't wait to see what he does here. What do you think? https://www.hollywoodreporter.com/movies/movie-news/daniel-day-lewis-anemone-ronan-1236019335/
Got Yelled Out On Set - Now You Can Avoid My Mistake https://youtu.be/i5t7Bi1baDU My intensions were good, but I made a mistake that I won't ever make again. Watch the video and learn what happened and how you won't ever make this error.Have you ever gotten yelled at on a set? If so, share your experience here so we can learn from you. If you subscribe and click the notification bell on the channel, you will have access to 500 + videos and always know when a new video has been uploaded.
His acting performance in Industry is phenomenal, glad he's with Paradigm, they're going to be a great agency for him: https://deadline.com/2024/09/industry-ken-leung-signs-paradigm-1236103918/What do you all think of his acting chops on this show?
A brilliant songwriter and singer but also what an incredible actor. He was always working. Always taking us on the journey. My favorite Kristofferson performance is in SEMI-TOUGH with Burt Reynolds - he was shockingly funny. Are there of his on-screen performances that stick out to you? https://variety.com/2024/film/obituaries-people-news/kris-kristofferson-dead-country-music-legend-actor-1236159472/
- Don’t overdo your makeup. You want to look like yourself on your best day and not look like you tried too hard. Be yourself. Do your hair the way you would for every audition.- Don’t go quirky with clothing and props.Let’s not get nuts here. Keep it simple and classy, and follow the standard format. Professionalism gets you noticed. A simple, solid shirt with a little texture that fits you well and matches your eyes should do the trick. No whites and no graphics or anything that might distract from your face, and no props.- Consider natural light vs. studio.Some photographers do both, as they offer a different look and feel. Natural light gives a very real look. Studio lighting tends to be a little more polished, with a more neutral backdrop. If you are more of a sitcom actor, perhaps a well-lit studio headshot is best for you. If you want to look like you are on the Fargo series go for the outdoor look.- Pay attention to framing, lighting, and background.Generally a good headshot is chest-up with good lighting on your face, and no strong dramatic shadows.- Choose personality over glamour.Make sure it looks like you with easy airbrushing. Casting directors expect you to look just like your headshot and will not be happy when you show up looking totally different or 10 years older. It’s not about looking pretty, it’s about representing your type, wrinkles included.- Go pro.Spend money—it’s worth it. Go to a professional who is trained, understands lighting, and takes headshots for a living, not a friend who happens to have a decent camera who has a hobby of taking photos. Save those pics for Instagram and leave the headshots to the pros.#actor #headshot
Free Class! Casting consultant with Disney/Nickelodeon, working actress/author and voice actor - I have been coaching actors from 5-85 for 14 years and am now going into my own zoom business. I also coach college audition prep, public speaking, Voice over career work, losing accents and gaining accents. https://sbartonfarcas.weebly.com/ I am giving away free 30 minute lessons on zoom- in whatever you need to work on, and my subsequent costs are $1 a minute- yep, you heard it- I am building my own business! I would love to help you out- DM for free class! https://www.imdb.com/name/nm2467623/
As many may already know, at times it is difficult finding a reading partner every time you need to submit a self-tape audition. I am willing to be a reading partner in exchange for the same, either via phone, zoom or Skype. I have a select few reading partners that are not always available. I'm sure that I am not the only actor who has encountered this problem. Hit me up, if you are interested.
Interesting article about Maisy, a child actor, making a comeback with a comedy based on personal feelings. I've always loved the Freaky Friday movies and look forward to this take. https://variety.com/2024/film/features/maisy-stella-my-old-ass-1236146055/
Lovely to be here! I've moved over from LinkedIn. The project I'm working on isn't everyone's cup of tea, and so this more inclusive platform is a better fit. I'd love to know what you're working on?
