Now, in a way, the reverse is true. Networks and platforms are looking for authenticity, as well as for the opportunity to tell stories from voices and perspectives not often heard. A name that suggests cultural specificity can actually be helpful, given the scrutiny regarding parts being played by actors of appropriate ethnicity.”– President of a TV Production Company“I once hired a guy whose name I not only couldn’t remember — but couldn’t pronounce. I avoided him at all costs and vowed never to hire him again.”– Reality Show Producer“I have never asked a client to create a ‘brand new’ name. I have, however, suggested some folks reconsider their given names, as whatever they were currently using sounded generic, or even had a certain falsity to it. Clearly Cary Grant, Marilyn Monroe, and Lady Gaga have done all right, but my feeling is if people are comfortable with what their parents named them, then so am I.”– A Talent Agent“I love the fact that we live in a day and age where an actor does NOT have to change his/her/their name, because that’s what the industry mandates. I think it’s important for actors to be true to themselves and authentic with who they are. That being said, I have many clients who do have ‘stage names’ and I love that too. And there can be many reasons for that — privacy, for one. My only suggestion is that if you are going to change your name, you do a thorough Google search on that new name BEFORE you change it.”– Liza Anderson, Owner Anderson Group Public Relations“I fully support changing the name if it suits and supports the creative process. Being an actor is a creative endeavor. Performance, delivery, and marketing are all part of the artistic process. If you have a challenging name and you have something you want to use that is easy to remember or visually appealing, then there’s nothing wrong with creating something new. When marketing a film, all components matter.”– Jen Ditchik, Vice President, Strategy & Innovation at WC+A#actor
Already set to be one of the most groundbreaking and controversial plays of its time.Tickets for ‘You Won’t Help Me’ - The play to end domestic violence, are available now.The Bridewell Theatre London - 29/07/2024 - 03/08/2024This play was written based on the very real experiences of domestic violence, the writer had.Half of all ticket profits will be going to 2 Domestic Violence charities, and 100% of all donations raised through our donations page on the website, will be going to DV charities.Please support us in putting an end to domestic violence, and grab your tickets now
Stage 32’s founder and CEO, Richard “RB” Botto, shares two videos in today’s blog.In the first video, you'll see how to use color theory to add to the visual impact and thematic arc of your story. It’s a great video for filmmakers, cinematographers, and screenwriters. In the second video, PAST LIVES star Greta Lee and ALL OF US STRANGERS star Andrew Scott discuss two small movies that’ve made a huge impression on the entertainment industry this past year. Grab your coffee/tea/hot chocolate/etc. and jump in! www.stage32.com/blog/coffee-content-when-the-director-is-an-expert-in-color-theory-3610
I have 7 completed scripts (2 pilots, 5 features) and I've been pitching for about two and a half years. I get a lot of "strong project but currently not the right fit" from many producers on another pitch service and I've never received a "request" from my stage32 pitch sessions. Last summer I worked on some re-writes with a producer from MarVista on my young adult horror slasher however no option was signed and I'm kinda just sitting in stasis with him while we wait to see if this one network may pick it up. My comfort zone is horror and romcoms but my current roster of projects consists of a sitcom, a sci-fi series, a Christmas rom com, a standard rom com, a sci-fi thriller, a horror slasher, and a supernatural thriller. I always write whatever ideas grab my attention but should I stick to what I feel I write best or continue to show my range?
Hello guys good afternoon, i know i have shared my shows Thomas And The Coles but the question is how to find them in your local area, i know that both voice acting and screenwriting is a very competitive field, and takes a lot of practice, i think its not easy finding the right people, so if i were to find people in montgomery county prince george's that would be easy. since i'm good with music i would do most of the music in my tv show. so my question to you is how can i find professionals in my area? this is a job i want and i have the skills to write a good story line.
