I have a bit of acting experience, but 0 to none in the auditioning process and I want to learn more about it. So my question is, how do people without experience know when casting calls for these big films are available? If you don't have experience, you probably don't have an agent. Also, all the auditions in webs like Backstage seem to not be for big big films. For example, if you see the young cast of Avatar: TWOW, most of them didn't do participate in any project before they were cast (around 2017, I think) but they knew about the casting. I'm just merely curious, not that I want to jump into that without experience myself.
hiii i’m a 20 year old actor with an italian passport. i currently live in London but i have to leave soon due to me not having a visa. I’ve lived here for 6 months and in that time i booked only one commercial job that i was able to work due to it being filmed abroad. With my visa expiring in March i’m thinking of heading to Spain and trying my luck there. Does anyone know if there are agencies for english speaking actors or if there even is a market for english speaking actors in spain. I do speak italian so i could try the italian market but with me being black i know that in italy it will be much harder. Any suggestions, or advice would be greatly appreciated!!!
I’m filming my first ever self tape, and I’m just frustrated after 4 takes of a monologue I’m doing. I feel like my work is so surface level and I’m not connecting with the words at all. I’ve approached scripts like this before (it’s a romantic drama monologue), but I feel like between this and recent projects I’ve done, I’m so one-note and feel like a garbage actor. How does one combat this? I feel like when I get into a particular emotion, my tone always oscillates between the two same voice pitches. I just started acting classes at drama school, and we don’t touch script analysis for another year (so concepts like beats, etc) are foreign to me. And I feel like playing with HOW I’d say the line and what the line emphasizes, isn’t the best way to approach acting. Does anyone have any advice for this? Thank you! Just been feeling very angry at myself despite three months at drama school and want to work to drilling these problems.
So this college student sends me an email out of the blue asking me to audition for his feature film, and ultimately I booked it. I'm not sure how he found me. I don't remember submitting for this project on ActorsAccess or Backstage, but it's possible I did and don't remember since I submit for a few every day. Anyway, he sends me the entire script. It's 150 pages. It has no plot. There's a million characters. Quite a few typos. Half of this script can be cut with no consequence. There's a ton of A-list music that would cost a fortune to license, plus several meaningless scenes set at crowded stadiums that would be difficult to film without thousands of extras. One scene takes place at a real life castle overseas. It seems to be based off this guy's life verbatim. It's a well-meaning script. I'm sure it was very therapeutic for him to write, but I can't see how it possibly got the appropriate funding to be produced. Another red flag: this project is being shot on the other side of the country from me. Naturally I told this guy that I would need full compensation for my travel and lodging, and he agreed to pay it on top of my 3-figure-per-day salary. Both roles I auditioned for only have one scene each (the one I booked is in a somewhat pointless scene). I don't know why anyone would spend the money to fly someone out for these parts instead of just casting them locally. I'm no celebrity that anyone would seek for a cameo. There are a few green flags though. Plenty of actors with legitimate credits are already listed for this project on IMDb and I've connected with a couple of them on social media, so at least I know I'm not alone. Also, this guy was smart enough to draw out a proper contract for me to sign, which I have yet to do so. I'm perfectly fine with working on this guy's film if everything works out (good money is good money, a credit is a credit, and reel material is reel material), but this ain't my first time at the rodeo. I was just burned by a project last year where I did featured background, and had to fight to get the shady producer to pay me, and some cast and crew still have yet to be paid. And that was a very legit project with B-list actors. I also was cast in an indie film the year before that fell apart because the writer/director didn't know what he was doing and got funding through shady means (and his script was absolute trash). So naturally I'm very cautious. I'm not sure I should ask this guy where he got the funding for this project. He's also listed as the producer on IMDb. My theory is that he comes from a moneyed family and he secured $100k or so that way, but I won't know for sure unless I ask him, and I'm not sure if that's appropriate. Anyway, any advice would be appreciated. Thanks.
I'm new to auditioning. I live in the Hollywood area. I'm still looking for affordable high quality headshot photographers. (Please suggest some good ones if you know of any). The reason I'm asking the question is that I'm trying to save and get something affordable. 1 look is alobviously the most affordable. If you think its not enough, how many looks (and who) do you suggest? Thank you!
