Hi! I’m an actress looking for an agent in Michigan. Preferably in the Allendale or Detroit area. Does anybody know of any agents looking for actors to represent in these areas?
So I hear smiling in headshots is mainly reserved for commercial, but naturally I’m a happy, fun, and comedic actor but can play serious. My main head shot is currently a teeth smile because I feel it represents me the best, is this a good idea or should I stick to the dead pan down the camera for main ?
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. ​ For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
We would share the ad revenue, i am currently using an AI Voice
Hello everyone! I hope you all are full of health. First, I am not completely sure if this sub is the right place to post this. I am an optioned screenwriter, writing and networking all the time. Last month, I got an experience, let me tell about it. I was sending query letters to producers via Imdb Pro and one of them responded me asking what do I want him to do. I told him that I was sending query letters to producers and apologised if there was a mistake. There was no problem, he wanted to read the whole script and I sent it. Then, he told me that he liked the script and he also wants to play a character in it. That was a great thing to hear, I appreciated and told him again that I am just the screenwriter, looking for producers. He agreed, whatever, there was many ongoing projects that he was dealing that time and he told me that he is gonna get back on the script later and see what can be done. Since this, I am trying to network with actors also. Because actor-character bond might be stronger than producer-movie stuff, I believe. So, after selling one of my project's original story rights, I am more focused on networking. I would love to get to know more people in the industry and become friends with actors. I would be more than just happy to tell you about my scripts if you'd like to ask. You can send me DM whenever you want.
AI is coming. Eleven Labs is killing the game when it comes to human sounding AI voices, and considering how a couple of years ago the level of quality we have now was unheard of, I don't think it's unreasonable to say that they're only going to be getting better. Fast. I don't think that this is really a debate anymore. In my mind, it's not a question of if it will eliminate voice actors; it's a question of which genres it will saturate, how soon it will saturate them, and how many actual voice talent will be left over in those genres. Couple that with more and more young people going into video production who don't have as many scruples around hiring an AI vs hiring a human, and I think the industry is going to take a hit. In a hypothetical world where A.I. voices are nearly as good as - if not as good as - a human voice, the value of the "human touch" is lost, and who one is as a person becomes an even bigger part of ones ability to make it in this industry. People would hire you more because they know you, they like you, and they trust you, than because you've got the voice of a god. Plenty of AI voices would have that already. My question is: what can an individual do to give themself the best shot at making it through on top? Naturally, building a powerful, well known brand for yourself and cultivating strong relationships with people in the industry is a must, but outside of that, is there anything that can be done?
Hi everyone! I’m casting for a play my friend wrote called My Husband that’s being put on in NYC. It’s about the struggles of Alzheimer’s within a family and the celebration of life. We’re looking for a couple adult actors and some younger ones too. Please reach out if you’re interested in auditioning and I’d be happy to send you more audition information.
I love networking with other actors and getting a few tips about where/how to submit for work. Let’s start a thread of a few sites that have been helpful with finding theatrical and commercial gigs. Please drop some links/sites in the comments. Here are a few that I use frequently: - LA Casting (casting networks) - Casting Frontier - All Casting - Backstage - IMBD PRO - Facebook
Hey y’all. I’ve realized with just focusing on work and school and not many events happening around in my city for actors, I figured the best way to start networking is online. I used to have a pretty decent amount of connections on my old social media’s but have since deleted them and created new ones in the past two years or so. Right now, I’m really wanting to reach out to some cool creatives but am not sure how to go about. I don’t want to dm them begging for a follow or for work, but just to connect and build a mutual relationship to hopefully learn more about opportunities happening in the industry. Anybody have any etiquette tips on dming individuals or which app/site you think can be useful for meeting new people. Thanks!
