Here is a short I did this week called Unexpected Roads which is based on some bad news I received. https://youtu.be/P1E8rGtmI_g?si=XAcLiErJRpiz_zkG
Often the reason an actor may opt to transition to Financial Core is because they are struggling to find work. The extra flexibility of pursuing nonunion gigs may mean the difference between making rent that month or not. However, this choice is sometimes forced upon an actor after deciding to join the union at the wrong time. When a performer becomes SAG-eligible—meaning that they have accumulated the number of roles required to join the union—they do not have to join immediately. Many, in fact, remain in this intermediate position for years. An actor who is SAG-eligible is not a member of the union yet but can become one with a couple of phone calls and a down payment on the initiation fee. Union projects are more likely to consider them for casting, but nonunion projects can cast them without forcing the actor to choose between SAG-AFTRA and work. The easiest way to avoid the SAG versus Fi-Core question is by making sure that when you do join the union, you not only qualify but have a large enough professional network (and a solid reel) to get cast. The option of going Fi-Core and becoming a fee-paying nonmember is enshrined into law—it’s not going anywhere. But it’s much more than a move to make because of a lull in union work. To go Fi-Core is to make a major decision in your career, and that choice needs to come with deep consideration. #actor #sag #sageligible #nonunion
Wild hit piece about the Rock's latest movie (https://www.thewrap.com/dwayne-johnson-red-one-late-budget-problems/)
The Dumbest Comment I Ever Heard From An Agent - Unbelievablehttps://youtu.be/L01r7nnYEcMHave you ever gotten a crazy comment from an agent? If so,share it here and on the channelyoutube.com/c/aaronmarcusactingandmodelingquicktips Subscribe and click the notification bell on thechannel so you always know when a new video has been uploaded.
Here's my latest color...got tired of the gray.....I'm ready for something fun again!
This is our 5th interview in the "I Wish Actors Knew..." series. This time I sat down with Miracole Burns, an experienced Costumer (and cosplayer). She's done no-budget projects all the way up to the upcoming Red One (starring Chris Evans and Dwayne Johnson). She's done super suits on Doom Patrol and period costumes as well. She's also a friend!https://youtu.be/R_gydGnzDlg
https://deadline.com/2024/04/casting-networks-targeted-in-class-action-lawsuit-over-its-bait-switch-subscription-based-service-1235886049/Breakdown Service/Actors Access has been the 800lb gorilla in the audition submission space for decades. What do you all think about the merits of the claims made against them? I don't think the claim that they are blocking actors from applying for a job will stand up. There are plenty of job boards that sit behind a paywall. The casting directors might end up catching strays in the crossfire here since they are the ones only posting the job to a service that sits behind a paywall, but I don't think Breakdown Services can be blamed because the CD doesn't also post it on a public-facing forum. And let's be honest, the casting process would grind to a halt if every breakdown for major film or TV roles were open to anyone. A CD friend once told me how they had posted a supporting role for a film with a name attached and made it public-facing. They got 19,000 submissions in less than a week. Now imagine that was the case for every role being cast. I don't know what the answer is here, but I do know there have to be some guardrails for the industry to function. As to the complaint that they are boosting submissions to the top of the list that have paid for additional products, that seems very dicey and could land them in hot water. Would love to know everyone's thoughts!
