Stage 32 is giving away $100,000 in free webinar education to help members sharpen their skills or learn a new craft or aspect of the business during the SAG-AFTRA strike.Here’s how to redeem your free webinar: Go to: www.stage32.com/webinars Enter code: NFCFPUR This code is good for one webinar per person and this offer will be good until September 30, 2023 (Saturday) Read more about the giveaway in this blog: www.stage32.com/blog/stage-32s-100000-education-giveaway-featured-in-variety-3452
Actually Got Fired From A Show - Never Told This Horrible Story Before https://youtu.be/Q1nF32J75v0
Kim Williams:"Make strong, confident choices. If you go a little bit bigger than necessary, it's okay. We can pull you back from that, but at least we know there's something there that can be worked with. And it's important to come in with the right mindset. There are so many things that are outside of your control as far as booking the role, but your job is to give a good performance. If you do that, the producers, directors and I will remember you and think of you for future projects. Rushing is a huge thing too. I find myself often giving the note to slow down and think of what you're saying."Jessica Sherman:"I think the big one for me happens before they even come into the room. It's a lack of knowledge of the casting process. The idea to keep in mind is that by the time you book the role, especially for TV roles, there's been approximately 30 people that have had to sign off to say that you're the person. So the best person may not always be the one who gets the role.The person that everyone can agree on gets the role.Having that background information is a huge asset to actors because it kind of takes the pressure off a little bit as far as their experience in the room.Christine Sheaks:"Don't come in unprepared. If an actor has 10 auditions that day and then takes two seconds to look at the material, it'll show. I always tell actors to have their agents call me if that's the case. If I can give them a later time or another day, I would rather do that than have them come in unprepared. Also, actors should never bring in a prop. The only exception is a cell phone, which is okay because it's not distracting."Joey Paul Jensen:"The biggest mistake you can make is allowing room for doubt. Doubt leads to insecurity, and insecurity will lead to mistakes. Small mistakes, such as forgetting to print your sides or leaving your belongings in the room after auditioning, are really just manifestations of the root issue of doubt. The antidote is to connect to your identity as a storyteller. When you're auditioning, you're a part of a bigger story being told.#actor #audition #casting
SAG Talent ONLY - this rule does not apply to Non Union Talent). (As Of Today) Extras casting companies can NO longer ask Sag talent to bring “voluntary wardrobe options”, they now have to specify the “amount” needed & talent will receive a wardrobe bump for each option they are asked to "bring", whether they use all of the attire or not. Sag will be cracking down on this rule as of today. We were told that all extras casting companies in town received their last warning from Sag & will no longer be asking for "voluntary options". If an extras casting company asks you to bring "voluntary options" you can anonymously report this to Sag. If you bring 10 voluntary options, you will get 10 wardrobe bumps whether all options are used or not. Also just a friendly reminder that extras casting companies cannot put (extras/stand ins/doubles) on "hold" or "on avail" without paying a full session fee (We know some extras casting companies are still abusing this rule). They are supposed to be only "checking your avail, so they can submit you" and then "rechecking your avail again at the time of booking". If someone is "holding" or "on availing" you, make sure you are paid a full session fee. You can anonymously report this to Sag. The rules were made for everyone to follow...if a couple specific companies are not following these rules (we already know they are not), nothing will change if you don't speak up.This announcement was emailed to me from Casting Networks.
