For professional theatre.
I recently started getting into acting. Every two weeks I spend a sunday with a friend who aspires to become a cinematographer. We write a script and film it. Usually, the scripts have some form of humor in it, and I have to control my laughter. I never spend too long laughing and I can usually focus right after. I've been doing this for almost two years now and I have improved in this. However, I also follow theater classes. We usually end up doing at least one form of inprov and that's where the problem lies. I can't stop myself from laughing. I'm not rolling on the floor, but sometimes I'm smiling in situations I'm not supposed to smile. It's even worse when the audience is also laughing. It's not that I hate laughing, love it, but I also feel like it's annoying for the actor(s) I'm playing the scene with. Does this make me a bad actor? And what are some techniques to try out to stop yourself from laughing?
Hello reddit, I have signed up for some acting classes, not because I want to become an actor but because I heard it's a good way to get rid of shyness and it's worth a shot. So far I only had one lesson, where at the end we needed to improv. I can't stop but cringe about that, everytime I go to bed I think about it, when I am not working or studying I think what I could have said instead of what and I cringe immensely thinking about it, does anyone else relate? Will this feeling go away? I am willing to continue because I guess it's a great shock therapy to me, but right now I just feel like digging a hole in the sand and put my head there
I remember glimpsing at the tv a bit ago and a movie was on with a blonde male actor, his hair was in like a middle part/curtain bangs and the length was pretty solid maybe hung about to his nose or jaw, I can’t remember the scene well but the best way to describe its kind of like a tight space like the millennium falcon from Star Wars and I think there were bunk beds and he was chatting to this girl, the closest Resemblance which it may be him but the closest I’ve seen is Jonathan Brandis. If there are any other actors please let me know it’s been busting my brain to figure out who this actor is
Just ran into an old colleague who mentioned she followed her rep to a smaller agency because Paradigm shut down their commercial division. I found this a little shocking, since they were long considered one of the better commercial divisions in the city and the sign in sheet at auditions always had plenty of their actors. I used to audition for union commercials several times a week here in NYC, though there were always lulls, but now they are as rare as hell for me, maybe once every month or two. My age and type (40s white male) isn’t in demand as much for spots these days, and I’ve seen a drop in new union commercials on TV, but is ANYONE keeping busy with commercial auditions in 2022? Been wondering if that kind of casting has been only going on in LA, and NYC isn’t doing much of it here any more? Interested in hearing about LA too, but speaking strictly of SAG-AFTRA commercials, not non-union.
I've noticed that some people, non actors, have extreamly expressive faces, like more facial muscles and great control over them, and while I do belive I can convey character's emotions quite well, I could use more expressions, as sometimes I feel like my are limited. Is there a way to learn new expressions or are we just born with them?
Where to find actual casting calls by yourself besides the usual casting websites (Backstage, actors access, etc.)
So i'm using my throwaway, because this is too personal. So two years ago I got into this prestigious acting school for people my age, which is teenagers where once a week you would get taught by the best actors singers and dancers. I payed a shit ton of money with the help of my parents, (its a one year thing that you can renew) so I got compliments from both my acting and dancing teachers. One time however, during the singing lesson we were supposed to sing for the entire class, but because my ADHD was dealing with a lot of stress my mind just completely went blank. I was ridiculed in front of the whole class, my teacher tore into me about how I wasn't going to make it in the industry with that mind send. I tried my best honestly. After that I was done with the program, I left soon after, my love for acting had been ruined at least for a while. Now I keep seeing people from the program on national television and on national theatre in my country at least. So I guess my question is have I ruined my career by leaving the program should I just do something else? I mean I have been getting jobs and roles just not in the same level as those from the program, can you give me some advice?
So acting is something I've wanted to do for basically my whole life but for whatever reason I've never enjoyed the theatre that much. I found my love for acting through movies and TV but it seems most actors I've met love the theatre but I just cant enjoy it as much as film. I feel like because of this I cant 'become a real actor's which sounds really gatekeepy but this is something that I've worried about for ages.