Twenty-five years ago, I met my best friend on the Santa Monica Boardwalk. We were hired as extras in Madonna's film "The Next Best Thing." Dan (see photo), like myself, was fresh off the boat, and Hollywood presented a strange new world for both of us. In the acting realm, whether one holds a principal role or is a background performer, friendships often sprout when a casting director and production team decide to bring you on board. Through the course of fulfilling that role, you encounter like-minded individuals who may evolve into lifelong companions.To commemorate our 25th anniversary, coinciding with the year we filmed in 1999 and the subsequent release of the movie, we've decided to take an extraordinary journey—to the moon. NASA will be launching our names, among 700,000 others, aboard the Griffin Astrobotic Probe this November. It's rather remarkable to contemplate that our names will forever reside on the lunar surface. Upon signing up for the mission, NASA graciously provided us with boarding passes granting special access to the endeavor.Dan and I have engaged in humorous banter, debating who will secure the coveted window seat. Ultimately, we reached a compromise: Dan will have the window seat for the launch and the first half of the journey, while I will claim it for the latter half, encompassing lunar insertion and landing.VIPER marks NASA's inaugural robotic Moon rover, embarking on a mission to explore the lunar South Pole region, delving into perpetually shadowed areas to uncover the secrets of the Moon's water. Serving as the premier rover to measure the location and concentration of water ice and other vital resources, VIPER holds promise for sustaining human exploration not only on the Moon but also on Mars and beyond.And to my fellow Stage32 members, I'd love to hear about your best friend from acting and how you celebrate your friendships. What memorable experiences have you shared with your acting pals? Feel free to share your stories!
Becoming a voice actor is similar to pursuing a career as a film, TV or stage actor (or most other performing arts careers, really). You start with nothing, train yourself and look for voice acting jobs you can book. You’ll need just two things: 1-Your voice demo reel; 2-Membership on a casting website like Actors Access and LA Casting It’s really that simple, but let’s break it down a little. Here’s the secret: the easiest way to get into voice acting is to just start. Begin with anything. Just put together a simple voice over reel with whatever you have and start submitting. Stop preparing yourself, stop trying to find the best way, stop “figuring things out.” Simply submit yourself for voice jobs and see what happens. It’s true, you will suck at this in the beginning. You won’t book most of the stuff you go for. And you will most likely fail, many times. But failure is the best experience you can have, and that’s how you learn quickest. You have to step beyond your comfort zone. With that out of the way, there are things you can (and should) do to improve your chances of booking voice acting jobs. This is what you do on the side as you continue to audition and look through voice acting casting calls every day: -Get some voice over training under your belt -Put together a voice over demo reel -Market yourself and your voice within the industry -Start networking and making connections -Get a VO agent #acting #voice #demo #reel #casting #audition #manager #agent
Actors Absolutely Need This In All Emailshttps://youtu.be/Gr1uRbISrjcDo you have any suggestions or informationthat needs to be in the signature of an actor’semail?If so, share them here and on the channel so we can learn from each other.
https://variety.com/2024/film/news/blair-witch-project-cast-lionsgate-heather-donahue-joshua-leonard-michael-williams-1235977543/
Looking for Headshot Photographer.Hi everyone! I got a new look since I shaved my head last year.I am looking for headshot photographer in NYC who is highly quality oriented and very experienced to help me get high end auditions and top agency/manager. Any recommendations from agents or casting directors or producers or directors for a headshot photographer? Claudio Laniado, actor, producer, screenwriter of Forbidden Tango(formerly Tango Shalom),Convivencia Forever Films
I'm curious to learn if anyone has noticed any changes to acting auditions post strike?
