I would appreciate some good questions to ask them. This is a workshop for the play we're doing in uni.
Coming from an on-camera background, I notice there are tons of self-submit sites like AA, Casting Networks, etc. that you can find a lot of projects on and submit daily, but I haven’t been able to find sites like this for voice acting specifically except P2P sites. Are these the only option? I’ve heard very mixed things about P2P so I’ve stayed away from them so far.
Hi everyone. I'm looking to get some feedback from the community. I've heard from several actors in my town that they would prefer working privately or in a small sessions with just their scene partner rather than attending full group classes, but the cost is an obstacle. If it were as affordable as group classes, how many of you would prefer regularly attending private or small group coaching instead? (Also, if you reply, I'd love to know your experience level in the comments). Thanks for taking the time! [View Poll](https://www.reddit.com/poll/l8osbu)
hi actors help a kid here out, where i can learn acting basics for free just be needing :))
I posted some headshots through imgur so I could use the link and share it in this group since there’s no other way to share pictures. My pictures had -12 downvotes and some really rude comments about my appearance. It really broke me down for a few minutes. I’m just starting out and is this how it’s like? I’m not the most conventionally attractive woman and I also don’t think I’m ugly, but comments like that really twist your mind up. Maybe it’ll help me become resilient to judgment but wow I feel like being in the entertainment industry really draws a lot of attention, both positive and negative. Not sure which more of. AND I just want any other people to know I don’t judge any of your posts, especially if they are pictures or videos. That’s an extremely vulnerable thing to do and I am here to support you!!! (So please do the same for others.)
Hey guys, r/wallstreetbets recently asked for voice talent and even though I'm not a voice actor (at all), I wanted to hop in the fun. I did this voice impression real quick here: https://whyp.it/t/wsb-audition-crappysmeagolgollum-13948 I don't think anybody saw it on that subreddit lmao but I figured if anyone was to enjoy it/give real feedback, it would be u experts. Once again, I'm just someone who enjoys doing voices as party tricks. Not a voice actor (but would love to start somewhere haha) All critique welcome as I def can improve!!
I am a 2nd year law student in Canada and we are practicing for our moot competition. We need volunteer witnesses to be questioned on the stand. We obviously can't pay anything because we are just prepping for our competition but it would be great to get some real actors who can bring character to the people we are questioning. Our trials run every monday and friday. You will get a booklet of your character's background that encompass everything your character is supposed to know. You are able to make things up if it is within the spirit of the problem (which should be great for you guys because you know character acting well). There will be a brief meeting before your trial where your lawyer preps you on what questions they will ask and you can ask them any questions you have. If anyone is interested in doing this, reply and I will DM you my google sheet so you can sign up. Thanks so much everyone.
I am a total beginner who is interested in getting into the film industry as a director. I enjoyed acting for the short time I did it at school over 10 years ago, and although to be the star of the film is not something I aspire to or desire, I am planning to try it for enjoyment. At the same time for my dream movies I have in mind, at least in making some shorts I'd love to star in it. To clarify though, directing and making the films that excite me is my goal, and acting is something I'd just like to try for fun seeing as enjoyed it so many years ago. My question is, given how hard it is to make it in the industry, does also training and working as an actor give me more chances of breaking into the industry, as if I happen to have a talent for acting I could use it to get in, make connections, and move forward? Or is this a case of choosing and sticking with your specialty and what you really want to do? I have a tendency to want to do it all, but have learnt the value of focusing on one or few things. Any responses appreciated. I also don't know if this is the best place to ask, there doesn't seem to be a proper directing sub.
Ok so I’m currently a non union actress specifically Interested in stage/ musical theatre acting. I am living in Canada but am seriously considering moving to New York in a couple years time. I am not sure if I want to make a commitment to union or an agent right now but i am struggling to find auditions (especially in COVID times) what benefits do you think I would reap from joining union and what are the drawbacks? I want to get all sides of the story and the union websites are really wordy so I don’t always understand all the strings attached. Thanks in advance for the help!
Background: I am 17, wanted to be a voice actor for a while. Just now pursuing my dream. I know the equipment I will be getting this summer. I want to get really good equipment at the beginning so I can get a somewhat head start, all I would need is experience. Equipment: Laptop: M1 Macbook Air (2020). Dead silent laptop bc it has no fan, and it’s insanely powerful. Mic: Lct 440 Pure. I have a reallyyyy deep voice so this is the best offer for me. Audio interface: Motu m2. Heard it was really good, probably the weaker end of my equipment, not sure. Editing software: Audacity and Rx8 Elements. Both are really good. Plans for the Future: Once I get my equipment I will practice with it for a week or 2. Then I will start looking for non paid work. Will do that for a few months, then create my first (unprofessional) demo reel. With that demo reel, I will start auditioning for small paid work. For the next 4-7 years I will save up from that and a normal job, and most likely move to LA, where I will find a good place, and try to find a studio to help make a professional demo reel, then find an agency. With that $50,000 I will have enough to live there for a year, and able to afford any classes or coaching I will need. Conclusion: What I need to know is, will it be worth it? I asked on another LA based subreddit but almost everyone said no. I want to know from a voice actors perspective, wether they are just like me, or they’re a professional, I just need guidance.