Hey all - Grace Duah, a Stage 32 Executive, professional Actress (Gossip Girl Reboot on MAX), screenwriter, and producer is hosting a 24-hour Ask Me Anything ("AMA") in the Writer's Room Lounge today, focused on writing dialogue that stands out to talent. This is a great chance to ask Grace any questions you have about her journey or your craft and career. Here is her AMA Link: https://www.stage32.com/lounge/vip/Ask-Me-Anything-AMA-9-22-to-9-23-Writing-dialogue-that-stands-out-to-talentAnd remember, if you aren't a member of the Stage 32 Writer's Room you can get a first month free by signing up here: https://www.stage32.com/writers-room/plans-vip
D Tips in 30(Sneak Peek): How important is your social media to the casting process?Full D-Tip in 30 at Dlylescast.com
Check out G. Charles Wright's great advice and insight on auditioning for a Comedy role in today’s blog.G. is a 20-year veteran of TV casting, actor, content creator, producer, and director. He has worked on shows like 3RD ROCK FROM THE SUN, SID THE SCIENCE KID, STAN AGAINST EVIL, and THE MIDDLE. www.stage32.com/blog/comedy-audition-advice-from-casting-director-g-charles-wright-3495
Hello! This is a casting call for our student film Blood Rush! We are looking for an actor based in Indianapolis, IN; Chicago, IL; and Fort Wayne; IN to play the role of the Stranger. Age Range: 40-60MalePrincipal Photography is next weekend (September 29th through October 1st, we will compensate you for housing and ground travel. Please share this with anyone you think would be interested in the Stranger!https://www.backstage.com/casting/blood-rush-2703025/?utm_source=social_share&utm_medium=copy_link&utm_campaign=casting_call
Just what does this granny get in to!!!?? https://youtu.be/644P7yphoMs?si=M3VkCcovcUd70ZKe
Check out my New Channel, https://www.dlylescast.com
Knowing your “type” is a crucial tool for any actor. While actors frequently book roles outside of or against type, having an understanding of what kind of first impression you make on casting professionals can help you streamline your auditioning process. Many introductory acting courses discuss how to figure out what your type is. Less talked about is the fact that it changes. So what then? You’ve gotten used to marketing yourself one way, what happens when you realize you’re being seen in a new light? Here are some tips to ease the transition. Know the signs. For better or worse, type is based heavily on physical appearance. This means that whenever you go through a distinct change of appearance (changing hair length or style, gaining or losing significant weight, altering the tone of your personal style) your type may change with it. Age is another big factor. As you get older, you will naturally cycle through many different types. A good way to know your type is changing is the type of auditions you’re getting. If you’re accustomed to getting roles like student, assistant, intern, etc., and are suddenly seeing a lot more parents, teachers, and bosses, you may be growing into a new type. New headshots. Keeping headshots up to date is always important, but never more so than when you’re rebranding. If you don’t want to ditch your current headshots completely, consider adding a couple of shots to your roster that suggest your new type. Restyle. If you’re reading for parent roles but still dressing like a college student, it may be helpful to consider switching up your style (at least professionally). A haircut and a slight outfit tweak can do wonders to suggest a character consistent with the types you’re reading for. Embrace it. It’s an easy thing to want to fight your type. But remember, a new type is not a life sentence. It doesn’t mean you’ll never play a role outside that type. It just means that your bread-and-butter auditions, your commercials and day player roles, might look different.#actor #casting #audition #headshot #role #type
I wanted to ask my fellow creatives as part of ALOT of research for my next screenplay...What did you LIKE and DISLIKE about the Indiana Jones and National Treasure films and shows? Other works in the genre would be cool as well (I.e. Tomb Raider/Uncharted games) as long as you're real about it, Hazmat
This is the last chance to sign up for Stage 32's 2-part acting lab where you will gain the tools and personal attention to elevate your acting reel!Work with Kym Jackson, an actress who has worked on THIS IS US, CRIMINAL MINDS, NCIS: LOS ANGELES, S.W.A.T., SNITCH starring Dwayne Johnson, FATAL AFFAIR on Netflix, and more.Here's the link to grab a spot while you still can: https://www.stage32.com/classes/Stage-32-2-Part-Lab-Elevate-Your-Acting-Reel
Stage 32 is eager to welcome Ryan Cartwright for his upcoming acting lab. Learn how to create an acting audition process that works for you, with expert guidance from Ryan Cartwright, an actor who has been featured on MAD MEN, BONES, THE BIG BANG THEORY, 9-1-1: LONE STAR and more!Over three interactive sessions, you will learn how to approach the text - no matter the genre or character - and avoid common pitfalls in scenes. Ryan will teach you how you can and should inject your personal voice and flare into every audition while remaining true to the character. You will learn how to bring depth to your opportunities, even when you only have a few hours to prepare for an audition.PLUS! Ryan will provide you with exclusive handouts to help you hone your audition process. Downloads include:-The Audition Process Beat Sheet-Audition Day Checklisthttps://www.stage32.com/classes/Stage-32-3-Part-Acting-Lab-Develop-Your-Professional-Audition-Process
Part 2: 6 More Acting Reel Mistakes Actors Make - How To Make A Great Reelhttps://youtu.be/dPQCUmADT68Do you have any other suggestions for creating a great acting reel? Share your comments so we can all learn from each other.