I've been working in this area for past 3 years and I realize there isn't a whole lot of opportunity to reflect/discuss issues that actors have when building a character that may be particularly challenging for them emotionally/psychologically. Unless you have a therapist, or a really great friend who will listen to you about the impact your character is having on you, or you excel at journaling and it's benefits - it can be a fairly lonely creative space - at times scary and other times overwhelming too. So I decided to create this post as a space for those actors who want to share their experiences of developing a character and then having a hard time 'shaking it off'. Or are about to embark on a character journey and could use a word or two of advice/support along the way - not just from me but from others who wish to share what's worked for them. Please do share
It's never been more important to prioritize your reputation when launching yourself as a creative. Find out why in today's blog!https://www.stage32.com/blog/why-your-reputation-is-more-important-than-your-talent-3704
In the below video, internationally recognized acting coach, movement director, and specialist in the application of the Alexander Technique, Jean-Louis Rodrigue discusses how actors can encompass the physical movement of their character in a film or stage play, including studying the screenplay and writing character backstory. I'd love to hear from the community, do these techniques ring true to you or are there others that you feel work better? https://www.youtube.com/watch?v=JvjbX-6iCgg
Hey, All!Don't miss out on tomorrow's fantastic AMA with Laura Ackermann, Founder of Advantage PR, Publicist, & Branding Expert (Charisma Carpenter, Anna Lamb, Rushi Kota) in the Acting Lounge! Laura is sharing her time with us to answer YOUR questions about "What Should Performers Look For In A Publicist?"It's a great opportunity to learn more about the perfect time to enlist PR support, what you can be doing when you're not yet ready for a publicist, how long your partnership with a publicist should last, who comprises the dedicated team managing your account day-to-day, how they leverage their media connections on your behalf, what differentiates your PR firm from others, etc. Don't miss out on a chance to ask your questions!The post is live for you to comment with your questions NOW!https://www.stage32.com/lounge/acting/Ask-Me-Anything-AMA-Wednesday-4-17-to-Thursday-4-18-What-Should-Performers-Look-For-In-A-Publicist
I posted another interview in this series a couple weeks ago. Actors are finding these videos to be invaluable. Walking in a crew member's shoes gives a whole new perspective to being on set, and how we as actors can collaborate in new ways to make EVERYONE's job easier!Here's our 4th and latest video:https://youtu.be/08Qk5fT2oq4We have 2 more coming soon (Costumes and 1st AD). And you can check out the others (Makeup, Basecamp, and DP) on our channel.
Beware Actors Who Think This Will Live A Miserable Life – I Know https://youtu.be/piyefMFr0Dw For many years, as an actor, I took things very personally. If I didn't get an audition or book a job, I began doubting my acting skills. It is easy to think that we aren't getting the audition because people don't like us. What took me years to realize is that there is nothing personal in the acting business. There are so many factors that go into getting or not getting the audition or job. Use this link and watch the video to learn how to change your way of thinking and feel much better. https://youtu.be/piyefMFr0DwHAVEN’T SUBSCRIBED YET? Don't forget to subscribe and click the notification bell so you always know when a new video has been uploaded. LIKED THE VIDEO If you like the video, give it a thumbs up. That is helpful. SHARE Please share the link with your fellow actors so we can continue building a great channel with actors helping each other.
“The skills that make up a classical mime’s bag of tricks can be of tremendous use to any actor who may be called upon in a play to tell a story through gestures, to trick an audience into “seeing” something that isn’t there.Imagine you are in a play, and your character has to come onstage as if walking in from a rainstorm. Even though you and your costume are completely dry, you can shrug out of your coat, shake imaginary water droplets from it, “dry” your face with a handkerchief and then use it to “mop up” the puddle by the door. All this is done “in mime,” because there never was any real water. But if done well, the audience would swear that there was.Onstage, I’ve opened doors that weren’t really there, “flipped” a light switch that was painted onto a flat, been struck by an imaginary bullet, consumed non-existent coffee from imaginary cups and eaten an “air steak,” all in plays that are considered representational or realistic. In Pioneer Drama Service’s hit comedy Twinderella, a baseball game is enacted on stage without a ball! These are all examples of using the skills of pantomime within a regular play.Keep it simple. Don’t “muddy the air” with meaningless movements. Finish one movement before going on to the next. Then be consistent. Once an imaginary object is established, make sure that it remains there until moved. If you set a “cup” down in one place, be sure to pick it up again in the same spot. Otherwise the audience will think there are two cups on the table. I’ve seen shows using imaginary doors where the doorknob magically moves up and down, depending on the height of the actors. Finally, there’s “the bump.” When you pick up a real cup, your fingers simply wrap around it. But with a mimed cup, you have to very slightly exaggerate the grasp, the lift, the setting down and the release. Don’t overdo the exaggeration, but think of it as a series of visual punctuation marks. This helps the audience recognize the moment of contact, the beginning of movement, the end of movement and the letting go.Every actor can benefit from some training in pantomime.”- Patrick Dorn, Acting Coach#mime
My name is Laura Ackermann, the CEO/Founder of Advantage PR, and I'm thrilled to dive into the dynamic world of PR with you. With two incredible, experience-rich decades of navigating the PR landscape under my belt, I've crafted compelling campaigns for a diverse array of clients – from budding actors and authors to visionary CEOs and influencers.At Advantage PR, we're all about securing standout, momentum-building "WINS" for our clients. Whether propelling a breakout talent into the limelight or conceptualizing and executing a strategic campaign for a seasoned CEO, our passion always lies in delivering results that not only meet but exceed expectations.Public relations isn't solely a profession for me; it's a strategic endeavor that constantly evolves and adapts to the ever-shifting media landscape. Staying ahead of the curve is key, and that's where Advantage PR excels.For those curious about the ins and outs of PR, here are just a few questions I'm looking forward to tackling for you!:• When's the perfect time to enlist PR support?• What can I be doing when I am not yet ready for a publicist?• How long should your partnership with a publicist last?• Who comprises the dedicated team managing your account day-to-day?• How do we leverage our media connections on your behalf?• What differentiates your PR firm from others?• Who will use their relationships with the media on my behalf?
