Me I was sitting around one day watching The Dark Knight and I thought Heath Ledgers performance as The Joker was amazing then it hit me I would become an actor and I would play The Joker I’m still working on playing The Joker but I’ve been in a few stage production
I'm not a voice actor but i'm here to look for help to make my voice more steady, I'm well aware that your voice starts shaking and trembling when your nervous but that is not the case for me, I be just recording myself talking in my phone and my voice becomes so shaky that it sounds like I'm about to cry, this happens to me also when i talk for a long time about some topics especially in a foreign language, is there a solution to that because I find so embarassing especially if that happened on the interviews, I'm not sure if that's the right sub to post it in ,but I really hope that i'll find some help.
For example, let’s say that a tv show is being filmed & there is an A-list actor but they have a small role or cameo appearance. However, they don’t like their trailer so they want to switch with a lesser known actor who is the main character & face of the tv show for that season. The lesser known actor doesn’t want to leave their trailer & insists that they’re staying. Realistically, what would happen in this scenario?
I’m in the middle of creating some animations as part of a music project and want some of the dialogue performed for a mom character, but I’m struggling to find voices that suit. I tried looking in fiverr, but it’s mostly voiceover work rather than voice acting. I thought fiverr would be great because it would have people who are able to record themselves and send me the stems/audio and I’m not in the know with this side of the industry and was hoping you’s could point me the writer direction! thanks in advance :)
Hi all! I'm a character voice actor looking for advice on how to improve with my specific circumstance. I like to view myself as a talented amature. I've caught the attention of professionals at Voice Acting competitions- being hand picked during the preliminaries, but never making it past a single round of the finals. I have trouble booking professional standard projects, but am heralded as "the pro" of the group in fan projects. I've taken classes, been coached, and do weekly workshops with my good friend who is a recording engineer at a professional studio. Let's call my friend Nathan! Nathan is also a genius mixer, so I've asked him to make my demo with a friend discount when he feels I'm ready. But given Nathan works with real pros all day, he knows the standards and I don't think I'm close. Nathan's suggestions for me are: \> Learn how to use my diaphram on demand. \>> Expand my comfort zone. \>>> Understand the character's feelings better (ie. Act better) The running theory is when I'm able to do a voice I've done many times before (Usually cartoon impressions), I shine and sound pro. But that's like...two voices, so Nathan's suggestion is getting a better sense of my voice, because he can hear when I'm uncomfortable with different character voices during workshops. How do I do that, exactly? I've translated my needs as: \>SINGING LESSONS. \>> AUDITION MORE. \>>> ??? My severe ADHD makes it so I'm not doing anything consistently outside the one a week workshops. Am I missing anything? Are there any tips anyone can give someone with my specific circumstances? TLDR: What tips do you have for professional amateur to become an amateur professional?
The thought that AI might take away jobs for voice actors has become a big concern over the past year or so. There are some people that even feel that VO will be a dying artform because of it. To tell the truth I don't necessarily share the concern, but I do recognize that many people have the fear. If you are one of these people, there is a surefire way to stay ahead of the AI wave, and here it is: **Make yourself more valuable than AI.** In other words, give more value to the client than AI can. The benefit of AI is that it is a cheap way to provides a voice where a voice is needed. Perhaps in a few years, it'll even be good enough at imitating "acting" to be used in places where some acting is needed as well. But if all that was needed in any voice acting job was a single voice and a facsimile of acting, we'd have all been out of business long ago. Take IVR (Interactive Voice Response, aka automated phone systems) for example. IVR has had access to robotic voices for decades now. This is a field where you may not even necessarily need to "act," but simply inform. And yet there are still people for whom IVR is the majority of their career. Why? Because in some cases, having a human voice that can correctly pronounce terms, that can change their tone, that can make on-the-fly edits is much more valuable than finagling with an AI voice to achieve the same result. *(And let's be real, even in today's age there are plenty of tech-averse people who will never want to touch AI voices).* So what are ways you add value for your client? Here are a few examples: **Be versatile.** AI packages usually come with a limited number of varied voices. The voices you get can be edited for pitch and tone, and can even have inflections added at various parts of the script, but if you want more voices, you need to purchase more AI packages. If you're a voice actor who is versatile, your many voices may make you a better value than having to buy four or five different AI packages to find the voice a company wants. Why do that, when I can just call this one person and have them do this voice on this project, this completely different voice on this other project, etc.? **Have "quality quickness."** Companies care about two things: saving time, and saving money. Working with an AI program might be cheaper, but if you can be faster and have higher quality work, it can be considered the same value to a client. You might think that AI is simply, "Type the sentence and it works." But even advanced AI voices usually have to be edited and configured to convey the voice you really want. That work takes time that might be saved if they get someone else to do the voice for them, and if that person can have it delivered in the same amount of time. **Have a social media presence.** No lie--having a social media presence is becoming more and more important for voice actors. I don't mean simply LinkedIn and Facebook, I mean YouTube, Twitter, Twitch, and yes, even TikTok. You grow an audience on these platforms, and as you move forward your audience will follow you as you start getting work. Many clients see a content creator's audience as *their* potential audience if they hire you, and that is a high incentive to do so. **Be quick to adapt.** Trends change, the industry undulates, and different voices reach different audiences. No matter how it sounds and how cheap it may cost, AI voices are still going to be at the mercy of someone typing sentences for it to say, which means its ability to connect with its audience is utterly up to the person writing the script. A voice actor who knows their audience can make subtle suggestions, inflections, or acting choices that help connect to the target audience that an AI voice never can. It can also be a boon if you're working with a director who thought they wanted a particular voice during a session, but then asked you to provide a different one that fit better--you just saved them an hour or two of fiddling with the AI voice to achieve the exact same result (which also feeds back into being versatile). **Be Human.** This is the actual reason why I don't worry about AI. The vast majority of people will always, ALWAYS prefer a human voice over an AI one--if you've ever called into a technical support line, you know this yourself. On top of that, there are a lot of things that voice over artists do beyond simply providing a voice: AI cannot talk about characters, AI cannot attend meet ups and conventions, AI cannot get on a podcast and speak about their journey, and AI *cannot create a relationship with clients who want to work with the people they want to help succeed*. These are things only humans can do, and that's always what it will be. The truth is, we *will* need to make room for AI in our industry. But the fear that people have regarding AI is simply that they don't know how much room they'll need to make--in other words, they fear the unknown. Here's the truth: AI is just another person going in for the same gigs as you. The grind doesn't change. If you can provide more value to clients than AI can, then you'll have all the room you need.
