Seeking actors and actresses who are able to shed tears in front of a camera. This is a paid gig and production will be done remotely so don’t worry about location, though we are based in Houston if anyone is wondering. If you are interested, simply send an audition tape of yourself looking directly at the camera and crying. Nothing else. Please no introductions or additional comments, as we will not consider any videos that include talking (unless you are talking to yourself). The video should be unedited and include the entirety of your process/buildup, as well as everything that comes after your tears (deep breaths, calming down, whatever you do to gather yourself). Basically, we want to see everything from the moment you press record to the moment you press stop. If you are recording an audition on your phone, please make sure it is in landscape mode (turned horizontally). If you have any questions let me know, otherwise you can send your audition video to the email listed below. P.S. If it takes you a couple attempts to cry, that’s okay! Don’t hit stop. We want to see EVERYTHING. We’re not looking for who can cry quickest or best, we’re just looking for actors we think are interesting. So send us everything. The more embarrassing the better :) loafgren@protonmail.com
Hi! This might be silly, but the only others besides me who seem interested in this show are other actors, so I thought I’d ask here. This show is incredibly hard to find and view. But, I’m looking for one specific episode! I’m trying to find Laura Linney’s episode, from season 15. And online, season 15 is the only one that’s fully missing from every website the show is listed on! Same with Amazon Prime, etc. So, does anyone here have any p*rated links or resources for the show or the episode I’m looking for? Any ideas? A girl will do anything to get her ITAS fix. Thank you!
Are there any German or French voice acting communities I could join? I'd like to start voice acting and I have been told I should really try it in English, French and German because I'm good enough to have conversations in English and French and German are my native languages which means I speak them really well. Where should I go for those languages? btw I'd like to voice act for video game mods because I think they lack voice actors and they sound fun to voice act for.
Hey I’m a Bay Area actor who’s looking to form more connections in the LA market before officially moving. I was wondering which studios, classes, or teachers are most talked about or reputed and what they’re known for. On the opposite note which ones should I avoid? I definitely need to develop my overall skills from auditioning, script analysis, character development and so much more and I really want to improve, but I feel I’ve exhausted most of my options in the Bay Area simply due to the quality of teachers and the skills of my peers unfortunately but still want to work on my craft in a meaningful way
I was just thinking about how funny it would be if someone was in a commercial but got annoyed every time something cut to commercial break and it’s their ad
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
When I was in high school The Outsiders was filming in my city. I knew someone who had a very small role, but at that time I had no clue about what it took to be an actor. I remember thinking that stuff was only for a certain select group of special people. I didn’t know that anyone could become an actor. It was so foreign to me that I just moved on with my life and didn’t think about it again until several years later. Thankfully I have grown beyond those limiting beliefs, but I’m curious what mental obstacles others have faced in their acting journey. Maybe thoughts of not being good enough, not talented, to old/young, not the right looks, etc. I’d love to hear them if anyone would be willing to share. I suspect many of us have had similar limiting thoughts and beliefs that held us back, but it’s very empowering to hear how others overcame them. Thank you!
Hi all, fellow actor here looking to work on my improv and characters I've created. I think having them respond to questions about the world around them could be a good idea to turn into some kind of content similar to Ryan Grorge sketch vibes. So go ahead and ask one of my characters some questions and we'll see what happens! Characters (haven't thought about actual names): Mr Old Squire Nerd Always happy Stoner/ hippy style Presenter Politician
In the last few years I've been struggling with a feeling of numbness and apathy, it stays for a while, it goes for a while, and now since I was starting out as an actor (and was doing ok), now this numbness is back and it took a toll in my acting. I cant feel, I can believe in every single thing my character believes and I can imagine the scenary, truly believe in it, I just cant show I just dont feel as excited about the things I should be.