**Friday, January 06 - Thursday, January 12** ###Interesting | score | comments | title & link | |--|--|--| | 193 | [16 comments](/r/VoiceActing/comments/107mwlv/the_voice_behind_pokémons_ash_ketchum_was_only_18/) | `[interesting Link
Hello, I read the rules in the sidebar and hope this is in alignment, mods please delete if not. **NYC CASTING**: We're casting two roles for a 15-minute play at the [Chain Theatre One-Act Festival](https://www.chaintheatre.org/calendar/chain-theatre-winter-one-act-festival-3rd-floor-2cwej)(performances Feb 18, 22, 23, and possibly 25). NON-EQUITY, **small pay ($150).** Roles: Two white or white-passing actors to play a posh, plundering older married couple in 1930s India, who have real or convincing British accents. [The linked photo evokes the miserable vibe we're going for](https://indianexpress.com/article/research/the-british-in-india-david-gilmours-new-book-explores-men-and-women-in-a-strange-land/). We'd prefer 45 and up but will consider 30 and up if you don't look 20. We will likely age you up. Some physical acting/scuffling onstage. We're also seeking actors who love the material. This is a tragic farce about British colonial legacy in India, written and directed by Indian artists. Your characters are baddies, but the play is neither easy nor preachy. Think "Get Out" meets Rudyard Kipling. Please DM for details or pass to anyone you know who might fit! We're trying to cast these final two roles ASAP.
Wondering if looks plays a big part in people becoming successful as an actor or actress
Just saw on Twitter an actor had posted his headshot and contact information all over London via stickers. Is this a smart idea or will it come to back to bite him on the ass ? He did manage to get representation from it however…
I’m a singer first and foremost so for me it’s important that I keep the same name for music as I do acting. I don’t have a great full name but a unique first one I do. I hate the idea of a stage name. I do have a couple of credited roles to just the first name but wonder is it possible? Some have said yes and some have said no. These are people in the industry. True they were already famous but I think of Cher and Madonna and Elvis even. There’s people such as al Pacino too. Is it possible?
this person is a highly reputable old-school teacher in NYC that has taught at a lot of different reputable schools. I'm new to studying with them, trying out a new technique, as I'm primarily trained in a different technique. last class I asked them, I said listen i know we don't know each other very well yet and you're not really familiar with my work yet, but I get a lot of co-star auditions and I was just curious if you happen to know any reputable on-camera teachers to recommend, and they basically said "why do you need on camera classes?" and then gave me a couple quick basic pointers and then said "there, I just saved you 1000s of dollars!" then said "who's your favorite film actor?" I said, Daniel Day Lewis. they they said "do you think DDL ever took an on-camera class?".... I said yeah? or probably had a coach or two over the years when on set or post drama school? lol... like, i understand the sentiment... but they cannot possibly be serious with this attitude / perspective? this teacher also made a few other comments during class sort of shitting on tv actors, while also name dropping a couple famous people they've trained / had a relationship with in years past., that are ironically successful film actors. Is it just all ego with these acting teachers? Do theatre people really think they are more talented or dedicated to the craft of acting than film / tv people? I was inspired to acting from watching movies, not watching plays. I love slice of life, that's what i'm attracted to with acting. Realness. Don't get me wrong, I like theatre, but I find most plays and theatre acting to be way over the top and not "real" whatsoever. don't even get me started with theatre monologues.... I don't, however, shit on theatre actors. I've heard similiar tropes from similar old school teachers, but I feel like this resentment sort of stems from their personal lack of success making it in film / tv, and instead making a career out of being an acting teacher! (not that there is anything wrong with that) but come on, it's 2023, if you're auditioning for tv / film, isn't it common knowledge and highly suggested to be training with an on-camera teacher / coach? why would this teacher think it's even helpful to suggest that to me? I just don't get it. You'd think they'd encourage you to also study on-camera if you're auditioning for things that are on-camera! and i'm not going to heed their advice, I think on-camera classes are exactly what I need, more so than learning more technique, to be honest, i'm just trying to keep learning and pushing myself as an actor in all directions. I just thought this line of thought from them was very egotistical and short sighted. I don't know.
I'm based in NYC and would prefer in-person, but I'll settle for zoom at this point. I just really need to be in a professional environment with actors that are better than me, further along than me, so I can practice, observe their technique, and learn from them. I cannot take another generic on-camera class where actors are mediocre, it does not help me get better by watching bad acting. What on-camera classes made the biggest difference for you? What teacher was the best on-camera audition technique / script analysis teacher you ever had? Thanks for your help, I don't know why these classes are so hard to find.
Does anyone know of any decent agencies in Scotland that could look up for actors with Disabilities? It’s for after I appear in legally blonde the musical
Just saw on Twitter an actor had posted his headshot and contact information all over London via stickers. Is this a smart idea or will it come to back to bite him on the ass ? He did manage to get representation from it however…
Hi! I'll start off by saying that I don't really have any interest in becoming an actor or anything but one of my dreams is to be in low/moderate budget slasher movies. For example, Terrifier and Terrifier 2. I just really want to have a chase + death scene of me out there lol. Is there any specific way to find places to audition or would I need to find an agent or look for places locally? I don't have any knowledge in stuff like this but I know I'd enjoy being a slasher movie and I know most don't really care too much about good acting (based on the thousands of low budget horror movies with bad acting).
