Please will anyone whose gone Fi Core tell me about their experience. It seems more and more actors are choosing Fi Core (or claiming to be Fi Core when they’re not) and it’s becoming more accepted by the industry. I understand what Fi Core is and how it works, but I’d like to hear from actors who’ve switched to Fi Core in the past 2 years. Is it harder or easier to find an agent? Have you gotten more auditions or jobs. If so, what kind- commercials, theatrical, union or nonunion. Any information is appreciated.
I’m an actor but I’m very new- still sorting out my headshots and showreel and getting an agent and have auditions etc. however, I’m really struggling financially, I have done a bit acting here and there and other casual jobs here and there but not enough to support a living. I’m thinking to get a stable permanent part time job that would help to pay rent and food , while working towards my acting. Anyone been through this? Thoughts? Any advice?
Hello everyone! I'm an aspiring actor with Bipolar (untreated but will get meds soon). Is there any way I can still make it through my career? I've had offers for student short films and played in one. But I'm not sure if I can ever make it due to my condition, and because of the emotional process it takes to build up a scene. I really enjoy the craft, and the characters I can play, and I want to stay long-term.Do you have any tips for me?
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. ​ For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Hi, so this is a follow-up on my post from yesterday, which you can read [HERE.](https://www.reddit.com/r/acting/comments/yqfnd7/to_sign_or_not_to_sign_advice_on_accepting_a/?utm_source=share&utm_medium=web2x&context=3) If you can't be bothered to read it, the gist is: I got offered rep after searching for quite a while. The agent can open doors in terms of CDs but I didn't gel with him personally so wasn't sure whether to keep looking or not. The general advice was to sign but don't bank on it being anything long-term. So, I was ready to take a leap of faith and sign. Then, I woke up this morning and I have an email from an agency asking me to self-tape and fill out some info on me/my career. This agent is well-established and has actors in the exact positions I am looking to move into. They were the one I was really hoping would get back to me. The dilemma is, agent #1 gave me three days to make a decision on whether I want to sign or not, meaning my deadline is tomorrow. This is obviously not enough time to pursue agent #2 and see who might be a better fit. Ahhhhhhh. Again, I know its my decision at the end of the day but I'm overwhelmed, feeling very put under pressure to make a decision and overall just. Would really like some support? What would you do? Take the risk or play it safe? Any advice (or kind words!) would be so appreciated.
I hear words like “do the work” and things get thrown around. How does someone transform themselves into a new character or person entirely? I just began acting training and I’m curious how the days are spent? Do you first breakdown the script and memorize all your lines, then do movement/speech/other acting exercises to try to build the character over time? How does the “prep” go from basic things to getting you to act as professional actors do? A lot of great actors I’ve seen can just express things through their eyes. How does one get to that kind of level? How long would one have to meditate and work on the script to achieve that level of mastery?
Voiceover artists often get asked if they can take part in a "directed session", also known as a "live session", to record a script for a project. Directed sessions are a great way to maximize time, streamline efficiency, and minimize revisions, not to mention form a connection with the client, add a human element to a script, and make sure all the details are just right. However, the idea of performing live in front of a client can be daunting! Here are some tips for new voiceover artists on how to prepare for and make the most out of a directed session. ## What is a Directed Session? In a directed session, the client (or clients) is virtually present in the recording booth with you and will give you real-time direction on how they want certain lines to be delivered. They might ask for multiple takes or have specific notes on inflection and tone. ## How Does a Directed Session Work? Directed sessions take place via a virtual calling or meeting platform like ISDN, SourceConnect, Zoom, or Skype, where the producers and/or client can hear you as you read the lines. Typically, everyone hops on the call at the same time and says their hellos, and then the producer or creative team explains a little more information about the project and direction. From there, the client will usually decide to read through the script in full or line-by-line. After everyone is happy with the takes and reads, the meeting is over. After the session ends, the raw takes are edited into their finished product. Typically, the producer does the editing, and at that point, the voice actor's job is finished (though it's best practice to record and save a raw backup file of the session in case of an issue or emergency). However, in some cases, particularly with smaller clients who don't have a full creative team, they may ask the voice actor to edit the final piece of content. In this case, the voiceover artist would edit the final piece and send it off to the client. ## What's Needed