Hello! I'm mainly a theatre stage actor, but I wanted to try and get back into voice acting. This is self-produced so I apologize for the quality. I'd love to hear your feedback on some character work. [https://drive.google.com/file/d/1Zy58VRn67RZaATBG5h7kGEj5mIDbCigV/view?usp=sharing](https://drive.google.com/file/d/1Zy58VRn67RZaATBG5h7kGEj5mIDbCigV/view?usp=sharing)
I was in discussions with an agent about representation, everything was going well and we had a meeting. During the meeting he explained my age could be an issue because of lack of credits, I’m a 31 male, he summed it up to cds want credits and won’t see you ahead of those my age but with more on their resume. I took this on the chin and we left the meeting on good terms and ready to go forward together. I got ghosted for two weeks after following up and he’s now basically said he doesn’t want to take me because of the reasons he laid out in the meeting and how it will be a lot of hard work. Like I said, normally I’m okay with rejection but this has made me question myself as an actor and won’t go anywhere because of my age/ lack of credits.
hi there. i'm an actress in nyc and i'm really struggling to get any theater auditions because i don't think i qualify for equity w/o the credits, and i don't have a manager/agent to help me get auditions. any tips?
I'd like to participate in something like this [Stella Adler](https://www.stellaadler.com/showcase/) one that stays online for a long time so people can find it in the future as well. I'm not sure what is required to be able to participate in this. I'm guessing a pretty lengthy class? There's the [Green Room acting studio](https://www.greenroomactingstudio.com/virtual-agent-showcases) which offers a 3 day class for $2,400 in order to have a virtual showcase performance at the end. Doesn't look like it is saved anywhere though like Stella Adler. I know reps get the links to showcases like this emailed to them. And then there's the one shot deals at place is like [actors connection](https://www.actorsconnection.com/classes/) which as I recall is pretty much the same thing as one-on-one, both are notorious for ripping people off and have really negative reviews online. I had a very bad experience with either actors connection or one-on-one years ago. Just wondering what other people's experiences have been. I wouldn't mind paying a few hundred bucks to take a good online class if it ends in a Showcase with legitimate guests not just attending but having access to the website link afterward. Especially if I knew the school was emailing it to reps. I have many years of acting experience and have representation in my small town but I would like to get representation in New York or Atlanta too.
NYC-based actor. I've never booked an actual co-star role so no professional credits but I've been taking roles in short films and ensemble theatre work since 2015 (underground experimental theatre, black box, plus a little Shakespeare). Kinda tough but this is what is more readily available in this market. I'm trying to pivot better into auditioning for legit (SAG) film and television on a more regular basis now but I'm afraid that gap between start and now ain't gonna look too cute when I pitch to an agency/management. Any thoughts on how I can spin this so I don't look like I've completely wasted eight years?
I haven't been an actor very long. I'm currently SAG-E, but haven't yet joined, mostly because of the cost. I've heard the talks that the WGA may go on strike around May, and my understanding is that the "sister" unions of the entertainment industry (SAG, IATSE, et al) will also refuse to work out of solidarity. So my concern is, what does an industry strike mean for me, as a currently non-union actor? If I don't want to scab and potentially ruin any chance of getting into SAG, does that mean I'm out of luck and also won't or shouldn't be working? If I continue to work on gigs with no union affiliation at all (local TV spots, print, and the like), is that considered scabbing? And also, what does it mean for someone like me who was working up the cash to join SAG relatively soon? Should those plans be put on hold until the strike is resolved/averted?
I see some acting agencies they have branch- actors and extras separately, so if you join the actors one, will you still get extras work? And if you join the extras one, will you only limit to getting extra work and no speaking roles? I’m confused I have never been with any agency. Im a fairly new actor professionally. I graduated from my drama and film BA degree, I took an acting class outside of uni after I graduated, I have done two films speaking roles recently, extra roles in student films, and also performed in theatres. How should I approach with agencies? (my ultimate goal is main roles)
Did you have a job offer? Is an acting job offer also a way to get a green card?
I want to move out in 2-3 Years to persue acting as a career. But I want to hear how life is there. What are u doing when u aren’t booking anything?
I’m visiting LA for 1 week in April and wanted to go to an acting course or workshop but Idk where to look. Did you have any good experience with one and recommend it? I just don’t want to spend a lot of money for a workshop and then it’s trash.
