In 2024, every actor needs a website. Not having one would be akin to 20 years ago not having a headshot. It can be tricky to decide what to include on your website. Personally, I have built countless actor websites, so I thought I would offer some tips for you. This is in no way an exhaustive list, but instead, a great place to start that would get everything a CD needs from you in one place.Things to haveYourname.com. - if your name is not available, some other variations instead of JohnDoe.com could TheJohnDoe.com or JohnDoeActor.com but for SEO purposes, having your name somewhere in the URL is crucial.Landing Page - Your initial landing page is super important. It is introducing you to whomever is viewing the site and the design and style should speak to what it is you, as an actor, are selling. Do you play tough guys? Then bright colors and toothy smiles might not be the way to go. Are you a young ingenue who exudes soft femininity? Selling yourself as a badass rocker girl would be a misstep.Pictures - Headshots are a no-brainer, but make sure they are selling you properly. Other photos you might use could be production stills, modeling shots, and editorial-style shots. Just make sure at each step, you ask yourself, is this photo helping someone cast me in a project? If the answer is no, then it doesn't belong on your actor website.Reel - You have to have a reel nowadays. It is just expected. I've mentioned this before, but for a clip to belong on your reel it should do one of two things - show what you have done (one line on a major TV show) or what you can do (a great performance in an unheard of student film)Resume - Not only should this be on the site, but it should be easy to read, formatted for mobile, and easily downloadable. It should also fit on one page.Contact - I personally hate contact forms, and much prefer the actual contact information. I have heard CDs say the same thing. That said, I am a 45-year-old man who has never gotten by on his looks. If I was an attractive young actress with a bunch of really flattering photos on my website, I might not want to put my direct contact information out there. So this is really going to be an individual choice.I hope this helps. I would be happy to answer any questions or clarify any of the above.
Tom Cruise closing out the Olympic games last night and setting the table for Los Angeles '28 was super cool! Is there another movie star that you can think of who could have done that instead of Cruise? I'd love to hear your thoughts. https://deadline.com/2024/08/tom-cruise-paris-olympics-closing-ceremony-1236037540/
IMDb is incredibly important as it is your international presence as an actor. Not every actor is ready for IMDb, but if you have credits and you are putting yourself out there as a professional actor then you should have a profile. There is not too much you can do to optimize a profile, but at least make sure: - Your resume is up to date. Get every last screen credit listed on there.- Bio. Check your bio is current and showcasing you well. (You should be able to customize this with IMDbPro, it’s worth the cost.) - Headshots. Have a great headshot as your main profile picture. #actor #tv #film #imdb
Intake - 1.10.2024 Duration - 18 months / 12 months Professional Qualification - Theatre Director Semester I: Director's preparation from reading the play until first rehearsal Semester II: Director’s preparation from the first rehearsal until the premiere Semester III: Work on the graduation performance / explication book Modules: 1. The Director and Dramaturgy 2. The Director and Ensemble Building 3. The Director and Method 4. The Director and Form in Performance 5. The Director & Design 6. The Director & Sound 7. Text. Voice. Physical Action 8. Marketing for professionals in the performing arts (only when registering by September 23) Cody Ganger. Graduate of a distance learning course in theatre directing: https://youtu.be/9vIPjFbMnnQ?si=skwaVIllKYamm2db
Lisann Valentin shares three important tips on how you can level up your self-tape auditions. “Paint a Picture With Your Eyes,” “Your Angles Are Everything,” and “Keep Positive Thoughts.” Read more about the tips in today’s blog and feel free to post your thoughts in the blog’s comments.www.stage32.com/blog/3-tips-to-level-up-your-self-tape-auditions-3821
Picasso said to always return your early inspirations. I loved this article: https://deadline.com/video/michelle-monaghan-favorite-movies-the-film-that-lit-my-fuse-series-bad-monkey-true-detective/
Hi everyone. As we've transitioned into Talent Management, we're trying to put up a few more informational videos for Actors. Here's a good one we think: https://www.youtube.com/watch?v=VI5j0AH6NrQ We've been around Stage 32 for a long time. Excited to get to more of you on the acting side!