I joined a little while ago as a new actor, I just read other posts to take in as much advice as possible, I love seeing people’s accomplishments since it motivates me. I have just noticed whenever someone posts something exciting there’s always a few downvoting or excusing them of bragging. some of you guys can’t stand to see other people doing good! Anyways with that being said remember you can share your accomplishments and be excited without it being “bragging”.
Hello. I have always loved films and have fantasized about directing them, but I live in a third world country where there's no in person education about cinematography here (or no where close) so I gave up on that dream. I think I'm falling in love with acting, but I don't know what do with that feeling knowing that it's going to be hard to get out of here and I already gave up another aspiration. Is it too late to begin? I think I'm a bad actor (no experience at all). Today I tried my first monologue and I wasn't amused with what I saw. All I know is i'll try, but advice will be greatly appreciated.
I have read here that most CD's in America wont even hire unless you are a citizen or hold a green card. But when you read about big international actors who have made it they always just magically arrive in America and get roles. Whats going on?
So I want to start doing voice acting work but I kinda hit a wall. I bought a USB mic and downloaded Audacity. I’ve recorded some things and they don’t sound great. I tried to make myself sound better but I ended up going down this rabbit hole of settings and effects. Do I just need a better mic or do I need to get a bachelor’s degree in recording arts?
Some casting directors, etc are against it. They feel you should spend that time working on your character and nervousness about the lines can cause you to lose your character. Some seem to like it. What say you? EDIT - Some on here are taking this post to mean that I don't want to memorize. THAT IS NOT THE CASE. I was just asking what others thought after hearing some CDs say that they didn't want actors memorized. That surprised me so I wanted to hear what some other actors on here did. I'm not the poster child for not memorizing lol.
I (24F) am looking for stage monologues that can highlight my talents as a comedic/character actor. While I have comedic monologues in my repertoire, none of them really go beyond having good comedic timing. I’m looking for monologues with opportunities for physicality, funny voices, slapstick, etc. I just played Trinculo in “The Tempest”, and I want more monologues that can show off the skills I needed for that role. Any suggestions would be a great help, thanks!
As described above im looking for a female to take on a short term role. It is paid. Pm me for more info. Must be in the UK, north region and willing to travel.
I am battling a career decision, I've been doing art for years and I love it. But it doesn't feel like I'm living my life, how am shy and introverted but acting sounds exciting. I don't know what to do. Am I not trying hard enough, and how do I do these things... Thank you!
Hey everybody! Throwaway account. I've been in NYC for a looooong time and I am looking to GTFO when my lease is up in a few months. Any suggestions on where to move? I have networks in LA and ATL but I can't make up my mind and need some advice. I'm a union actor with a handful of co-stars, lots of commercials over the years, and I recently day played on an upcoming feature... would love to hear your thoughts. Thanks!
Hey y’all, appreciate your time reading this. Lately I’ve been really humbled by the perception that I want to act because I want fame. I think perhaps this is an unhealthy mindset we can all slip into, and isn’t the motivation of every actor. Before, I have sensed that my motivation to act was to gain empathy for other people’s stories, to subject myself to the experience of others, and in the meantime also understand my own humanity, and our shared humanity more and more. But lately I’m doing community theatre, which I should be so grateful for, and find myself depressed and unmotivated. I want to be seen. I want to know those A-listers who I find so endearing and talented. And I know how ridiculous it sounds. Are these delusions of grandeur? Or understandable fascinations with the craft at its brightest/best It makes me wonder if I should take an indefinite break from it all until I can regain a healthy perspective. But I am anxious about taking a break from getting more experience under my belt. I would love to hear any and all perspectives on this topic. blessings
Helloo! So I am a beginner actress and one problem I know I have is my inability to be vulnerable. My immense anxiety aside, I feel my inner voice always tell me to stop before expressing any kind of strong or vibrant emotion and that hesitation always leads to something inauthentic. Does anyone have any advice or exercises that can help with getting out of my head and ignoring that voice? Or is this a convo strictly reserved for a therapist lol? Thanks
Hello, I'm a Gamedev from Germany with 7+ Years of Experience making Games. I am currently looking for Voice Actors interested in participating in a Gamejam. What's a gamejam? You get a limited amount of time and a theme that you have to make a game upon ( Mostly ranging from 2-9 Days ) Here are some of my past Game Jams. [https://lucaszilke.itch.io/](https://lucaszilke.itch.io/) Why am I looking for a Voice Actor? I have been experimenting with Narrative/Story a lot lately and would like to add more personality by adding voice to text/using a real voice instead of tts. If you're interested DM me on Discord, please. LucasZ#1952
I'm an amateur voice actor and I'm looking to build up some work, posts for social media, and proof that I actually make stuff. I recently saw one of Soup-erb's (@ "its\_soup") comics on twitter and thought about making a voice post, but I wanted to see if it was okay first. I couldn't find anything, but I've also scanned for voice posts on twitter and I can't find any after searching through quote tweets of their comics. Does anyone know if they're cool with people voicing their comics? I don't want to make something if it disrespects the artist. **TLDR:** How should a new voice actor handle voice posting when the original content doesn't belong to you?