I joined a new acting class, and boy, I fucking bombed in front of 30 people. Normally I’m used to killing it, and I knew I was a more experienced actor than some of the others. I feel confident in my abilities, but I got overwhelmed by the sheer amount of eyes looking at me. I screwed the pooch! The second time around I did alright, though. Does anyone have the experience of bombing in front of a bunch of new classmates that you don’t know and they don’t know you, but you really want to impress them?
I contacted AA to look into it, but use caution if you submitted. I’m almost sure it’s not real. I received an eco cast and was asked to email them personally. I’ve had a lot of scams in my email and this looks identical. They asked for my address to send a pre-payment of 500$ in cheque form, I can’t find anything out the production company and they’re weirdly pushing how you get to keep designer clothes you wear on set lol they also offered me a role within an hour of sending an email. Edit: it is 100% a scam. Don’t send any personal details! If submitted you should receive a message from actors access
**About the Game** Crimson Tactics: The Rise of The White Banner brings you an epic adventure in the form of a turn-based tactical RPG. Set in a medieval high fantasy world, witness a massive political disruption through the lives of different characters and fight for the fate of Wendalle. [More Info on Steam.](https://store.steampowered.com/app/1480810/) **About the Job** We are looking for a Female Voice Actress to serve as the Narrator for the game. The provided references illustrate the kind of voice we are looking for. **References** [Cere Junda](https://www.youtube.com/watch?v=ELs83b0s-iE) [Dragon Queen Zubeia](https://www.youtube.com/watch?v=0asTZ-rWA1w) [Galadriel LOTR](https://www.youtube.com/watch?v=vOulsEGvSCo&ab_channel=GandalfGrey) [Eris Morn Destiny](https://www.youtube.com/watch?v=cAWFdsVwKak&ab_channel=ThePhoenix) **Rate (Negotiable)**: $50 per 30 mins of recording session. **Requirements:** * Quality Mic Setup. * Experience recording Voice Overs. **Recommended:** * Experience as a Voice Actor / Voiceover Artist. * Acoustically treated room. * Experience using Discord. **We will sign a Freelance Contract and an NDA.** **How to apply** If interested, please email me with a link to your voice work, details about your mic setup and audition clip (Optional but highly preferred) to va@blackmarchstudios.com **Audition Line:** >The death of King Edrich Alwyn marked the end of a peaceful and prosperous era in the kingdom of Wendalle. Please feel free to ask any questions here or via Reddit PM.
I’ve been auditioning for network shows and projects for the past 1.5 years. Some months have been better than others obviously, but I feel like I’m “in the game” now and not just doggie paddling trying to submit for student films on Actors Access. I’m not working right now and my parent (who knows nothing about the industry but is convinced they do) has suggested I enroll in some sort of conservatory program to hone my skills since I don’t have a theater degree. But I’ve been actively training for the last 5 years, and I know my auditions are strong. Though, I haven’t booked yet theatrically to be fair. I think in terms of actually booking work - making connections, having the right reps, and consistently submitting good auditions to the same CDs is more important than spending a ton of money to better your craft. But I’d be open to a program if it allowed me to continue auditioning. Does anyone know if there are any 1 or 2 year acting programs that are conducive to actors who frequently audition, or maybe even actually book work? I live in LA. Thanks in advance!
If you lived in LA, how long did you live there and why did leave? Do you want to go back? If you live in LA now, do you want to leave?
Hello! I am an aspiring actress hoping to start studying acting abroad and I would like to know if more experienced people have anything to say or any tips! First I would like to know if you guys know of any colleges that specialize on acting as a career and preferably offer scholarships. Then, if you can, share your experience, the routine of working as an actor and some tips to help beginners like me! I hope to join you all on the acting field soon and help each other out.