It seems an echoed belief on the internet that TV was seen as the backwaters of the entertainment and that only the losers of the acting industry go to TV. That it was backup for former movie stars whose careers were stagnating, the last spot for people who could not launch a career in film and live theatre, and the starting point for people with minimal, if no prior professional acting experience, esp children. And that for a long time acting on TV was so hilariously bad and that the gap with the acting of movies was very very wide. That the best TV actors were terrible if they tried feature length films or even just made for TV movies. And that the reason George Clooney was so significant to film history was that he was the first actor who came from a TV background to make it as a full time cinema actor in real Hollywood production and not just B movie roles as well as the biggest example of someone who made it to the top of the A List from the small screen............ However someone sent me a PM in response to a post on /r/Buffy I participated in. >Saw your comments along with others about SMG not having a great career post-Buffy and how she attempted Hollywoods s well as comments on Boreanaz trying movies out..... So I had to send this. >A lot of old Telenovelas (in particular from Mexico and Argentina) had a lot of movie stars acting in them including a few A listers in the Latin America region and British TV even earlier than the Charlie's Angels day had some top actors star in it (esp since it seems in the UK there is no dividing line between TV, live theater, and cinema as there seems to be in North America)........ >I mean Timothy Dalton was the leading Shakespearan actor for a time in his career (not to mention he later became James Bond!) and he gives a phenomenal performance in the 1980s Jane Eyre TV show, giving the best Rochester ever and god even relative unknowns like Anthony Higgins gives outstanding performances in various BBC roles (just go watch The Eagle of the Ninth which is available in full). Higgins and other primary TV actors have no problem getting good careers in cinema even if they did not make the A list and actually do both full time with some adding live theater in between. >Don't get me started on nationally produced TV outside of the West such as Japan's Samurai epics and the various stuff that are government sponsored in Turkey even around the same time The Brady Bunch was running. The acting is Oscar worthy and A Listers in the countries were given roles. >Even strictly TV actors in many countries where there is a big gap in quality (esp writing) have acted in serious movie roles and gave great performances even being at B and sometimes D list act and its more common before the 90s to see TV actors outside of English speaking counties to become full time movie stars or even A Listers..... >I mean did you know Salma Hayek started out in the 80s as Telenovela actress before moving onto Dusk Till Dawn when she immigrated to the USA? It seems she and her fellow co-stars on these cheap productions had no problems moving onto to cinema full time and actually dd a mix of both serious films and soap opera TV. >And indeed many Latinas who immigrated to the USA in recent years and are now popular as move stars such as Ana De La Reguera all stared as popular Telenovela stars before moving primarily to cinema in their own country just like Salma did (though they still continued acting on TV shows before immigrating to the USA as seen with La Reguera). I responded with a and he pointed me to an another conversation. https://www.reddit.com/r/TrueFilm/comments/lam5cn/do_live_action_tv_actors_in_particular_ongoing/glqrd8y/ >I'm 37 years old and can remember when television used to show stuff from before I was born quite regularly. I'm also in the middle of watching a series from 1991 called GBH and the acting in it is quite excellent. >Every era has "good" and "bad" acting. Nonetheless, I am suggesting that proceeding on the premise that the past was bad based on literally the worst shows on television from one culture only is extremely faulty. >Your responses strike me as fairly ignorant of anything beyond your immediate context, so let me help you out. In Britain and Europe, we actually have a much longer history of producing quality television than the USA. In Germany there is Heimat, Berlin Alexanderplatz, World on a Wire, and even network shows like Tatort. Britain has had countless, including its full Shakespeare revival from 78-85 and multiple 'TV play' strands, where the best writers from theatre and television would work with the best actors and directors that would go on to fame in cinema (Loach, Greengrass, Watkins, Clarke, Leigh, Frears, Kotcheff, Apted, Joffe, Ove). Poland produced Dekalog for approximately $10k per episode and it absolutely kills anything made today on practically every level. >If you want to argue that American network television has improved in some measure then go ahead, but that doesn't speak for the world. Personally I don't see a whole lot of difference between something like The Blacklist or Chicago Med and their antecedents in network crime and hospital dramas of yore, save the superficial aspects of technologically-enhanced production, the method of shooting and the era-specific conventions in performance style. Ultimately they're soapy, kitsch, and shot according to the standard rules (30 degree rule, 180 degree rule) of television shooting. So I really have to ask....... Richard Burton not only acted in a few American TV films but miniseries was some