Just a thought I've had with many people who love acting, thought I'd share it here and see what people think, their opinions/examples, and counter points: ​ I have always found it interesting how some actors who are really famous for comedies always do dramatic roles so amazingly well. But the same can not be said for all actors with a drama background, who dabble in comedy. Essentially, it is easier for comedic actors to play drama roles because they've had to go through something (life, trauma, etc.) to have that sense of humor in the first place, and therefore understanding hardships of the world and tragedy. But not all drama actors can hone in on their ability to be funny, and sometimes it feels forced. That awkwardness can sometimes works in their benefit, but not always. Obviously there are some that this does not apply to but I find this pattern a lot when i see comedians in serious roles. Obviously their skill paired with the writer of the script has an effect as well, but its their ability to translate it and for us to believe it that makes it so amazing. ​ TLDR: All actors with comedic backgrounds can do drama roles really well, but not all drama actors can pull off being funny, or have a "funny bone."
I’m in a beginners acting class and today the teacher gave us all a scene and had us portray both characters as having a mental/intellectual disability. My gut had a bad feeling about this as she gave us no tools on how to portray it genuinely and authentically so it felt like we were all playing caricatures/mocking those with disabilities. She said some of the best roles that have won awards are of actors that do not have a disability but portray people that do. While that’s true I don’t think we’re there yet and we weren’t equipped to do this cold read scene in a respectful way as such. Am I in the wrong here? What does the acting community here feel about this type of practice? Is this normal and something I should be doing?
I am taking an acting class and will admit it has been a while. Over 1000 years ago in my conservatory drama school classes we would all offer constructive feedback on each other's work/scenes. We knew each other pretty well only 10 of us. In the class I took last week the instructor and the actors performing the scene critiqued themselves and the instructor gave feedback. The rest of the class just was allowed to give support/ask questions. Is what I am seeking a more advanced class or is it impossible to find since most instructors don't want the class to devolve if students are not good at feedback/critique? What has your experience been?
I know there is a lot of professtional actors in this group, and I need advice. Is it worth pursuing acting if you aren’t great at the social and buisness side of things? I’m currently in my last year of my Drama degree, and I love acting. I love acting more then anything else in this world, and I think I’m pretty good at it. And people have said very postive things about my acting. Way more positive then negative. But while I’m good at acting, I’m not very skilled at any of the other things that you seem require to be succcessful. I’m not great at the buisness side of things like selling myself or making connections. I’m not great at making social contacts,I’m not an extrovert. I’m only good at acting. If I require these things, I’m going to need help, and I have no idea how to get that help. I don’t from a family close to the industry so they are no help there (they a very supportive of me though). Most actors I know personally didn’t become succussful until they learned how to navigate the buissness behind acting. And I’m completely lost as to learn how. Any suggestions or advice on how to navigate show buisness from this actor about to enter the real world would be so greatly appreciated. Thank you xx
I'm having serious difficulty deciding between which actor I want for a lead role in my film. The role is for a highly functioning autistic 18 year old who branches out socially after being "adopted" by an extrovert. There are two actors that I really love for this role and I've had three rounds of callbacks already. They both respond very well to direction. I would say up to this point, making every line/scene equal Actor A is probably a 9/10. Actor B is probably an 8/10. However, there are scenes when the character gets high and drunk for the first time and I would say Actor A is at about a 4/10 with these scenes and Actor B is at about an 8/10 with these scenes. I was leaning heavily towards Actor A, but then the other people who are helping cast all prefer about Actor B. They essentially agree with my takes but they unanimously say that Actor A is so out of touch with being high/drunk that they feel like it would impact the film so much that they heavily prefer B and think it would be a pretty big mistake to cast A with that in mind. I guess the one good thing is that they both already told me they want any role given to them so they'll both be casted. Do you have any advice/takes based on what I wrote?
Hello, I'm an italian actor and I'm looking for acting classes that do not last too long (like 4 to 12 weeks) in the US and that are open to non-US residents. I would like to spend a short period of time in the US to understand the industry, to enhance my acting skills with someone I could never meet here in my country, and after all to make a great life-experience by living abroad for a while. I'm considering Canada too, if that helps. Every "method" is accepted, and every tip you have in mind might be useful to me. Above all, is that something people do or am I dreaming too much?
Does anyone have any pointers/tips for filing taxes in this profession? What kind of things do you write off?
Im an aspiring Canadian actor and I want to move to LA. I wanna work in LA and audition. How can I obtain an O1 visa without any extraordinary achievements. Also I have heard CDs dont consider anyone unless they have a green card or citizenship. What are my options besides staying in Canada and trying here?