I received a survey-type ad on LinkedIn the other day from a name (who shall remain nameless) who had no LI profile. The survey was one question: "What's the worst part about creating a voice-over?" The choices were: "Edits". "The Cost". "Actor Availability". "Using My Voice". Thinking this was some newbie VA mass marketing to anyone with the word "voice-over" on their profile, I answered "The Cost", just to hear what their pitch was. The immediate reply was, "If you're paying more than $100 on a voice-over, it's worth considering an AI voice as a way to save". So the brainiacs behind AI are making the typical rookie mistake of appealing to bottom feeders who value price over quality, because they know their product doesn't measure up. Watch out Fiverr and Upwork freelancers & RS narrators - if you've built your business on a foundation of these types of cheap jobs, they're coming after you first.
Does anyone know easier ways to memorize a script? My director in plays I’m in, only has me rehearse the plays once a week because there are multiple, and I have to do a majority of memorizing from home. Also as a side note, is it normal to have 0 to not social interaction with the other actors? The others either go do their own thing or can’t talk because of time constraints of the rehearsal. I have been in productions before where we have had fun and still got the job done while on set, but for this it seems so strained and stressful, mostly due to us only having the rehearsals once a week, with only 4 left. With both the negative attitude of the director, the stress, and the lack of social interaction. It feels less and less enjoyable.
I've been a (non-professional) actor for 3 years, I've done short films, theatre & acting classes . I want to be a television actor and writer (professionally of course), but I don't know what to do next. I want to (obviously) work in professional projects. The truth is, there's no real issue here. I know what I want in the long run they are clear set long-term goals, I am doing what I can now, and I am truly passionate about both crafts, but I'm scared. Super scared. And I don't know how to stop doubting myself. And my fears are irrational too. And the scariest part is that the fear interferes with my passion. So one day I'll be all confident and passionate, and the next I won't feel anything because of the fear. Any tips on how to get over the fear?
I’m with a fairly sized agency that has a few hundred people on their roster. I was just wondering if agents watch all the eco cast tapes that their clients submit on actors access and other sites. Do agents have access to content we submit to casting directors?
Welcome to [r/VoiceActing](https://www.reddit.com/r/VoiceActing/)! Please read these rules before posting, and then see further below for helpful links on how to get started in voice acting and voiceover: ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ 1. **NO REQUESTS FOR FREE WORK. AUTOMATIC 30-DAY-BAN, NO EXCEPTIONS:** (except in the Friday "Almost Anything Goes" thread.) 2. **PAID WORK REQUESTS:** Requests must have the 'PAID Work' flair applied, and MUST include the rate being offered,and the terms under which that rate will be paid. *Zero exceptions*. Unpaid work requests get you an ***automatic 30-day ban***. If you respond to an unpaid work request, *you will get the same 30-day ban*. 3. **FEEDBACK REQUESTS:** Videos submitted for Feedback Requests must be *less than five minutes*. Violating this rule gets you a 30-day ban. 4. **NO POSTS OFFERING SERVICES FOR HIRE** (except in the Sunday "Almost Anything Goes" thread.) 5. **NO ADVERTISING POSTS ALLOWED** (except in the Sunday "Almost Anything Goes" thread.) 6. **LOLI OR OTHER CONTENT EXPLOITING CHILDREN WILL GET YOU INSTA-BANNED AND REPORTED TO THE ADMINS.** 7. **NO DIRECT PRIVATE SOLICITATION OF USERS TO SOLICIT FREE WORK OR SERVICES:** If you are trying to source voice actors, posts must be: 1) for specific roles or productions; 2) must be paid roles with an hourly rate, or job price; 3) posted as a casting call in the subreddit, abiding by the posting rules found in this rules sticky. ***Direct contact with members -via- DM to circumvent this rule will result in a permanent ban from the sub.*** **PARTICIPATION TIP:** *Please don't be lazy*: search the sub to see if your question has been answered previously before you post a question. ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ **How do you get started in VO? Check the vetted resources below:** * [I Want To Be A Voice Actor!](https://iwanttobeavoiceactor.com/): Dee Bradley Baker's guide to getting started. * [Voice Acting Mastery](http://www.voiceactingmastery.com/): Crispin Freeman's Blog and podcast "for all aspiring voice actors, no matter where they might be located..." * [Voiceover Resource Guide](http://voiceoverresourceguide.com/): Studios, Agencies, Producers, Rates, and more. All in one spot. * [GVAA Rate Guide](http://www.globalvoiceacademy.com/resources/voice-over-industry-standard-rate-guide/): Industry standard rates across a huge range of usages, terms, and markets. * [VOBS](http://www.vobs.tv/): Weekly VO talkshow with Dan Lenard & George Whittam * [VO Buzz Weekly](http://www.vobuzzweekly.com/): Interviews with the VO industry's greatest * [Voice Over Practice Script Library](http://www.edgestudio.com/script-library) * [Voices UK Blog](https://www.voicesuk.co.uk/blog): VO news tailored to you lot across the pond * [The Art of Voice Acting](https://www.goodreads.com/book/show/9419268-the-art-of-voice-acting): by James R. Alburger * [Voice Acting Club](http://voiceacting.boards.net/): sort of a hybrid between hobby-level VO boards and a P2P. It's been around forever and the postings are archived to keep job offers current. * [Bodalgo](https://www.bodalgo.com/en): P2P Casting Site, homegrown and the most "indie" of all the big players. International clients, and fair market rates. * [VOPlanet](https://www.voplanet.com/): P2P Casting Site. Well respected and fair rates. * [ACX (Audiobook Creation Exchange)](https://www.acx.com/producer): For those interested in audiobook work, and working with authors to get published on Audible. * [CastingCall.Club](https://www.castingcall.club/homepage): Casting projects of all kinds, from hobbyists to pros.
Hey everyone, I was wondering what were ways you all used to better your enunciation and projection of your voice since I feel that is a important aspect for actors.
Hello fellow actors what are ways to help become better at enunciation and projection as actors? This is something I wanna get better at as an actor.
Just wondering about the old dream, is it possible to become a mainstream lead at this age ?
I think it's important to know who we are talking to on this subreddit. It often feels when someone discovers this subreddit, you are not only having to mention that this career involves reading, but entrepreneurship, marketing, audio engineering, and public speaking. I think everyone should participate in this poll. Going forward, we can better understand the needs of the community, and may even consider having a subreddit that's for the mid-level to journeyman experienced voice actors. This is not meant to separate the community, but to better understand how we should communicate with each other. [View Poll](https://www.reddit.com/poll/118d4p0)
I'm a voice actor but I'm also a youtuber. I'm trying to rig together a camera stand complete with camera, lights, and mic and I can't seem to get a decent sound out of it. I'm using a Shure MV7 for my Youtube videos. When it's close to my mouth it sounds warm and nice. I tried setting it up so that it comes down from above on a boom arm (just out of camera shot) and it sounds weak and tinny. I'm sorry if this is a stupid question but is there a way I can enhance the audio? Am I maybe using the wrong mic? I tried with a Rode Shotgun mic and it sounded even worse. I don't want the mic in the shot with a HUGE arm across the screen but I also don't want to give up that nice sound.
I was planning on reading both 'Respect for Acting' and 'Challenge For The Actor' by Uta Hagen, but I have recently read that she admittedly 'disassociated' herself from the former book. From someone who has read both - is it worthwhile to read them both? Or does 'Challenge For The Actor' contain everything you need from her?
Hey everyone! I’m using IMDB Pro to get the contact information but I’m not sure who would be the right person to contact. There’s a Talent Agent, Manager, Talent Agent Voice, and Talent Agent Personal Appearance. I originally assumed Talent Agent Voice would be the best bet but then I started thinking that might be only for Voice Acting gigs and that Talent Agent Personal Appearance would be the best one. But I’m not sure if that’s only for in-person appearances like panels. Does anyone know who the right person to contact would be for a phone interview? Or any educated guesses?