Before you submit your resume and headshot, read the breakdown thoroughly. Make sure you are the perfect fit. Most breakdowns will clearly describe the type of person they are looking for as well as the filming dates. Make sure you fit that description and that you are available for those shoot dates. Follow the instructions in the breakdown. Unless stated otherwise, address the subject line with the name of the character or position you are applying for, along with your name (i.e. Submission for the role of Andrew by John Doe). When the casting call includes a contact name, make sure you address that person in your email and use the right gender and correct spelling. In the body of the email, state the role(s) you are applying for and give a brief description of why you consider yourself the perfect fit for that role or what makes you eager to join that production. Include any details requested in the breakdown like your weight, height, and size of your shirt, pants, and/or shoes, and where you are based. Make sure you include an eye-grabbing digital headshot which should be 500kb or less and your resume in PDF. The files should simply be your name (john_doe.jpg, john_doe.pdf). You can also provide a link to additional photos, your website, and two to three links of clips of your work. Keep your email simple. At the end of the email add a short and polite note indicating the materials you are submitting. Use a professional email address. While this may sound silly many forget this simple rule. Imagine receiving an email from I_am_the_actor_for_you@gmail.com instead of john_doe@gmail.com When signing off, use your full name. It is best if you create an email signature which links to your website and has your contact details. #actor #audition #film #tv #casting
Stop Using Ring Lights Wrong in Auditions –The Right Fix https://youtu.be/VJOVZdafj3M Many actors use ring lights the wrong way. And, it makes their audition look bad. Watch the video and learn some important tips on how to use a ring light properly and about another lighting system that can be used in conjunction with a ring light.Have you ever used a ring light? If so, leave a comment and let us know how you placed the light or lights to make your face look clean and sharp.
Knowing your “type” is a crucial tool for any actor.While actors frequently book roles outside of or against type, having an understanding of what kind offirst impression you make on casting professionals can help you streamline your auditioning process.Many introductory acting courses discuss how to figure out what your type is.Less talked about is the fact that it changes.So what then? You’ve gotten used to marketing yourself one way, what happens when you realize you’re being seen in a new light?Here are some tips to ease the transition.Know the signs. For better or worse, type is based heavily on physical appearance. This means that whenever you go through a distinct change of appearance (changing hair length or style, gaining or losing significant weight, altering the tone of your personal style) your type may change with it.Age is another big factor. As you get older, you will naturally cycle through many different types. A good way to know your type is changing is the type of auditions you’re getting. If you’re accustomed to getting roles like student, assistant, intern, etc., and are suddenly seeing a lot more parents, teachers, and bosses, you may be growing into a new type.New headshots. Keeping headshots up to date is always important, but never more so than when you’re rebranding. If you don’t want to ditch your current headshots completely, consider adding a couple of shots to your roster that suggest your new type. Restyle. If you’re reading for parent roles but still dressing like a college student, it may be helpful to consider switching up your style (at least professionally).A haircut and a slight outfit tweak can do wonders to suggest a character consistent with the types you’re reading for.Embrace it. It’s an easy thing to want to fight your type. But remember, a new type is not a life sentence. It doesn’t mean you’ll never play a role outside that type.It just means that your bread-and-butter auditions, your commercials and day player roles, might look different.#actor #casting #audition #headshot #role #type