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. ​ For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
To give a specific example, Hogwarts Legacy is a game coming out soon where the previous lead developer made public statements aligning with JK Rowling's terf (trans-exclusionary radical feminist) views, the plot of the game follows the main character as they try to stop a slave revolution (very antisemitic coded), and JK continues to profit off Harry Potter IP such as this game and the Fantastic Beasts franchise. My question is, how do you feel about fellow actors (especially in large franchises like this where big names are attached) that take roles in projects like these?
I have 14 lines I am looking to have read, two in an English accent and the rest in a russian accent. Willing to pay up to $400 through PayPal or Cashapp. You must have some kind of portfolio or example of how your voice sounds! DM for further info if interested.
So I know it's the fated pilot season and all, and not only that but a new year. And while I don't expect to book the next Stranger Things, I'm a bit lost on where my efforts should be placed. I have an agent, and I search for roles on AA/FB. (I was using casting networks and backstage, but canceled my premium subscriptions to them as I didn't find either very useful.) I'm just wondering if there are any databases of upcoming productions, casting directors that do a lot of open calls, etc. Anything like that! I'm definitely not an extremely seasoned actor by any means, but I strongly believe that practice makes perfect, and auditions are the best practice for me. Any help would be greatly appreciated. Best of luck to all in this new year!
I am a SAG-AFTRA actor with a NYC based agency. I’m wondering when I might start getting pilot auditions. This is my first time having an agent during this time of year and I know (and hope) it should start picking up because it is pilot season. I haven’t gotten any pilot auditions yet. What is the usual for this?
What I mean is, would you be ok with non-anonymously speaking out your political opinions, or your opinions on controversial figures like Ezra Miller, or with working with a very controversial director like, say, James Franco ? I’m asking because I’ve refused a part in a production made by someone who tweeted really stupid stuff, if you get what I mean. I don’t particularly believe in the ‘by working with this person in this movie you’re encouraging them to become a repeat offender’ thing, maybe I’m wrong to think that. But what I’m curious is, could it ruin an actor’s career to be associated with controversial people? Cuz I’m wondering if I did not overreact by refusing the part. I don’t know if my question is clear and if I sound like asking in bad faith I apologise.
Hey does anybody have any advice or tips for a beginner actor? And also what are some good exercises one can do at home to sharpen their acting skills?
Sorry for the rookie question, but I’m wondering what comes after drama school or acting training? It sounds like you get professional headshots, use all your student short films or any Backstage auditions to build a reel, and then move to a major city if you’re not already there and submit to agencies/try getting them at showcases, or just get a manager. What happens after that? I get you keep training for as many years as you want to get better at your craft (script analysis classes, improv, movement, whatever you need) while auditioning for stuff through your agent or representation but then what? There’s about a million jobs on actors access, backstage, etc, while you wait for your “big break,” if ever. How do you know what to audition for or not to, and if you’re toiling in oblivion on projects nobody will ever see? And then, I assume that after a while, you choose when you’d like to be SAGAFTRA and/or an Equity member once you feel ready and gradually move on to bigger agencies and hope you can audition for big networks or production houses? Is pilot season or becoming a series regular a part of that? Thanks so much for the question! Just curious what the actor’s life looks like. And I know the day job or hustle will be a part of it all
Hi everyone! So I applied to a commercial on Mandy Network and got a message there to email the casting director. They asked me if I wanted the gig after re applying and I agreed. This was the email message they sent me next. "Thank you for choosing to work with Anthology Productions. Please find below the necessary details and more information required from you for this shoot. COMPENSATION, BUYOUT FEE & NON-UNION CONTRACT DETAILS : C$850/day and C$4,500 for buyout [Total: C$7,050]. This is expected to be a three-day shoot which involves up to 5-7 hours daily. We can arrange a full 2-day shoot for you in case you have a tight schedule. There will be a contract/agreement upon acceptance." USAGE: TV, Web and social media campaign for 6 months only. A POSSIBLE re-purchase of usage at the end of the 6 months contract and fee can be re-negotiated at the end of the 6 months contract. WARDROBE & MAKE UP : We’ll cover your hair and make up as well as your wardrobe. Your wardrobe consist of high end fashion products (clothes, shoes, custom wears and fashion accessories). A wardrobe allowance will be allocated to you in-line with the company policy and you’ll be instructed on