I just moved to Atlanta and I’m looking for projects to work on in the area I’m on actors access and sent to a few casting background agencies but haven’t heard back is there anyone who has advice on where to go to look for castings that will book and what agencies to apply to here in Atlanta?
I've had a few people tell me I should do podcasts or something because I can have a nice deep voice ... I just don't know how much necessity there is for a deep voice...
I know some of you guys have read Sydney’s take on finances in Hollywood but I’m really curious, to anyone who’s pursuing acting in Hollywood. What are your thoughts on finances? Is it possible to survive as an actor if you’re only in middle class?
TL;DR Overall, 60% of all roles in film, tv, and theater are cast as white. Please do not use racism as an excuse to why you’re not working. A recent post from a successful actor in this subreddit got me *heated*. This actor blamed his lull of work to “his sort of roles trending towards other races” which is a racist assumption. What does that even mean? Actors have no idea why roles are being cast as they are. We can’t know that unless a casting director or producer shares that insider information. We may not ever know why we book or don’t book a job- your manager may have fucked up your submission, they need someone shorter than the lead actor, the producer thinks you look like his ex, etc. No matter what reason the idea that “people of color taking my job” is a dangerous, ignorant, egotistical, and a fucked up assumption. If want to look at the facts, UCLA creates a comprehensive report of Hollywood’s Diversity in [film](https://socialsciences.ucla.edu/wp-content/uploads/2021/04/UCLA-Hollywood-Diversity-Report-2021-Film-4-22-2021.pdf) and [television](https://socialsciences.ucla.edu/wp-content/uploads/2021/10/UCLA-Hollywood-Diversity-Report-2021-Television-10-26-2021.pdf). And the Asian American Performers Action Coalition does reports on racial representation in [NYC theaters](http://www.aapacnyc.org/2018-2019.html).
There's a video making the rounds on Twitter of some of Mel Blanc's screams for his iconic characters. Between him and William Hanna's screams for Tom and Jerry, what other voice actors would you say have pretty impressive pipes?
Worked on a shoot today and it was for an indie film with a small crew, an actress who was literally hired for 1 scene was one of the most demanding and rudest divas I have worked with in a long time. She spoke so poorly to every crew member, tried to speak over and give “notes” to the director and gave everyone else her “advice” in the green room. It doesn’t matter where you are in the pecking order just be humble ffs. Especially when you’re literally a minor role like that. I’ve even worked with extras that carry this complex around with them, like seriously, why ?!
I’m a beginner actor and I’ve done stage acting for 4 years . I’m trying to do screen acting and many agencies are asking for demo reels . How do I do that with no type of screen acting footage
I auditioned for Dear Evan Hansen at one of those cattle calls back when I was like seventeen and got called back almost three years later (a few months ago). It appeared in an email with a zoom appointment with the entire artistic staff -- a complete surprise. They were looking for an understudy replacement for zoe/alana for a date that has come and gone. I'm kind of silly about it-- I gingerly check my emails daydreaming. I occasionally search my gmail for keywords ("DEH" "TARA RUBIN" "my name") basically everything under the sun in case some sort of mail was lost. I spent a lot of time thinking about everything I could have done better over zoom or what could have happened if covid wasn't a thing and we went straight to in-person auditions and this and that. Lots of what if's and a lot of regret and guilt for not doing better. I had these sides to learn and this and that and it was just a lot of variables that dance in my head. ​ Because I didn't receive an email or anything back the part of me that still has a bit of hope keeps itching at the bug bite like one day I'll magically receive the coveted email to move onto the next stage (likely in-person interviews etc. based on the email) but at the end of the day these things just happen. And I know that, and I was fine with it for a while-- but I've been thinking about it the last few weeks and what "could have been" like one of those unscratchable itches. ​ I really wish they had sent a formal rejection or some sort of email to end off the interaction and zoom meeting because there's an anxious part of me that is thinking xyz (even if unreasonable). And I really just don't know what to do about it in my mind-- like where to place it. Actors getting rejected is just such a common thing but it's really difficult to wonder about how many variables could have resulted in me moving to NY and my entire life flipping on its head. ​ I got soooo close!!! but not close enough. ​ I guess I don't know what I mean to get out of posting this-- Part of the reason is only my immediate family and close friends know I even auditioned in the first place because I wanted to keep it private. I guess I wanted to put my feelings into words somewhere. I mean-- I'll be fine, and I know my email excavation is very silly, the rejection was implied with no follow up email. These things happen. But MANNNN!!! ​ I wonder what to really do from here. Keep on keeping on-- and stop checking my email haha. I wish I knew what went wrong, but I guess that's the mystery of all auditions.