If you’re looking beyond typical TV and film auditions for work, you may want to consider working as a performer at a theme park. Being in a different atmosphere other than on a set can be quite liberating. It lends itself to a more spontaneous and therefore at times more challenging experience for you as an actor. Working at a theme park can be a great experience and fun as well. Here’s how you can ace an audition and become a theme park performer. 1. Don’t dress like a character you think you look like. This is a big, glaring mistake that a lot of performers make going into the audition and it’s problematic for a lot of reasons. First, it looks desperate. You must keep in mind that working as a theme park performer is a normal job and it can be a bit overwhelming if you’re a super fan showing up dressed like a character. It can also be interpreted as you telling casting what you think you should be cast as which is their job, not yours. Also, it really inhibits you because it may make it difficult for casting to see you beyond what you came dressed as. This can jeopardize your chances of getting hired. Just come well groomed and dressed in something nice, neutral, and comfortable. You may have to do some basic movement choreography so dress in something that allows you to move. 2. Be friendly, have energy, and smile the moment you arrive. Eyes are everywhere and the entire process is an audition. Just because you think someone isn’t looking your way doesn’t mean that no one is looking at you or that the audition is over or on a break. 3. If you don’t get cast your first time, don’t give up. There are plenty of people who get hired after one, two, three, or more auditions. You may not have booked the job simply because there wasn’t anything that fit your look or type at that very moment. That can change anytime and more often than not it does! 4. Always be ready. Between auditions, stay ready by continuing to build your skill set as a performer. Work on your body movement, singing, improv, accents, and willingness to step outside your comfort zone by challenging yourself. This way you’ll be more than ready for anything. #actor #casting #themepark
Joey Madia shares seven approaches that could help you land acting gigs, like “Marking Up the Script,” “Starting at the End of the Characters Arc,” and “Vocal Quality, Rhythm, and Pace.”www.stage32.com/blog/preparing-for-auditions-7-guided-script-approaches-that-land-you-the-job-3860
Hello! I'm an MFA Creative Writing degree holder, novelist and fellow actor looking to help a few of you here to build up my actor web design portfolio and get the word out about our work. DM if you can use some help! Would love to consider building your website for free to get the word out about my wife and my work! Thanks, Michael - (201) 380-1019 / hello@michaelkarpienski.com Web design examples of our work: https://graycetoon.com/ https://liviahetes.com/ https://idaespevik.com/ https://iamrissa.com/ https://lorettaawilliams.com/ https://nathaniel-goodwin.com/ https://kirageiger.com/
Gavin Newsome has signed new legislation in California protecting performers and their likenesses from being exploited by AI without compensation. This was a big sticking point during the SAG-AFTRA strike and having legislation backing it up can be helpful for performers. Things are evolving fast and protecting California's citizens who make a living with their talent is a potent step. What do you think of these new laws? https://deadline.com/2024/09/ai-bills-gavin-newsom-hollywood-performers-1236091802/
Crazy Thing I Did for This Insanely Unusual Job! https://youtu.be/5J3tprCwBds I have done many types of acting jobs. In my 40 years as a full-time actor, I have done TV shows, feature, independent, student and training films, TV commercials, radio spots, narrations, stunts and commercial modeling projects. I have also done a couple of promotional projects. In this video, I share with you a crazy thing I did for this insanely unusual job. If you experienced an unusual job, share it here.
Hey Superstars! Omari here. I'm an actor, producer and screenwriter. I'm thrilled to be doing an AMA in the acting lounge on Wednesday, September 18th. I moved to Los Angeles 13 years ago from Chicago to pursue my acting dream. It's been quite the journey to say the least. I joined SAG-AFTRA in 2018. Since joining the union, I've had the pleasure of being a co-star on network t.v. shows like All-American, Good Trouble, Lethal Weapon, The Bold and the Beautiful and a few other shows. Also, I've starred in over 10 feature films and 20 plus short films. In my career thus far, I won 4 best actor awards for my performance as "Alex" in the award-winning short film "Gracefully Broken". Which is a film I wrote, executive produced and starred in that went on to win over 20 awards worldwide. Currently I have my first feature film "Back Burner" produced by my production company L3 Productions, in post production and can't wait to release this film to the world. It's a film about a sou chef who has a burning desire to be the Yum Networks next superstar but standing in his way is the disrespectful executive chef he works for. I had the pleasure of starring in the film, as well as being the co-writer, executive producer and director for this project.I'm excited to answer all the questions you may have about pursuing opportunities as an actor. I feel like my experience has lead me to a lot of really good projects and I would love to share some gems with you on how that can happen for you as well. Have a great week and I look forward to having a good time in the acting lunge with you all this Wednesday!