of the main work he did in the UK after his rocky relationship with Liz (see my username!). Despite that, he was able to easily be casted in movies anytime he auditioned and he still remained a pick for more serious roles. Acting on TV at all did not hurt his movie career (even if he was already past his prime while he was doing TV stuff). It as just seen as another day's work according to his diaries in the same way he continued live theater productions to pay the bills. So I'd have to ask. In addition to the two quoted texts examples and Richard Burton how come America had such a gigantic divide between TV and movies and even theatre before the 2000s? While in the rest of the world since the advent of Television in their specific countries, A Listers continue doing all 3 throughout their career and TV stars transition to primarily cinema all the time and even small time TV esp on genres seen as trash like teen soap operas and action superhero monster of the week act in real movies released in theaters and not just cheap daytime made-for-tv films and VHS B Movie releases? I mean since I got the PM as a result of chatting on /r/Buffy one of the lead stars of the show Anthony Head (Giles in Buffy) had done stageplays and for the bulk of his career actually acted in movies including serious roles and genres with a few TV roles back in the UK for much of his acting resume before he came to America in 1997. His actual fame in the UK is not Buffy but a few BBC shows including Doctor Who and some local commercials. Compare that to the rest of Buffy's main cast who were small time TV extras and support or models or even outright nobodies aside from Sarah Michelle Gellar herself and maybe Seth Green for the later seasons. And except for Anthony Head, Seth Green, Dave Boreanaz and Alyson Hannigan they all practically struggled to have vibrant acting careers after Buffy (some of them like James Marsters focusing on endeavors outside of acting to continue their career elsewhere). So I really have to ask this obsession of divide before HBO kicked off TV standards with The Sopranos? Even high budget production miniseries are not exempt from this in the pre-90s US TV industry. Aside from Peter O'Toole a lot of high budget production miniseries had to settle for full time movie actors who weren't on the A List or import British actors in. Perfect example is North and South which despite its cinema level production values settled for people who are still unknowns like James Read and had half the main cast as British actors. Even the mos famous name Patrick Swayze was seen mostly as a borderline twee B movie and proper Hollywood productions at the time. Why did America stratify the TV and movie industry as well as stage plays? How come in the rest of the world even you have top bill local names like Toshiro Mifune and Ana De La Reguera acting on TV alongside cinema and live stage performances? How come TV acting was seen as something harmful to someone who is still at the early stages of his career in North American industries while for example in the UK small TV gigs and even doing full time acting on a few seasons is seen as nothing significant by itself in the UK and is done all the time by full time professional no-name movie actor swell beyond the B list and had done serious movies as well as full-time Shakespearan actors? How come someone can do full time TV actin in a Latin American country for about yet transition to the A List no problem in not only their own country but even abroad? As seen with Salma Hayek (i was just shy of 10 years of her entry into acting via Telenovelas when she did Dusk Till Dawn and overnight catapulted into the A List of Hollywood)? Or even smaller names like Ana De La Reguera quickly entered primarily cinema profession without much difficulty in as little as 5 years after doing nothing but TV stuff? Seeing how in the rest of the world it seems a systematic pattern that TV actors later on become movie actors and a noteworthy amount of A listers had their start on TV as well as country's top names doing a mix of film stage plays and television, why was North America the oddjob in this, creating a real divide between TV and cinema (and cinema and live theatre as well I might add)? George Clooney's successful jump to full time movie actor and making it as an AAA list actor seems less impressive when you have guys like Ricky Gervais doing feature films released in theatres and Ian Mckellan juggling in TV,Theatre, and film productions and in at least 2 or 3 years of his career doing a mix of all 3 within a single year. So I have to ask why people jumping Clooney style to Hollywood was almost unheard off before 1995 and even today its still difficult to make the jump full time in the USA contrasted to the rest of the world?
If you were looking at a role and deciding whether or not to audition for it, how big of a deal would it be to you if the character had exactly one scene where they had face-to-face dialogue with a major, big name actor? [View Poll](https://www.reddit.com/poll/swrn1f)
What are some good websites for submitting auditions? I don’t have an agent and I am based in DFW with the ability to travel to Austin for work. I looked at backstage and actors access. But Backstage seems to be mostly short films. And actors access requires you to pay for each audition you submit. I am looking for stuff that pays, and I don’t have much money. Is actors access worth the yearly subscription? Should I just pay by submission? Or are there other websites I should join as well? Thank you for any help!