I’m planning on moving to Atlanta next year and hopefully start my acting career. I’ve heard plenty of nice things from the city but I would love feedback
Is another network co star role (rhymes with shash bee oh) worth doing if travel/per diem/hotel isn't offered and I'd probably spend more than I make? Weird situation is I'm sort of being submitted by a known sag franchised agency that is submitting me, as well as a manager overseeing stuff, but I haven't signed with either. Could be due to the fact I promised them (via email) that I'd hook them up with more than above average commission, for a first role (up to co star) before they had to sign me. I have a good film look I guess, terrible commercial look, and 6 credits but they're all pretty good considering I've only been in the biz a lil over a year. For context, I have 2 network co stars (fx/nbc) both with speaking roles with A-B listers, plus a leading role in a non union Indy with a budget of 200k and a good supporting role with a sag low budget film with a budget of 2M ish, and a few scenes with another popular actress. I turned sag E within a month of acting class (Chicago PD/NBC) (Jan 21') and was Taft Hartley-Ed into the next union gig (FX/The Bear) then got a union feature (strong supporting) gig within my OK-30 status. I'm a must join now. I haven't worked since then and have started auditioning for series regular stuff and was pinned for my first one day guest star (but was released from first refusal a couple weeks ago
I am asking this question because my client doesn’t post much on social media. He has a talent agent and I respect that it isn’t in his personality to post videos and pictures on his feed daily. Also, I do improvising as a hobby and see some actor/improviser friends hustle too much online. They post too much videos and some of it seem like just a cry for attention. It can get annoying. I don’t want my client to project desperation into the world. So, what type of content should he put out just for people to know that he wants to get into acting? How can social media attract casting directors? As for his natural experience, He currently as a lot of videos on hosting because made his own documentary. He also beatboxes and does martial arts. He wants to get into hosting. I pitched him to do podcasts and YouTube video where he comments and gives expert advice on pop culture (movies, reality tv shows) as an occupational therapist/beatboxed/martial arts expert and wildlife life hunter. Is this is a good thing?
I'm not sure is that common question, or just outrageous one. But how to start voice acting I mean I done this twice for my purpose, but it was just bad as you can expect form someone who never done this. I would like to improve my self, to work in some projects. Without experience, and good microphone (I'm using blue snowball) I wouldn't even try to waste time, someone who's looking for voice actors in any paid job. I'm not native English speaker, and due to my luck in English lessons in school, I got tendency to messing up pronunciations. That's why I think I need to practice a lot. So where I can find any community auditions, or other fandub auditions? Oh and a bit off topic but how you guys avoid killing your voice after speaking in other voices? Like if I'm not speaking in my normal speaking voice in something like 15mins my throat is hurting, so I'm defiantly doing something wrong. Hope my questions are not too stupid, I'm sorry if they are.
Hiya, my name is Robert and I know I’m made to act. I’ve always had an overactive imagination and sense of immersion which lets me really easily feel powerful emotions and feelings. I know acting is something i would thrive at but I just don’t know how to get there. Help please!
So whether it's relevant or not, it's been my career for bout 10 years now. Full time singing and acting, on stage mostly. Im pretty embedded in that space, but have always wanted to do voice acting. I'm interested in the whole spectrum of it, from going for character work in shows and video games, to doing small voiceover jobs for companies, commercials, etc etc. ​ I'm just looking for any and all help/advice from people experienced in these areas. I have a friend who is willing to help set me up with his agent, and thats all well and good but I am just really looking for anything anyone has to offer me in the ways of advice or direction. ​ I have a Microphone, the brand/model is a Rode NT-USB USB Condenser Microphone. It's brand new, a friend recommended it to me, so any feedback on the quality and capacity of this mic in the world of voiceover work would be great as well! ​ I've seen a few of these kinds of posts sprout up over the last couple weeks, so I do apologize if this is redundant on this sub. But I would greatly appreciate any and all advice! Whether its websites to sign up and work off of, where to make certain profiles, what equipment/set ups work best for just starting out, etc etc. ​ I'm willing to put a lot of work and effort into this so hit me with whatever you got, I know I could carve out a space for myself and I'm confident I'd be good at it, I just need some help on where and how to start. ​ Thanks!