Hey everybody. I (M/25) have performed in theater productions and concerts for a very long time throughout middle school and high school. I began college as a musical theater major but eventually transferred and changed my major once I did. People tell me all the time that I have a really good singing voice and that I need to pursue it as a career and as a passion. As someone that's currently in grad school and working full-time, I just do not feel as fulfilled by these things as I do theater and performing. I want to just drop everything and pursue this a career but I know that is not a wise financial decision. However, entering the later half of my 20s, I can't help but feel like I am running out of time to pursue this. If I am being completely honest, I don't know where to start. I auditioned for an off Broadway show and was cast in the ensemble but had to drop out due to work and school. The cast performed on the news and watching it just reminded me of how much I should have stuck with it. Why am I giving up what I love to pursue something that I am not passionate about? I am finding that if I want to pursue theater professionally, I will need to choose either my career or my artistic passion. Additionally, while I have been told that I have a great singing voice, I feel that my acting skills are not really up to par with a lot of other professional actors. I don't think I will get as many professional gigs with my acting skills at this level. How do I improve on these skills while also pursuing professional work? TLDR; How do you pursue professional acting/singing/performing while also balancing school and work? Is this possible? If singing is my passion, how do I make a living off of it? And what is the best way to go about improving my skills while also trying to pursue professional work?
Hi everyone, this is my first time posting here. I was a series regular on a NU TV series 2 years ago that finally released on a small streaming app last week. I worked SO hard on this project and fell in love with my role. I had a lot of great scenes and several very deep emotional scenes (crying on cue). I was so proud of my work and my work really resonated with the cast and directors/producers, which felt nice too. But then the series released last week and they edited my face out of all my intense emotional scenes. All my lines stayed in but 95% coverage on the other actor. Even my monologues are captured from over MY shoulder. I’m so disappointed. How do I shake this feeling? I thought I’d gotten over it but I’m starting to edit together my new reel and can’t help but feel disappointed all over again. Any advice?
I feel child actors ability to act gets worse & worse as years go on. Not just at acting but especially at comedy. Nowadays it seems kids say big words really loud and that's supposed to be funny. Back in the day some child actors really had acting ability and actual charisma at a young age, which I think what was so impressive. the 90s I feel had some of the most talented child actors. Raven Simone as Olivia, Jonathan Taylor Thomas as Randy, Angus Jones on Two and half men, Ben Savage & Rider Strong & Will Friedle as Cory, Shawn, & Eric on Boy Meets World, Tahj Mowry & Jason Weaver & Omar Gooding as J, Marcus & Moe on Smart Guy. Anymore??
[Gravity of Acting](https://gravityofacting.substack.com) "Gravity of Acting" is a newsletter for actors written by an actor, about the physical and emotional demands of the acting industry, the role of actors in society, and ways for actors to stay healthy and grounded while pursuing their careers. ​ https://preview.redd.it/2ndyg3ty42la1.jpg?width=964&format=pjpg&auto=webp&v=enabled&s=e48bb4121c975077e593d8c59c1d92c6d797abf1
I’m just wondering how they’re able to make it big if they’re living here. Or do they have to move first? Can you get an agent in LA and live in Van? I’m not an actor, just curious.
Does anybody have a link to a YouTube video that shows what actors access looks like from an agent’s/casting director’s perspective? I want to further understand the audition process so I think It’d be interesting to see what happens before/after an eco cast is sent.
So today I was performing a scene for someone else’s class where I was supposed to grab another actor out of anger and forcefully shake her a bit before shoving her and walking away. The brief rehearsal and first two takes went fine, but on the third take, after I performed the action and walked away, I look back and the actress stumbles backward onto the floor. I have some stage combat experience, but I’ve never practiced something like this before, and I guess I pushed too hard. I felt horrible. I guess lesson learned is to approach every physical contact with scene partners with more care, and to rehearse as extensively as possible to avoid something like this. Thankfully my scene partner was fine, but I still feel absolutely awful about the whole thing.
Hello! I’m an nyc based actor but have dual citizenship and would love to know if there’s a service equivalent to actors access/casting networks for projects in England? I don’t have an agent here or there but would love to spend some time doing non-union stuff in the uk!
Hello all, Agency mentioned a background role on a commercial with potential for principal and print opportunities once on set, said yes thinking of building connections with the specific casting director (usually used background actors down the line as principals) , but issue im having is having to call out of regular daytime job for the shoot. Dont really need the money but was saying yes just for future connections and potential for principal role down the line but kind of regretting now. Know i cant back out due to wanting stay professional and respectful but kinda regretting it lol Is there any benefit to doing background work on commercials when you already have a decent resume with lead/supporting speaking roles? Dont have any commercial experience so taking it as a learning experience.
I have been working with Luber Roklin for a bit now. I am curious to see what other actors' experience are with them (current and past). Please comment or private message.
I am a bit new to everything, and was just wondering how actors involved in bigger TV shows typically find their roles. I'm thinking shows like last of us, yellowjackets, etc. I understand they have agents and are in the union, but do these agents find the work off sites like "Actors Access or Backstage", or do the casting directors typically have the actors in mind before the production even starts.
So basically, I'm not much of an actor at all. In fact I consider myself pretty terrible at it, but I want to try to be better at it and I'd really love to be cast in this fanmade musical even though I'm more of a singer. I got a callback asking me to perform the first 2:20 of this ([https://youtu.be/NjPYBu6r2es](https://youtu.be/NjPYBu6r2es)) song, but I really don't know how to approach the crying part at the beginning. Any tips?