Is this common for Stage 32 not to refund for a workshop that didnt take place?? Not asking for a friend!! An email from Stage 32 was sent on July 19 that Kym Jackson was scheduled to teach a self tape workshop on July 30 at 1PM PST which I leave on the East Coast, so of course Live Streamed. I work nights with my little old pay my rent job. So I have adjusted my schedule to take the workshop at 4PM EST even to sign on 5 mins before. I noticed the during the waiting time it noted a class being held August 22, which I won't even be in town, I know what date I signed up for, I keep signing in and out. I checked my email for the date, July 30 CHECK! I looked in my email for the original email Kym Jackson JULY 30, CHECK! I search for any additional emails for date change, NOTHING! i contacted Stage 32. Sent my proof of the email, I hear from Brandy (never met), and this is after looking for phone numbers, even googling the address which is only used as a business address, not an actual place...I am a NYer boogie down and I been in this game long before Stage 32 ever existed, so yeah Spider Senses high alert!! So I hear from Brandy via email, she tells me there are NO REFUNDS!?! So what Stage 32 penalized me for their F'up!?! 4 days later Brandy reachs out after I sent 4 more emails with the screenshot of the original email they sent, this was her request! Then, dead air! I inbox Richard Botto and Stage 32 on social media which I didnt drop a public not until today, for something so minimal to reply and settle. Its only $39. More than the principle of this, i could invest my monies elsewhere. If they think its right to hold my money until August 22, which I didnt sign up for , will be a major mistake on their part. Its simple. They sent out the information. I paid for the workshop. I showed up. They failed to provide the service on July 30.
- Using lines as an excuse - “When I know the lines I’ll be able to perform the scene better” - this is an excuse to cover up many things, mainly inhibitions, the fear of trying something or not knowing what to do because you haven’t read the scene/script enough. As Lee Strasberg (The Method guru) once said, learning lines is about memory and acting has nothing to do with memory. My advice is to play and experiment with the scene. You can only do this by reading it and making justified choices. Find a suitable way of training your memory to learn lines effectively because that’s not the job of your acting coach. - Not reading the script enough - AKA lazy acting. Some actors go through the script, but only to learn their lines. You need to know the FULL story, not just the story of the scene your character appears in or only the story of your character. To get the full picture you must read the FULL script (more than once). Here are some things to think about when reading the FULL script: Why does your character choose those specific words? What do they really mean? What is really going on? What has lead them to where they are now? In the early stages of character development you’re like a detective; you have to piece the full picture together to be able to connect to the character, then you have to figure out what the motive behind the character’s behavior is so you can make clear choices in each scene you appear in.- Forcing emotions/trying too hard - this is usually done to impress, and there is logic in that, but acting should feel effortless. When you try too hard or try to force something, it looks fake, feels strange and just doesn’t make the thing you’re trying to make happen appear. The same happens with emotions. Find inner purpose for what your character is going through and demonstrating through gestures and expressions.
Hey everyone - I'm excited to share that the Stage 32 virtual Global Film & Television Production Summit is now available to watch FREE on-demand! The summit provides important insight into the current global production landscape from top producers, film commissioners, and workforce development executives. This is your chance to join speakers from the Emmy-nominated television show GENIUS (Disney/NatGeo), The Costa Rica Film Commission, Film USA, Film Columbus, and Creative Industries Hawaii who give direct feedback to help you on your career path and on any film or TV production you are planning. You can download the summit and Q&A for FREE now here: https://www.stage32.com/education/c/education-webinars?h=stage-32-presents-2024-stage-32-certification-virtual-open-house
Warning - Actors Never Want to Hear 3 Words From Casting https://youtu.be/hCMwqHGvRegI have learned the need to filter pretty much everything that is said to me.This is true for nice as well as not so nice comments.If you ever experienced someone saying something to you that didn't make sense,please share it with us so we can learn from you.
Beginning of education: 1st November 2024 The final deadline for submitting applications: 25 October 2024. Duration: 16 weeks Form of education:Online Final Examination: Marketing Plan Who Should Enroll: Actors, Dancers, Choreographers, Circus performers, Directors, other artists seeking to promote themselves and their work through marketing The "Digital Marketing for Performing Arts" program is designed to address these exact challenges. This comprehensive 16-week program equips participants with essential skills and strategies to effectively market performing arts. Covering a wide array of topics, from understanding your audience to mastering social media storytelling, and from crafting compelling video content to leveraging SEO techniques, this course can help you become well-prepared to promote your art in today's digital landscape. Key areas include Arts and Culture Marketing, Social Media for Performers, Advertising for Theatre Shows, and Developing a Performing Arts Marketing Plan. Additionally, you'll be able to learn specialized strategies for Performing Arts School Advertising, Promoting Theatre Productions, Digital Marketing for Performers, and Social Media Strategies for Artists. The program also delves into Theatre Production Marketing and Digital Marketing for Dance Schools, ensuring a holistic approach to promoting your performances Learn more and apply now: https://www.nipai.org/programs/digital-marketing-for-arts
Hey everyone! I’ll be a guest on Wednesday the 7th at 6pm EST at David Thompson’s Online acting class. We can meet over there and actually do some fun acting exercises. Check it out! http://www.davidthompsoncoaching.co/ see you on Wednesday!