Hi r/acting! I’m an aspiring actor at the age of 17 living in a fairly small city in europe. I took a beginners theatre class from August last year to May this year and I had so much fun. I want to pursue acting and since new projects will be starting any time now I would appreciate some guidance on what I should do. The same place where I took my beginners theatre class has some projects beginning this fall. In order to give anyone that wants to a chance to act they restrict you to one project only. I would love to do as many things as possible and I intend to mention to those in charge my willingness to do even more. However, assuming I only get to do one project I would appreciate some guidance. At that particular theatre school I can either join an improvisation group which may include some show at the end of the semester ( I love improv) or I could be a part of some play with a semester of rehearsals and a few weekends of shows and performances. (I love this too) I’m looking for something that will prepare me for my future in acting, preferably tv acting. I was recently an extra on a show and learned a lot working there. It is important to mention that I have one year left of school and as previously mentioned there are not many options where I currently live. After the school year is finished I have more freedom so to say. I would appreciate any opinions and feedback and I apoligise for the long read as well as any grammar mistakes as English is not my first language.
Hi folks, So I've been doing audiobooks and other voiceacting for over a year now and voicescloud just contacted me on LinkedIn. They say they're increasing their roster and want me to join. I'm trying to find an agent at the moment, and worry that voicescloud is maybe some kind of fiverr type thing devaluing voice actors? Not keen, but curious for the thoughts of those more experienced. Thanks for reading!
Hey all I was encourage to apply for unemployment as an out of work actor, between supplementing freelance work, but I'm getting confused with application the process since acting income doesn't operate the same way other jobs do. My last acting job was in October 2021, a 1 day co star. Aside from that I've receive residual income from several past acting jobs. The application is asking me to specify my start and end work dates for these various payroll companies (Cast and Crew, Entertainment Partner, NBC Universal, etc) and I'm at a loss for what to put. They all ask to name an immediate supervisor and I'm unsure who to list for that as well. Has anyone else gone through this process that could offer some advice?? I've put this off for months now because every time I look at it I get overwhelmed.
PLEASE bare with me. I have 2 questions here. 1) As I’ve posted before, I’m with a boutique agency, with agents that are really cool and we connected well when i signed last November. However, they don’t really seem to care about me? I asked if there’s anything I can do to increase auditions, they said no everything in my package is great. I have not gotten a ***single*** co-star or guest-star audition this whole year. Just commercials, short films, etc. (that I can get on my own). I recently got my first vaccination this month as my agents were not pushy & believed it’s a personal decision. They told me to wait until Sept 30 to see if SAG removes the mandates. Im just concerned that if I DO continue to wait, and the Covid requirements don’t change, Episodic season will be almost over. 1b) Now, there is an agency I’d LOVE to join, that has actors working a bunch in my age/type range, and no one that looks exactly like me. Only thing is, they are a top mid-level agency, and I’m sure I have to be fully vaccinated & co-stars on my resume. But I have a friend in acting class who is signed with them, and has no credits. I really hate to toot my own horn, but I am a talented actor, I am good looking, I have dance & singing experience, etc and don’t feel like my agency really thinks of me as a priority enough to force me to be vaccinated earlier. (I liked to think they care about health/personal decisions, but now I’m just wondering if I’m not a priority enough) 2) Are other agencies like AEFH, CESD, Greene, etc. prioritized by casting when actors are submitted to roles?
I'm casting for my second project and have worked with a lot of different actors. A lot of creators, Tim Burton being one example, use the same actors over and over. How does this go for the online voice acting community? Is it disrespectful if I cast a few of the actors I've already worked with? I want to give everyone a chance but there are a few actors I really resonate with and want to work with again. How does this go? TLDR; Is it disrespectful to cast the same voice actors in multiple of your projects?
Hi, I've came here to ask a question for actors who have been in productions, is it scary? I really want to act and be in shows/movies/musicals but I'm scared of people sexualizing, and making fun of me. I get really bad anxiety when the thought of doing it comes up. but I really want to since its been an interest of mine for a while. So is it scary to you? (Also the production I've been looking at is a musical so do you have any tips?)
I'm looking for a Latino voice actor to voice a Villain for a story/project I'm currently working on. If interested, email me Sbj.tv@yahoo.com Thank you Paid $100
Hey everyone I was recently cast in small community theatre project. I wasn't too psyched about it but yanno it's more experience and more work means more exposure blah blah... But then a few days ago I was approached with some long term, paid work. I want to take the paid work but it may mean having to let down the other production. I feel if you're not paying your actors you run the risk of this happening but I do feel bad as they're a nice group. It hasn't gone into rehearsal yet but I'm not sure how quickly they'll be able to recast. What should I do? Thanks everyone
I want to be an actor later in life but recently my lazy eye has really been taking a toll on my mental health and self relflection so i was wondering can a lazy eye ruin my chances of acting?