how you will shop for your wardrobe just in time before the shoot. RETAINER & PER-NEGOTIATIONS : An upfront as down payment [C$550 as retainer].Remaining balance [C$6,500] to be paid upon completion of the shoot before you leave the location. EXTRA INFO : You may come to the shoot location with a friend or family if it makes you more comfortable. An actor/model coach will also be on set to offer you a profound change of mentality, guideline & confidence. Don’t get me wrong. It’s rewarding and a privilege to be part of this industry but this same line of work can slice your confidence into pieces. Time and time again I’ve heard actors ask painfully vulnerable questions. Am I pretty enough? Am I the right size? Do I have what it takes? I fully understand the importance of having confidence, and if you’re a working actor, you should too. No I I’m not talking about faking confidence or putting on a forced smile in the casting room. I’m talking about really feeling comfortable in your skin and embracing every quirk and trait that defines you. This is where working with a commercial acting coach comes in. COMPANY NOTE: "In addition to representing talent, Anthology Productions also offers training and related development services to models and actors for additional fees depending on experience level and select division(s)." REWARDS: This will be a fun day of shooting as you get to keep all wardrobe. The videos will be posted on TV channels nationwide and various social media platforms with name and link credit. INFORMATION REQUIRED : The below information is required to confirm your registration with Anthology Productions for this project and subsequent projects you will be doing with us in future. LEGAL NAME STAGE NAME (IF ANY) PHYSICAL ADDRESS + APT NO IF ANY(NO P O BOX PLEASE) CONTACT PHONE NO AGE EXPERIENCE (IF ANY;) ANY LINK TO YOUR TALENT PROFILE or TALENT RESUME (IF ANY;) SOCIAL MEDIA PLATFORM (IF ANY;) PRESENT OCCUPATION PRIVACY POLICY & TERMS: By providing the information requested above, you oblige to the terms stipulated above (usage, remuneration, media gadgets + press kit for the project, make over, logistics & negotiations and rewards). If you do not agree with any part of the policy & terms, or if you have any other dispute or claim with or against us with respect to the terms of use or media services, your sole and exclusive remedy is to notify Anthology Productions. We will not sell, rent or provide your personal information to third parties or unaffiliated Internet Brands. Your personal information is ONLY shared with third parties with your consent, except in circumstances where the law requires it to be shared. CONFIDENTIALITY: Anthology Productions and it's representatives shall keep any information obtained in the course of this commercial services hereunder confidential, including, without limitation, any conversations or communications, actions, business plans and strategies, marketing plans, techniques, technology, trade secrets, personal information, original works of authorship, or otherwise (the “Confidential Information”). Anthology Productions understands that the above list is not exhaustive and that Confidential Information also includes other information that is marked or otherwise identified as confidential or that would otherwise appear to a reasonable person to be confidential or proprietary. Anthology Productions understands that improper use or disclosure of the Confidential Information might cause damages and liability under confidentiality agreements with third parties, civil damages, and criminal penalties. Thank you & Looking forward to hearing from you soon. ------------ Best Regards. Denis Creelman Casting Director / Project Manager Anthology Productions denis.creelman@anthologyproductions.ca http://anthologyproductions.ca" They said they were gonna send me a contract soon. So does this look like a red flag????
I’m a fairly new director finding my footing in working with actors. If I have script that requires the main character live on the dark side and have a mental illness (similar to No country for old men, The Joker, one flew over the cuckoo nest, or even The Shining) what would be some tips/exercises/practices to give to an actor to help them get into that role. It seems like a lot of actors are comfortable playing roles that aren’t too far from themselves, I want to challenge them to take a step further.
I just acted out the full Shrek movie, 1 and 2, by reading the transcripts with my two best friends on the phone. It took about 3 hours. My mains for Shrek 1 were Shrek, Pinocchio, the old lady that tried to sell Donkey, and a few extras amongst the film, and for Shrek 2, I was Shrek, Pinocchio, Queen Lillian, Jerome and extras. I always thought I was a bad actor and would always be because of my confidence but I really started to get into my role and enjoyed putting power into my emotion, then it wasn't too embarrassing. At the end, I got Alexa to blast 'I'm a believer' and 'Livin' da Vida Loca. Tomorrow, we're doing Indiana Jones aha
Hi! I’m looking for a male actor (50-75 age range) who can speak Italian to record some lines of dialogue for a sequence in a feature film I’m making. Everything would be remote. Pay is $125 usd. Less than one page of dialogue total to be recorded. If you’re interested in audition please send me a DM and I’ll send you the sides!