So I'm a Mexican/Spanish Actress who’s living and working in Madrid, I want to open up my router, and I know that Actors Access is a MUST for actors in the USA, now I don’t want to suscribe if it’s not going to open opportunities for me just because I’m in Spain… So I’m not really sure if I should, can someone outside the USA, with an Actors Access share their experience and if it has been opening doors for them? Thank you!
Hello, this message is for kids under 14, who live in the United States. So, you want to be a voice actor in videogames or anime or you want to be a YouTuber? Here are some things you can do, no matter where you live: -Join a school play, this is free and fun. -Join a music class. Choir is the best, but any class, piano, jazz, guitar, it's all helpful. -If your class has reading time, or if you teacher asks "does anyone want to read aloud?" volunteer to read aloud -Most importantly, read books out loud at home. -Take a foreign language class, if it exists. -Join boy scouts, girl scouts, or a scouts troop -Play your favorite sport on a team -If your school allows it, sell candy to your friends at school -Try to save your extra money for the future -Don't buy anything, no microphone or computer, this stuff you can buy later when you grow up and it's cheaper That's it! Otherwise just have fun, and keep watching anime or playing video games. You are learning just by listening. I DON'T LIVE IN THE UNITED STATES, NOW WHAT? -I can only speak from my personal experience. I have heard that Canada is pretty encouraging in the Vancouver or Toronto areas. Also Europe seems to have plenty of work too . IM IN AFRICA OR ASIA OR MIDDLE EAST OR SOUTHERN AMERICA -I'm sorry, but consult google. I don't know what the rules or laws are. If possible, you can get a work visa and come to the United States. I'M OVER 14, WHAT CAN I DO? -I will be making a post for ages 14-19 soon, so please stay tuned to this subreddit. I AM A PARENT OF A CHILD WHO IS INTERESTED -The main thing that I ask is your income and where you live Is money no problem? Then you probably already know about sending them to schools of performing arts, or living in big cities like L.A. These places will have focused programs and even have casting for kids in shows that were similar to Blues Clues and things we grew up on. If you don't live in a major market, that's okay, there's plenty of free information on this subreddit. Read the getting started post. Even if you don't want to be a voice actor, It's important to know what your child is getting into. There is also voice acting coaches that work with kids too. You can find some of them at edge studio, probably. I recommend all the information I mentioned to the child is important, here's why. Have them take any acting class -This should be a given, but voice acting is real acting. There's a reason everyone watches Disney. Take a music class, especially choir. A good music teacher will provide proper technique, and also help kids understand timing. Have them learn a second language or foreign language. This is crucial, even if they don't become a voice actor. When they audition for a gig, they can offer doing something in another language and make even more money in the future. Have them join the scouts. This is an entrepreneurship career. Having them understanding sales and independence is important. Have them join a sports team. They will need to learn to work with others, especially the ones who aren't easy to get along with. Lastly, be a supportive parent. (This will probably wont be relevant to you, because you took the time to read this) But just in case -Get the kids health and dental taken care of. It only gets more expensive as they get older. - Make sure they are reading out loud, at home, everyday. -College is very important, even though technically you don't need a degree, there are so many opportunities if they can move or go to a good college that has performing arts or theater programs. Business classes and entrepreneurship are a must too. That's all folks! This will be the first in a series of posts. I plan to do: -Ages 14-19 -20-30 -30 and older Stay tuned!
THIS POST IS FOR UNITED STATES OF AMERICA, the labor laws vary state by state. If you live in another country, please google your countries laws. WARNING, GET YOUR MENTAL HEALTH CHECKED. - Now is the time. You are going through life changes. This career has alot of disappointment and criticisms in it, you are going to audition 100s and thousands of times. Please be sure you are in a good mental state before doing anything. But I have ADHD, AUTISM, or other situations -Well, good news, plenty of people are successful voice actors who have it. Please visit the link list at the bottom for more information. GET YOUR PHYSICAL HEALTH CHECKED. -Do it. Do you have breathing problems? Do you cough alot? Please, go get this checked out. You may have asthma, you may have allergies, I really don't know, I'm not a doctor. -But, it is important to be able to use your voice for acting. So make sure you get that taken care of or under control. GET YOUR DENTAL HEALTH CHECKED. -Your teeth, your jaw, are all part of how sound comes out of your body. Get those fixed, checked out, removed etc. MY PARENTS WON'T TAKE ME TO THE DOCTOR -I'm so sorry. There's no excuse for that. Healthcare is available in all states and if your parents work, you are covered under their plan. Speak to your school counselor about that and see if they can help you. MY PARENTS WON'T LET ME DO ANYTHING AT SCHOOL LIKE CLUBS OR SPORTS, SEE MY FRIENDS, ETC -I'm so sorry. You can try talking to your teachers or counselors, but if you are in an abusive household, you may be stuck. Once you are 18, get out of there. (note, this is different then if you were grounded for doing something wrong). Okay, so IF EVERYTHING IS GOOD AND NONE OF THOSE THINGS RELATE TO YOU, OR YOU ALREADY TOOK CARE OF EVERYTHING, PLEASE CONTINUE FORWARD. Alright, assuming you are in the United States, and you are at least 14 years old, you are in high school by now (or 9th grade-12th grade). Depending on the state you live in, their are different labor laws. At the link list below, you will find the Osha page that says if you can work yet. For example, at the age of 14 in some states, you can work 3 hours a day on a school night at a restaurant for example. Anyway, here are 5 things you can do right now that will help you be a voice actor. 