Find the Hints in the Script to Determine the Direction of Your Read.You are usually given direction as to how your read should sound. Sometimes the direction can be a little confusing and even conflicting.For instance, a message can be encouraging, inspirational, upbeat, excited, or empathetic. Know how to identify words and visual explanations in a script that will give you strong hints as to which direction your read should go. Some key words to look for to know what sounds to apply include “dimly lit” (intimate/close to the mic), “personal” (one-on-one/friendly), “you can be assured” (trustworthy), “imagine” (inspirational), and ”children playing” (warm and friendly). Written descriptions of how the spot is framed such as “pan in,” “tight shot,” or “wide shot” also send you direct messages regarding the emotional feel that your voice should convey.Expect to Be Pulled in Many Different Directions at the Final Recording Session.The producers can’t afford to have you back to re-record and pay you and the studio a second time, so they may direct you all over the place to cover all possible choices they anticipate the client may want to hear (as the expression goes) “in the can.” Don’t get jittery or nervous. Having you record many different choices does not mean you’re doing it wrong.- Terry Berland Commercial Acting#voice #voiceover #vocal #actor
I want to make a screenplay of the life and death and its aftermath of Brandon Lee the son of Bruce lee.
I'm determined to approach the actor Steven Wright's agent with an offer to see if he'd be interested in doing the voice of my cat Jingles for my TV series.But i need to know what i will be asked and what i will need to tell them and show them.And I need you people to help me.I have the pilot already written, and the second episode as well. Plus I have six fully detailed follow-up episodes, and four briefly outlined closing episodes to bring the series to its season finale. Plus I have the series bible as well. So all that is covered.So basically,I just need someone to tell me, what they will ask to see, and what i will need to show them.What things will the agent likely ask me. I have heard that he may already have a producer he' connected with, in which case they may wish to see what i got.What should i look out for and be aware of. And what things should i or shouldn't i do? You don't need to answer all these questions,I'll take what i can get.However, a just a brief idea of what i can expect would be a great help.I apologize if this is in the wrong lounge, but i do not know where else to turn. So i am asking you my friends to please help me. I've posted something like this before and not a single person bothered replying. Please do not make me go thru that again. You're my friends, i need your help, this is why we are all here, so please do not disappoint me again.Thanks everyone.
What You Need to Know About Actors' Modified Local Contracts https://youtu.be/-WNcNpbN1Vw All actors must know about local and modified local contracts so you don’t hurt your reputation and career. Watch the video to learn. Ever work under these contracts? If so, share your experiences with us here.
I’m definitely trying to get in on these reality shows or a game show! If you have any insights or connects please message me! I think the world is missing out on my country pretty self
Hey, Actors!There are 2 FREE Stage 32 in-person networking meetups coming up on Thursday, September 19th! I'm including links to the meetup pages for you all below. If you live in any of these cities or are nearby, be sure to RSVP and seize this opportunity to meet with other creatives in person and help build your local creative community! Austin, TX: https://www.stage32.com/meetups/1995/September-Stage-32-Austin-TX-In-Person-MeetupPhoenix, AZ: https://www.stage32.com/meetups/1996/Sept-Stage-32-Phoenix-In-Person-MeetupIf you're interested in hosting your own monthly in-person Stage 32 meetup to build your local creative community, email me at Community@stage32.com and we can discuss the steps to get started!
My first time experiencing his brilliance, grace and immense presence was in John Badham's THE BINGO LONG TRAVELING ALL-STARS & MOTOR KINGS and I was hooked. He took our imaginations on so many rides from Star Wars to The Lion King, Dr. Starngelove to Patriot Games, Coming To America to Field Of Dreams, and countless other indelible roles. Thank you, James Earl Jones. Rest in power. https://deadline.com/2024/09/james-earl-jones-hollywood-broadway-remembers-tributes-death-1236082895/
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