I'm being sardonic. Few years ago, our theatre company fucks us, we try to negotiate. Even threat to strike. It all blows up, two people negotiate without us, got what they wanted, and we lost our positions. Back to square one, like Im starting again, but older. Now, when it seemed I was getting steam again, the new company fucks us. And we're trying to organize and negotiate. But I don't even care. I'm so tired. I don't want to be political anymore, I don't want to be honored anymore. I just want to beg and be content like everyone else. I just want this to end. I want to get to the part where we lose at once, to the part where I'm out of stages for years again and go back to my learning how to deal with melancholy where I stopped it. I can't stand feeling this angry and righteous anymore. Why can't I just let them fuck me up and go home? I wish there was such a thing as just acting, even for free. I am so tired.
everyone’s opinions on what “good and bad acting” is, just wanted people opinions on sydney sweeneys acting
I'm not from the US, or Canada, or the UK. (Or Australia) Is there a way I could act in films for international film festival's? And are overseas agents really looking for people other than Americans? Sorry if I'm asking stupid questions, I'm new to a lot of this.
I hope I don't break untold rules, but I wanted to share what is a great moment of acting in my opinion: [https://www.youtube.com/watch?v=zaO9\_Zuhawc](https://www.youtube.com/watch?v=zaO9_Zuhawc) The emotion range and scale in that scene is so subtle and well balanced, you can see each second he is embracing the song and enjoying it more and more while at the same time asking himself "what the fuck am I doing" What a great actor!
I am a beginner in most aspects of acting, but one thing I'm sure of, is that when it comes to starting their careers, actors can't afford to be picky. In my case, I mostly have opportunities to act in theatre, in a TV commercial, or act as an extra for movies. Being a lead in a short/student film is a less common, but a relatively popular way to go where I live. The point of this post is my concern(s) with what is considered "basic skills", specifically in rehearsals and/or filming. Along with Asperger's Syndrome and clinical anxiety, I have a condition known as "dyspraxia", which I believe may be a problem/obstacle in a future acting career. To explain this condition further, think dyslexia, but INSTEAD of having trouble reading , talking and giving speeches, it's having trouble using your hands, performing simple manual tasks and sometimes following basic physical instructions. I did a physical theatre workshop once, and I remember the person presenting being pretty unhappy with my inability to do line dancing as a warm-up, and I was so embarrassed because for a few seconds I was looking lazy and/or less hard working than the rest, but soon, the trainer's disappointment transformed into pleasant surprise and actual pride. This happened because, throughout the workshop (it was hours long if I remember correctly) I used my knowledge and creativity to express myself in all the right ways. By the end we all performed a piece for her, and apparently I was one of the best in the room. In another case, I was attending rehearsals for a production of "Little Shop of Horrors" that I was recently casted in, when I realized due to to the fact that I can't tie my own hair in a decent ponytail, I needed to ask someone non-judgemental in the cast to tie it for me. I'm at the age where tying your own hair is considered a no brainer, actor or not. Generally, I think I do have some skills. I can read a script and memorize lines, I can stand still and be quiet when I'm expected to, I can write my signature, (although handwriting in general is often a mess from me) move my body in most specific positions that may be asked of me (I'm fairly flexible physically) and I am familiar with the basic criteria for doing auditions. This is really not a question I like to ask, because after all, in the acting world there are critics EVERYWHERE. I'm just afraid of all the factors that could hold me back. Regarding occupational therapy, I have tried it for years, it worked for a while but my body and mind outgrew it in a way. Do any of you have advice or tips on how to set up an acting career WITHOUT worrying too much about hair, makeup and the other stuff mentioned? Thanks for reading.
I've been looking into voice acting/broadcasting as of late. Right now, I'm working in customer service for a logistics company and it's not uncommon for me to receive compliments on my voice during phone calls. I'm told that I have a very calming and soothing deep voice or that I could be an announcer. I've done some research and from what I could gather, deep male voices are sought-after(correct me if I'm wrong) I have been looking into classes at the local community college, they have a multimedia program. I've also looked into entry level equipment to start with, as well as sound-proofing a room(which would just be a closet that has enough space for me and a small setup. I'm sure it's different from person to person, but what is a typical day like for a voice actor? What are the stressful times like and how to overcome them?