If anyone can teach me or direct me to a site that breaks things down into understandable pieces? I’ve been googling and either not retaining information or just not understanding… I have been filling out profiles for my daughter (complete newbie, got a role from a casting call with no preparation in a MMP that hasn’t been released yet, hyped up by the director and his wife along with others that suggested she “keep going” with acting) —- Resumes.. what does that look like for a teen who has acted but only one line in an unreleased movie?? Reels? Voice? When I say I don’t understand what I’m supposed to be attaching to these things, I am truly lost. We got professional headshots and a com card (??) done for her.. Haven’t sought an agent because I don’t know what I’m doing. The first role came so easily, but there is so much to this, huh?
I was always wondering what would be the better option for finding gigs. I seem to have more luck with AA, but I’ve heard it’s better to have LAC, so I don’t know which works better.
Hey there, I work for a college, and we are planning to bring in an outside teacher to do a few classes on VO for our grad level actors. If you were just starting off, what would you find the most helpful or interesting to learn (voice over-wise) in a class room setting.
I am just not an interesting person. I’ve known this for a long time. For years i was too insecure to even say what my dream was out loud, out of fear for the reactions. I’ve made it through theater school, auditioned for a theater teacher education. They told me i don’t possess the required basic skills of acting. I fully disagree but oh well. After that I’ve been doing what i do best. Sitting in my room, making no noise and pretending like I don’t exist. For about a year now lol. I want to be an actor. I want nothing else out of this life. So how do i cope with the fact that in the only life i have i cant do what i want because this world just doesn’t want me to?
I would like to produce an audio drama using a home studio. We live in a very quiet rural area with surprisingly little exterior noise (no cars, planes, or foot traffic). I have access to a 10' x 20' closed room with a single door in the basement, a larger 20' x 30' open area in the basement, and a 15' x 15' open area on the first floor. The audio drama involves five characters who will be interacting. Think of them as being on a submarine. While there will be some foley, I would like the majority of the sounds to be "authentic" and produced in real time by the voice actors. We are building out control panels that will beep and boop, loud speakers that will broadcast alerts, etc. Some elements like engine noise, etc. will be done in post. I'm planning on using the M-S recording technique on the stage. What am I missing? I'm completely new to this and honestly have no idea what I am doing. What room should I use for the recording for the best sound? Do I still need to hang blankets to deaden the sound in THAT room? Will room echo in the smaller room require blankets? This is hardly a professional production, but it is something I'd like to get as right as possible. Really any advice at all would be appreciated.
I signed with an agency last spring and am wondering if it is a scam. Through my training, the number 1 rule was always the agent does not get paid if you don't get paid. Upon meeting with the agent via zoom, I was told there was a "One time office fee" I was torn on agreeing to this, but ultimately gave in as I felt desperate after years without an agent. After agreeing to this, I was also told I would have to pay for a Talent Account and also actors access. I don't quite understand why I need to pay for these, what does the agent actually do? I can pay for actors access myself and submit myself. It seems fishy to me. To be clear, this is an agency in the south east. ​ However, this agent has excellent reviews on Google that her clients have booked gigs. Is this a new normal for agencies? Or is my hunch correct. What else is concerning is I do get emails that are email blasts on how I need to sign up for my talent account so I can be seen by producers directors etc. Not once since the spring has she tried to reach out to ask why I haven't responded. I know agents will do this as they have other clients, but it just adds to fishiness. Any advice would be appreciated.