- Using lines as an excuse - “When I know the lines I’ll be able to perform the scene better” - this is an excuse to cover up many things, mainly inhibitions, the fear of trying something or not knowing what to do because you haven’t read the scene/script enough. As Lee Strasberg (The Method guru) once said, learning lines is about memory and acting has nothing to do with memory. My advice is to play and experiment with the scene. You can only do this by reading it and making justified choices. Find a suitable way of training your memory to learn lines effectively because that’s not the job of your acting coach. - Not reading the script enough - AKA lazy acting. Some actors go through the script, but only to learn their lines. You need to know the FULL story, not just the story of the scene your character appears in or only the story of your character. To get the full picture you must read the FULL script (more than once). Here are some things to think about when reading the FULL script: Why does your character choose those specific words? What do they really mean? What is really going on? What has lead them to where they are now? In the early stages of character development you’re like a detective; you have to piece the full picture together to be able to connect to the character, then you have to figure out what the motive behind the character’s behavior is so you can make clear choices in each scene you appear in.- Forcing emotions/trying too hard - this is usually done to impress, and there is logic in that, but acting should feel effortless. When you try too hard or try to force something, it looks fake, feels strange and just doesn’t make the thing you’re trying to make happen appear. The same happens with emotions. Find inner purpose for what your character is going through and demonstrating through gestures and expressions.#actor #tv #film #video #script #writer #drama #manager #agent #casting #director #success #hollywood
Can you imagine getting a self tape request that you’re excited to shoot? What if your self tape was fun and you really felt like if you didn't book the job, you know you booked the casting office? Not convinced? I hear you - basically you've shot a lot of self tapes and you thought you knew what casting wanted but still… you didn’t book the job. I get it. My students were just like you. Honest. Read for yourself how Intentional Acting students have benefitted from the course:I got cast as the lead in a play which I auditioned for last fall - but didn't get a callback. They had to recast the role and held a second audition. The second audition I did the 9 Questions of Intentional Acting and I walked in as a different person because I had done the work versus the first time I was so nervous and worried only about the words on the page. Apparently my improvement showed. I got cast as the female lead. ~ Victoria Paganini KADE, Z-LISTERS, LIGHT MY FIRETaking your class is a great investment for any actor. It exceeded my expectations. It really, really, really helped me understand how to breakdown the script. After taking your class I have a newfound respect for acting because I had no idea how much it took to really understand the character, the show, and being in the moment. I applied the Intentional Acting tools to a project I worked on last weekend. The director commented on how great my performance was and asked me to be in his next project! ~ Shevonne Monique CHERRY BOMB, HIT LISTThese aren't just examples of lucky breaks. These are hard-working actors who needed more specific acting tools. Set up a 20 minute Free Actor's Strategy call and see if this class is a match for you. Here's the link: www.DiscoverIntentionalActing.com
Want to Learn How to Create Powerful Chemistry With Your Co-Actor? Use this link and watch the video https://www.youtube.com/watch?v=LAh2EkSrMdw If you have any suggestions on how to create a strong chemistry with your scene partner or co-star, share them with others here.
My week started off with watching ‘Society of the Snow’ and last night I finally got to watch A24’s ‘The Whale’, directed by Darren Aronofsky, written by Samuel D Hunter (and based on his play). Starring Brendan Foster and Sadie Sink.There is something about films being made that are based on plays; Dial M for Murder comes to mind. The sets for the films are simple, stage-like affairs. I think I’d call this style ‘Intimisme’, because with The Whale you have a cast of seven actors who move around a beautifully crafted set, which becomes the centre of expressing the pain of their soul.But where’s the action? We are always told that it’s all about the action, aren’t we, but in Aronofsky’s ‘The Whale’ we have the intimacy of pain, of Charlie (Brendan Fraser) and Ellie (Sadie Sink), in fact every character save for the Young Ellie, brings their pain to Charlie’s apartment. And, you are carried along by the dialogue, carried on waves of emotion, waves of pain and you get astonishing performances from every actor on this set. I don’t know why I was so surprised, astonished even, at Brendan Fraser’s performance; it goes beyond the heavy prosthetic he had to wear. Beyond ‘George of the Jungle’ and ‘The Mummy’ and it turns out that he is a great actor, which perhaps shows that any level of performance is all down to the material. As Charlie says towards the end of the film, ‘People are amazing’. He’s talking about you and me, about us and our resilience, our tenacity for life. That we keep on going, no matter what is thrown at us. Note to self: It turns out that Life can throw us more than one curve ball, simultaneously!I’ve included in this post, the link to the final scene, with its over-swell of emotion. This is a stunning performance from the small intimate cast of life’s heroes. I recommend that if you haven’t watched this film yet, that you will make it a priority to do so. If you have watched it, then please leave your thoughts on this little masterpiece below. https://youtu.be/LvwOSmIba_k?si=aTOXLVhz05ysEdVc
As an actor exploring potential representation, let's delve into a hypothetical scenario. Imagine discovering a boutique agency run by a dedicated owner and her single assistant. Now, consider learning that the owner's adult son is facing serious, life-altering mental health issues.In this situation, there's a potential challenge. On one hand, the agent might need extended time off to support her son, which could impact your job opportunities. On the other hand, there's an opportunity to contribute to the destigmatization of mental illness through supporting the agent by allowing her to represent you. How would you approach this hypothetical dilemma? What factors would you weigh in balancing your career aspirations and the call to raise awareness about mental health? I'm curious to hear your thoughts on this hypothetical scenario. Your insights matter, so let's open up a constructive conversation.