Disclaimer that I'm not somebody with any ambition of being a professional voice actor. I'm simply a man trying to do some voice overs for my own little personal video projects, where similarly I don't have any pretence to be creating world busting affairs and rather just little things of local interest. I've briefly recorded 30 seconds of myself speaking so you can hear the problem(s). For the first part I'm being silly and then in the second half I drop in a more natural tone as I would use for the bulk of my recording attempts. [https://sndup.net/pmvd/](https://sndup.net/pmvd/) Painful right? I've tried all sorts of tricks but I just can't get this sibilance down. There's always way too much of a slur in my speech. Examples of things I've tried (though further advice in these areas welcome) \- Spitfish. It seems to reduce audio quality without much actual change in the sibilance. \- Pop filter. I'm using one here along with a blue yeti x and audacity. \- Speaking slower and pronouncing more carefully. I try. It reduces it somewhat. But... In what I am wanting to record I'm wanting to keep quite a local conversational character. I don't want to lose too much of my flow. I'm trying to get a bit of a balance between speaking authentically northern whilst being understandable to outsiders. Any advice for how I could try and sound acceptable for an amateur?
Reached out about an actor for a role in a short, and the agent said "Sure, but don't hold your breath because we're not really in the shorts market". Should I just pass and not waste energy sending an offer to them?
Hi there. I've been out of the VO game for awhile now, and I was wondering if anyone could help weigh in on which online casting/profile websites are the current legit/active ones for self-submissions/auditions and promoting your work? Back when I was doing it, it was [voice123.com](https://voice123.com) and [voices.com](https://voices.com). I know, it has been a minute! Lol. I've searched to see what comes up, but there are some things that only come with experience to fully understand the differences (e.g. with on-camera acting, the difference between the significance and types of roles that will be found through Actors Access versus Casting Networks versus Backstage, etc, as they are each very different, plus some of the ones still listed on a quick Google search have really phased out years ago but will still accept your money for the membership). Thanks much.
I know that acting is a communal profession, but it can feel quite lonely a lot of the time. I had a hard time making friends when I was in my course for drama. I did have a few people but I struggled with a lot of things to the point where folks felt like they gave up on me. It can be hard to shake off, makes you think you’ll never have a career in this industry. Being autistic is one thing that makes it hard for him. If you ever felt like that, how did you find a way to really connect with people? I feel like I have the answers and at times I don’t.
(M,22) Hi guys, I live in NYC, I just moved here about 6 months ago from a overseas. I’ve always been wanting to be an actor or pursue filmmaking to some degree despite having absolutely no experience whatsoever. Y’all got any advice on where & how to start? Should I go to school? Take lessons? Any advice is appreciated :)
How do you describe your relationship with your reps? Friendly, professional, joke around, etc? Do you talk (whenever possible and within reason) about non-industry related things? How close (if possible) are you with your reps?
So I’m very passionate about being an actor. Not trying to brag, but a lot of people around me have been saying I’ve got real natural talent and that if I were to pursue seriously, I’d be successful. And to be honest, I wouldn’t mind pursuing it. However, that’s been said about the millions of other people that have been acting. Even the ones who are really talented don’t even take off and become famous/successful or just barely get by. The main issue for me is the financial aspect of it. Maybe it’s because I grew up not as well off as other people or my friends, but money has been something that I swore to, when I grew up, I would want to make sure I was financially stable. I want to wake up every day knowing I can feed myself, pay my rent, and not have a worry about paying some debt or loan to someone, a college, or company. Yeah, it’s normal for most Americans, but constantly worrying about if you have enough money to feed yourself?? Nah. So i made this post asking what is it like making a living as an actor today, in 2023. I’m sure nothing’s changed in the last few years, but what could I expect if I were to, realistically, get a degree in some type of theatre study in college, and then right out college, jump into acting. Would I be involved in the “hustler-culture,” where I’m constantly looking to book a role, making gigs, perhaps tutoring or teaching? Or maybe something else? How have you guys made a living? Have you made a living? Am I blowing it more out of proportion than it really is, or is it seriously a struggle to be an actor trying to be “successful?” ANY AND ALL advice is appreciated!
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