I emailed Alex Herm Photography a few days ago regarding a casting call for a photo and video segment from a casting calls group on fb. And they emailed me back and told me at 4:35 am that they are interested. Here is what the email says. •We are currently casting male and female actors/content creators/influencers/models for a SOON to be launched dating app(MEETYOURMATCH). Talents are required to assume the role of an app user and be photographed in a natural environment, such as a coffee shop, restaurant, library, at home etc Location/Venue of event: We will make arrangements for suitable locations within your city for the event, you will receive the location's details and driving direction as soon as the locations are confirmed. Compensation: $9,500 for the complete usage right for 3 months. We(MEETYOURMATCH) are entitled to use the produced shoot on our website and app for the period of 3 months only and this will be backed up by a contract. Bonus: free lunch, models will receive copies of photo shoots via Dropbox or on a 2gb memory stick and all clothes, shoes and other accessories you will be wearing for the shoot will be yours after the shoot. Time of Event: 10:00 A.M - 3:00 P.M Nudity: No No level of experience is required (Free model Coach available upon request). NOTE: The total pay for this job is $9,500. An advanced deposit/booking fee of $1000 will be mailed upfront to you BEFORE the shoot to ensure your engagement in the upcoming project with us in line with our business ethics and balance of $8,500 will be paid at the venue as soon as the shoot is completed. Moreover, YOU WILL NOT ONLY RECEIVE A CERTIFIED PAYCHECK OF $1000 but also with an ADDITIONAL amount that you will use to pay for your wardrobe bills which you will forward to the designer in charge of your wardrobe after processing the check. The payment for your wardrobe and clothing measurements has to be forwarded to the designer by you, reason being that, the payment for your wardrobe has to be made or billed to your name/info as requested and acceptable business terms by the designer, to ensure a tallied customization and label to be printed on your costumes. Please be informed that you are NOT responsible for the funds that you will use to pay for your wardrobe, the funds will be mailed in one payment to you alongside with that of your upfront/booking payment I.e. (your advanced payment $1000 plus extra amount for wardrobe cost and shipping fee all on one check) I hope this is clear? Talents may attend the shoot with their choice of escort (maximum of two) and should not arrive location later than 9:30 am to commence make-ups and attend a brief introductory class about the proposed project and shoot starts by 10:15 a.m. This shoot is going to be fun as different acting characters will be involved, which is the real sense of this project. Take the courage to participate in this paid and legitimate offer as we look forward to working with you. Final Note: we recommend that you read the content above over again for proper understanding and do not hesitate to ask questions. Below are the required payment and sign-up details you are to forward to us for filling and to mail you the aforementioned paycheck for your upfront and Wardrobe bills: Name to be written on check/Your Legal name: Residence address:(Not Po. Box) Apartment number if any: City/state/zip code: Direct mobile phone number: Your available date: Your escort name if any: Your current occupation: Age:
I’m going to start submitting myself to new agencies as I feel I’m ready to move on. My current agency isn’t prioritizing me at all, even though I submit great self tapes, have gotten headshots 2 times in the last year, am in class every week, and communicate super well. My individual agent just left to a new agency and didn’t take actors with her. (Only 2, that have booked big recurring roles lately). I signed with my agency because she and I had a great personal connection. I’m curious as to what a good reason would be to give if I get interviews with new agencies and they ask why I’m leaving my current agency. What is a valid reason without making it look like I’m the problem/not cast-able?
I like watching his videos when I am bored but the acting sometimes feels off, do you think anyone that acts in his videos have some talent?
Here's the dilemma. I'm about to go into college right now to study product design and at university, they obviously give free time outside of your lectures. I've been looking at part time drama programmes such as Theatre Peckham and The Identity School of acting, schools where actors like John Boyega and Damson Idris went at one point in their lives. Acting classes are a massive investment but I still want to have a stable and comfortable income coming in, if it's an industry I want to put all my time, energy and heart and soul into. Does this sound like a good decision? Outside of my college lectures 1. Learn more about the craft through podcasts, learning script analysis and watching Youtube Videos. 2. Recording Monologues and posting them on socials 3. In person acting classes or watching plays on the weekends 4. Doing Summer Courses ​ Does this sound like a manageable plan, training wise?
Hello fellow voice actors! I posted a video about when I got started voice acting and the mistakes I made, but it was taken down by the mods for self-promotion. I figured it's still good advice so I've decided to do a write-up instead! These are some mistakes I made early on in my career that I wish I would have focused on sooner: - **Reading way too fast**. Adrenaline is a hell of a thing and when you're in your first few recording sessions, you will feel the need for speed. Slow down more than you think and focus on enunciating properly. - **Not practicing enough**. Sounds obvious, right? Well, I don't mean just practicing for auditions. I mean practicing all the time. Read *everything* out loud. Books, shampoo bottles, whatever. It will get you way more comfortable and teach you to make even the most mundane things sound interesting. - **Apologizing when you mess up**. I get it; it's embarrassing to mess up in a session, but nobody cares. Move on and take it from the top of the paragraph or line you messed up. Apologizing not only wastes time but also lowers your confidence and will lead to more mistakes. Trust me on this one. I've had early career sessions go completely south because I essentially dug myself into an insecurity hole after a few flubs. - **Copying other voice actors**. Look, it's awesome if you can do 30 impressions in under a minute, but that probably isn't going to get you many gigs because it doesn't show what you have to offer. It shows that you are really good at mimicking what other talents have already worked hard to create for themselves. Find your voice by focusing on your natural speaking voice and emphasizing the unique qualities it has and developing said qualities. - **Bad recording quality**. Another obvious one, but I'm still surprised by how little effort some newbies put into trying to get some decent quality going. If you're serious about voice acting, you *need* to invest in a decent mic. Even just spending between $100-$200 will make a world of a difference. Turn off your loud A/C, go in a closet, throw some blankets over your head; whatever helps the overall quality of the recording will do wonders for you in the casting process! If you have any other you wanna throw in here, I can add them too!