Hey, Actors!2 Stage 32 in-person networking meetups are coming up this Thursday! I'm including links to the meetup pages for you all below. If you live in any of these cities or are nearby, be sure to RSVP and seize this opportunity to meet with other creatives in person and help build your local creative community! Austin, TX: https://www.stage32.com/meetups/1948/January-Stage-32-Austin-TX-In-Person-MeetupPhoenix, AZ: https://www.stage32.com/meetups/1950/January-Stage-32-Phoenix-In-Person-Meetup
In this exclusive Stage 32 4-hour workshop, you will develop your acting process so you feel confident that you are delivering to the best of your abilities every time. You will also be exploring intensive scene-study work to help you create captivating performances. Guiding you through you audition, scene study, and character process is esteemed actor Ryan Cartwright. Ryan has over 30 years of professional acting experience and training and he has developed a robust acting process that he will share with you to incorporate into your own process to consistently elevate your work. Ryan has starred in numerous TV series and movies including BONES, MAD MEN, THE BIG BANG THEORY, KEVIN CAN WAIT and ALPHAS. He has an extensive understanding of what helps book roles in the casting office and what directors delight in seeing on set, and is passionate about teaching other actors the secrets to success.PLUS! Ryan will provide you with exclusive handouts to help you hone your acting process. Downloads include:-The Audition Process Beat Sheet-Filming Day Checklisthttps://www.stage32.com/classes/Acting-Workshop-Build-Your-Successful-Preparation-Process
Hey Superstars! I have some great news for you. Casting directors have OFFICIALLY started in person auditions again. I just left my first in person audition of the year earlier today. To be honest, it felt so good to be back in front of casting vs submitting a self tape. I feel like it's extremely hard to book with a self tape because casting was seeing a lot more talent via self tapes. Now there's hope again for all the actors like me who like the energy they get when auditioning in front of casting. Let's go!!!
In Stage 32's effort to contribute to diversity, equality, and inclusion in the industry, next week we will be in Park City shining a light on female and non-binary filmmakers and the impact they make on entertainment. Learn more in today's blog!https://www.stage32.com/blog/stage-32-united-airlines-descend-upon-park-city-this-week-3609
This is perhaps the dumbest question I have ever had because I should have asked this question at FADE IN. I have all but completed a script, set in the South Pacific, and at no point is race mentioned. I approach that subject as the director's concern, how he or she sees the characters --Concerning the current social environment, I would ask if my script is sunk before it hits the water.The narrative involves two old-school men, with old-school ways, masculine of course. Cast alongside them are three strong women, but is that enough? Is there a market? Strange days indeed.
I have a script all but complete. The story involves three old war horses (veterans) . They are old school, masculine, they are cast with strong women. In this current social environment, is it enough to include strong women? Or is the project sunk before it is in the water because it contains masculine characters, traits, and themes?It is set in a South Pacific country, at no point is race mentioned.