1- Join a club. Is there a videogame club? A movie club? An anime club? A Drama club? A Business club? Speech and debate? Why it's important: You will be around other people who also like what you like, and you may learn something too. 2 If your school has a program, such as choir, dance, drama, graphic design, entrepreneurship, any of those are helpful . why it's important: You will learn skills for voice acting, even if it's never mentioned. The drama class is important, because you are an actor. the choir class will help you manage your voice. It will also help you with rhythm and timing. Entrepreneurship will help yoh understand that this is a business, not just a hobby you do for fun. 3 Get a job. Work at a fast food place, restaurant, or retail. If your state says you can't work till your 16, then keep focusing on those clubs in the meantime. How could working at McDonald's or Hot Topic or Applebee's help me be a better voice actor? Because: - You will learn how to take direction. Your manager will tell you what to do. You may like or hate them. But one of the most important lessons to learn is you will have to work with other people. Even if you think you are right, and know that they are wrong, you have to be able to be quiet and take direction. It's about what they want. They are the boss and pay your paycheck. What about Hot topic? Well, it's the same with the customer . They ultimately give you their money. What if the customer is wrong? Doesn't matter, you have to be able to swallow your pride and ego and deal with them. But what about when I get angry and talk back to the customer? It will eventually happen. And you will see the result. They will probably never shop there again, tell all their friends about you, and post on yelp and other socials to never shop there. I understand being angry, but the consequences are what come. That being said, stand up for yourself in the workplace. Don't get rolled over either. Sometimes, the job isn't worth it anymore and move on. Which brings us to 4 College. It's stressful to think about, but this is the time in your life everyone will be expecting you to know what career you want. Why it's important: Well, this may be a shock, but most actors, including voice actors work a day job or part time job. You may have to work 10-15 years at a boring job until you can be a full time voice actor. This doesn't mean you stop voice acting, you will just be busy paying bills. Overtime, you will get more and more work as a voice actor, and you will work your boring job less and less. How do you not get a boring job? Well, there's college for that. "But I'm not sure what I want to do?" That's okay, nobody really is when they are your age. At the link list at the bottom, you will find a couple of surveys that are free (or should be free, don't pay for anything you can get free at the library). These may help you find a couple of jobs that are of interest to you. Please remember, it's just a survey, don't let it define you. 5 READ THE GETTING STARTED REDDIT STICKY POST -It has so many free links. So much free information. So much reading. Did I mention that this entire job involves you reading, out loud, in front of a microphone? If you hate reading, maybe consider coming back to this career in the future. Final thoughts: Don't forget to live your life. As a teen, you should be having fun still, and hanging out with your friends and being silly. Try to keep all these things in mind, and remember kids, stay in school. And if you speak a second language besides English, keep speaking it! You will have more job opportunities. SUPER SECRET BONUS ROUND -Do you really want to be a voice actor? What's the fastest way to learn how? You need money, lots of it. How do you get money? Look up the most demanding jobs right now on indeed or zip recruiter. what do you see? Nurse, Truck Driver, Cyber Security, and the trades: Welding, Plumbing, Electrician, Mechanic, etc. If you really want to get there the fastest in America, consider these jobs. If you have the money, you can pay for coaching, getting a brand, getting training on mic, getting a professional demo made, can move to a major market Like Los Angeles, and can buy a home and build your home studio. And, on top of that, you will have that skill like a plumber that's always in need, and you will have a source of income you can depend on while growing your voice acting career.
This happened to me very recently and though I usually can stay very detached with auditions, this one really got to me. I had an audition for a film through my agent. The whole production team, director, writer, other lead actors, are A List/multi award winners. I’m just a budding actor with few credits. The role is extremely specific, requiring a specific language & dialect that not many people speak (which I do). As I went through the sides for the script I realize it’s the lead role. Moreover this role had other things in common with me; our background, appearance/description, heritage, we even grew up almost on the same neighborhood. The coincidences felt almost like karma - and because I wanted it I worked really hard on the self tapes (I had to send in 3 scenes). I gave a performance I’m proud of and am confident that I did my best. The part hasn’t been cast yet, but I ended up meeting the casting assistant recently (not sure if they remembered me) at an event, and while chatting they told me “Yeah, at our office we don’t ever call back actors who don’t have major credits. The whole casting team doesn’t really like newcomers, we will audition them sometimes but then producers won’t want them”. I understand that acting is a business and I shouldn’t have gotten invested at all but what’s the point of auditioning newcomers if you will only cast big name celebrities? Surely if the whole film is produced and directed and written and starring A-Listers, you can afford to have a newcomer in it, right? There’s examples out there like Rachel Zegler in Spielberg’s West Side Story or Paul Mescal who did this. Has anyone had a similar experience?