My girlfriend is an actress. She wants to be on screen in any capacity and here in Minneapolis there are only so many options. We just got a film tax credit so hopefully there will be more opportunities soon. in the meantime, she's been talking about wanting to move to another market. LA or Atlanta come to mind, but I came up with an idea that might be worth looking into. Since I work for an airline, we get free domestic flights and discounted international. How would you use this benefit to your advantage as an actor? Is this something that she can utilize to find (ideally paid) on-screen work around the country? Can you even market something like that to an agency?
I recently watched Easter Sunday, Prey, and Crazy Rich Asians in the same weekend. Prey's Dakota Beavers is tremdendously good, gets wild action scenes, dramatic emotional moments. And he's never acted in anything before this film. Henry Golding had never acted before Crazy Rich Asians. And quite a few people from Easter Sunday have relatively small IMDB credits. Do you find it inspiring or deflating? I personally find it inspiring. Your life can change with the right role. I dont think seeking blockbuster level fame is realistic and its not why we do it. But its so cool how your life can change if everything does comes into place.
I don't have any particularly high aspirations, apart from just improving on the skill of acting just for the sake of fun. I do want to become as good as I can be, but it's just for myself. That being said, I still want to become good at it. So here's my question: Can I become a good actor by learning and acting on my own? My goal is to learn as much as I can about acting using resources online, as well as studying human behaviors in a social context and seek to accurately act out a certain emotion, or complex set of emotions, embodied in a script that I will write then act out. I will most likely record it, and critique it myself through harsh criteria. And through doing this, I hope to maybe teach myself how to act. Down the line, I wouldn't be against learning with other people, but I don't know if I'll want to do that for quite some time. Does this seem like something which could plausibly give some benefit? TL;DR Can I teach myself to act on my own, through a combination of learning as much as I can about the topic and writing scripts and recording myself acting them out? I'd be willing to adjust how I approach recording myself acting based on new information learned, of course.
I've not booked anything yet, however I've auditioned for a few projects recently and haven't heard back. In the meantime I was wondering how other actors prepare before a project so I'd love to hear how you prepare for various things; for example, I've heard of actors hitting the gym religiously before starting to film main roles on film & TV to make sure they have enough stamina to endure long hours on set and look their best (even if the character doesn't require lots of strength or fitness). I've heard of actors also getting facials and beauty treatments just before filming, like teeth whitening or haircuts/colouring. How does that adapt if, say, you got a commercial? How do *you* prepare for a role?
When you have an agent, and they give you "nudge access" or "full access", do you still only see the breakdowns you'd see without an agent, or do you also see the ones sent to agents that might match your profile?
From all my lifetime, I met two people who did acting. One was a theatre actor and the other did for TV. They are both very energetic, loves to talk and have lots of friends. The thing is, they both kinda lacks the authenticity when talking. When I say something slightly funny they laugh out loud, or something slightly sad they show to be very empathetic, but moments later they are in "another vibe"... In other words, they overreact yet it feels very unnatural. Both of them told me how acting changed their lives for the better, they learned to manage their emotions and improved their social skills, but in my judgement, it actually made them use sociability and emotions as a tool to interact with the world but not being apart of it. Now before someone say "not all are like that" or "I'm not like that", i want to be clear that i don't think acting makes people sociopaths, they might have something else instead of just acting, but the fact that both never met each other, yet they both did acting and appear very artificial in social interactions is a weird coincidence, and I don't doubt there are thousands of actors just like them, which is a bit concerning imo.