Hi. I am a 16 year old aspiring actress. I've gotten into acting over the past 2 or 3 years, but have had no luck with finding any casting calls in my state. I live in Washington State, and am looking for casting calls around the Olympia/Seattle area. I've tried to use Actor's Access, but found that the majority of casting calls are for Las Angeles. A couple days back, I saw that they were helping people find acting agents. However, when I tried to use the applicant myself, I saw that the only available locations to choose from were L.A. and New York. I also tried Seattle casting, which didn't even have casting calls for Seattle, which makes the site false information. All I want to know is where can I find casting calls for acting skits around the Olympia/Seattle area, or at least in Washington State.
made some actor business cards that I'm lowkey proud of. they've got my b&w headshot on the back, and on the front; my name, phone number, email, location, and a qr code to AA profile. Hopefully I'll be able to give these to people I run across, such as in a casting director workshop or something. But I was wondering, I am hoping to apply to an agency in the coming weeks, and if I had an interview with one, would it be appropriate to offer my business card at the end of an interview? I would have already given them my materials, but it would just be so they can have a physical reminder of me on hand to keep me in their thoughts. But I don't know if that would blow my chances by being too much
Are there any 4 to 8 week theatre intensives geared towards theatre school graduates? I spent the final year of my theatre program almost entirely online due to covid, and haven't really done any acting since i graduated almost 2 years ago. Now that theatres and schools are mostly back to normal, I want to revisit and make up some of that final year in the form of an intensive workshop. Something i can fully immerse myself in for a month or two, instead of a 3 hour class once or twice a week. It can be anywhere in the world, I don't mind travelling and I'm willing to spend a chunk of money on it, but I don't want to sign up for something that's geared towards beginners. I feel like most acting intensives are either teaching fundamentals (ie. meant for untrained actors) or, if they are for "advanced actors," they specialize in something like Shakespeare or Chekhov, or musical theatre, or film acting. Is there a workshop out there for experienced actors that is 2-ish months long, full-time, theatre-based, but not necessarily classical?
Hello, r/acting community. I've been taking acting classes for a long time now and I finally put myself out there, and lo and behold, I landed an (Zoom) audition for a lead role in an independent feature! However, I've been asked by the director that I should be prepared for any scene he may request during the audition, in which this particular role is in a lot of scenes (almost 50) ... considering the length of the entire script, I don't think I can be off-book in a couple days. If it was a couple pages of a scene, that's understandable and doable on my part. In my research for audition prep, I've learned that typically a side is provided but in my case, the full script was provided. This doesn't seem normal to me, so I'm looking for advice. I've already reached out to the director to ask for more specific direction and if there's a particular scene or two to focus on, haven't heard back yet. I just want to be sure that I'm fully prepared when I do the audition with the director. I've been rereading the full script to gather character points, relationships and beats. Do I have to be fully off-book? What do you advise I should do to prepare if the director doesn't know what he's looking for? This is a non-paid role since it's fully independent and I'm just getting my feet wet with finding work, but still, this seems a little much, unless I'm totally wrong. Any experienced actors have notes on this?
Hello! So I am currently 17 and roughly around 6 months into acting already, I've gotten the chance to do films with speaking roles, background, music videos, etc; does anyone know how to take things to the next level in acting? I've been using both Backstage and Casting Networks as a main way to get jobs though I want to sign up with management or an agency to help get more known. I live In Los Angeles near Hollywood, so does anyone have any ideas about how I can get further into this industry?
I always wondered this. I know they usually work 13+ hour days, so I was wondering other than lunch breaks, if they had enough time for that. I also heard that it’s sometimes common for (especially POC/Black) women to be deemed “rude” or “unfriendly” if they choose to stay in their trailers when they’re not needed to shoot scenes. Is this true?
This question might sound a little silly, but please bare with me. I really want to pursue acting, specifically on screen, and I've been looking into classes and such as that seems to be the best place to start. A lot of the requirements talk about having a good level of fitness, taking shoes off for workshops and stuff like that. I have severe arthritis in my foot and I can't sit cross legged on the floor and get up again with ease. I don't know how well I'd be able to perform in any physical workshops because I can't exactly jump, squat or anything like that. At least not in a normal way. I'm also not an "average" weight either because of my disability and I'm not seeing any plus-sized students on any of the promo or social media posts from these schools. I know there are actors/actresses of all different shapes and sizes and some even have physical disabilities so that shouldn't discourage me, but I'm not seeing that same level of diversity in any of the schools I'm researching. I was contemplating contacting the schools about my disability before applying and asking if that would be an issue, but I'm worried they'll just put a black mark on my name or something. Because what if I have corrective surgery in the future and I'm able to apply again but they won't give me a second chance? I know this sounds like I'm overthinking, because I *am* overthinking, but I'd love to get other people's take on this. Do I just apply? Do I contact the schools beforehand? Do I let it go?