I submitted to a lot in mid-late January and was rejected from all of them. I had one interview, but they never got back to me after so assuming it's a bust. I genuinely thought this was a sure thing. I have a good demo reel with a variety of performances (not just class work; actual footage), headshots, a decently stacked resume, and a fully set up AA profile. I cold-submitted which probably is the kicker, because I just haven't found anyone willing to refer me. I know people who have had no credits and only a bit of training with a headshot who get into good agencies bc of a referral. Having more experience but not having the connections really sucks. Every project I've worked on, the others actors are represented, and even though we're on the same set (my name even higher on the call sheet), they are far ahead of me. I know I just have to keep getting roles and footage, and I'll take a lot of classes this summer, but will that even be enough? How many roles on a resume will it take for someone to consider my submission? I just wish someone would take a chance on me. The agent I met with said it would be harder for me because I'm white, but I think I have a unique look nonetheless. Ugh, I don't know. I've been working so hard to get an agent for years and it's just something I can't do.
I was just in a music video where I was supporting. I dont have any lines but there are close ups of me, scenes where I’m “talking” to other actors, and featured parts of just me alone. I’m acting in it, but the words will be cut out with music over it. Should I list this on my resume? And if so where?
This post is the 3rd in a series of posts I have made for new voice actors. The other two were for people under the age of 19. This post is geared towards people who are from or live in the United States. Everything ahead requires and assumes the following: -You have your high school diploma or G.E.D. -You have a legal right to work in the United States -You have a social security card -You are a U.S. Citizen Don't have all those things? Then get going on that. Next, I will boldly assume that you have your medical situation taken care of. What does that mean? In regards to mental health: You have come to terms with your diagnosis. Whether you got lucky and have no mental issues, or you are on a prescribed medication that works for you. Are you in the best mental spot for this career? You are going to be auditioning in the hundreds. Are you able to deal with rejection (we call it not be selected, because sometimes your voice isn't the right one for the job, but may be for a different one in the future). As for your physical situation, are you at your best? For example, have you gotten your dental situation taken care of? The older you get, the more expensive it becomes. How is that relevant to voice acting? Because your jaw is a part of your mouth, and if you have your wisdom teeth removed, your sound will be slightly different. The same applies to your nose. If you have a broken septum or really bad allergies, or asthma, you need to get that under control. Why? Because your nostrils are also a resonator. What about burping, and acid reflux? Again, something you need to get under control. A Gastroenterologist probably can help Lastly, what about your nerves? Are they causing you to stutter? Do you have a speech impediment? Consider seeing a neurologist and a speech pathologist. If you read this far, and think I'm being mean, or that's it's not fair, well this is what you needed to hear. Why? Because these are the bare minimum expectations from a client. They expect you to be ready to work for them. Okay, so you made it this far, what's next? Well, I will separate this by your age: 20-25 years old - If you are in college: 1 you are deciding your major or already have 2 you are taking as many elective classes as you can such as -Theater -Small business startup and or entrepreneurship -Marketing and branding -Public speaking -Accounting basics -Graphic design or some website design -Any digital media/MultiMedia class such as adobe audition, photography, radio production etc -Scene study -Literature themes and tropes -a second language that makes sense to you ..... And you are working at least a part time job. Those skills you learn from a boss will help you learn how to take direction. And the value of money. If your 20-25 but NOT in college -consider taking those classes mentioned above online, or with a coach. -Keep working full time at your job and saving money -Keep watching and listening to podcasts -If you are handy, consider doing a trade so you have a permanent skill (like plumbing, carpentry, HVAC etc). -If you are a social butterfly and good with computers, consider learning about Salesforce CRM, Cyber security, TESOL, or other certifications. To sum up, no matter if your in school or fully employed, there is a way to set yourself up for success in voice acting. The most simplest way to do that is have transferable life skills and lots of money. Reddit has plenty of free resources, check the sticky on the front page to understand more. 26 years old -30 years old Alright, so all of the information above is still relevant to you. For those wrapping up college: - Have you started looking work related to your career field? - Internships? Is there no jobs where you live? Are you prepared to move? And if you are going to move, and still want to be a voice actor at this point, why not consider where the majority of the work is. L.A. and New York etc. For non college people -Hopefully by now you have done something like I mentioned above, you have made a decision to work at a job for more than just a few months or a year. Consider if you need those classes at all. I would still suggest a couple of small business classes, finding a teacher who can show you Salesforce, QuickBooks, and someone to show you a DAW of your choice. As for performance, you can read all the time, but you get better during auditions and have people direct you. If possible, find a local theater group and if they have auditions. If you don't get selected, you can hopefully ask the director for advice such as local coaches and classes. Alternatively, there are zoom courses but that may not be "organic" like a real performance. However, the majority of auditions are done from home these days, as well as most work. AND that's all folks! That's what everyone should be doing. Please realize these aren't set it stone situations. You might be 21 and be ahead of the curve. You might be 25 with three kids. You might be 30 and finally working in a job you don't hate. It's okay to take your time, just remember, the only person who can make this happen is you. Help yourself like you are helping your best friend. Aside from that, there will be one more post for the 30 and over crowd. Thanks.