Hello all, Just found this sub and it looks like an excellent place to get to know other actors and talent to learn from! I had some fairly general questions to try to figure some things out for vocal training and coaching. So, I'm getting serious about becoming a voice actor and I know I have some specific strengths I want to play toward, and I'm sure a coach will even help me figure out other strengths too. As a side note, I have a booth set up in my home and decent equipment has already been procured. The setup aspect was fairly simple. My personal goals as a voice actor is getting into animation (be it anime dubs or western animation), video games, e-learnings and commercials. I know that I for sure want to work on technical aspects and I'll need profesional help with things like a demo reel as well. The only thing that I'm finding a tad bit overwhelming is finding suitable coaches for what I want to accomplish. I have looked through a few site like voices to get some ideas, but I'm not exactly who to look for and how. Should I be focusing on people with the specific experiences of those fields? Does that matter? Should I be more concerned with the technical aspects of the coach for those individual fields? Should I be getting more than one coach? I really have been trying to find a lot of this on my own, but I do feel overwhelmed with the sheer choices and different experiences. I know I want a coach over classes because I need that 1:1 interaction, I just am getting lost in the sauce on how to go about it. Any and all advice would be greatly appreciated!
Hello amazing actors of Reddit! I have just finished shooting a short film and while in post, we decided we want an additional voice recording of only 3 lines. This film will be entered into our local film festival. If anyone would be down for recording (no professional equipment required) please do message me on here. Thank you all!
A fellow actor told me that I have a great look, but if I go into an audition and don’t perform well, it’ll be noted, making it harder to get auditions. Is this true?
Hey guys! I am booking very frequently now, and if it keeps going the way it is, I can see joining ACTRA as a possibility soon. Did you guys wait til you had X credits or relationships built with X amount of cd's? Or did you get your card the moment you were offered the chance. Thanks! For me I have 5 shows, 3 commercials and 1 credit. Very strong relationship with 2 cd's.
I cant work out where it says the submission deadline is
I was told by a fellow actor who’s been in several notable productions that a lot of the time nowadays, a selfie is asked for when submitting headshots rather than actual, professional headshots, presumably due to COVID. Is this really true?
I recently deleted insta, but I wonder if that was a bad idea. I want to pursue acting as a passion, and I wonder if it is important to have Instagram?
Obviously, within context, and not adding in completely irrelevant emotions.
Can you cry on demand? Seeking actors and actresses who are able to shed tears in front of a camera. This is a paid gig and production will be done remotely (a lot of the film will consist of various Zoom conversations) so don’t worry about location, though we are based in Houston if anyone is wondering. If you are interested, simply send an audition tape of yourself looking directly at the camera and crying. Nothing else. Please no introductions or additional comments, as we will not consider any videos that include talking (unless you are talking to yourself). The video should be unedited and include the entirety of your process/buildup, as well as everything that comes after your tears (deep breaths, calming down, whatever you do to gather yourself). Basically, we want to see everything from the moment you press record to the moment you press stop. If you are recording an audition on your phone, please make sure it is in landscape mode (turned horizontally). If you have any questions let me know, otherwise you can send your audition video to the email listed below. P.S. If it takes you a couple attempts to cry, that’s okay! Don’t hit stop. We want to see EVERYTHING. We’re not looking for who can cry quickest or best, we’re just looking for actors we think are interesting. So send us everything. The more embarrassing the better :) loafgren@protonmail.com
Getting new headshots after 10+ years. Back in the day, I was advised to have shorter hair. Is that still a thing or have times have changed and there’s more flexibility for hair? I’ve noticed that many black male actors have shorter hair—at least from their headshots when they first started out.
So I want to practice acting and gain the skills and learn from it but don’t want to be a professional actor. TV/film type of acting scripts would be preferred over theater. Thanks btw.