And I’m not in one second of it, even though I have a strong supporting role. I know I did an awful bland job. They have all the other actors pictures on the movie Instagram page except mine, they’re following all the other actors but me. I’m 33 and I dedicated my whole life to this with nothing to show for it, I’m poor and have no friends and am talentless. I am a stupid negative narcissist and I wish I was dead
I’d like some advice on whether or not I’m being taken advantage of. I’m a video editor for a decently large company (300+ employees) and about 6 months ago I started being asked to do temp VO for some corporate commercial spots since I have a full audio setup from having been a producer and audio mixer, as well as former performance experience. Well some people started liking my VO, and asked to keep it as the official VO. “Cool!”, I thought. Then I slowly started to get a few more requests for VO for small commercials, internal videos, and call center machine messages. I now get a request for VO almost every month, and none of them offer any additional compensation. Granted, I did accept the work I’ve done willingly, and at the beginning I even offered my VO since it sounded like a cool one-off, but this is in no way part of my job description. Aside from myself not being compensated for additional work and skills, we have hired outside VO talent less and less since I’m now considered a “free option”. I don’t like that I’m taking away work from full time voice actors, and it feels even worse since instead of them being paid for VO, now no one is! Is it unreasonable for me to feel taken advantage of in this situation? Would it be reasonable to ask my workplace for compensation for this work that is very clearly outside of my duties as a video editor? The main reason I ask is that soon my boss might want me to do a bunch of VO for a huge convention we put on every year, and I’d hope someone would get paid for such big work, even if it’s not me.
I've heard that, to reduce mouth noise, many voice actors eat a green apple. I have a couple of questions about it... 1. Is there a certain type of green apple that works better than others? 2. How long before recording do you eat the apple? Immediately before seems like it would make your mouth noisier. Thanks!
Hello! I just put up a YouTube video about how I remain a holistic Actor, there's so much to explore within this topic and something I'm always trying to improve, would love any and all feedback/discussion! [https://youtu.be/4kSYjsbcidQ](https://youtu.be/4kSYjsbcidQ)
Basically what the title says. Some backstory: 5 years ago my dad was on a flight from LA back home and sat next to a successful English actor who has had a lengthy career and they hit it off. He told him about me as I was in high school at the time doing music and had just done my first musical and was cast in another one. The man kindly offered to give me a chance to be on set/tour a studio if we were ever in LA, and not really being able to afford a random trip we sort of wrote it off. I’m now a senior in college for acting and going to LA with my girlfriend for a week because she’s from Venice, CA. I remembered that meeting and asked my dad about it, so he emailed the guy and he responded literally within 20 minutes that Covid protocol allowing he’d be more than happy to meet me. He seems extremely generous and I couldn’t be more thankful for even the opportunity, regardless of if it happens. If I am cleared to go, what should I observe/ask about? I want to be friendly but professional, and I don’t want to come off as desperate but I’m curious if there is a way to forward my future career from the experience. They say it’s who you know after all, but “networking” feels super artificial and shallow, and I don’t want my presence and “eagerness” to interfere with the actual job they’re all there to do. Thank you for any advice!
Hello! I'm an aspiring voice actor, and I just made my first demo reel! I'm very happy how this turned out. I would like feedback- but more so, advice on how to use this new tool that I have. if anyone has any tips for marketing themselves as a voice actor I'd love to hear! anyways, here's the demo [https://soundcloud.com/hlg-rugs/character-demo-2022?si=8b2f14a87c0d4c27a9cc982c61b51b01&utm\_source=clipboard&utm\_medium=text&utm\_campaign=social\_sharing](https://soundcloud.com/hlg-rugs/character-demo-2022?si=8b2f14a87c0d4c27a9cc982c61b51b01&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing) (P.S I'm currently having a demo card created)
So I saw a post few days ago and found out actors can collect unemployment between jobs and my mind was blown. I had no idea this was an option. I realize each market might be different, but for those who do it/have done it, I had a few questions. 1. Do you need to be union? I'm SAG-e right now and my agent prefers me to stay there atm. I honestly would have a conversation with them about joining if this was strictly a union thing. 2. Is this perpetual? How long can you not book and still have this as an option and is there a set amount of auditions you need to be going out for? I'm in a smaller market so auditions come through about once a month on average. 3. Is the rate based on the rate of your last job or is it just a flat rate? 4. If you do gig work, do you need to stop doing gig work for a set amount of time to qualify? Don't need to answer them all, but any info on the subject would be appreciated
I've been continuing to self submit after signing on with my agent two years ago. With them, I get maybe three auditions a year, and no communication otherwise. But now I wonder if they've been able to see all my self submissions?