for a Directed Session In order to participate in a directed session, you will need: * A high-quality microphone and interface (a USB mic is not recommended, since directed sessions are usually for companies and businesses that require very high-quality audio. An exception to this may be smaller projects or ESL content. If in doubt, check with the client), * A very quiet, acoustic-treated and soundproofed space with a noise floor of -60dB or lower, * Studio-quality, over-the-ear headphones (but earbuds will work if necessary), * A way to connect with the client, such as SourceConnect, * An editing program to record a backup version of your directed session. ## How to Prepare for a Directed Session Preparation is key. Here are some best practices for preparing for your directed session: 1. Get copies of the scripts ahead of time. Read the scripts over before you get into the booth and mark up the content with notes you need to ensure a seamless delivery. Try changing up the tone and underlying emotion to practice taking direction from the client. If you notice any points where you repeatedly get hung up or flub, practice those lines until they are smooth. 2. Ask for direction on tone and delivery. Many clients will have some idea of how they want their project to sound, but if they don't give you any direction, ask for it. 3. Prepare your equipment and settings. A directed session usually has lots of different moving parts, and you don't want technical issues (such as a faulty connection or poor sound quality) to get in the way of your performance. 4. Test out your setup. Ask a friend to hop on a meeting with you and run through a mock-directed session. Ensure that they can hear you through your studio mic, that your noise floor is -60 or lower, and that you can hear them through your headphones. 5. Explain how the session will work. If your client is not familiar with directed sessions, it's important to let them know the flow of the meeting and how to prepare. However, this is not usually necessary, as most clients who request directed sessions are familiar with them. ## Best Practices During a Directed Session Now that you know how to prepare for a directed session, here are some tips for during the session itself: * Show up early. Hop on the meeting a few minutes early and make sure all of your equipment is working properly and your settings are correct. * Turn your video on or off. Many clients don't require you to have your video turned on in a session, though many voice actors enjoy the physical interaction and choose to keep video on. I have never had a client require video. * Introduce yourself and be kind and friendly. Remember, you are more than a voice and you are representing your brand. Your clients want to work with someone who is easygoing. * Get an idea of the flow of the session. Ask the client if they'd prefer you read the script in full or line-by-line. * Once you get started, say the take number before each read (unless the producer does it for you). This helps with organization and editing later on. ("Take one. \[2 second pause\] "(line you're reading.)" Take two. \[2 second pause\] "(line you're reading.)" etc.) * Make each take sound noticeably different. No two takes should sound the same. Play with underlying tones and emotions, pacing, emphasis, and inflection. This will give the client more options for their project, ensuring that they are happy with the final product. Important vocab note: If the client asks for an "A-B-C" read, they want you to read the same line, back-to-back, in three distinctly different ways. "Wild card" reads are generally fun, off-the-cuff reads of a line and allow for a little more play and creativity. Have fun with these! Don't be afraid to be bold or silly. * Take direction. Being coachable is the key to a successful directed session. If the client gives you direction, always take it. They want to ensure that their project aligns with their brand and their vision. Be open to adjustments. Clients may ask you to make small changes, such as adjusting the inflection or pace, or they may ask for larger changes, such as re-recording a whole line. * Don't ask for *too* much direction. You are an actor and should have a good idea of how to deliver the lines. Asking for *too* much direction tells the client that you are not confident or prepared. * Get comfortable. There may be quirks or habits you do during standard recording sessions that help you get your head in the script. Don't be afraid to do them during directed sessions, as long as they're not distracting or time-consuming. For example, if I'm recording a tag for a spot, before the first take, I like to read the previous line in the script to ensure cohesion and flow going into the tag. I will do these in directed sessions as well (and typically give the client a heads-up beforehand.) * Take notes. Have a pen and paper nearby and write down which take number you are on so you don't forget. Additionally, if you are editing the final piece together, jot down which reads the client likes so you know exactly which ones to use in the final piece. * Make suggestions. Directed sessions are a collaboration between both parties, and it's okay to offer suggestions to improve the project. Just make sure to phrase them in a supportive and constructive way. * Have fun with the script. While the client has a particular "vision" in mind for the project, it's also important to be creative (to an extent). Sometimes, my "wild card" reads, where