I am an aspiring actor and my end goal is to break into Hollywood. I love acting so much. I genuinely can't wait to finish school to fully focus on this. But lately I've been seeing g a lot of posts that Hollywood and entertainment has gone "woke" and "dying" and that gives me a lot of anxiety seeing this stuff. I am a Hispanic and I do not want to see people shit on me being cast in something or say it's "gone woke" simply because I am Hispanic. I don't want to be race swapped with some franchise character either I just want to play cool characters. I get the "just ignore those people" argument but I just want to be universally liked because of my skill and not loved or hated because of my race. Thoughts on this?
I've recently wanted to start acting again (I did it when I was younger) and have started practicing lines for self-tapes to post on instagram. One particular scene i'm doing [(here)](https://www.youtube.com/watch?v=ZXjgfXZbnr0&ab_channel=MyMadFatDiaryFan) contains the character crying/breaking down. I really want to recreate it as I love the actress and the show, but i'm struggling with the emotional part. I don't really cry much irl which is probably a reason (like, at all) and I did want to try out for villain characters too but I can't really think of any monologues / scenes apart from Killing Eve but I can't do accents very well. If anyone has advice for someone just starting out, that would be great!
Hi there, I've been living in Los Angeles since January of this year and I've been working consistently as a background performer. I expected a much slower start to my career, but have found myself able to sustain myself fairly well combining this with a few other side-hustles. Yesterday, I got my last SAG Voucher and have become eligible to join SAG. I have enough money to cover the initiation fee and I am leaning towards joining. I've heard mixed things about joining too early in my career which is why I'm reaching out here to hear some varying perspectives. The only real problem I've heard people say is that if I join with a weak resume I won't be able to be compete at the professional level. While I understand the argument that there's more non-union work, I am doubtful that any of it would be worthwhile or look good on my resume. Since graduating film school I've been involved in dozens of non-union sets to gain experience, and for the most part none of these productions have any name recommendations so I question how well a co-star role on a no-named production even looks. I'd say the majority of the low-budget films I've worked on even end-up unreleased to the point that I don't even have any credits for my reel. My main apprehension about non-union work is that pursuing that work seems like a huge gamble. Obviously acting in itself is a gamble, but dedicating years of my life to this kind of work in the hope that I'll be cast in a good role in a production with no name-recognition that somehow goes onto be successful to the point that my involvement seems like a scant possibility. And if that didn't happen, I'd have nothing except a resume listing productions that are unnamable. The benefits of the Union I see is mainly that it's a guarantee I'll be taken care of. It's always bothered me that I've never even had the same length lunch as everybody else because I work in an industry that seems to not value people unless it has to. Joining SAG would guarantee my protection by making myself part of a powerful organization. Furthermore, the networking opportunities this would present to me with industry professionals from actors, to casting directors, etc. seems unprecedented. There even seems to be lots of training resources which could be really valuable to somebody starting out with me. Above all else, something that I don't hear people talk about is that being a member of SAG is a tangible credential in a profession anybody can declare themselves having been in a school play. I may be mistaken in assuming that, but it seems to me like joining the professional organization of actors looks better than lead roles in a bunch of random shows nobody has heard of or watched. My common sense just tells me that credential a casting director would really respond more to. Anyways, I'm just wanting to outline some of my perspectives and hesitations about joining and see what your thoughts may be. I've read several threads already on this subreddit, but felt my concerns were unique enough to warrant my asking. I'd really appreciate to hear your thoughts, and I'd especially like to know if you yourself are union or nonunion. Thanks so much!
I have heard of at least 10 or more names of voice or vocal techniques available for actors. I have pretty soft voice along with shallow vocal tone and color and the inability to go high on pitch. What would be the right technique for me? I have tried Lessac and it was a great technique to add nice definition and details to my voice however, for increasing the amount of volume wise it was not enough. Your recommendations are much appreciated.