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
I really like my agents. I had a awkward situation a few years ago where I accidentally pissed off an casting agent for repeatedly declining their auditions and had to explain to my agency that I really dont like that kind of work. (it doesn't pay well, its doesn't help my demo reel, and its not enjoyable. I had done it in the past and basically felt like that was enough. I've done my time.) They were totally nice and understanding and stopped submitting me to that kind of gig. Over the years I told myself if I was going to be more particular about the auditions I take otherwise I'm going to be burned out by all the stuff that I don't enjoy. I want to have fun with it otherwise its not worth it. And I felt justified with that decision after sitting in on an actors lecture with a great acting professor (that works with the folks in an casting agency I love and have been dying to work with) that said you should consider 1. does it help me build my resume? 2. does it help me financially? 3. does it satisfy me artistically? So I've been going at my pace, which is slower, but much more enjoyable. But... I just got nervous again after declining an audition yesterday from a casting agent that I often decline. Something about this casting agent reminds me of the agent that got upset with me 5 years ago. 1. the guy seems like a prick, so I don't care to get on his radar. just like the lady from before. 2. the auditions are just boring commercials... 3. more importantly he ALWAYS asks to see actors hands.. I once submitted to him because the rate was so good but he quickly sent a mass email back saying "NO WONKY FINGERS OR SUPRISES" I assumed that was directed at me because I have significant scarring on my hands after a bad accident. because his attitude reminds me of the lady from years ago I'm afraid of him aggressively saying something to my agent (rather than just quietly going under the radar of declines amongst the other actors)and looking bad with my agent Do you think I should reach out to my agent and explain my hand situation and all the declines before he might? I've told them about my hand and declining auditions but I wouldn't expect them to necessarily remember given all the other actors they work with. I dont want to make a big deal about it at all... but like I said this guy reminds me of the lady that made a big deal about it a while back.
I was thinking about this at work haha. Alot of early successful actors have all of their training done by high school. They've been taking classes outside of school at a local theater or with a series of coaches. And they have done extra work in tv or shorts or hometown movies. Essentially, they're just ready and feel confident enough in their skill sets and their bodies to just be ready to be seen. And if you can get there when you're 19 or 32,etc...you'll be ready. The rub is that most media is made for the 18-24 crowd.
I have actors access, and it's paid off for me, but I'm wondering if I should invest in Casting Networks. 300$ dollars is a bit much!
Probably an unpopular opinion, but it chaps my ass. It does. And I know that celebs take away VO work and commercial work and well, lotsa work. I’m just talking about “unknown” successful actors on broadcast TV being at a working class actor commercial audition. I’ve never been an on-camera series reg but I just feel like I would opt out of auditioning for commercials for the time that I was…let others have some pie, ya know? Instead of trying to gobble it all up myself. But I don’t have major gambling debts. I do have kids and student loans tho.
Personal Advise on if I should go to LA or NYC for training? So I know there are a lot of posts about LA vs NYC, but I wanted to see if I could get some advise about my specific situation and which would end up being the better option for me. I’m really looking to move out to one of these cities to get training. That’s what I really want to focus on right now, and I’m really interested in doing a 2 year Meisner program. During Covid I did a meisner summer intensive and a 1st year Meisner program all online with a teacher in LA, and I really loved it, and want to do a full 2 year program in person. What I’m having trouble with is deciding if I should do the 2 year Meisner program with that teacher I really loved in LA, or to do it with one of the studios in NYC like Esper studio or Terry Knickerbocker studios. I really loved the teacher I had who’s in LA, and think he’s fantastic, but I’d only really be going out there for his class, as I like NYC as a city much more than LA. I like how close everything is too each other and how I don’t need a car, and how there’s lots of theater and film out there. I also have a lot more actor friends and mentors out there in LA. The thing I’m nervous about with NYC is if I don’t end up loving the teacher I get out there. So I guess to sum it up, would be better to go to a city that I don’t love as much as NYC, but I’m with a teacher who I love and trust, or do I go to NYC which has more of what I want in a city and the people I know, but go there not knowing if I enjoy the teacher I’m getting? Thank you!!!