Tennyson Stead talks about the danger of cutting corners with the safety and well-being of cast and crew on set, in exchange for production value. This is an IMPORTANT topic. Please read this blog, post in the comment section, and share this blog with others.www.stage32.com/blog/the-dangers-of-getting-top-production-value-for-zero-cost-3608
Hi actors!If you're a fan of James Dean, I wanted to share this interview series with you. Lew Bracker was a very close friend to James, and he recounts a lot of amazing stories about their friendship, filming all his films, working with Natalie Wood, and more. He talks about James's approach to acting/filmmaking as well. Some of his stories are from his book "Jimmy and Me," which is a must-read! It's super fascinating looking back on this era of Hollywood.I hope you enjoy it. I did this interview back in 2022.Part 1: https://youtu.be/v8mv6ZRcrB8?si=tv2bNg9ZP_hTd-OHPart 2: https://youtu.be/mRHad4n92eg?si=xxW3nWhVECvjI7q6Part 3: https://youtu.be/GwgPh5v8rd8?si=3klri1X3Z8V1yh4U
Last night, I had a surreal dream where Colleen Dewhurst encouraged me to seize an audition opportunity. In the dream, I almost missed out because I didn't have my reading glasses, but she reminded me not to give up before even trying. Fast forward to today, and I received a contract in my email for a project I thought was a comedy sketch—turns out, it's a commercial!It's incredible how life can imitate dreams. This unexpected opportunity reminded me that if you don't believe in yourself, who will? Despite feeling discouraged about finding a commercial agent, I'm now gearing up to shoot a commercial tomorrow, complete with residuals outlined in the AFTRA contract. The journey to this point has been filled with ups and downs, but this experience is a testament to the power of perseverance and self-belief. So here's my lesson from the dream and today's surprise contract: Never underestimate your own potential, and don't let self-doubt hold you back. Dreams can be prophetic, and sometimes all it takes is a leap of faith. Excited for this new adventure and grateful for the reminder to believe in myself.
In today’s blog, Ava Paloma talks about The Four P’s that can help you achieve results in your entertainment career.Ava is an actress, producer, screenwriter, and founder & owner of WV4 Productions. www.stage32.com/blog/less-woo-more-do-the-four-ps-to-achieve-results-in-your-entertainment-career-3606
Can anyone recommend an acting retreat, like a 3 to 7-day intensive? I'd like something designed for experienced actors looking for a tune-up.
Hey everyone! Update on my journey towards securing commercial agent representation! For those following my lounge posts, you know I've been diving into the world of Los Angeles-based commercial agents via YouTube videos. One recurring theme that's got me excited? Travel! Commercial actors often jet-set domestically and internationally for shoots. So, naturally, getting my U.S. Passport made it to the top of my to-do list. But, as life would have it, here's where things took an unexpected turn. Last evening, Representative Jimmy Gomez, CA-34, sent out an email announcing a U.S. Passport Fair for his constituents. Props to him for always staying engaged with us! Excitedly, I had my paperwork ready and my passport photo taken, only to find out that all the slots for the fair were taken when I tried to register! Lesson learned: Always keep an eye on all email accounts, especially the ones where career opportunities might pop up unexpectedly. Moral of the story? I'm registering my acting Gmail account with Representative Gomez's office. They provide fantastic services that can boost my career, but missing out due to a slow email check? Not again! Stay tuned for more updates and lessons from this wild ride towards chasing dreams! And hey, let me know if you've got any passport tips or similar experiences. Sharing is caring, right?
The Best Way You Can Begin Acting There are several things all actors need to do to begin or take their career to the next level. Use this link to watch and learn the best way to begin and have success https://youtu.be/NIdM29m2VZw If you have any suggestions for other ways for people to begin actingor move their career forward, please share them here.
I'm doing a lot of research into commercial talent agents. The next one on my list is Firestarter Entertainment. Folks, I took one look at the Woodland Hills tower where this agency is housed and immediately felt intimidated. I looked over the website, and my feelings of trepidation lessened. Then I searched for the agent, Nicole Pryor Dernersesian, on YouTube, and my insecurities melted away. Social media is the job seeking actor's very best friend. Nicole is the type of agent I'd be thrilled to associated with. What did we ever survive as artists before YouTube?https://www.youtube.com/watch?v=LVMaqn8oInY
A clip from my interview with Adam Loretz 'What makes a multi award winning short film?'. Here I talk about how my training in animation has proved useful and has even influenced my Directing in Live Action.