I just record for my youtube videos but since i thought it might be something that a voice actor go through i asked here, the thing is some days when i wanna read through the script it's like my mind isn't even working, i can't even read right like i can't even focus on one sentence and that's when i say maybe i'm too dumb but for some unknown reason the next night i read through the same script like eminem or something lol, without any issue, what do you think might cause this? am i just weird or is it different things i eat everyday or maybe sleep problem or something? thanks
I have a reel and headshots. I read in the search bar that you need to have Slateshots to push you towards the top. Do you need slateshots attached to all the headshots you submit with? Do you need new Slateshots when you update your headshots?
Hello everyone, this is my first time making a reddit post so I apologize in advance if I do this wrong. My question for all you actors right now did you benefit from going to school for acting and getting a degree or instead take the approach of going to Acting Classes outside of College and go from there. Which as an actor would you find more beneficial.
Would love to hear everyone’s opinion on this. Mostly just curious… When you see a breakdown posted on Casting Networks, and it has the scene attached, and mentions to submit a self tape of you reading the scene for the audition, do you usually submit to these if you fit the type? These are essentially just open calls, since they aren’t selecting actors who submit to audition, and in my opinion it’s lazy casting. But sometimes if I read the script and like it, and if I feel like I fit the type, I submit (mostly for the reel footage), but not ever expecting anything out of it, because I’m sure they get thousands of submissions, especially if it’s paid. Would love to hear from other people!
I was asked to take part in a panel discussion at a film festival. I was given details about the festival, the point of the panel, time commitment, and compensation (travel, accommodation etc.) .. but then it ended with asking “what’s your fee?” Uhh I don’t know lol. I legit assumed this would be a volunteer thing all the way up until reading that question. I’m a nobody actor with a handful of guest stars, a couple recurring, a coupe leads on the resume, ranging from indie, to network, to studio — but by no means am I a name, nor would I say I’m recognizable Anyone here have experience with this? I’ve looped the agent in, but I’m curious what the internet says Edit: I guess what I’m asking is: should I treat this as an acting gig and go for my quote? Should I take the budget of the program into account? How about the other panelists? Soooo many questions..
Actors who reach out to casting directly - you are not entitled to a response, ever. As human beings, a principle that everyone understands is that just because another human being wants something from you, it doesn't entitle them to it. Since Covid started and self tapes and online casting have become more prevalent we have seen an increase in disturbing aggressive, hostile behavior from actors in attempts to engage in communication, get our attention, or get auditions via email / social media or other casting platforms. Auditions are job interviews for large corporations. We deal with 1000-5000 people per project, we do not owe anyone any response. If you reach out to casting do not expect to get a response.We have lives and illnesses, divorces, sick children and serious issues that no actor ever hears about, because it is our lives to live. We are not here to serve you 24/7, please understand it is not a fun experience being seen as a one way street to meet thousands of strangers needs, all the time. It's exhausting and harassing us doesn't help you. "Venting" on any casting directors social media posts is a great way to show casting that is how that person will behave on set if given an opportunity to be on one., so we note that and don't give them auditions. If you press us, harass us, keep contacting us, we share it with your agents. All of the other casting directors share this info with each other. We do not put people who cause us grief on sets, ever. This includes social media behavior. These are not spaces for you to work out your emotions and feelings of rejection, or victimization from the Casting Director that will not respond to you or give you an audition, it is highly inappropriate to demand free therapy from casting, (often these messages are downright disturbing) it's a place for business. ​
I am a voice actor looking to have some art commissioned for commercial use on my website and socials to promote myself and my work. I was looking to have a portrait done of myself in the distinctive style of Yusuke Nakamura. Here are some samples I had in mind: [https://imgur.com/jqOITJ3](https://imgur.com/jqOITJ3) [https://imgur.com/gZOaLQG](https://imgur.com/gZOaLQG) [https://imgur.com/bHEG4Ur](https://imgur.com/bHEG4Ur) Some specifics I have in mind are that it would be a bust portrait of myself from a side view with some extra elements drawn around me, but not nearly as much going on in the provided samples. I can provide photos of myself to work off of, as well as a mock-up of the picture I have in mind. My budget is around $300 and would be handled over PayPal. This would be considered commercial work as it would be included on my Twitter banner and eventual website, but there is no merchandising or reproduction planned and you would still be credited and permitted to promote the work for your own portfolio and services. I have no strict deadline at this time as I am flexible and currently planning other elements for my website. I look forward to seeing everyone's portfolios and any input on my idea. Let me me know if there are any questions. Thanks!