I really have fun with lines and push myself outside of my comfort zone, are the ones that end up in the finished piece. * Thank the client for the opportunity to work with them. A simple thank you goes a long way, and can potentially secure future work with the client. # Tips and Tricks to Avoid Issues After dozens of direct sessions, making lots of "rookie mistakes", and plenty of feedback from clients, I've picked up a few tricks to ensure successful and smooth directed sessions. * SourceConnect is a popular application used during live sessions to give producers access to the talent's audio without degrading the quality. There are paid versions of the program (SourceConnect Standard and Pro), as well as a free version (SourceConnect Now.) The paid versions give the producers a lot more control than the free version, so the paid version is preferred by most clients, and sometimes it's even required. If you have not used SC before, I recommend downloading the free trial, getting it set up, and then purchasing the paid version down the road when it's required for a project. Set up for SourceConnect is not easy, and may take a few hours. I personally had to hire an audio engineer to set it up and we ultimately found that the platform did not work with my home internet router provider. As a result, I stick to SourceConnect Now as often as I can. * Always record a backup file of the session. As soon as you hop on the meeting, start recording in your own audio editing system. This way, if there are any issues with the client's recording or a technical issue, you have your own copy to send over. After the session is over, send the raw file to the client using WeTransfer and let them know it's available to them. * If you don't like to hear yourself talking through your headphones, keep one side of your headphones over your ear, and slide the other side onto your head. This way, you can hear the client in one ear, and you can hear your performance in the other. * Lower your client's audio. If their volume is too loud coming through your headphones, it can get picked up on the audio recording. * Don't panic. If there is a technical issue, or if you make a mistake, stay calm and professional and communicate with the client. Chances are, they understand that mistakes happen and will work with you to find a solution. # Conclusion Directed sessions can be intimidating at first, but with a little preparation and practice, they can be a fun and successful collaboration between you and your client. Remember to trust your instincts as an actor, listen to direction, and communicate openly with the client. And most importantly, have fun! Happy recording!
Hi y'all :) My "normal" voice is quite high (at least that is my own perception), however after going out drinking and singing my voice is much lower (not necessarily raspy or husky). This clearly shows that my voice is able to have a much wider spectrum than I can access under "normal conditions". The effect unfortunately "wears off" after a couple of days, and I am not really happy being a method actor all my life (and drinking and shouting into a pillow the night before to "unlock" the lower voice). Anyone have any tips? I tried purposely talking with a voice as low as possible for prolonged periods, but it always narrows back to my usual range. Thank you all
I’m a 17 soon to be 18 year old high school student and I’ve been acting and all that for most of my life, I have all the equipment and recording software I’d need for this but I’m not sure how I should format my demo tape or where I should start out like what platform would be best? Much thanks y’all ♥️
Hi. I’m 13F (almost 14), half asian (if that helps) and I’m an actress. I can’t seem to find any auditions for me at the moment for TV and film, do any of you know of any current big auditions or casting calls happening that fit my criteria? thank you.
Is it just me, or should actors be getting paid to audition? At least on projects with a decent budget. A lot of these roles take a good amount of time to shoot, memorize, edit etc... and the vast majority of the time there's not even a thank you for auditioning. We provide options and our time and effort, and unless we get the role, bubkas.
Hey acting peeps! So I'm a non-union actor in New York. And while I was going through the process of being cast in a New Media Project, I remembered that I had done a Principal Role on a 2017 New Media Project (in 2019 right when I moved here). So even though the SAG-AFTRA Eligibility Tracker had always told me I was NOT SAG-eligible, I contacted them. They said that I am NOT SAG-E, but that the contract does provide a pathway to join, and I can hold onto the contract to use at any time and join (but once submitted, I'll have to join within 10 days). And I look at that I think - if I have this contract, can hold onto it indefinitely, and can join SAG at any point... is that not the definition of being eligible to join SAG aka SAG-eligible? Has anyone else had a situation like this with SAG? And does anybody know if being SAG is a big advantage over being Non-Union in terms of booking gigs? I've heard from some CDs that they rarely if ever Taft-Hartley because of the current penalties. It seems right now that I am not "officially" SAG-Eligible, and yet I've heard that's the sweet spot because it doesn't require the Taft-Hartley and you can join when you need to if you book the role and can do Non-Union in the meantime. Any advice or thoughts on all this?