“I got the job. I’m going to work today.”https://youtube.com/shorts/J0exMiE4UI4?si=09actSLzLiUqva4U
Some great insights, as per, from THR,https://www.hollywoodreporter.com/movies/movie-features/margot-robbie-emma-stone-lily-gladstone-thr-actress-roundtable-1235778418/
Without a book-out notice, the agent might continue to submit the actor for auditions, despite their impending unavailability, leading to frustration by both the casting director who requested the actor and the rep who submitted the actor. There may be any number of reasons why an actor might wish to book-out. Here are a few scenarios:You’re going on vacation for a few weeks and will not be in town to audition.You are feeling sick and need to stay home and get well.You’re already committed to working on another project and the shoot dates of that project would conflict with potential auditions.You are dealing with a major life event, such as getting married, having a baby or a death in the family.You have an important appointment that cannot be broken, such as surgery or a doctor appointment.A Few Key Points About Booking Out: Always send your book-out notice in writing, such as sending it in an email, to ensure there is documentation. Book out well in advance of your scheduled book-out dates, if possible, to give your rep enough time to adjust and prepare for your absence.When in doubt, book-out. If you believe you will be unavailable, but are not sure, book-out anyway. You can always rescind the book-out later. It’s better to book-out and then undo it if you become available, than to wait too late to book-out and have to cancel an audition.Booking out with your reps when you are to become unavailable is an important part of building trust and dependability with your talent agent or manager.#actor #audition
Hello! I am Lindsay, an experienced teacher and professional actor with years of audition preparation coaching. Along with my MFA in Acting from The Old Globe/USD, I hold a Masters in Education and have many years of experience teaching students at both the high school and college levels.You NEED to stand out during those crucial minutes in the audition room. I'll work with you to perfect pieces and/or sides that showcase YOUR unique talents.What I bring to the table:Strategic selection of monologues showcasing YOURefinement of fundamental acting techniques required for the next levelOpportunity to participate in mock auditionsConstructive feedbackMy students have been accepted to top programs throughout the country and abroadContact me for:Flexible/affordable packagesOnline or in-person sessionsVisit my website for more: www.lindsaybrill.com/teaching
Happy New Year, everyone!This January, you'll have the chance to learn from knowledgeable industry executives, music supervisors, showrunner assistants, commercial directors, stunt professionals, actors, showrunners, directors, acclaimed producers, screenwriters, distributors, and representatives.These professionals have worked on PLAYING FOR KEEPS, AMERICAN PASTIME, TOKYO POP, SILVERTON SIEGE, KINGS OF JOBURG, GHOSTS, TRUE DETECTIVE, TEXAS CHAINSAW MASSACRE, ASH VS EVIL DEAD, THE MEG, AQUAMAN, MORTAL KOMBAT, and more.Check out the schedule in today’s blog.www.stage32.com/blog/stage-32s-january-2024-education-schedule-3599
We shared this on our YouTube channel yesterday as part of our weekly newsletter. The main question posed is whether you're a "hobbyist" actor or a "career" actor. Either way, practical advice is given when trying to set goals for 2024.https://youtu.be/j8n0BW3AQjY
British lunatic looking for more experience preferably as an actor. I thank you.
So, as some of you know, my BFF Dan and I are looking for commercial agent to represent us. We went through the SAG Franchised Agency and ATA lists. We looked at agency websites, used Google Maps to find their office buildings. We eliminated agencies located in shopping strip malls, apartment buildings, houses, or did not provide an address. We also eliminated agencies that are "referral only". Location of an agency can give us a quick idea of it's net worth. It costs a lot to have an office in Beverly Hills, Santa Monica, Sherman Oaks, etc.; therefore, they are clearly earning a substantial income from their talent roster. Then we started snooping around the agencies' social media accounts, specifically YouTube. Wouldn't you know it, we're finding commercial agent interviews on YouTube. This is giving us a big picture look at our prospective commercial talent agent. Are they having fun? Do they look like they care about being agents? What is their encouraging message to interested actors? What information are they sharing about the interview process [so we can be prepared].So far, only one agent was eliminated from our list of possible candidates, because though he seemed interested in being inclusive, clearly his smile was forced. His message was, you better be a money maker or we really don't want you (stated with a pretend welcoming smile). TIP: Check agency social media accounts.Dan and I are looking for agents who foster a creative safe space and a sense of home and community. I'm pleased to announce at the top of our list so far is Bobby Ball Talent located near Warner Bros and the famous Bob's Big Boy Restaurant in Burbank. BBT is in the same building as "Star Trek: Next Generation" star Gates McFadden's theatrical agent SMS Talent. Check out this video Bobby Ball Talent posted on YouTube:https://www.youtube.com/watch?v=OulH67y0Fzg
2 Amazing Ways Stand-In-Work Improved My Life Use the link below to watch the video https://youtu.be/pdOIW-5S9Ks I have been so fortunate to have been cast to work as a stand-in on several amazing projects.Having the opportunity to watch and study some phenomenal actors was the best actingclass I have ever taken.And, sitting behind the monitors and listen to the directors and others working on the projecthas been invaluable to me as an actor and person. Hope you really enjoy the video.Have you had any behind-the-scenes experiences? If so, share them so we can learn from you as well.