Young Talent Expo is on Saturday 7th October in London (performers aged 8-19)Actors Pro Expo North is on Saturday 28th October in Manchester (performers aged 16+)Both expos will have many exhibitors, performances, networking, on stage interviews all day for just £10 general entryEach industry led seminar is just an additional £10 eachThere is a recordings package for £95 available if you can't attend the expo but want all the insider knowledge!www.actorsproexpo.com/bookingwww.youngtalentexpo.com/bookingBoth these expos have an opportunity to PERFORM FOR TOP UK CASTING DIRECTORS AND AGENTS FOR FREENo general entry ticket needed for this!You can book a slot for the adult expo by clicking the booking link and scrolling down to Meals 4 Monologues, or on the young performers expo by scrolling to Perform 4 Good.A donation to our chosen charity is encouraged if selected to perform but not compulsory.
This was a BBC programme from 1987, I believe and as much as it's about Acting, there's a lot to learn in this video that Directors can learn from. For the creatives in this community, I hope you find it all very useful. Enjoy.https://youtu.be/bZPLVDwEr7Y?si=REFjK3xlcrP2_8x0
In today’s blog, Erica Wernick (author, speaker, and producer at Hollywood Success Coach) gives some great advice on how changing your mindset can help you find success.www.stage32.com/blog/want-success-start-writing-your-own-narrative-3490
Happy Introduce Yourself Weekend, my fellow actors!It's Kay Ross, your friendly Stage 32 Community Manager, but I'm also a Writer | Producer | Actor | Director - and in preparation for my next directing project, I wanted to get a little deep here in the Acting Lounge. You ready?LET'S GO:I wanted to share this recent round table discussion from The Hollywood Reporter to get y'all's insight into the magic happening around the table. Yes, clearly, they're talking about comedy, they're talking about being a female-identifying person in the industry, and they're talking collaboration - things this group of actresses can all identify with. BUT because they ALSO discuss their individual battles, there is some discussion and learning about what they are going through that they can't all identify with and how they can show up for one another.For example, at one point, the term "Indian" is used, and Devery Jacobs (Reservation Dogs) kindly informs them that they prefer people outside the community to refer to them as "Indigenous People". So often, we only allow for this kind of learning in an academic setting, but it's so crucial to employ gentle pushback so that every encounter is a productive learning experience, and thus a productive empathetic experience.What do you think about gentle pushback? What was YOUR big takeaway from this round table discussion?https://www.youtube.com/watch?v=Ck3OUiRrJ0I&t=3s
I was so excited for the release of "Poolman" because Chris Pine selected me for an uncredited role in his directorial debut film. It was wonderful getting to work the scene out with him, because I'm such a huge "Star Trek" fanboy; and any chance to work with Captain Kirk is a dream come true. Unfortunately, the movie is a huge flop. Audiences are walking out on it at the Toronto International Film Festival, and critics are slamming it. The exposure I hoped it would bring my career isn't likely. No one wants to be in a terrible picture. I'm simply heartbroken. It won't have a direct negative impact on my career, but it won't help me get more chances. Ugh! The only thing I can think to do is order some Thai food and relax. How do you deal with professional failure, defeat?https://www.independent.co.uk/arts-entertainment/films/news/chris-pine-poolman-film-rotten-tomatoes-b2412010.html
"Find the Hints in the Script to Determine the Direction of Your Read.You are usually given direction as to how your read should sound. Sometimes the direction can be a little confusing and even conflicting.For instance, a message can be encouraging, inspirational, upbeat, excited, or empathetic. Know how to identify words and visual explanations in a script that will give you strong hints as to which direction your read should go. Some key words to look for to know what sounds to apply include “dimly lit” (intimate/close to the mic), “personal” (one-on-one/friendly), “you can be assured” (trustworthy), “imagine” (inspirational), and ”children playing” (warm and friendly). Written descriptions of how the spot is framed such as “pan in,” “tight shot,” or “wide shot” also send you direct messages regarding the emotional feel that your voice should convey.Expect to Be Pulled in Many Different Directions at the Final Recording Session.The producers can’t afford to have you back to re-record and pay you and the studio a second time, so they may direct you all over the place to cover all possible choices they anticipate the client may want to hear (as the expression goes) “in the can.” Don’t get jittery or nervous. Having you record many different choices does not mean you’re doing it wrong."- Terry Berland Commercial Acting #voiceover #actor