1. Go pro. Spend money—it’s worth it. Go to a professional who is trained, understands lighting, and takes headshots for a living, not some friend who happens to have a decent camera who “sorta knows a little about photography.” 2. Opt for personality over glamour. Make sure it looks like you. Chill with the airbrushing. Casting directors expect you to look just like your headshot and will not be happy when you show up looking totally different or 10 years older. 3. Remember: It’s all about the eyes. Just like with on-camera acting, it’s all about the eyes and what’s happening behind them. It’s your closeup, your moment. Your eyes should be perfectly in focus, alive, and energized, not dead and glazed over. 4. Pay attention to framing, lighting, and background. In general, a good headshot is chest up with good lighting on your face, and no strong dramatic shadows, unless you are going in for “The Phantom of the Opera.” Three-quarter shots are good for print, and extreme close-ups are good for, well, nothing. 5. Consider natural light vs. studio. Some photographers do both, as they offer a different look and feel. Natural light gives a very real, “film” look, which I prefer. Studio lighting tends to be a little more polished, with a more neutral backdrop. Both can be wonderful. If you are more of a sitcom actor, perhaps a well-lit studio headshot is more suited for you. 6. Don’t go crazy with clothing and props. I once saw a headshot of a guy with a bird on his head. Why? Because he wanted to stand out. Let’s not get crazy here. Keep it simple and classy. Professionalism not desperation gets you noticed. A simple, solid shirt with a little texture that fits you. 7. Go easy with the makeup. Yes, lots can be done with retouching. There is no need to put on tons of makeup. You want to look like yourself on your best day and not look like you tried too hard. Do your hair the way you would for every audition. - Matt Newton is one of the most sought-after on-camera acting coaches. His clients include Tony winners, Emmy award winners, and well-known actors from film and TV.#headshot #actor
https://www.vanityfair.com/hollywood/story/joan-chen-profile-didi-awards-insider
hey guys, I just wanted to introduce y’all to what I do and would like to connect with ya’. I’m really interested in any locals is Lansing, Michigan. But I’m open to Collab from afar as well.www.imdb.me/RoseSanchezActress
“It used to be that changing an overly ethnic or difficult-to-pronounce name was virtually essential for Hollywood success. Now, in a way, the reverse is true. Networks and platforms are looking for authenticity, as well as for the opportunity to tell stories from voices and perspectives not often heard. A name that suggests cultural specificity can actually be helpful, given the scrutiny regarding parts being played by actors of appropriate ethnicity.”– President of a TV Production Company“I once hired a guy whose name I not only couldn’t remember — but couldn’t pronounce. I avoided him at all costs and vowed never to hire him again.”– Reality Show Producer“I have never asked a client to create a ‘brand new’ name. I have, however, suggested some folks reconsider their given names, as whatever they were currently using sounded generic, or even had a certain falsity to it. Clearly Cary Grant, Marilyn Monroe, and Lady Gaga have done all right, but my feeling is if people are comfortable with what their parents named them, then so am I.”– A Talent Agent“I love the fact that we live in a day and age where an actor does NOT have to change his/her/their name, because that’s what the industry mandates. I think it’s important for actors to be true to themselves and authentic with who they are. That being said, I have many clients who do have ‘stage names’ and I love that too. And there can be many reasons for that — privacy, for one. My only suggestion is that if you are going to change your name, you do a thorough Google search on that new name BEFORE you change it.”– Liza Anderson, Owner Anderson Group Public Relations“I fully support changing the name if it suits and supports the creative process. Being an actor is a creative endeavor. Performance, delivery, and marketing are all part of the artistic process. If you have a challenging name and you have something you want to use that is easy to remember or visually appealing, then there’s nothing wrong with creating something new. When marketing a film, all components matter.”– Jen Ditchik, Vice President, Strategy & Innovation at WC+A
I recently responded to a question in this lounge about when you should and should not accept roles. The person who asked is in a different international market than I am familiar with, where they have seemingly been finding a lot of success. My advice was the same advice I give any professional actor. A role should do at least one of the three following:FEED YOUR WALLET (it pays well, but does not necessarily excite you artistically or add much to your resume - ex. commercials - which you don't list on your resume, instead putting "conflicts available upon request")FEED YOUR RESUME (it might not excite you as an artist or pay well, but it will look very good on your resume - ex. doing a small part in a play with a well-known director) FEED YOUR SOUL (it doesn't pay well, and it doesn't really help your resume much, but dammit if it doesn't excite you as an artist - ex. a beautifully written student film with a really great part for you)This is obviously a guide post and where you are in your career will dictate how true it is (if you are brand new, take everything you can before getting picky), but it is great to see even Indiana Solo himself is not above taking a role he thinks is silly because it pays well.https://variety.com/2024/film/news/harrison-ford-red-hulk-acting-captain-america-brave-new-world-1236091166/
I love everything about this. What are some other duos you would like to see in this famous play?https://playbill.com/article/keanu-reeves-and-alex-winter-set-excellent-...