Honestly this is just a ramble post so. I feel like Los Angeles in general is this BIG mental health tapeworm for newer actors, or maybe that’s just me. But I’ve been off and on depressed for the past year and a half that I’ve lived here and been very discouraged about acting since I majored in BFA theatre instead of film. BUT! I’m finally figuring that out and getting new headshots on Sunday, got cast in another (nonpaid) Backstage gig so I can add another credit and more stuff to my reel, getting back in shape, and have been talking to some of my acting friends about instructors they recommend out here to effectively learn Meisner (since I basically only know Stanislavski). It’s definitely such a slow and back and forth process but at least now I’m not actively getting discouraged about lack of representation and the other things that just take time. TLDR; LA do be a tapeworm for mental health if you’re newer to the film game. But also just happy that I’m finally slowly but surely getting things figured out.
Hey! I just wanted to assist all actors who use this subreddit for guidance somewhat. It can be difficult to master one's long-term memory when memorizing a piece of material, especially an up to 120 pages screen or stageplay in usually one to two weeks before production or rehearsal. I just wanted to give you all ideas on how I am perfecting my long-term memory with respect to the acting method for which I was taught... Method Acting, from the traditional theatre tradition many years ago. But regardless, to advance this type of memory, read through this small one-page script just once for the overall story, and then another for the actual lines that you would perform, and then do two or three more run-throughs of the actual lines that you would be performing. What I am introducing to you all is a form of BLOCKING instead of memorizing a large wall of text. EXT. RIVER - EVENING A young REDDITER is on their phone teary-eyed at looking at something, something tragic. REDDITER I, I... Then, REDDITER I, I... don't like this post. Then, REDDIT I, I, don't like this post, indeed. Then, REDDIT I, I don't like this post, indeed. I am not amused. \---- If you all have techniques to master one's long-term memory, please share!
Hey everyone, I'm looking for two voice actors for my small project. I'm also looking for a casting assistant, a Caligraphy Artist (Occult symbols / runes), a Test screener / ''beta viewer'' / Reviewer. For those positions you can apply with your portofolio only. If you're interested you can find more information about each position & apply here: [https://www.castingcall.club/projects/voice-actors-needed-youtube-horror-web-series-arg](https://www.castingcall.club/projects/voice-actors-needed-youtube-horror-web-series-arg) **If you're selected, I will always pay you before you start working, so you can be certain you won't be scammed** Voice actors payment: 30 - 50 US dollars / hour worked or 10 - 15 cents per word; Keep in mind this is a small web series so you won't have more than 1 - 2 hours of work per month, at least until the series picks up. I prefer to pay via patreon. You can select ''upfront charge'' and you'll get the money the moment I send them. I'm also open to trying other payment options, but patreon is definitely the best, easiest option **A short description / logline for my story:** * A mentally unstable teenager is left to die in a vast, foreboding forest. Helpless and alone, he decides to team up with an odd, mysterious stranger in order to survive.
I'm 36 and new to acting - I'm self-conscious about my skin and my figure and I was wondering if everyone else puts quite a bit of effort in being film/tv friendly, appearance-wise. Do you have a strict regime or just let it slide. I'm not against improving myself, I just want to know how much energy others devote. Thank you.
I'm not sure if this is allowed here as I suppose only questions related to acting itself should be in this sub, but I don't know where else I might get answers,so. Please let me know if there is else where for such question. So, the question: I always observed that all most all actors, everybody has gor something fun/interesting/entertaining stories to share on interviews and talk shows. Now I don't know if they all have unique and peculiar experiences that happened to them, or everybody(not just actors) had such memories and actors just get to share theirs when are in the public eye so get more attention... but really everybody has got something interesting or funny to say. And they have people in their life involved in these stories like their mom or dad or neice or friends or crew members or even strangers in their experiences whi have embarrassed them or something funny happend. So, are they all real life stories? Or is it part of media training? Or the interview strategies of their PR? Or a mix of all? Thanks!