Superhero films, especially those from the Marvel Cinematic Universe, have dominated the box office for years. However, the tide is turning...Bob Iger's return to Disney in a shifting landscape where Disney+ lost $1.1 billion in 2022 and faced disappointments like Ant-Man 3 signals a significant decline.But this isn't just about Hollywood—it reflects a shift in how we consume content and connect with stories.Could the rise of "wokeness" be influencing this?Add to that the surge of streaming platforms like Netflix and the short attention spans of Generation Z (and even older generations), who prefer engaging with TikTok and YouTube, and you get a fragmented audience with evolving preferences!What does this mean for you, the entrepreneur, leader, or content creator?It’s a call to action!The era of big-budget productions monopolizing attention is ending.Platforms like LinkedIn, Instagram, and Twitter allow you to build engaged communities and become "influencers."People are seeking stories they can relate to and authentic connections. Make storytelling your superpower.Deadpool X Wolverine releases in July:I bet with a friend that it will be Marvel's last big hit—why?It brings humor and personality!This superhero has been highly anticipated for years.What makes him unique is that he's the only Marvel character who knows he's in the Marvel universe and was created by comic artists.Isn’t that wonderfully quirky and authentic?Personal Branding, Your New Superhero Cape:In a world saturated with content, strong personal branding is essential to stand out.Position yourself as the go-to expert in your field.Provide valuable insights, showcase your expertise, and earn your audience's trust.Just as Disney must navigate the challenges of ESPN (facing declining TV subscriptions) and changing viewing habits, you need to adapt to the evolving landscape.Experiment with different formats, explore new platforms, and refine your strategy based on data.The decline of superhero movies is an evolution, an opportunity for enthusiasts.Embrace the power of your story and become the hero of your own entrepreneurial journey.Final Word:I've met several brilliant people on LinkedIn who hesitate to post too much.TO YOU: Don’t let your talent and knowledge become someone else’s retirement!
In today’s blog, Adam Feinsilver talks about five warning signs that parents of child/young adult actors should be aware of. Very, very, very important blog.www.stage32.com/blog/5-warning-signs-for-parents-of-childyoung-adult-actors-3699
If you host a podcast by yourself, scripts are a great way to prepare your talking points in advance so you don’t have to gather your thoughts mid-episode.Before you start writing, take a minute to consider: What are the main points I want to convey in this episode? What is currently happening in the world that is directly a part of what your show revolves around? Once you identify those, the smaller details can flow from there.Let’s say your podcast is about writing or singing, and you’re planning an episode where you talk to listeners about choosing the right steps to outlining a new script for a feature, or what is involved in keeping your vocal chords in top condition. Organize your thoughts in your script document, starting with the main points and progressing to supporting points.You’d be surprised how quickly the time will pass when you’re talking about a subject you’re passionate about.#podcast #podcasthost
Precedent, precedent, precedent. One worth watching.https://deadline.com/2024/04/italian-actors-body-artisti-7607-sues-netflix-residual-payments-1235879461/
9 Huge Actors Tax Write-Offs – And Other Tax Tips https://youtu.be/y5cNhpFcj2Q All actors and other artists need to know what can and can't be legitimately deducted from their taxes. In this video, you will learn about 9 huge actors tax write offs and other helpful tax tips.If you have any tax tip suggestions for fellow artists, please share them here as well as on my channel.Can't wait to hear your suggestions and advice.If you haven't done this yet, don't forget to subscribe and click the notification bell on my channel so you always know when a new video has been uploaded.And, please share the link so we can continue to help and learn from each other.