Last week I submitted for a project on Actors Access, then a few days later I received an eco cast invitation. So, I submitted my self tape a few days later, and today I received an email from AA with "revised sides" (which are entirely new sides)... is this a normal thing or is this a callback? I'm confused bc I haven't received anything saying where or when I should submit again or whether they actually want me to send a new self tape. I'm a new actor with no agent, so it's not like I know much, but this has never happened to me. So, I guess my question is... Is this common? Is this a callback? Or was sending me the new sides a mistake on AA's part?
I got offered a part in a short that films in two days, however I have just come down with a pretty bad stomach infection and can barely leave the bed. I know I won’t be recovered in time for the shoot. Very luckily, I turned down the role when I was offered it- not after I accepted. Ugh, just sucks tho. Is this like, okay? I know “the show must go on” and that if I was actually in a proper film or show I don’t think think this would fly, but what’s the accepted standard for when actors are sick? (They did say they’re sorry I’m not feeling well and they’d love to work with me in the future, so I think this ones okay)
I’m got curious because I know a lot of actors like to explore directing as a career option once they are no longer in their prime years. Olivia Wilde for one. She’s an actress, but her film Don’t Worry Darling garnered a lot of media attention (probably more so from all the onset drama, but nonetheless successful in the box office)
I’m in the Atlanta Market and I was wondering if talent link on actor access is useful for people that act in Atlanta.
[https://www.youtube.com/watch?v=dcuT4c4qCOQ](https://www.youtube.com/watch?v=dcuT4c4qCOQ) I wish every actor or creative person would watch this video, for their own mental health. It was made to talk about the book-publishing process, but it turns out that it applies in any field where you have to be chosen by the subjective judgement of others. Including auditioning. Unknown actors will get rejected and given weird feedback because we actually judge performances based on how we feel when we see them, and those feelings also include many other things like social momentum and influence, and without that the unknown actor's audition doesn't make the judge feel enough. The person' judging then guesses at why the performance didn't move them, usually producing some bizarre or irrelevant feedback. The video also talks about what happens when a new work, or in this case actor, actually does get through the process and what occurs in that case. Including shedding a bit of light on why nepotism and other random things are so incredibly powerful. This could potentially help you cut down the amount of time needed to get your first roles from maybe hundreds of auditions to dozens or less. But I'm not an actor myself, so don't take that as gospel. (Disclaimer: I may or may not be the person who made this video, haha)
I’m looking for ways to broaden that spot on the acting resume, so I would love some suggestions.
Not sure what platforms there are in the US but I guess the same question could apply. I’ve seen pages of actors with like 8 headshots (same facial expression, different shirt) and multiple video clips. But I had a chat recently with my friend who’s an assistant with an agency and he said that really sometimes just 2-3 contrasting headshots and 1 showreel is enough, any more you risk overwhelming the person looking through it.
Audition for an actor role.
I just got approved for a membership and I’d like to know what kind of advantages it comes with?
Looking for Voice actor to narrate movie summaries for a Youtube Channrl. :) Would like to give you a small paragraph to sample so we can see of you match what we need. DM me for more details.
Like a service which submits for you, follows up, etc...
I struggle with accents a LOT. I'm currently paying for private classes which are really helping, but they are incredibly expensive. I've tried most of methods of learning on my own, such as shadowing, recording and listening, etc. The problem is, I simply cannot hear whether I do something right or wrong so working on my own isn't very helpful. Was wondering if anyone has been in a similar situation and has any advice?
Sorry for sounding like a wet wipe, I just feel like this is the best place to share my thoughts. I’m a white 30m from the UK, I have an agent who as far as I know regularly submits me for work, have an up to date showreel and recently got new headshots. However I am literally getting nothing at all come through, I look on Twitter and there are always posts of actor from different agencies getting regular self tape requests from well known CDs and it makes me feel like I’m not doing enough. I’m trying to think maybe I need a new agent or reach out to CDs myself. My current agent as far as I know just submits me, other than that we never really communicate. I also make my own work and have produced two short films and writing another. Just no idea what else I could do.
I was going through Backstage and the ratio to actual film/tv/theater projects to UGC (or User Generated Content advertising) notices is staggering. I get that social media advertising is a cash cow for many, but they usually are exclusively Non-Union and some of them even require you to shoot most of the material yourself. So I guess on top of acting we all need to be cinematographers now
$15 Its not that long (a few lines). I'm looking for that kind of commercial/promotional voice with some energy behind it.