Stage 32’s founder and CEO, Richard “RB” Botto, shares two great videos in today’s blog.The first video shows you two ways to film the same scene.The second video is an Actresses Roundtable discussion with America Ferrera, Emily Blunt, Fantasia Barrino, Julianne Moore, Sandra Hüller, and Eve Hewson.Grab your coffee/tea/drink and jump in!www.stage32.com/blog/coffee-content-two-ways-to-film-the-same-scene-3598
Melanie Scroggins shares five essential tools you need to build a voiceover business in today’s blog.Melanie is a Voice Actor, Audio Producer, and Host of The WFH Voice Actor Podcast. She has worked on campaigns for Google, Nintendo, Hyatt, Target, NerdWallet, AT&T, and more all from home.www.stage32.com/blog/5-tools-you-need-to-build-a-voiceover-business-3596
Be sure to check out Kurt Yue's fabulous YouTube channel. He appears in one of my favorite movies "Greenland" during the Air Force base scenes. He's based in Atlanta, Georgia, and his channel is dedicated to acting. My buddy Dan and I love his channel.https://www.youtube.com/watch?v=f53kvE03WKw
My friend Dan Logwood and I are looking for commercial talent agent representation. The difficult, lonely process is made much easier with a friend. Again, it's like we're (analogy) a couple of high school students getting ready to graduate. We're hanging out at each other's pad looking over a huge stack of college catalogues (i.e. lists of talent agencies). The sky is the limit. One thing we did last night was address an elephant in the room, the actor's dressing trailer: honey wagon, triple, double. A dressing trailer is to an actor what a cubicle is to the office worker. It can be a sterile and impersonal space; therefore, we asked ourselves an interesting question:How will I personalize my dressing trailer, so I feel at home? If I can feel at home, I can focus on the work ahead.Some of the items we selected include: carpeting, pillows, blanket [some trailer sofas pull out into a bed, so if it is a night shoot maybe sheets and a mattress topper], candles, framed family photographs, music, bath/hand/wash cloths, soft slippers, etc.So, I ask you:How will you personalized your dressing trailer, so you feel at home? What are your essentials, and how do they help you get and stay in character?
Regina Lee, Feature Film & TV Series Producer, Development Exec, and Stage 32 Executive, is hosting a 24-hour Ask Me Anything ("AMA") in the Writer's Room Lounge today, focused on what writers should know about overall, first-look, and pod deals. This is a great opportunity to learn about these key deals that writer's (and producers, directors and actors) strive to make with studios and networks. Here's a link to Regina's AMA so you can hop in and ask her your questions: https://www.stage32.com/lounge/vip/Ask-Me-Anything-AMA-12-29-to-12-30-What-Writers-Should-Know-About-Overall-First-Look-and-Pod-DealsAnd if you aren't a member of the Stage 32 Writer's Room, you can get a first month free by signing up here: https://www.stage32.com/writers-room/plans-vip
We've been rallying for a Stunts Category at The Oscars by posting this banner (pictured) and others like it since 2017. Men and women stunt actors risk their lives each day on the movie set so that we can enjoy an action-packed and believable seamless continuity film. I know a few stunt players and a good friend who did a wire gag on my set and then got stuck on his motorcycle on his way to another gig. He would be proud and love that LAST WEEK this OSCAR-STUNTS Story came out in Variety. https://variety.com/2023/film/news/oscars-stunt-category-discussed-academy-john-wick-director-1235650105/
Record yourself reading monologues and short scenes. You can purchase a book of monologues online or through Industry sites giving you hours of potential roles to inhabit. Pick one and practice it 2-3 times, then tape yourself giving the speech. When you rewatch it, take notes on where you want to improve, what lines sounded great, and ideas you have to make it better. Then re-do the speech, recording again until you’re happy with the results. Choose a variety of monologues, not just the ones you’re most comfortable with. This is practice time, so challenge yourself. It may be worth experimenting, rather than going for a set expectation of perfection. Sometimes a different approach can really make a monologue stand out.What happens if you: - Slow your lines down - Stress different words - Put longer pauses in - Change your tone - Switch it up, you may surprise yourself! Try different accents, and consider learning a new language while you’re at it. New skills to add to your resume is always a good thing. #audition #actor #casting #monologue #sides #selftape #script #workshop #video #manager #agent #hollywood #success