https://www.stage32.com/meetups/1970/April-Stage-32-Phoenix-In-Person-Meetup
The "Wicked Little Letters" star explained why she thinks actors need direct interaction with casting directors: "I wouldn't have gotten where I am if I'd had to do self-tapes." https://www.indiewire.com/news/general-news/olivia-colman-self-tape-auditions-disrespectful-to-actors-1234971762/Actors, would LOVE to hear your opinion on this...
"On this episode of the Team Deakins Podcast, we speak with actor Paul Schneider (BRIGHT STAR, THE ASSASSINATION OF JESSE JAMES, GEORGE WASHINGTON). Growing up in a small town in North Carolina, Paul shares how working in film and television never crossed his mind until a pivotal viewing of Jane Campion’s THE PIANO. Attending film school following the encouragement and support of a high school teacher, Paul studied editing but found himself frequently cast in his friends’ short films, culminating in a performance in GEORGE WASHINGTON, shot entirely by his film school friends. Paul later shares how, to prepare for a role in Jane Campion’s BRIGHT STAR, he practiced his Scottish accent by studying a copy of TRAINSPOTTING. We later discuss the importance of a director having a clear vision for a film and loving a collaborative director who includes their crew and cast in their creative decision making process. Paul also reveals the secret character trait that informed his character in JESSE JAMES, and we discuss the emotional mathematics of the collaboration found in filmmaking that result in a film’s final cut." https://teamdeakins.libsyn.com/paul-schneider-actor
The past 18-months were brutal. Finding acting employment in Los Angeles is exceedingly challenging, and now I'm beginning to see the really big picture. I found this video on YouTube that reveals once prosperous Beverly Hills as a dying town. I believe this to be emblematic of the existential crisis Hollywood now finds itself in. https://www.youtube.com/watch?v=3O15wiCWz60
Stephanie Moore discusses stunts and talks about how filmmakers can approach stunts responsibly in today’s blog.www.stage32.com/blog/a-stunt-by-any-other-name-is-still-a-stunt-3690
Small, albeit quick, victory on the AI fronthttps://deadline.com/2024/04/george-carlins-ai-suit-settled-1235874564
Who's The Next Comedy Duo? Since this is the last season of Curb Your Enthusiasm, one of the best comedy duo's in my opinion is the relationship between Larry David and J.B. Smoove. What two actors would you team up to be the next Great Comedy Duo?I'm going with Pamela Adlon and Leslie Fu***** Jones!!!
Sometimes 1 Word Auditions Can Be Very Difficult - Try This Idea https://youtu.be/jRA5Qz6siWM Have you ever had a 1 word audition and thought that the casting director has no respect for your acting skills? Or, do you think this is a complete waste of your time?You really need to watch the video and learn how a 1 word scene can actually be extremely powerful. Watch the video and learn how.If you ever had a 1 word audition, let us know how you prepared for the read.