Hey all! I want to recommend Clubhouse to you guys. It's an app where you can join different conversations on literally thousands of topics if you dont already know. You do have to be invited but I can invite you. Doesnt do anything but help people join.Anyway, in the acting rooms there are agents, managers, and casting directors answering everyones questions. One of my friends got an agent just for asking a good question and getting the agents interested. They are legit agents, managers, and casting directors in the rooms. Ive been called in by almost all the CDs before. Truth from the horse's mouth. I learned SO MUCH. Ok that's all! Break all the legs! (Los Angeles based actor)
If you're a female adult voice actress and you're interested in narrating 18+ stories of mine (basically turning them into mini audio books), definitely feel free to send me your rates and a link to one or two audios you've already done, so that I know what your voice sounds like. Potential for a ton of voice acting work. And all punctually paid for, of course (Euros, dollars, pounds; whichever currency you use).
I'm a beginner actor and I'm facing with my first roles, as a servant or others like this. How can I express the right intention even if there's not a particular one according to little characters?
10 years ago i played a part in the pilot of a crimeshow i wass 18 years and didn't had experience. There where big actors in it to. (Big in my country). They really are good some did international work in film. One would say be proud of it. But i reel really shame for it. Cause i didn't had experience, my acting wass terrible. Are more of you guys who had this. That they fucked up a role and still became good actors later on.
So,I would like to become voice actor one day. I like to act and do voices of certain creatures,characters and so on. My absolutely favorite ones to do is orc (Warcraft,Battle for Middle-earth 2 type). I also do dwarves,regular human emotions and other stuff. I had few People tell me I do good job at imitating those characters. So,I would like to get some real critics about my voice and If I am really good. If I am I would love to get into industry,and there is another problem. I don't live in USA, so I don't know where to start. If someone from outside of USA can help me and tell me few advices I would be so happy. Thank you for your time!
HELLO! I've never actually lied to get an audition or needed to lie in an audition room. But now here I am. Staring at a virtual EPA (infinite eye rolling) that has a breakdown for a character that I am SPECIFICALLY and UNDENIABLY perfect for. I don't mean "I love this character/this story/this director/they would love me" I mean this specific character breakdown fits me to a T in ways that it's not going to fit the average actor. However on the form they have "By checking the box below I confirm that I am a member of Actors Equity Association: \*Please note EPA's are for AEA members. We are currently not accepting non-union submissions for this EPA." Very clearly on the form. I'm eligible (aren't we all?) but have not joined. I feel I deserve to send in my tape regardless. How much of a bad situation could I end up in by lying on the form?
Sorry if this comes off as petty or whiny, but just looking for some support and feedback from fellow actors who perhaps feel/have felt similarly. First off, I’m hoping to get some ideas on how to be less judgmental and more constructively critical of self-tapes. I’m catching myself judging and over-directing myself while performing, and then after the fact, while choosing the take, I’m having very unkind feelings toward myself and my performances. How do you find a more objective place to work from, both in the performance and when choosing what to submit. Subsequently, I’m feeling hella down on not having booked anything since September. I had four auditions over the course of the last week, didn’t feel great about any of them, and I’m trying to not dip into that emotionally cannibalizing place of self-pity. What tools do you utilize when toeing with feelings of disappointment and malcontent? Curious how we all cope. Side note: finally started listening to the Dead Eyes podcast, and what a hilarious, touching examination of rejection through the (dead) eyes of a working actor and his famous friends/guests. Recommend!
I’ve been seeing there’s a lot of acting classes on YouTube but they are definitely for beginners. I know all about technique and scene study and Edith Skinner. I know how to analyze a scene, memorize, find the intention or the objective of the character, and I know how to ask myself what do I want from another character . I understand raising stakes. I understand blocking and making sure to use specific motions and not to do certain things with my hands or my body language. I understand all the basics. What I’m looking for is to be reminded of the more nuanced things such as playing with beats, accents, and how to stay in character when technical things are in my way. Just certain things I need to know. Hard to explain because I didn’t keep training clearly. I’d love to have more advanced training. It’s been a LONG time for me! I’m back from 16 yrs of not training!!! But all the basics come back to me when I play with scenes. I know I have the talent, but I need more training. ?