This is the last in the series of posts, regarding getting started. This is for anyone 30 and UP. If you are under 30, you can read this if you like, but it might not matter to you, yet. A few things before we get started. Your MENTAL HEALTH. Is it good? Because if not, get that taken care of. You will face constant disappointment and rejection, so be ready to have a thick skin. Your physical health. Are you up to date on that? Getting plenty of sleep and drinking water? Is your GERD taken care of? Can you speak without getting exhausted and out of breath? Are all of your allergies and sore throat gone? Do you still smoke cigarettes? This all needs to be taken care of. Now that's out of the way, let us begin. Lets start with your living situation Do you own your home yet? Great. Do you still live in apartment? Consider moving. Can't afford it? Find a way. Save money, work two or three extra jobs. Your choices are to: Move into the middle of nowhere, as long as there is good internet. Or, move out to a major city Like L.A. or New York. The expectation at this point is you should know where you want live, because that also factors into what kind of work you can do. Whether it's union, non-union, and whether you're fi-core. In addition,being ready by reading the getting started post and understanding that there are many free resources available to all. Next is finances. You should have some money saved up and be ready to take classes, coaching, and a be able design a home studio or live in a busy market like Los Angeles or New York. This career is a small business, and you are selling you. So, you have paid taxes many times at this point. Consider researching making your business an LLC or S-CORP. protecting yourself from getting sued is important looking up copyright and contract writing is also helpful. Consider sitting down with or doing a zoom call with an entertainment attorney. Expect to not make a profit in the first 3-5 years. Can you afford to spend $20000? If you can, that's great. If not, start doing anything you can to make money. Next, is Time. Do you have it? Because you will be spending hours a day researching, learning, listening and educating yourself. You will live, breathe, sleep voice acting. If you are focused on other things, maybe consider slowing down and starting with reading and listening. See what you are getting into before jumping into the pool headfirst. Next is Family. Will your family support this decision? Do your kids still live with you? Does your spouse know you are doing this? Are your kids still little? These are factors to consider. This doesn't mean success can't happen. Search Mike Lenz podcast. He worked in a Pharmacy, then took over the business, and had a spouse who was initially against the idea of him being a voice actor. He slowly but surely grew his acting skills and his business, and now does voice acting full time. What about a father in his 40s with a young child? Search All over voice over, with Kiff VH. He unfortunately did not have a spouse that appreciated the idea. He divorced and got married to an actor instead, moved from Michigan to L.A. and became not only a voice actor but on screen too. He made it work! Next is "I'm too old". Watch Voice over Body Shop with Dan And George. It's basically "Cartalk" that you would hear on NPR. George is a home studio tech who worked with Don Lafontein. He makes home studios for a living. Dan worked in radio in Boston back in the day, and eventually became a teacher, and then got into voice acting. He is certainly in his 60s and still getting work. Next is Technology. You are never too old to learn. In fact, there are people who deliberately choose to not get with the times. This is known as weaponized incompetence. Again, if your mental health is in shape, there's no reason not to learn something. In fact, people who are scared to learn may have had a bad experience with a teacher in the past. This is where money comes in. You pay a good coach or mentor to show you how to navigate a DAW or CRM software and you can be on your way. If you need an example, consider that podcast with Dan and George, VOBS. I have seen plenty of guests say they don't know technology so they hire someone to show them. Next is independence Have you had a job before where you were left alone, and expected to get things done? Are you able to have that mindset of taking ownership and responsibility of your own business? Because the onus is on you. You are responsible for your career. You are responsible for your future. Next is Marketing and Branding This is something that may be difficult for someone who is humble. You may want to keep to yourself, but in this global market, the ENTIRE WORLD is your competition. So, that being said, you can pay someone to help you market yourself and your branding. Or, you can take it upon yourself to do so. However, you have to be honest with yourself. Ask yourself "what do people think of me, what do I sound like, and what am I known for?" Help define your signature sound. Help the client understand who you are, and why they should hire you. Next is the work. What do you want to do? What is your goal? And what is the next goal after that? You will have to decide if you are a niche or a swiss army knife. You can specialize in a few fields like audiobooks and e learning, or you can be known for many things like commercials, videogames, adr, telephony etc Next is Networking. Do you love people, or just tolerate their existence? Well this business is a business 2 business field. You are working with people and building relationships. I like to say we are planting seeds and letting them grow. You probably already know, but there's a fine line between letting someone know you are available to work, and pestering them with monthly emails. Overtime, your business will be like blossom. The seeds grow into trees, and they branch off and find more people for you. You need people who will advocate for you. So keep making connections, keep providing great business, and a great experience. That leads into our final topic. MOMENTUM Do you have what it takes to light a fire under your ass every day? To go out and audition, whether that's in your closet or studio? You have to be a self starter. You need to be your own cheerleader, or hype man. Build up that momentum, water those relationship seeds, keep up on the latest technology (are you on TikTok and Zoom, or are you still just on Facebook and sending emails?) Be willing to attend voice workout groups,and coaching on a regular basis. Ask for constructive criticism and don't take things personally. Keep building that momentum, even on those hard days where you want to do nothing. I hope this all helps. This concludes the getting started post series.
About 4 years ago, during lockdown I found a website where people could post voice acting projects looking for actors and people could do it for free (volunteer work). I have been trying to find that website and I can’t. Any help or alternatives would be appreciated!
I live in central Texas near Waco and Austin and can't find any agencies that will respond. I really want to be an actor and need help so please help me.
okay, so let’s say that I am directing a $1-5m dollar motion picture… and I wanted to cast somebody such as Kiera Knightley to perform in a role that would only take her one day to complete on set. like, would somebody like Kiera Knightley be more inclined to accept that smaller-role because of how non time-consuming it is for them to commit to it… or another example - how about if I want Kal Penn in the picture, and would only need him for 2-3 days maximum. would this be more about the pay-rate (which would be standard for SAG Low-Budget), or would they feel more inclined because it is simple labor for a whole new credit on their resume/reel. just curious about this, and if anybody had similar experience with what I asked. thanks - all the best.
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