Before you submit your resume and headshot, read the breakdown thoroughly. Make sure you are the perfect fit. Most breakdowns will clearly describe the type of person they are looking for as well as the filming dates. Make sure you fit that description and that you are available for those shoot dates. Follow the instructions in the breakdown.Unless stated otherwise, address the subject line with the name of the character or position you are applying for, along with your name (i.e. Submission for the role of Andrew by John Doe).When the casting call includes a contact name, make sure you address that person in your email and use the right gender and correct spelling.In the body of the email, state the role(s) you are applying for and give a brief description of why you consider yourself the perfect fit for that role or what makes you eager to join that production. Include any details requested in the breakdown like your weight, height, and size of your shirt, pants, and/or shoes, and where you are based.Make sure you include an eye-grabbing digital headshot which should be 500kb or less and your resume in PDF. The files should simply be your name (john_doe.jpg, john_doe.pdf). You can also provide a link to additional photos, your website, and two to three links of clips of your work.Keep your email simple. At the end of the email add a short and polite note indicating the materials you are submitting.Use a professional email address. While this may sound silly many forget this simple rule. Imagine receiving an email from I_am_the_actor_for_you@gmail.com instead of john_doe@gmail.comWhen signing off, use your full name. It is best if you create an email signature which links to your website and has your contact details.#actor #script #audition #casting
While I'm a writer first, I've done a fair amount of commercial acting over the years. Sadly, I hadn't landed anything since Q3 last year. Thankfully, I finally landed a small voice acting job for an advertisement. The pay wasn't anything impressive, but it was nice to get some more acting work for my resume. Less than an hour of recording, so it wasn't too much of a commitment either.
So for the past few months, I haven't been able to write anything. Had some ideas but when the words don't flow, I just feel the idea isn't right. Though I'm happy to say I've finally been able to start a new rom-script titled, "Do Not Disturb" (think "The Parent Trap" meets "Knocked Up" but w/LGBTQ leads). However, I'm torn between two loglines. "A pair of recently orphaned twin brothers born to two different men switch places to meet the fathers they never knew but end up trying to reunite their broken family.""The high profile lives of a rising screenwriter and a former rockstar are upended when they meet the sons they gave up for adoption and are forced to confront their buried past." Which appears to be more attention grabbing?
April 7th at the gathering spot 5211.West Adams in Los Angeles.We will have an actor's panel and everyone is invited
Our monthly mixer is April 11 at Gathering spot 5211 west adams90016 6-8
Keeping a small portion of your closet devoted to clothes for auditioning that are kept clean and pressed can save time and panic later.Here are just a few to consider:- Basic Commercial:Before getting into character types, it’s important to have a few basics.For commercial auditions, this will typically be something in a solid color, and on the more cheerful side.Think of the “family friendly” version of you.- Basic Theatrical:Same idea as commercial, but a more serious look.This might mean darker or more muted colors, possibly longer sleeves, something that makes you feel grounded.- Mom/Dad:Having a parental look will go a long way for commercial auditions and day players.A solid cardigan or polo shirt you can throw on to look approachable and relatable can easily suggest the role. Maybe have a pair of glasses handy. You want a slightly more conservative look for this one.- Flirty/Seductive:If it’s in your wheelhouse, having a flirty ingenue or vampy look might be something to consider. It’s a fine line to walk, as you still want to look professional. Hair and makeup can also go a long way here.- Dystopian/Gritty:Get yourself that grungy gray tank top or noticeably worn tee. Having an appropriately lived-in looking jacket (army green, brown, or other darker earth tones) might also be a good idea.- Professional White Collar, putting together a look with a blazer or suit with a tie can suggest a lawyer, CEO, detective, accountant or any type of white-collar professional.- Professional Blue Collar, on the other side of the spectrum, a nice denim shirt that you can roll up the sleeves can easily transform you into a farmer, hometown clerk, etc.- Scrubs, bring on the medical dramas! If you don’t have actual scrubs (though they can often be found in uniform stores) a solid color v-neck shirt can suggest a nurse or technician. A lab coat might be good to have on hand if you can find one.#actor #audition #selftape #wardrobe
Howard Fine has coached actors like Austin Butler, Will Smith, and many others. He joins the show to discuss his methods, as well as common beginner mistakes.https://slate.com/podcasts/working/2024/03/acting-tips-beginners-and-experts
There are times when all actors must turn down an acting job.Use the link below to watch the videohttps://youtu.be/gjU2UTqvn6Q This holds true for filmmakers and other creatives.Out of nearly 1,300 jobs I have only turned down around 6 offers.It is hard getting auditions and even more difficult booking a job.So, when one is offered to us, it is extremely hard to say no.But, as you will learn in the video, there are times when turning downan offer is a smart business decision. And, sometimes it is a smartmental health choice.If you ever turned down a job or audition, please share it so we can alllearn from you as well.And, if you liked the video,: https://youtu.be/gjU2UTqvn6Qplease share the link with your fellow actors.Can't wait to talk with you again soon, and read your comments.Aaron
Talent agents want to sign actors who have a professional marketing package ready to send off to casting directors TODAY. That means your headshot, resume & reel need to be AMAZING when you send inquiries for representation. If they need to "fix" you, that probably means you're not ready. Ask me anything! I'm a career coach for actors...I help actors get into this industry.