Hey y'all. I live in Los Angeles, which absolutely plays a part in what I'm about to say because the industry is everywhere. How do you guys manage your social networks? The lines are so blurred between friend, colleague, boss, and employee. One second somebody's just a guy in your improv class, and the next, they're sending you an audition. Someone you met at a party later asks you to cast and direct a short their uncle is producing. It's really hard to know how to act sometimes, and how to have good boundaries. Anyone experience something similar, or have tips or dos/don'ts?
How to stay in character when there is constantly movement, people setting up lights and mics, talking, shouting, or even talking to me while I’m trying to stay in character. I’ve never actually done anything but one film, but thankfully it was comedy and my role was super minor. I didn’t really have to get in my feelings too much. It was easy. But when it comes to drama I really need to focus. I’m not someone who’s the best multitasker and do lose focus when there is a lot of noise. I’m so used to theater all my childhood and teen yrs and into conservatory. I’m accustomed to an environment where I can be on stage and it’s extremely quiet except for us actors… It’s all my brain knows. The hush of the theater lets me focus.
Hello! I’m starting up an audio book project around a fully fledged fan novel based in the warrior cats book universe. The story will be original and no characters from previous books will make an appearance, however may be referenced in legends and such. I’m currently looking for a narrator, preferably an older male reader however others are fine. I’m also looking for other voice acted character roles. Here’s the info Character: narrator Voice: an smooth male voice with no specific age required Role: narrates characters actions, however not characters thoughts, only the main characters will be read out. Character: Crimson Voice: a deeper male voice in early 30’s or mid to late 20’s Role: main character that’s followed throughout the story Character: Harlow Voice: an elder male who acts as a sort of mentor to crimson in a time of need. He has a raspy voice and a hearty attitude. Character: kicking’jacks Voice: a younger male (14-16) character who has a positive outlook on life and loves to talk. Role: main side character Character: lorn’paw Voice: a stern voice that commands obedience. (Mid to late 30’s) Role: a side character that interacts with kicking’jacks for a while. (More will be added soon but these are the main voices needed now) The project will be uploaded to YouTube and I shall go ahead and edit, write (along with many others) and over see the projects well being. It is preferred if you have discord as this would make contact much easier, however it is not required. Any and all profits made will be equally and fairly given to all involved and put forth to create better quality content. All money and analytics will be available to all involved, and all have the right to ask for updates at any time. This has been a bison long in the making and I’m really excited to have finally gotten it started. Feel free to comment or DM me if your interested or want more info, I’ll be happy to provide.
Never wanted to pursue acting, wanted to be a model, but I moved to LA (just for the vibe and mutual interest) &have lived here over a year and always get asked if I’m an actress, based on my personality. I know it’s an incredibly oversaturated profession. Just wondering if anyone else has felt this
Hi, I am a fairly new voice actor looking to build my portfolio. As I am new I won't charge anything for the jobs, I am just trying to get more experience and get myself out there. I hope to hear from you soon.
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Evening ive posted here before but reddits been a pain and theres been some changes to my project. So im a cabadian trying to secure a gov arts fund for a webseries. We are well underway at this point so its just a matter of time. Due to the nature of canadian funding crrtian funds require we have at least 80% canadian citizens on staff. So im primarily looking fir canadian voice actors. The webseries is an animated adult fantasy that focuses on mental health through the expierences of our characters as a sutble teaching tool. As such we cover some heavy subjects both relating to the realities (both good and bad) about mental health as well discussing elements of trauma. We have written 5 of the 12 scripts so we do have a list if people need to see that. We are in need of actors of all ethnicities as well as a nonbinary actor. If you are intrested comment below and i will contact you. It will be paid
Recently I was cast as Clifford Anderson in Deathtrap and then set to play Elwood in Harvey right after. I should be happy?...right? But I feel like I suck as an actor. Even though I give it 100, I still feel as though I could've done better. Its community theatre so there are some individuals that are well known for taking the stage in my area. I'm not one of those individuals. I only really started getting involved within the last couple years or so. But I feel like everyone thinks I don't deserve the role and that tears my self esteem down a bit more. Any advice on how to really capture a character? How to show them that I really belong there?