Does anyone have experience taking online (like virtual live classes, not recorded) acting class/lessons with a teacher or studio in another city? I’m a music teacher and can’t relocate or leave my job at this time. I have never taken acting classes, but have quite a bit of educational and community theatre acting experience, as well as my music degree in voice. I’m looking to branch out to acting on screen and really learn more about the acting process. I feel like my research is pointing to Los Angeles as the hub of TV/Film casting at the moment. Since I can’t move yet, I wanted to try to network virtually in other, bigger markets. I feel like half of the battle of starting out is just getting in the room. I am still submitting myself for things near me to try and get some professional credits on my resume, but knowing other working actors seems helpful for the long run. Might be able to recommend me for better classes, headshots, etc. Would taking class with a studio in LA virtually be beneficial? Anyone have any LA/NYC virtual acting class recommendations?
For anyone who doesn't know, Mary Kay Bergman was a prolific voice actress who was most famous for voicing every female character in South Park, Daphne Blake in the first three Scooby-Doo movies, and Disney's Snow White from 1989 to 1999. She was even the mentor to voice acting legends Tara Strong and Grey DeLisle. Sadly, Mary Kay suffered from severe mental illness, and it led to her committing suicide in 1999. But what if that never happened? What if she managed to get professional help and continued to do voice acting to this day? Who do you think she would've voiced since then?
I haven't taken an acting class in five years and I've been really missing it while doing show after show. I'm opening a show in two days (oh my!) and I've been REALLY struggling with a character whose tendencies are way outside of my range and experience. The director pulled me aside to talk about it and, to my surprise, he did more than just tell me to be better. He offered some strategies, we talked about the character and the scene, and once again to my surprise he *listened to how I work and met me where I'm at*. He seriously listened when I said "Well, to me this character is smoke stains but his situation is velvet" and then incorporated my method into his vision and got me where I needed to be. Received last night's notes: Praise for improvement and encouragement to keep working. I was reminded that great directors work with actors and not just characters. I know that being treated with respect and dignity in a learning environment isn't (or shouldn't be) groundbreaking, but after a while of high pressure low support directing relationships I feel really secure.
I saw “All of us are dead” on netflix, I really enjoyed it. Along with other movies and shows, what do you think makes an actor great. Can you tell when an actor is relaxed?
Hello everyone! Hope you are all well! Saw that there are “no stupid questions” so I figured why not ask: I am going to UBC in Vancouver to study a BFA in Theater & Acting, so happy and excited to go to a new country as well (never seen snow before so that’ll be a first!) For a while I’ve wanted to get my ears pierced, however I fear that this may hinder and or limit the amount of roles I could get. BTW, I already have 2 tattoos lol, however with some makeup those can be hidden.
I just read the variety (?) article about the actress who was going to play Rue in Euphoria before Zendaya was scouted by the casting agent, which is how they cast Angus Cloud. Do they literally just go up to a random person and say "Hi, you look like you could be an actor! Come audition."? And how is that still a thing these days when social media can be used to conduct open calls?
Anybody here have a positive experience using Talent Link through Actors Access/Breakdown Services? Or any negative experiences? I’m wondering if it’s worth coughing up the fee or not — thanks!
I am a Northwest actor with a lot of experience in the business. I have pretty decent materials, and quite a few (regional) credits. I am trying to figure out if it is at all realistic to think that I can find representation in other markets where I don’t live. The local-hire question is a big one, and the research I have done seems to indicate that in many places I would have to prove residency to be considered a local-hire. If anyone has any tips about the “How do I land reps in LA when I don’t live there,” I’m all ears.
A lot of the greatest actors to have ever lived (and lots of other great working actors as well) have and have had a lot of serious personal struggles and problems. Struggles/problems like family and relationship issues, drug/sex/porn addictions, mental illnesses, etc. I’m not insulting or trying to hate on them, or stating that this is fact. I’m also not saying that being a tortured soul is the only way to be a terrific actor. But why does it seem that the most brilliant and talented/skilled artists tend to be the most tortured by their demons?
I really don’t know if anyone cares, but I’m gonna say it anyway. After auditioning and auditioning I got in my dream school. I’m so happy, I know I’ve worked hard for it.