does anyone here have a project in Southern California they need help acting in.I’m willing to help.
The best way to hone your craft is to learn from other actors. I'm curious from our acting community - when you are watching TV or film for the first time are you able to watch the story as is, or are you analyzing the acting performances throughout?
Stage 32ers! You only have 24 hours left to register for tomorrow's FREE virtual Stage 32 Global Film & TV Production Summit!Over 2,000 people have already registered to join top producers, film commissioners, and workforce development executives for a panel and Q&A where we'll discuss the current state of production, the need for more trained crew than ever, the types of jobs that are available for you and how Stage 32 Certification is a solution that film commissions and businesses around the world are already relying on.If you want to work in film or TV production you do not want to miss this FREE virtual event on Wednesday, July 31st at 11am PT (you can join live from anywhere in the world at that time).Here’s a link where you can register: https://www.stage32.com/education?h=stage-32-presents-2024-stage-32-certification-virtual-open-houseSee you there tomorrow!
Helpless After Audition- When Should You Actually Hear Results https://youtu.be/eTuKlke9jzU After actors audition, how long does it take for production to make decisions on whom to call back, pin or book? Watch the video and find out: https://youtu.be/eTuKlke9jzUFor those on the production side of the industry, let us know the process and how long it takes for decisions to be made.
The Stage 32 Global Film & TV Production Summit is only 2 days away! Don't miss your chance to register for this FREE event on Wednesday, July 31st at 11am PST (you can join live at that time from wherever you are in the world). I have the honor of moderating the panel with top producers, film commissioners, and workforce development executives who will discuss the current state of production, both globally and locally, the growing need for trained workforce all over the world, and how Stage 32 Certification is solving that need and giving you the chance to get trained and get to work. There will also be a Q&A where you can ask the panel your questions about your career trajectory or a project that you are planning to produce. Here is the link where you can register for the FREE event now: https://www.stage32.com/education?h=stage-32-presents-2024-stage-32-certification-virtual-open-house
Hey, Actors!As we wrap up July Filmmakers Club, we hope that you'll keep pushing yourselves to learn, grow, & connect with other creatives around the world! In today's blog, we're talking about how to stay motivated against all odds! Learn more here >> https://www.stage32.com/blog/july-filmmakers-club-week-5-staying-motivated-against-all-odds-3809
A phase comes in an actor's career when he is neither an immature nor fully successful. Yet the roles he is offered are not always what may upgrade his profile. So he very cautiously accepts roles, sometimes even leave the characters which hamper the growth.I need to know what kind of strategy should be adopted that the journey to the Lead roles is not interrupted ?
https://www.youtube.com/shorts/z3O8_gYboKg
Casting notice posted on S32 athttps://www.stage32.com/jobs/62331/Casting-NoticePosting this here as my impression is that actors don't often look at the jobs section here.