Hello everyone; I've heard it said that actors should look for a "unique skill" that differentiates them from everyone, like dialects, combat training, etc. While I am looking for all of these things, I was wondering: Does years of experience in haunted houses count as having a unique skill? I've worked in them since I was 10 years old, playing leading roles in each and every haunt I've done since I was 16. I've played zombies, clowns, vampires, pirates, many different types of characters. But, with the reputation of haunted attractions being "lower" than traditional theater, does this count as a unique skill that could be put a resume or mentioned in an audition? Thank you!
Im genuinely curious to see other peoples motivations here, I’ll answer myself. Where I grew up acting wasn’t prominent, you wouldn’t even get to take an acting class until high school, and they were not informative by any means; one of those schools that just threw a production in your face and let the students wing it. But I went to a summer camp when I was in 6th grade, and decided I wanted to take on a theater production that they had offered. I don’t remember the name of the show, but I do remember my character was “cara de girl” symbolizing a card girl, she was like a side narrator to the story and she was a spitfire ditzy character. I remember how hard it was to memorize lines, but I worked on it so hard every night because just the idea of being on stage in front of hundreds of people was appealing to me. When we performed the show, being a first time actor, I felt my nervousness as I shook on stage, but after a few lines— people laughed at my character. She was funny, and people were enjoying it! I realized after that moment, I really loved acting. Not because of the attention (although its nice), but because when you go up on that stage, you tell a story, you embody someone else, and you’re able to entertain your audience by taking them away from their own stress and burden. Thats what motivates me. I get to tell a story to someone else and help them get away from their own lives for awhile. Im in college now double majoring, and though I may not ever get to be professional, its still just really fun to experience:)
And how can those skills be learned?
We at [Plethos Productions](https://www.plethos.org) are accepting video auditions now through March 19,2022 for our upcoming production of Once on this Island in Castro Valley, CA. There will be 6 performances the first 2 weekends in June. If you or anyone you know has Afro-Carribbean dance experience and is interested in participating, please have them reach out! We are casting 8 adults (16yrs+) and a couple children (8yrs+) We are a 501c3 nonprofit and looking for non-Equity actors. We are volunteer owned and operated with zero staff, but we do offer small travel stipends to all cast and crew. Details and signup are at [https://forms.gle/gxWRoGtH7Tsgxwi18](https://forms.gle/gxWRoGtH7Tsgxwi18) https://preview.redd.it/wma7z04fcfi81.png?width=3000&format=png&auto=webp&s=674091c3e970813688dbc0689af2d128962be4f0
My question isnt about whether to take one or not- but is it too late? I am not represented, have been in only student films, been enrolled at an acting studio since this summer, had done a few CD workshops, am on Actors Access- is it too late to use a stage name? I plan to keep my last name and change my first. I never liked it and never thought it fit me, I always wanted something more unique and more of a statement.
Am hoping an actor would share what the typical hours are today on set for each of the various formats and how many months they run for both network and streaming. Is an episodic 12 hours five days a week every day for example for a regular and a still a 12 hour day for a co-star? Am wondering for co-star, guest star and series regular on each type of show what the hours actually are. Any comments from working actors is really appreciated. Thank you.
Im not an actor. Is it common to improvise in plays or movies? Is it frowned upon? How to react as an actor when another actor is improvising? These are some questions I have for a long time...
We all know as actors that having a great demo reel as part of your package is important. Or it was? I have learned recently that Acting Clips are becoming the industry STANDARD. So what are Acting Clips? Acting Clips are 30 second to 1 minute clips of your performance from a project you did. What is great about an Acting Clip is that if you haven't done any projects lately, you can pick a SCENE (not a monologue) and film it in a self tape style! This is great for beginners, actors in smaller markets, and actors who are constantly training and improving because Acting Clips can be updated on YOUR time. You can pick a scene, you can write a scene, you can get your acting friends together and make a short film and yall can get clips from that short film. I did a project this past summer and I really liked my performance but I wont get the clips until this summer. It's so frustrating having to wait for your clips (especially in a small market because they are usually really slow). So i'm going to do Acting Clips that can be updated on my time and i'll be really picky about what I add in my demo reel. If you have a old demo reel that you are still using, please stop using it, now! It's holding you back. Go make some Acting Clips. ( I think Acting Clips are supposed to be only 30 seconds but I would say keep it under 1 minute at least)
I’ve noticed that so many actors that I’m around are so well versed in the film industry and I feel like I’m missing out on something. I try to educate myself but I don’t know much beyond what I learn in class. How can I improve my film history? And is this necessary to be a good actor?