What’re some tips for people who are very new to acting? Are there any exercises that may be helpful (someone mentioned sitting in front of a mirror and trying to depict different emotions using just your face, such as anger, sadness, confusion, pity, etc. Another person mentioned videotaping yourself doing a scene to see your body language and how to improve it, and to start becoming familiar with camera angles). Are there any important skills we should start working on early on (for example learning how memorize stuff better to help with memorizing lines/scripts, or dancing to become familiar with your body, or accents)? Secondly, where do we start (aside from taking lessons)? Should we sign up with an agency for background work as an extra? Or become involved in community or student-run theaters? Lastly, what’re some potentially helpful topics to know? I have 3 full semesters of college left and am mostly done with my major (which is STEM-based). There’s only a few acting classes open to non-majors and I’m already taking them. But since I have plenty of room in my schedule and my options are limited, I wanna explore tangentially related topics that may supplement my acting education. For example, psychology sounds like an extremely valuable subject to have knowledge of when trying to better understand a character that you’re playing. I’ve also heard many famous actors say that having a wealth of “lived experiences” to draw inspiration from helps so much. So would taking a class in literature help? Or perhaps one in art history? Bear in mind that because my major is STEM related, I have close to zero experience in the arts and humanities, so maybe these non-acting art classes will help nourish creativity. I’d appreciate any input though :)
My name is sinthujan. I want to turn my screenplay into a short film, but I don't know any place to hire an actor. I'm looking for something that live in Toronto or close to toronto. Male or female is fine. The story is about toxic love.
I’m thinking about doing a masters or program for creative writing but I finally just got an acting manager! I’m not sure if this will take up too much time and focus. I feel torn from the ideology that acting has to be Plan A and that there’s no plan B in order to succeed. However, I feel like I want to immerse myself in writing again and connect to that community too. Any suggestions or thoughts? Has anyone else tried to pursue a degree while prioritizing acting? How was that like for you? Thanks in advance!
Hi, I'm looking for a voice actor for my youtube channel. male/female all welcomed
Im pretty sure I know the obvious answer, but in curious to hear the why’s and alternatives aswell. Please share your opinion, thank you!
If a breakdown is asking for my singing reel, should I pay for and upload an entire reel to the submission or are multiple individual clips ok? Is there a difference on their end with a reel and multiple clips? Thanks!
Hi there! Wanted to ask a fun question here :P Let’s say you currently have a middle tier microphone and you want to take it to the last and final step. You’re in a unfortunate or fortunate situation of being able to purchase only one industry-standard level microphone or equivalent. Only one. For the sake of simplicity let's just say you have everything else, ie a perfectly treated booth, training, an interface, etc. But you're looking to take your microphone to the final step. Do you go with what’s proven and go with an industry standard, ie the TLM 103 or the MKH 416. ie microphones that studios throughout the world use and understand (As an example major anime studios are using TLM 103 for character work and the Sennheiser MKH 416 is synonymous with commercial work) Or…. Do you go with the microphone called XYZ, that no one has ever heard of — that fits your voice perfectly. You can only afford 1 microphone. And you can get an industry standard microphone or equivalent. Or you can buy the microphone that no one has ever heard of that fits your voice perfectly. What do you choose? For the sake of simplicity and to remove the “oh but what about your space and acoustics” – let’s just assume you have a perfectly treated space, you have enough training And it’s all down to 1 mic. What do you choose?
Hi all, Talking with an agent at UTA for an actor in a short film. While they’re rep’d by their agent in the U.S., they actually live in London. Their agent shared they don’t have a visa and asked if production company would be able to cover it. Our shoot will be 2 days in New York next year. They are a very successful talent, so approval with being exceptional in the arts and recognized is no issue at all. 1.) What Visa type will they need? O-1B? 2.) For this type of Visa, what is the fee? 3.) Will we need to consult with an immigration attorney or any other personnel outside of the standard paperwork and application fee?
Hi, I'm looking for a voice actor for my youtube channel. male/female all welcomed I'm working on a movie recap script for my new video, and I need someone with a nice voice to do the voice-over for me. You'll be paid and I'll give feedback as well. Price, around $20. Thank you, and send links to your work or portfolios.
I have to is burning desire and passion for both music and acting and want to be taken seriously in both sectors of my career (wanting to be more acting focus) . I’m worried people won’t take me seriously as an actor if I pursue music simultaneously.