Whilst I’ve just posted something in the Screenwriting Lounge about the use of AI, LINK: https://www.stage32.com/lounge/screenwriting/Is-the-AI-Bubble-About-to-Burst-in-Hollywood-2 And some say we just have to embrace it, because it’s already a part of the industry furniture, others in the Gaming Industry don’t seem to have listened nor learnt from last year’s strike. Here’s a headline from Screendaily that caught my eye.SAG-AFTRA calls strike against top video game companies over AI concerns“We’re not going to consent to a contract that allows companies to abuse A.I. to the detriment of our members,” said SAG-AFTRA president Fran Drescher.And so, there appears to be another strike in the offing. What are your thoughts about the union wanting “a new agreement to protect members’ voice and performance capture work”?https://www.screendaily.com/news/sag-aftra-calls-strike-against-top-video-game-companies-over-ai-concerns/5195764.article?
This is your main asset as an actor and you want to make sure it's showcasing your acting skills in the best possible light. Points to consider:Does this reel highlight your acting at its best?Could you record or edit any footage to strengthen it?Does this still look like you? (are you using old/out-of-date footage?)Does this reel consist of work you are passionate about? (Think of your branding and what you are putting out for consideration.)Length. Is my reel too long and not keeping the viewer engaged?Are you using footage just because you think you have to? (you paid for a reel you spent lots of money on, or a scene from drama school.)Is the production value letting you down? It may appear as though you are an amateur.Just be sure your reel is the very best it can be.
Stage 32 is excited to welcome Kym Jackson back for her upcoming webinar. Learn the industry standards and common pitfalls that come with making a self-tape from an actor with over 60 credits!For an actor today, self tapes make the world go around. They are the main way for us to show what we can do with a role, to book work and for casting offices and filmmakers to get to know us.There are right and wrong ways to execute each element of a self tape. Some issues can be so bad that casting may not be able to share your tape with production, and may not have time to give notes for you to do it again. Most aren’t ‘deal breakers’ - they just make us look a little worse, and don’t really help us ‘shine’.In this webinar, Kym will walk you through self tape equipment and technical set up, then share performance tips, before moving on to editing methods and finally exporting and uploading your self taped auditions. She will show you how to execute each stage of self taping in a way that supports and enhances your performance, so you can avoid mistakes that distract from it.Plus receive a Self Tape Setup Map Handout.Sign up link: https://www.stage32.com/education/c/education-webinars?h=actors-master-t...Email edu@stage32.com with any questions!
Hey Superstars,what are some good on camera acting classes to take right now?
The union is defending it's members on all fronts right now. Video games have long been the Wild West and the revenue is otherworldy - I hope this is a big win for actors. What are your thoughts on this? https://deadline.com/2024/07/sag-aftra-strike-video-game-companies-1236020355/
Hello my fellow Mods,In September, I'm looking to take a Stage32 Certification course in Feature Film Financing Agreements or perhaps or Investor Agreements (I'm not sure which would be more helpful as they sound pretty similar?) My question is: Is there a way of saving the courses I'm interested in, so that I can work through my list?Thanks,Geoff
I haven't always embraced Timothée Chamalet as an action hero even though the Dune films are spectacular but he looks amazing and spot on as Bob Dylan. What other musicians deserve a biopic and who would you cast in the role? https://variety.com/2024/film/news/a-complete-unknown-trailer-timothee-c...
Hello my fellow Mods,In September, I'm looking to take a Stage32 Certification course in Feature Film Financing Agreements or perhaps or Investor Agreements (I'm not sure which would be more helpful as they sound pretty similar?) My question is: Is there a way of saving the courses I'm interested in, so that I can work through my list?Thanks,Geoff
Hi, Stage 32 Community! As part of the Thursday Night Pitch Practice Happy Hour "Summer of Guests" Sessions, Noel Thompson and I would love to invite our community to join us for an introduction and Q&A session with a very special guest! Stage 32 CEO Richard "RB" Botto is a producer, actor, and writer with such credits as What Lies Ahead (2019), Rain Beau's End (2020), Crutch (2020) & Another Happy Day (2011) along with many other short films and a TV series, Becoming Jiff (2018). We're thrilled to have RB as our special guest, so join us for this fun and educational session right here on Stage 32 for all Writers Room members, July 25th, 5:30 pm PT/8:30 pm ET! No pitching that night...just an evening with Rich "RB" Botto and our Stage 32 community!
It is common for writers to place notes in the sides we use for auditions. Their comments or ideas could be anything from having your character scream, laugh or is surprised for certain lines or responses. It is important to read what they have to say, but I don’t believe it is necessary to follow their input for the audition.Watch the video to learn why:https://youtu.be/dB4rUlAgIH8How have you handled the notes in the sides when auditioning for a project? Do you follow or disregard them? Share your experience with us.