Hey everyone, I am working on an assignment for class researching up and coming voice actors. So, I thought I would ask around for any people you might know. Thanks!
I am curious to know since I heard they aren't really turned on and have some items covering their private parts to prevent possible penetration or something on that matter.
I have a awesome job that pays the bills. I was just hand chosen to be a Stand in for the lead in a film that is directed by somewhat of a legend. He has directed movies with Brad Pitt, and a few other huge names. How do I call off my job LAST second for darn near a month for this? Is it a stupid idea? I know it’s only stand in work, but the fact that I’m standing in for a bigger actor and the director is WELL known in Hollywood, I feel like I have to do it.
So I booked my first short film (vary happy obviously I’m now officially a paid actor) but I’ve never booked before and want to be as ready and professional as possible. What are some things I should do before during and after filming (besides memorizing my lines)
I see there's a lot of info in this group about New York, LA, Atlanta, and Toronto, but little about the acting scene here in New England. With Massachusett's tax credit and the number of productions here, I would like to see better representation.Although, my experience up here is most of New England is very xenophobic, I'm not surprised to see little interaction with a more national scene.
Hey all, I'm an aspiring voice actor, but I'm Australian. So I have a pretty noticeable accent. How would I go about learning a good American accent in case I want to voice in a show mainly based around American accents in the future?
Hey guys, Does anyone know if you are able to work in other departments on set (ie. costuming/wardrobe, art dept.) if you are a unionized actor? I know they have their own union you must apply to. Just wondering if anyone has done this or knows more about the protocol surrounding it. For reference I am based in Toronto and would be unionized under ACTRA as a performer. thanks :)
I’m an actor newly based in DC, I’m hoping to get an agent in the next year or so, and I’m starting to do research on who’s in the area? Any actors here who are in DC and have experience with what agencies are good? If you have an agent, how did you get them? Or is it better to get an agent based on New York? This is a separate question but why not: What’s casting in DC in terms of TV/film?? Are there casting agencies I should know about?
What role does your writing play in your personal approach to acting?
I avoid anime because the acting is so terrible even in the “good” ones like Attack on Titan - but I know many of these actors from their work on games and television shows etc and outside of anime they do great work. I assume they do these rushed delivers because they are trying to meet lip flaps but regardless - there is so much unnatural sounding acting in anime that it almost seems like they have directors that say to the actors “no, no, when you say the line about how you are still grieving the loss of your grandmother you sound sad when what you should be sounding like a person who has had their balls slammed in a car door and for no reason at all you are going to say ‘hmmm’ at the end of this and probably extend the word ‘grandma’ to a weird amount of time.’
So I've been acting for quite a while actually, and I love it! It's really fun and amazing and all but, at the same time it makes me realise how much I want to be on the other side of the coin- as in a director. Perhaps it's because of my personality and the fact I HATE being ordered around, because not being the one in charge of a everything is so boring and exhausting tbh. I constantly find myself disliking how the theatre director directs a play and it's one of the most frustrating things not being aboe to change it (even if it's their own play). Wether it was a role i like or not. I hate doing plays. I love improv on the other hand, because I can be my own hilarious self there, make poeple laugh with my comedy, dont have to stick to a script. Or maybe it's just theatre acting that I dont like, needing to be so expressive can begoddamn tiring. Still though, I feel like one of my passions is definitely being a director, not an actor. I don't know if this is a common or uncommon experiece...It's just a hobby at the end of the day, but its also very helpful in the future for me to understand how actors feel on stage/camera, so imma continue doing it. There's just something addicting abt being in charge of everything, and being respected for it aswell
Just recently I was cast as Wadsworth in the production of clue at my highschool. I was surprised as I don't have any prior acting experience. Im super excited but also very nervous! I have a lot of lines! Unfortunately another actor seems to be sour. He has much more experience than me, a better british accent, and everyone thought he would get the role. Today was our first rehearsal and I felt like he was trying to intimidate me? kept saying things like "hope you can keep up" and "still really surprised about the casting." When i asked him to elaborate he said "some people really fit roles and they just werent given them." I feel like his presence at these rehearsals is really going to through me off my game. I messed up a line and he laughed! What should I do? I feel like hes just waiting for me to give the role to him.
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Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