I started the grueling task of search for commercial talent agent representation. I will begin submitting to agents this August. I'm quickly learning this process is similar to finding and submitting to a university to attend in the fall. Agents however, do not offer promotional videos like colleges. In my mind, I want to find a mid-sized agency that has the connections to move my career forward. Analogy: I want to attend an Ivy League with small classes and a tight-knit community. Rather than a Harvard or Yale that are massive and I may get lost in the shuffle (i.e. ICM or CAA), I want someplace like Denison University (e.g. Clear Talent Group). During this search, I'm mentally creating promotional videos for the talent agencies I'm most interested in to help me visualize the agency and my place within its structure. I created extensive lists of questions for myself and for the prospective talent agents. If you are looking for an agent in Los Angeles, New York, or anywhere within the continental United States, you can locate them here: ASSOCIATION OF TALENT AGENTS: https://www.agentassociation.com/SAG-AFTRA FRANCHISED AGENTS (NATIONAL LIST):https://www.sagaftra.org/contracts-industry-resources/agents-managers/about-professional-representatives/franchised-agents-listSelecting an agency to represent you is like searching for a university to attend in the fall:https://www.youtube.com/watch?v=tylcaZAxzuM
Hi, I’m a Brazilian actress and screenwriter and I’m going to London in a few months!! I’d love to have some insight in the industry there so If anyone could give me a hand with that I would love to chat about it!
Mark W. Travis talks about a different approach to the casting process than the traditional casting process in today’s blog. Mark is a director, dramaturge, screenwriter, script consultant, theatre director, and CEO at Travis International Film Institute. www.stage32.com/blog/working-with-actors-the-casting-conundrum-3588
https://youtu.be/ABQhEou4c9c?si=GgNlvs3wMf3OcdJ3
I have started a series of videos on my YouTube channel where I create an imaginary lost or cut scene from a well known film. I'm doing a monologue by Edward the Longshanks' from Mel Gibson's 'Braveheart' in a recent video. Suggestions always welcomed, for future videos, I enjoy a challenge)
I had a dream I was training on the focus pads with Hugh Grant in a boxing gym.
Tips for Better Headshots, According To a Top Acting Coach:- Go pro. Spend money-it’s worth it. Go to a professional who is trained, understands lighting, and takes headshots for a living, not some friend who happens to have a decent camera who “sorta knows a little about photography.” - Opt for personality over glamour. Make sure it looks like you. Chill with the airbrushing. Casting directors expect you to look just like your headshot and will not be happy when you show up looking totally different or 10 years older.- Remember: It’s all about the eyes. Just like with on-camera acting, it’s all about the eyes and what’s happening behind them. It’s your closeup, your moment. Your eyes should be perfectly in focus, alive, and energized, not dead and glazed over.- Pay attention to framing, lighting, and background. In general, a good headshot is chest up with good lighting on your face, and no strong dramatic shadows, unless you are going in for “The Phantom of the Opera.” Three-quarter shots are good for print, and extreme close-ups are good for, well, nothing.- Consider natural light vs. studio. Some photographers do both, as they offer a different look and feel. Natural light gives a very real, “film” look, which I prefer. Studio lighting tends to be a little more polished, with a more neutral backdrop. Both can be wonderful. If you are more of a sitcom actor, perhaps a well-lit studio headshot is more suited for you.- Don’t go crazy with clothing and props. I once saw a headshot of a guy with a bird on his head. Why? Because he wanted to stand out. Let’s not get crazy here. Keep it simple and classy. Professionalism not desperation gets you noticed. A simple, solid shirt with a little texture that fits you.- Go easy with the makeup. Yes, lots can be done with retouching. There is no need to put on tons of makeup. You want to look like yourself on your best day and not look like you tried too hard. Do your hair the way you would for every audition.- Matt Newton, On-Camera Acting Coach#actor #headshot
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