Hey, Performers!As we kick-off this month's Introduce Yourself Weekend today, be sure to check out these 5 Tips To Make Networking Opportunities Valuable on today's blog!https://www.stage32.com/blog/5-tips-to-make-networking-opportunities-valuable-3489
In today’s blog, Rebecca Reaney talks about three behaviors that prevent actors from feeling they’re enough, and she gives practical steps and techniques that’ll help actors trust that they’re enough. As Rebecca says in the blog, "*So my dear actors, when it comes down to it, the acting industry needs you to be you. The real you. The fully alive you, perfectly imperfect you. You are not broken and you do not need to be fixed. Instead, accepting yourself with embracing compassion will be the start of feeling fully alive. And then trust and know that you are enough because you really are.*" Rebecca is a Movement Coach for Actors, Movement Director, and Intimacy Director. She has worked in the performing arts industry for nearly 25 years. www.stage32.com/blog/dear-actors-you-are-enough-3488
D Tips in 30: Networking WebinarNetworking can play a big part on an Actors journey to a rewarding career. I've got some Free tips on how to do it and NOT be annoying! Hope you find them helpful on your journey to success. And Stay tuned for more D tips in 30! Coming this Fall at https://lnkd.in/eTQEat4t
Earlier this year he walked the red carpet at Cannes as a cast member of KIDNAPPED, which was in contention for the coveted Palme d'Or. Today, he coms to Stage 32 to for an exclusive webinar where he will discuss acting craft, how to best prepare to work with A-List directors and to answer your questions.Here's a link so you check out Alessandro's webinar: https://www.stage32.com/webinars/Actors-How-To-Prepare-To-Work-With-An-A-List-Director
In full disclosure, I've been at this acting thing for over 20 years (professionally) and still regularly face the dilemma of working for scale (the lowest wage allowed by SAG-AFTRA) or not working at all. And while many actors, writers, and crew are in the same boat everyday, this strike season empowered me to voice the issue. I've gotten great response from actors and other industry professionals so far, so I invite any additional feedback or anecdotes from your own career. https://youtu.be/65wpfPUeNy0?si=h6xg6LEtcHQP4Sp4
Whenever I found myself in a high-stakes meeting—be it an audition or a crucial session with an agent, manager, producer, director, or really anyone who held the keys to my acting career—I'd experience a sinking feeling. I knew they were going to start the meeting off with a big smile and the seemingly innocuous question, "Tell me about yourself.” My heart would start to race and my mind would go blank. I'd be caught between not knowing what to say and trying to figure out what they wanted to hear. I would usually ramble off stats from my resume (that they were holding in their hands).One time, after fighting particularly nasty traffic, I used that precious time to complain. It could see their eyes going from eager curiosity to the dull stare of someone who was bored and maybe even a little disappointed.In that moment, I felt like I had blown my chance. This setback would cast a shadow over my confidence, affecting the entire duration of my audition or our meeting. Even on self tapes, when nobody else was on the other side of my camera, I would hear myself droning on about something and imagine the light going out of the casting director’s eyes. I knew that if I could just let my true, authentic self shine through, we could connect on equal ground instead of me feeling like they had the upper hand.The struggle to convey my essence became a roadblock in my acting journey. It was clear that I had the talent, passion, and potential to excel when I was portraying a character. After all, it was usually my acting that got me into the room in the first place, but I needed to unlock the power of authentic self-expression when it came to just being me.