May be moving to England for wife job. Just want to see how the area is for actors?
I know I know, everything is online, BUT, I am so frikkin confused right now. I have read that that you can no longer become SAG through an ultra low new media contract anymore as it has been misused by many etc. Yet some people say that while you might not be able to be Taft Hartleyed through that route, you can still take your contract and paycheck to SAG offices prove that you were principal and then instantly become union (difference being that you skip the "eligble" part and immedietal become SAG instead) if you have been a principal role. Is that still true? I am planning on shooting a short film with 1 or 2 SAG actors and myself with a budget of around 2000-3000 USD, is that possible? (The actors will be paid and not deferred) I have a lot of experience from my home country being series regular on a few major productions, recurring guest on a Netflix show and one guest role for another Netflix show, so joining the union is not a problem for me, I know the consequences. But is that route still possible? This article [https://actingresourceguru.com/blog/no-more-new-media-taft-hartley/](https://actingresourceguru.com/blog/no-more-new-media-taft-hartley/) says it possible while this [https://www.wrapbook.com/blog/complete-guide-sag-aftra-taft-hartley-form](https://www.wrapbook.com/blog/complete-guide-sag-aftra-taft-hartley-form) says it has to be a budget of 50k at least. Sooo confused hahah!! ​ I hope this makes sense, thanks in advance! :D
Hello! Just wondering how you typically go about this. The agent seemed to like my work, my pitch seemed to land, and I personally know an actor he currently reps who told me to mention their name during the showcase. I did bring them up and the agent seemed excited about it. He even wrote some notes down while I was talking! Actors Connection just sent out the agent's contact info to all of us, so now I guess I will reach out via email. What should I say? Should I rehash what I said in my pitch and reiterate the mutual connection we have? Should I say that I would love to set up a longer meeting or is that too forward? AHHHH the business side of acting is so stressful! I don't want to be too pushy, but I really feel like I have a chance. How do you go about connecting with agents after a showcase? If he really liked me, would he have reached out to ME already instead? Would love to hear your thoughts.
¡Hi everyone! I doubt that anyone who tried or is trying to study/work as an actor/actress hasn't suffered through the: "And when are you getting a real job?" "Aren't you goign to do something else on the side, just in case?" "You know you're not going to be able to make a career out of it, right?" and many, many more... My (from a couple years ago) girlfriend's father once said to me, when I told him i want to study acting: "You young people don't know what to do with your lives" (He was in the military) So that is already a rocky start for (probably) everyone who wants to pursue acting. And I was even one of the lucky ones, since apart from some unfortunate comments, my mother and my father always respected my desires and career choices and helped me to achieve them. Then you study, which is very very fun, even though you have to face your weaknesses as an actor/actress. I came out of my drama school exhausted and a bit frightened of what awaited me, but i was very sure of my capabilities, of my strenghts, of everything I could bring to the table and of my persistant motivation. But then I started to look for work and I have begun, litle by litle, to lose faith in myself and doubt everything that I do the times that I (miraculously) get some work. I have only worked in ads for now, and not even that many. I'm still doing courses all the time. I even got booked into a small agency and I'm going to start rehearsing a short theater piece in a couple of days, I could really be way worse off, but I can't help to feel a bit of impostor syndrome. Getting used to being constantly rejected from auditions is what's being the most difficult for me, the constant rejection. I usually try to do an audition and instantly forget about it, so as to have no expectations, but even then, one week later I randomly think about how they haven't called me and feel even more insecure. That's another thing too, how most casting agencies don't even call you or message you to tell you that you haven't been cast, it's a bit humiliating honestly. I would prefer a clear and respectful "No" rather than seeing days pass without news until you give up and go do the next thing. I know that's the day to day of being an actor/actress, letting go of any ego and having very little illusions and expectations, but still, it's hard. How do you guys feel about this? Do you feel the same way? Does it bother you? How do you deal with it? Please tell me :)
I have 13 lines I am looking to have read, one in the voice of Lady Dimitrescu and 12 in russian accents. Willing to pay up to $200 through PayPal or Cashapp. You must have some kind of example of how your accent/impression sounds!
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