In response to the growing popularity of podcasts and the need for increased awareness about the career roles available in the creative industry, I've created a new podcast called ‘Inside Entertainment Industry Careers’. Interviewing guests from around the world, the first episode, released today, on the 21st of March 2024, features Nottingham-born actor Rachel Grant. Listeners can discover the captivating journey of Nottingham-born Actor Rachel Grant, from early arts exposure to her iconic role in James Bond and learn valuable tips and insights into routes into the industry and the working world of an actor. https://open.spotify.com/show/5laSP8D808gl0kp3K3Gn0t https://inside-entertainment-industry-careers.podbean.com/
An expert on the subject Jim Johnson, who teaches voice and dialects at the University of Houston and has coached many well known actors, also runs AccentHelp, one of the leading resources for dialect training at home. Jim recommends that the first thing a student does is listen to native speakers. “Just get used to hearing it, without trying to listen for anything specific,” he says. There are a number of resources for listening to authentic dialects, including Johnson’s AccentHelp courses and the International Dialects of English Archive, a website Johnson highly recommends. “It’s free, and a number of people, including myself, contribute recordings,” he adds. After a few initial listenings, he says, students can then get into the details: “Start listening for sound changes, trying to get the intonation down. Get the rhythm of it, where the pitch moves.” To incorporate the “musicality” of a dialect, Johnson will often have students use physical actions to follow the movement of pitch and rhythm, such as moving their arms up and down with the pitch or tapping out the rhythms. He finds this helps speed up the learning process. “Hopefully, they’re not just feeling it, but they’re seeing it as well,” he says. “They learn it through auditory, kinesthetic, and visual means.” Exaggerate the dialect, study vowel sounds, record yourself, keep practicing, and use your acting skills: In the end, Johnson thinks the most important element in a believable dialect is great acting, with the ability to sell it. #voice #dialect #actor #voiceover
I’m in rehearsals for my PSYCH thriller and I’m working with relatively new actors. Sometimes it’s challenging to get them to deliver consistent performances. They might deliver a line perfectly Tuesday, and then Thursday do something totally different. I want to say NNNNOOOOOOO!
Been a minute since I've posted here, but I've been busy with my audition taping service and YouTube channel. In fact, I just started releasing an interview series entitled:"I Wish Actors Knew..."I sit down with members of different crew departments, and ask them what veteran actors do right, and what newer actors aren't aware of that will make that crew member's life easier. And believe me, after 20+ years of being in this business, I learned A LOT. So check out the first interview with Beth Pilgreen, a makeup artist AND actor (so she understands both perspectives). The whole video lasts about an hour, but you can skip to relevant chapters if you're pressed for time...https://youtu.be/v-aWJxFJXOk
Kris Keppeler (audiobook narrator, actor, voice actor, and podcaster) walks you through how to learn audio engineering the hard way. But don’t despair! Your engineering and voiceover skills will benefit you in the end.www.stage32.com/blog/how-to-learn-audio-engineering-voiceover-the-hard-way-3674
Don't ever say this to another actor.https://youtu.be/132m0KhDS_Q In this video I share two experiences I had when people said inappropriate things on a set. One was directed to me and the other to an actor I was working with. Have you ever had an actor say something to you that never should have been said? If so, please share this experience so we can learn from you.
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