---I actually live in Germany where this nightmare question of “Tell me about yourself” has turned into a piece of marketing material that is almost as important as your showreel. It’s called, “the About Me” video. If that’s not bad enough, the trend is spreading quickly through Europe and I'm sure it won't be long before it spreads around the rest of the globe.I get it. The powers that be want to see how you authentically act and react on screen. They want to see your true essence. They also want to make sure you’re not a psycho, and bonus if you can come across as fun to have on set.I watched quite a lot of these “About Me” videos from my colleagues and honestly, most of them bored me to tears. It was much easier for me to objectively see where they were going wrong when I wasn’t emotionally connected to the outcome. On the other hand, I wasn’t sure what to do to fix the problem either.That's when I began to obsessively watch other actor’s “About Me” videos to try and determine where my interest would lag and where it would peak. I also began to interview casting directors (because they’re the ones who watch most of these) to ask them what they thought made for a good “About Me” video. Lastly, I turned to my screenwriter’s group.You see, I’d been a storyteller for years. I’ve written numerous screenplays and know how to structure them to create maximum impact but for some reason, I never applied this ability to my own “Tell Me About Yourself” answers.My screenwriter’s group also had invaluable insights. It was through talking to all of these people and watching hundreds of videos that I began to unravel the art of storytelling and the importance of sharing one's authentic narrative. It wasn't about rehearsing lines; it was about tapping into the core of who I was and conveying it genuinely.One mentor, Sarah, in particular, helped me understand that high-stakes interactions demanded a "Stage-Ready Version" of my story—one that could captivate at any moment, no matter the setting or the audience. She also made me realize that I needed more than one story because different situations demand different introductions. For example, I have a really funny little story that I tell about what my very first word in German was. It always makes people laugh in surprise when they hear it. (It was Fahrvergnügen (the joy of driving) in case you’re interested). I can tell this as a quick one-liner to break the ice in an elevator or as a three-minute story to entertain at a dinner party. But I definitely wouldn’t want to use that story if I was being called into a room to audition for something dramatic. I have other stories for that.As I refined my ability to authentically express myself, auditions and meetings transformed. I started to connect with industry professionals on a personal level, which helped to level the playing field. And the best way I've found to put me on equal footing with everyone else in the room is for them to view me as a person they can relate to; not just an actor. I mean, c’mon - actors are already the lowest on the totem pole, so we’ve got to find a way to get up to eye level with other people in the industry.—Now that I’ve shared my story I’d love to hear yours. When we share our cringe-worthy moments, it's a reminder that beneath the polished surface of social media and #actorslife, we're all just human. In an industry that often demands perfection, it's these authentic, imperfect moments that connect us and make us relatable to one another. And they make us stronger when we realize we're not the only ones who struggle with these challenges!So, what's the most challenging part of answering the "tell me about yourself" question for you? Have you ever frozen up or blown a networking opportunity?
The 1 Biggest Acting Reel Mistake Actors Make - How To Make A Great Reel https://youtu.be/JKOfeq4tEaA?feature=shared Having a great acting reel can be very helpful. But, it is very hard to do when first getting started, and don't have the clips to use. Watch this video and learn how to avoid common mistakes actors make, and how to get content that can be used for a great acting reel.
Stage 32 is excited to welcome Alessandro Fiorucci for his upcoming webinar! In this exclusive Stage 32 webinar, Alessandro will teach you his acting process so you can prepare yourself to work with A-list directors. Alessandro is an actor, director and screenwriter with decades of experience in the entertainment industry. Alessandro has worked with acclaimed directors such as Marco Bellocchio (THE TRAITOR), Paolo Virzì (MAGIC NIGHTS, THE LEISURE SEEKER), Stefano Mordini (THE INVISIBLE WITNESS, THE PLAYERS), and many others, including working on set for Ridley Scott (BLADE RUNNER, GLADIATOR, ALL THE MONEY IN THE WORLD).PLUS! Alessandro will provide you with an exclusive handout to help you hone your acting craft. Downloads include:-Comprehensive Acting Technique Guidehttps://www.stage32.com/webinars/Actors-How-To-Prepare-To-Work-With-An-A-List-Director
The voting to recast Fran Drescher as President of SAG-AFTRA was unequivocal enough.Drescher whose words at the beginning of the strike resounded with many, and still does.“These are dynamic times and as one member body, we will weather the storms, stand on our principles and make sure our major contributions to this collaborative art form shall never again be diminished but rather be exalted.”Here's hoping she is able to get the deal for her members that is so needed, so that we can all move forward.https://www.screendaily.com/news/sag-aftra-re-elects-fran-drescher-president-as-strike-enters-ninth-week/5185754.article?