So I know there are a lot of posts about LA vs NYC, but I wanted to see if I could get some advise about my specific situation and which would end up being the better option for me. I’m really looking to move out to one of these cities to get training. That’s what I really want to focus on right now, and I’m really interested in doing a 2 year Meisner program. During Covid I did a meisner summer intensive and a 1st year Meisner program all online with a teacher in LA, and I really loved it, and want to do a full 2 year program in person. What I’m having trouble with is deciding if I should do the 2 year Meisner program with that teacher I really loved in LA, or to do it with one of the studios in NYC like Esper studio or Terry Knickerbocker studios. I really loved the teacher I had who’s in LA, and think he’s fantastic, but I’d only really be going out there for his class, as I like NYC as a city much more than LA. I like how close everything is too each other and how I don’t need a car, and how there’s lots of theater and film out there. I also have a lot more actor friends and mentors out there in LA. The thing I’m nervous about with NYC is if I don’t end up loving the teacher I get out there. So I guess to sum it up, would be better to go to a city that I don’t love as much as NYC, but I’m with a teacher who I love and trust, or do I go to NYC which has more of what I want in a city and the people I know, but go there not knowing if I enjoy the teacher I’m getting? Thank you!!!
I tried to find a post like this but couldn't, but I was wondering how and why some actors are signed to two different agencies in the same city, e.g. LA. And if you are signed to two, how does the working relationship between both agencies develop and work? And is there anyone here who is signed to two wherever they reside?
Does anybody have any positive self-affirmations related to acting that they can share?
I feel the constant, consuming need to be good/great as an actor. I’m trying to shed the need and desire to be a great actor in favor of trying to create as an actor/artist for the love of it and the character that I’m portraying. It’s so damn f\*\*king hard though. I don’t know if it’s working. Not only do I feel like I need to accept, succeed at, and be truly proud of my performances, but that other people love and praise my performances. I constantly worry that I’m a failure as an actor and that I’m not living up to my potential and that my potential is not as great as I want it to be. I’m always second guessing myself and the things I do in acting and I want it to stop. I worry that my personal views and definitions of success and failure are so f\*\*ked that it’s nearly impossible to redefine them and make them more realistic, practical and achievable. I’m constantly worried about the quality and results of my work rather than taking the time to actually practice and take the time to improve and explore my craft/technique and make discoveries. I feel like it’s really hindering me and my progress. I feel like I NEED to shed my ego and my worry about being a good/great actor, otherwise, I’ll spiral down a really dark hole and my acting/performances and mental health will suffer from it. My acting professor/director once said that she isn’t sure if what I want is to be a fully trained and skilled actor or to be considered “the best”. And the truth is, I’m afraid of what it may be. Because I guess I believe one is admirable, the other is disgusting. And I’m afraid the truth might be the disgusting one. Because I’ve come to the conclusion that the disgusting one is a guaranteed route to absolute catastrophic failure. Someone once said “if you want success, acceptance, and praise, this is not the career for you.” (I’m paraphrasing). But honestly, success, acceptance, and praise is what I feel like I need in order to feel good about myself. And acting matters more to me than pretty much ANYTHING. I don’t want to worry about whether I’m a good/great actor or not. Because then I think that will take a huge burden off me and I will be able to live joyfully and fully. I don’t want to derive my self-esteem only from acting, but there’s nothing else that gives me the fulfillment that acting does. Playing guitar, hanging out with friends, painting, doing well in school, spending time with family, none of it gives me the fulfillment acting does. My life revolves around it. My relationships do not feel fulfilling to me, and I don’t know how to fix it. I am afraid at this point that acting is causing me more stress/anxiety and harm than good. But I can’t quit. I will not quit. If I quit, I’ll feel like I’m worth nothing. I don’t know what to do. Does anybody have some helpful advice about any of this for me? Thank you all.
So the other day I did a zoom audition to test my chemistry with the main character (who they have already cast). The actor was dead pan and missed multiple lines each take or said them early etc- I improvised through it. But it was rough. We were meant to be flirting and they gave me nothing. I’m shortlisted and worried that they will take this into account that we didn’t have chemistry but I really did my best and was happy with what I did but sad about the situation. Do you think casting will notice she was deadpan and not punish me for it??? I’m just confused at why she didn’t really try.
Hi, So I just saw a listing for an acting role on actors access as well as in my inbox from a separate company. Is it in good or bad form to submit through both means?
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