Hi all :) Hoping to connect with actors/writers. Love to learn and share experiences
Hey, All!We're continuing Stage 32's July Filmmakers Club with today's FREE blog- The Real Reel- A Filmmaker/DP Calling Card by Award-Winning Filmmaker, Emily Skye! Join in for FREE today by reading the blog in the link below and participating in this week's challenges so that you are eligible to win 1 of 3 DaVinci Resolve Licenses that we're giving away on Friday in partnership with Blackmagic Design! All you have to do-1. Comment on this week's Filmmakers Club Blog linked below.2. Post in the Stage 32 Filmmaking Lounge sharing your work! We want to see your reels, trailers, photos of you on set, etc. with an explanation of one thing you learned while making them. If you don't have anything to share yet, use this as an opportunity to ask questions about the kind of content you should be making and sharing online!3. Go NOW and follow @stage32, @blackmagicnewsofficial, and @rbwalksintoabar on Instagram!https://www.stage32.com/blog/july-filmmakers-club-week-4-the-real-reel-a-filmmakerdp-calling-card-3801
Any Advice on how to possibly promote yourself for rep, even if you booked indie projects and a couple commercials?
Just signed up for this. Looks interesting and informative. Head of SAG-AFTRA, Showtime Legal... https://www.digitalhollywood.com/three---summer-2024-ai-festival
Hi everyone,I’d like to introduce myself as Jack, a deeply passionate aspiring actor, I’ve always wanted to start getting into acting and never knew where to start so I decided to get into here “Stage 32”
I am going to try a little experiment here in a few of the lounges.ACTORS: What would YOU program if you booked Stage 32 education? Enough likes for a suggestion and I will look into it for future programing!
At this year’s Cannes 2024, Stage 32 hosted a fantastic expert panel exploring how last year's strikes rocked the industry and changed the overall production landscape. You can watch the great conversation in today’s blog. www.stage32.com/blog/stage-32-presents-state-of-the-industry-post-strike-dealmaking-for-actors-writers-3796
Attention actors! Happy Thursday! Check out yesterday's blog by community member Hector Alfaro Dobles. Hector completed the Stage 32 Certification program in a partnership with the Costa Rica Film Commission and is now casting his first English-speaking film that he is producing in Costa Rica. Hector credits Stage 32 Certification with giving him the skills and confidence to make this film. There is a link in the blog to his company's email address where you can submit yourself for one of the lead roles in his film!!! https://www.stage32.com/blog/feature-film-in-pre-production-after-comple...
Rachel Bloom is a perfect example of creating your own work and career. Nobody was beating down her door to star in any of their projects. She started making (really well done) YouTube videos. One video went viral (called "F*ck Me Ray Bradbury," which is about exactly what you think it is about), which led to a writing job on Robot Chicken, and then her creating and starring in her own show, Crazy Ex-Girlfriend. I will scream it until my throat is raw, you do not need anyone's permission to have an acting career.https://variety.com/2024/tv/news/rachel-bloom-netflix-special-death-let-me-do-my-show-1236064205/
Great news, Actors!A feature film produced by Stage 32 Certification graduates is now in pre-production and casting the leading roles right here on Stage 32! Learn more in today's blog >> https://www.stage32.com/blog/feature-film-in-pre-production-after-completing-stage-32-certification-now-casting-3800
Hector Alfaro Dobles shares how Stage 32 Certification helped him and Café Cinema got their film into pre-production in today’s blog. And they’re offering actors and actresses on Stage 32 an opportunity to join the production! Check out the blog to see how. www.stage32.com/blog/feature-film-in-pre-production-after-completing-stage-32-certification-now-casting-3800
This Wednesday (7/17) we have an Ask Me Anything with Ashley Ottesen in the Stage 32 Acting Lounge! Ashley Ottesen is a two-time best actress recipient for her role as Becca in "A Love Not Lost" an indie short film written by John Anthony and an accomplished Content Creator with over 2 Million Followers on Social Media. She'll be answering all of YOUR questions about "Using Social Media Content to Forge Your Own Path as a Performer and Creator."The post is live for you to comment with your questions NOW! https://www.stage32.com/lounge/directing/Ask-Me-Anything-AMA-Wednesday-7-10-to-Thursday-7-11-Indie-Filmmaking-and-How-To-Balance-Creative-Vision-With-Cr
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