When you just start your acting career and begin to navigate the unknown maze that is your options for acquiring skills as an actor, you really need all the encouragement and support you can get. This, of course, applies to your friends and family foremost because they are your trusted loved ones who are supposed to have your back no matter what. Right? Not always.If you feel as though everyone you know is negative and just plain doesn’t “get it,” then take a moment and see your choice to become an actor from your family and friends’ perspectives. An attorney, a doctor, an accountant, or another mainstream occupation is more acceptable than what they perceive a struggling artist’s life to be, schlepping from audition to audition unpaid and having to attend classes in order to hone your skill set. Your spouse probably sees your decision to be without the proper consideration for your collective future together. One of the best ways to deal with possible negativity from your family is to try and understand that they really do have your best interests at heart, and their intentions are good. When your parents or significant other responds to you with anything other than, “Don’t worry. You’ll book the next role,” or “Hey, can I help in any way for your next audition?” simply display that you’re being responsible and earning a living doing something while pursuing your acting career. If they do see that you are completely immersed in this career and are busy with every opportunity in moving forward then that shows you are to be taken at your word and they should see your commitment to your craft.Whatever the outcome of your specific relationships, always think positively and embrace the challenges and adventures as you navigate your way as an actor. This is a truly exciting and invigorating process. You can be a part of evoking emotion from strangers as they sit in front of their TVs or in an audience by making them cry, laugh, get angry, and be entertained. You can make them forget everything for just a moment. Now that is worth more than you know.#actors #support #goals
Stage 32 can't wait to have Kym Jackson host her upcoming acting lab. Learn how to make your acting reel stand out so you book more jobs from Kym Jackson, an actress who has worked on THIS IS US, CRIMINAL MINDS, NCIS: LOS ANGELES, S.W.A.T., SNITCH starring Dwayne Johnson, FATAL AFFAIR on Netflix, and more!In this exclusive Stage 32 2-part lab, you will not only learn how to build a professional acting reel that will get you noticed, but you will also receive personal guidance and feedback on your current acting reel from an acclaimed acting industry expert. If you don’t have an acting reel yet, that’s fine! You will receive the same personal guidance on how you can and should create your reel that highlights your specific and unique abilities as an actor.https://www.stage32.com/classes/Stage-32-2-Part-Lab-Elevate-Your-Acting-Reel
In this exclusive Stage 32 2-part lab, you will not only learn how to build a professional acting reel that will get you noticed, but you will also receive personal guidance and feedback on your current acting reel from an acclaimed acting industry expert. If you don’t have an acting reel yet, that’s fine! You will receive the same personal guidance on how you can and should create your reel that highlights your specific and unique abilities as an actor. Taking you through the step-by-step process of building your professional acting reel is Kym Jackson, working actress and author of the book The Hollywood Survival Guide For Actors. Kym is best known for her on-camera work on the hit CBS series CRIMINAL MINDS and NCIS: LOS ANGELES, the ABC series S.W.A.T. and the movies SNITCH starring Dwayne Johnson, FATAL AFFAIR on Netflix and countless other projects. Kym is also the founder of the Secret Actor Society. Over two interactive and action-packed sessions, you will implement the fundamental tools to create an outstanding acting reel and receive personal feedback on your own acting reel. Kym will review your acting reel (or body of work if you don’t yet have a reel) and will take you through a scene-by-scene analysis of how you can improve and/or actually build your reel. PLUS! You will receive exclusive handouts to help fine tune your acting reel including a Fundamentals of an Acting Reel worksheet and more. To guarantee all students receive ample one-on-one time with Kym, this course has limited enrollment and right now there are only 7 spots left. There's 2 days left to sign up.You’ll walk away from this lab with your own personal roadmap to an improved and elevated acting reel and the tools you need to continue to elevate your reel throughout your career. https://www.stage32.com/classes/Stage-32-2-Part-Lab-Elevate-Your-Acting-Reel