So, I’m new here. I’ve done a little reading on this sub and it’s been so helpful and informative. I’ve always dreamed of being an actor, but circumstances just didn’t allow it. However, I applied to be an extra on the movie The Bikeriders, filming in Ohio. I was so excited when they said yes! I’m a little nervous, this being my first time on a movie set. Any advice? Also, I applied through a post I saw on the D. Lynn Meyers Casting Facebook page. https://www.facebook.com/LynnMeyersCasting Just want to make sure this is legit? All of the correspondence has been super professional and looks legit. But this being my first time, I’d want to make sure. TIA!
I see this all the time where coaches claim they have the secret to get you booking auditions, but I've heard mixed things about this... For example, Actor A gets auditions through his agent, he just hasn't booked yet because he has a very unique look that CDs are trying to fit perfectly into a role. Actor A auditions and books the role after taking the class, so the coach claims it was him that got him booked when it might have just been a coincidence and he would have booked it anyway. On the other hand, I have no doubt some coaches really push actors to do the best performance they can, but I also know as someone who's been in the industry for a long time that you can have an outstanding performance, but that still doesn't get you the role because there are so many factors that are out of your control like height, hair color, weight, etc. Sometimes also how you look alongside the person that was cast as your love interest or family member, and you have to look like you believably are related to them. I personally have studied with a lot of acting coaches who seem to piggyback on the success of other actors, and they make it seem like it was their coaching, but one time this one guy (can't say name), said he taught this one actor who later booked a guest star role on a major show. I had said actor on Facebook and asked him out of curiosity and he said he didn't like acting coach and was confused why he was claiming it was because of the class he booked it. The actor said the audition he related to a lot and he was able to bring out a ton of emotion due to a past experience and booked it that way. He also said he didn't believe a lot of the acting coaches advice was completely accurate and had studied with way better coaches after. Just looking for opinions here because I feel it's hard to tell, but anyone have any insight on these? I also know actors who have spent hundreds on acting coaches who had showcases of people booking co star and guest star roles on shows, but then the person didn't book anything after taking their class and stopped taking it, to then book a co star role on their own a year later. Edit: in the title, it meant to say "not booking?"
So ive been trying to amp up my resume to get the best of my casting but have to add skills of mine, of course i have plenty of skills but do not know which to add for acting & filming. Which skills are important to have and which skills arent? I’m also a tiktok influencer and love to post on social media, i play in esports and im an actor, i see everyone in social media with a business email and i was wondering where about to get one and what should my domain/ email be or say ?
Applying for an actors permit and I can’t find the link
I booked a small part in a movie with an A-list actor, I was going to be traveling tomorrow for filming, and I got a message from my agents a few hours ago saying that casting informed them my part was cut from the script. :/ Sucks. Oh well… I guess that happens in this industry. Life goes on
Hello folks! Looking for a beginner or experienced voice actor to do a voice over for me. I’m working on a video project for work, and my voice isn’t the best. I will pay, and give you feedback as well! Thank you! Please send over links to some of your work!
Listen, I know this may sound crazy, but I want to know what the name of Mustache's actor is. Does **ANYONE** happen to know the name of this cat? It isn't in the credits of the movie, I can't find her on any animal actor websites, and I just want to know what the name of this cat is. **PLEASE**!!
Pretty self explanatory title, My boyfriend currently has 3 offers from different agents for acting, and all 3 seemed to be wonderful candidates, so he is having trouble choosing- Any thoughts/tips on the process?
I’ve been acting for the last 2 years (mainly bg) and am at the point where I want to start a loan out company. I’ve started other companies before, but never for acting. I wasn’t sure if the production’s required general liability from the loan out companies.
I was wondered when studying acting how do actors not let roles they portray effect them? Some roles can be very consuming and require such emotional intensity, so how do actors protect there own mental health when portraying these characters?
During your childhood years, did any of you display an inclination towards acting out/recreating scenes of your favorite shows, movies or characters from television or film? I don't mean in a professional sense whatsoever, more so just a kid in the backyard with his or her imagination 'acting' away without a care in the world. I use to do this a lot as kid, imagining myself fighting aliens or even sometimes being the alien! [View Poll](https://www.reddit.com/poll/ynlp1v)
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