Hey guys! I signed with my agent about 10 months ago. Had about 20-25 tapes for different things with them. Nothing booked. Been pencilled three times and had one good feedback. I started to hate doing tapes. I don’t know… the worst thing is that people tell me I’m a great actor. I’d rather be shitty and not getting jobs than good and not getting jobs.
Looking for people from UK and North America to drop their thoughts below: I'm 21yo based in Republic of Ireland and the work and opportunities is very limited here despite american productions shooting here. Most tv shows that shoot here end up hiring British trained actors for main roles anyway. I wanted to ask if anyone would be able to drop their thoughts on the industry in the UK vs canada/us. From my research in the UK, it seems that you HAVE to get on spotlight and the only way to do that is going to a traditional drama school like lamda rada and doing the full 3 years. The reason I mention spotlight is cos its where all the auditions are held in UK for shows and movies. Getting into those schools is pretty damn hard and I think it'd be right only consider doing drama school if I got into the top ones right? What good would be to do 3 years in a mediocre school? Does the North American industry operate similarly to UK? How exactly would I go about getting a good agent and building rapport with cds, etc? Do I have to get into a good drama school? Or can I just hustle the old school way by building up a portfolio of experience reels etc and get an agent from there? Financially wise I'm pretty okay, I have online income so moving abroad isn't a problem for me. My main concerns is trying to establish myself in the market. I'm a poc that hasnt been able to get many auditions here because not enough roles are created that demand a poc person. I've considered London as its right across but I'm.a bit thrown off with the high ass rent, crime everywhere, and I'm not sure how much it would help my career if I graduated from a decent drama school. I've heard cases of people graduating from drama schools in UK and then just moving to US cos they had better work opportunities. On top of that, the whole Hollywood nepotism thing that came to light had me questioning whether I should still stay in the game. If I'm being honest I as an actor do feel out of place in the Industry considering my background and the rumours that you're basically competing against a bunch of wealthy elite upper class white kids with connections lol. I'm 21 and I'm already starting to feel like the adulthood responsibilities are pilling up on me, almost if I'm starting to lose the dream and drive that I had when I was younger. Anyone else been through this phase? Would appreciate your opinions Thanks
I'm (17M) currently a senior in hs and while researching how to get break into acting, I stumbled across someone making a somewhat convincing argument that one shouldn't go to acting school right after college. To sum up what was said, the dude explained that going acting school right when you're 18 is missed opportunity due to the fact that 18-20 year olds have younger looks that would allow them to portray 15-17 year olds. He claims that this something that studios are looking for due to the fact that they can have younger looking actors without worrying about child labor laws. Finally he says that 2 years of acting in those younger roles and then going to school is more beneficial than going to school and missing out on 2 years of experience. I dont if the argument is right or wrong. Personally I have heard more people say that you should go to school first to hone your skill and then breach into acting. Im wondering which is better approach for pursuing a career in acting.
If anyone has any insight, I would love to know! I’ve always wondered what the “1st/2nd/3rd pass” system is from the casting perspective.
I have been acting or trying to act for more than 10 years. I have tried to move to LA full time but the price of rent and general cost of living has been a huge obstacle for me. The rental scams in the city are insane! I have tried cold emailing agents for years and have commercial experience but have only received one response back in all these years. Actors Access is a shitshow, they rarely post decent jobs and many of them are so sketchy. I just wanted to say that for those of you who are lucky enough to get repped I truly envy you and wish destiny smiled upon me the same. I have done many workshops with agents and CD's and have had them tell me they thought I was good but when I reach out to them they never respond. Things are getting really bad for me (living situation) and I don't want to give up my dream but a decade of rejection is destroying me especially when I feel like I have put a lot of effort into this career. I have met some VERY important people in this business but no one has wanted to help me by giving me a referral. I just wish someone would be willing to help me get rep. I think about if should I have left my hometown with nothing all those years ago but I truly feel that I would have been homeless and my naivety at the time would have got me in trouble. I am older now and more ready than ever but I have not been able to break in the business. Should I keep going? I don't know Im just ranting because I feel so alone and jealous that so many of you have shared that people you didn't even know referred you and helped you get ahead. (headshot photographer, CD, friend of a friend).
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