Diction is the way you talk: your enunciation and the types of words and phrases you use.These exercises are great for actors to practice:Yoga hum: Take a deep breath in, then hum while slowly releasing your breath. Do this 5-10 times.Dragon's breath: Stand with your hands on your stomach and take a deep breath in. Release the breath with a "hah!" on fast, sharp exhales.Tongue twisters: Go through any catchy tongue twisters you know, such as:She sells seashells by the seashore.We surely shall see the sunshine soon.Peter Piper picked a peck of pickled peppersA peck of pickled peppers Peter Piper pickedIf Peter Piper picked a peck of pickled peppersWhere's the peck of pickled peppers Peter Piper picked?How much wood would a woodchuck chuck if a woodchuck could chuck wood?He would chuck, he would, as much as he could, and chuck as much woodAs a woodchuck would if a woodchuck could chuck wood.Can you can a can as a canner can can a can?To practice, say the above tongue twisters slowly and deliberately five times in a row. If you're able to say them without making a mistake, increase the speed. If you make a mistake, slow back down again. The key with tongue twisters as diction exercises is to only speed up once you're in control of the words and to go faster and faster until you master them at all speeds.- Practice vowels and consonants: Practice saying and singing vowels using different consonant sounds at the front, in the middle, and at the end.For example, slowly and clearly say the words"poke," "toll," "boat," "cope," and "stone" back to back, focusing on keeping that long "o" exactly the same.#actor #diction
In today’s blog, Sara Quiriconi gives five great tips to ensure your success as an actor or actress. Sara is an actress, TV host, producer, model, and founder of Live Free Media LLC. One of the tips she gives in the blog is “*work on a script or monologue.*” www.stage32.com/blog/5-things-actors-can-do-everyday-to-ensure-success-3481
Actors! Spencer Robinson is having an AMA all day today in the Writers’ Room: www.stage32.com/lounge/vip/Ask-Me-Anything-AMA-9-8-to-9-9-Literary-and-Multi-Hyphenate-Representation Spencer is an experienced literary manager and talent manager at Art/Work Entertainment, and he’s also a Stage 32 Thought Leader. He represents writers, actors, producers, and a book publishing company.If you’re not a Writers’ Room member yet, you can get a free first month by signing up here: www.stage32.com/writers-room/plans-vip
Actors! Spencer Robinson is having an AMA all day today in the Writers’ Room: www.stage32.com/lounge/vip/Ask-Me-Anything-AMA-9-8-to-9-9-Literary-and-Multi-Hyphenate-Representation Spencer is an experienced literary manager and talent manager at Art/Work Entertainment, and he’s also a Stage 32 Thought Leader. He represents writers, actors, producers, and a book publishing company.If you’re not a Writers’ Room member yet, sign up here: www.stage32.com/writers-room
Stage 32 is excited to bring in Ryan Cartwright, an actor who has been featured on MAD MEN, BONES, THE BIG BANG THEORY, 9-1-1: LONE STAR and more, to teach you how to create an acting audition process that works!Here's a link so you can see how Ryan has designed his acting lab and register while spots still last: https://www.stage32.com/classes/Stage-32-3-Part-Acting-Lab-Develop-Your-Professional-Audition-Process
Hi! My name is Alicia McClendon, and I am a screenwriter, actress, filmmaker, and martial artist. Each clip in my acting reel is from a film I wrote and one is from a web series I directed. Looking to build meaningful connections and make movies!
Think Successful Actors Are Just Lucky? I Absolutely Don't - Here's Why https://youtu.be/PPU9jrhUkbA One experience changed my career and life. Very odd, but I still don’t believe it was luck. If you ever had an experience that others might perceive as luck, share it with us.
WATCH NOW: THE ADMIRED TRAILER ON YOUTUBE RERELEASED! https://youtu.be/QyEJ-B8W_nc?si=X7zCjVMbdRiOwGqD
https://youtu.be/fSC0JmUIZj0?si=Ays1oDKUXSjbeb-H Confessions of a Hollywood Writer & Actor | John Leguizamo
What is the best way to get valid effective feedback notes on a novel ? Let’s share information and suggestions regarding your experiences with effectively writing a novel; I’m converting my screenplay into a novel. To start, let’s assess the value of paying $170 for the below MONTHLY FESTIVAL, by “Writing Festival, 1000 Olympic Blvd. East, Los Angeles, California 90015.”Below from https://novelwritingfestival.com/“ $170 = Submit your Novel for Feedback and/or Performance Video ALL SUBMITTED STORIES GET FULL FEEDBACK – The goal of the Novel Writing Festival is to help everyone involved grow as an artist, so we will offer some kind of constructive criticism whether or not we accept your entry for the formal festival. A great way to get your words out there, obtain the Agent you’re looking for or just get your story seen by more people. If you win, your story will be seen by 100,000s of people when it’s read online using a top professional actor. It’s a rush you’ll never experience in your life seeing it come to life that way. Just VOTED one of the top festivals in the world today! ”
Need an extra boost of inspiration before your next audition? Check out these tips from casting directors:Bring something different. CDs sift through countless hours of auditions over the course of a day, and it’s a good idea to liven things up with a different approach if you can find one. Avy Kaufman encourages it: “It is so much fun when an actor brings something in that I didn’t think of and that the creative team probably didn’t think of, most likely. It’s like, ‘Oh my gosh, you just nailed it.’ the thing is, I want people to be great, so when they surprise us and do something that wows us, it’s very exciting.”Your life experiences help. “Locke and Key” CD April Webster urged auditioning actors to “have a rich and full life. What you bring to the table are the experiences you have had. It’s what makes you unique.”Casting directors are rooting for you. Carmen Cuba, whose instincts for actors shaped pop culture with “Stranger Things,” wants actors to feel comfortable and at-ease in the audition room: “I think we are all just doing our best, and when our paths cross it is with the shared objective of success on both our parts of getting the role cast. That is all they need to know, really: that I’m definitely taking the time to be in the room with them because I think they have a shot at either the thing they are auditioning for or something in the future that they don’t know about.”Kaufman feels the same way: “It means a lot to us to make it a place to feel comfortable because to walk into anyone’s home or office, even if you’re overly confident as a person, there’s something that makes it an unexpected place. You can expect to be treated wonderfully. We’re sensitive to the audition process.”#actor #audition
Summer is coming to an end, but your creative and professional goals are still going strong. To show our support for all of your creative and professional goals, the Stage 32 Labor Day Sale has begun!For the next 4 days you can take 20% of ANY lab, class or webinar in our catalog. All you have to do is use the code LABOR23 at checkout.Here's a link so you can check out all of our acting education: https://www.stage32.com/education/tag/actingHave a terrific and creative holiday weekend, everyone!!
“No matter how small it may be, it’s important to have a space dedicated to auditioning. It’s hard to be the sharp, creative professional you need to be to book the job if you’re sitting on your couch or lying on your bed. Make this area exclusively for preparing your auditions and doing other creative work. One of the advantages of online auditioning is that no one can see you in the waiting area. Don’t just sit there staring at the screen, waiting your turn and getting stressed out. Move your body in energetic and fun ways. And remember to breathe, be silly, and be free so that when the casting director appears on your screen, you’re lit up, happy, relaxed, alert, and ready to blow them away. And when you’re greeting each other, be sure to really pay attention and listen to them. It’s harder to feel a connection to a person on a screen. Be easy, direct, and conversational. Let them know through your connection with them that they are in good hands and they can relax and really take you in.” —Craig Wallace, is the creator and award-winning teacher of the Wallace Audition Technique, an audition preparation system that he developed based on his years of experience as a studio executive, talent agent, and casting consultant.#actor #audition #zoom
Project: Upcoming short film Titled "KIN"Location: Palm Beach/ Broward countyShoot Date: TBA (september)Positions:Erica - African American Female age 21-29Kim - African American Female age 21-26Male - African American age 25-40*Must have prior acting experience as the roles require an Emotional and dramatic performance*THIS IS AN UNPAID POSITIONWardrobe / Makeup will be provided as well as IMDB credit and copy of digital release.To submit send self tape of a short monologue to DreamTeamProductionsNY@gmail.com
Today we’re proud to announce that Stage 32 is pledging $100,000 in free webinar education from our world leading education library to help our members sharpen their skills or learn a new craft or aspect of the business during the strikes. You can see the article Variety posted about this Stage 32 initiative today here: https://variety.com/2023/film/news/stage-32-1235708025/So while productions may be on hold right now, your creative and professional journey can and will carry on. Our goal is to keep you motivated, inspired and full of hope for what lies ahead.We would be extremely grateful for you to spread the word of our free webinar offer to others in your creative community. Let’s lift everyone up and keep as many as possible in a positive state of mind. We appreciate you paying it forward.Here’s how to redeem your free webinar:Go to: www.stage32.com/webinarsEnter code: NFCFPURThis code is good for one webinar per person and this offer will be good until September 30th, 2023.If you would like any recommendations for webinars or have any questions please reach out to the education team at edu@stage32.com. We're always here for you!
We are looking for talented actresses, writers, producers and directors to appear on our show, Enfuego Interviews Women of Power. If you are interested please contact us at eric@enfuegofilms.com. We shoot in Los Angeles
Hey Actors, Our tireless Education Team has been hard at work to bring in some incredible education opportunities for the month of September! Including a number of labs and a fantastic webinar focused on helping you improve your preparation process, reels, and auditions!Read all about the exclusive webinars, classes, and labs currently available to Stage 32 members on today's blog!https://www.stage32.com/blog/stage-32s-september-2023-education-schedule-3473
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