I was inspired by Audrey Helps Actors to film a scene for my reel on my own, instead of paying a company for it. But I'm wondering what all I will need from a filmmaking perspective? I have a script. I have the actors. I have an iphone 11 and a couple softboxes for lights, but thats it. Is an Iphone good enough or can I rent a camera? How about sound? I expect to be spending several hundred dollars on this, but Im just not sure of what exactly I need to do to make this work.
I'm 16F, and I live in a very small town. I'm in a theater class through my school, and I pretty much convinced myself that I would never amount to anything due to no opportunities, no training, and moving to LA (or another area where actors typically go) with no money and no experience can sometimes lead to bad situations. Well, I've decided I'm not going to be like that anymore. Just because I didn't start when I was 8 years old doesn't mean I can't be an actress too. It's 10 weeks long, 1 class each week. I'm very excited to get started.
Hey! I’m an actor from Seattle trying to get my foot in the door and I’m just about to graduate high school. From where I’m at now, it looks like I got two options: go for an acting BA at a college out east in the desert or spend that time and money taking classes and building up a resume in the city before I move to Los Angeles or Albuquerque (hopefully within the next few years or so). Sorry if the text above isn’t super-clear haha, I’m just kind of throwing my thoughts out there. Any conversation is appreciated!!
Hi everyone, I recently worked as crew on a zero-budget set, and the experience wasn't that great. To put it short, the "actors" on set were out of control. They were constantly yelling over each other, laughing, making jokes and generally carrying on at high volume levels. It was hard to get them to concentrate on anything. It was hard to get them to quiet down for takes. This went on for two days. Needless to say, by the second day I was pretty burned out. It was as if the cast were having a weekend-long party and one or two of the rest of us were trying to film a movie. I am an introvert and it seemed to bother me the most. My strategy was pretty much just to try to get the film over with. I didn't speak up because the producer/director seemed fine with it; they even joined in with the goofing around quiet a bit. My question is: is it right to demand a certain level of professionalism, even on a set such as this? These are not la/ny actors, or even second-tier market actors, but mostly early 20's people from a big city where acting isn't a real career path. I don't know if as a lowly crew member I have a right to speak up to someone who put a lot more effort into making the film, and who is older and also more extroverted than me. Any thoughts would be appreciated. I have a chance to work with many of the same people again and am considering just bowing out and moving on to other projects.
I'm just wondering, how did you know that you wanted to get in to acting? Did you always know or was it a surprise? Because I felt like I wanted to do something else at first but then later wanted to do this but sometimes I wonder if I always felt that I wanted to be an actor but I hadn't realised it and I'm unsure if I should go for it.
**Mathew Horne** (Gavin & Stacey, Bad Education), **Ella-Rae Smith** (The Stranger, Into the Badlands) and **Iwan Rheon** (Game of Thrones, Misfits) star in a lockdown film I wrote and directed to help raise money for the NHS. The film is called “The Existential Hotline”, a comedy with salient themes created entirely in lockdown and made to look like a video call. It is the final fundraising lockdown film in a series of seven and the crown jewel due to the prominent talent we had on board. As creatives, we see how much the NHS and all the frontline workers have done to keep us safe, so we made these films as a thank you to them, to raise money for them and to show that we stand with them. We may not all possess the vital skills they have to keep us safe but we can use our talents to bolster solidarity. This story, along with the film itself and interviews will be appearing on Showcase TV (Sky Channel 192) as part of the programme Feel Good TV and we want to continue spreading the word. I believe this is a heartwarming story and very of the time. Please give the film a watch and share (if you can) and help get this story out there and, who knows, maybe we can help the NHS even more if we reach more people. Really hope you enjoy it! [https://youtu.be/k5zsBr0mz2c](https://youtu.be/k5zsBr0mz2c)
So I just started taking acting classes. Next week is only my 3rd class. Our assignment is a non-verbal assignment using props. This is what the email that we got says: "This week we are going to work with props. A meaningful way of communicating to the audience that your imaginary space is truly your own, is through use of props. Sometimes what we \*do\* can be far more revealing than what we say. What we do with props can tell the truth about how you are feeling much more accurately than the words you speak. As an actor, the way you handle a prop and the way you relate emotionally to that prop are all enormously effective in communicating on stage." The assignment is to bring in 3 props that are highly significant to me and would be found in a living room (book, magazine, article of clothing, mail, etc. are the examples that we were given). Then we have to spend at least 1 1/2 minutes using just our emotions while handling the 3 props. I have a few ideas but I'd love to hear what you all would do. 1 1/2 minutes is going to feel like an eternity when I can't speak at all.....
Hello actors, can you help a guy out? (This question only has partially with acting as a career, but for those of you committed to your dreams and passions and taking risks, I wonder if you could offer some advice) So I (M27) have been teaching Secondary English Ed for the past two and a half years at the same school and finally bought a condo of my own this past summer after moving from place to place the past 4 years (college, then parents then apartment, another apartment closer to work, now condo). I have always wanted to go after my Masters of English Ed and now I'm like 80% sure I'm going to go for it next year, especially because I live and work in a college town so I only have to go like 5 minutes and I'm on campus. (5 min drive to work as well) So with working full time, I calculated it will take about 3 years to complete. plus a couple years after to stay at this current job since they will be helping to pay for tuition. So from a home, job, and money stand point, things are very stable and will plausibly be so for the next 5 years. My immediate family is here, as well as close friends and especially my brother who I am best friends with, although he's in another city. Now here's the issue: A part of me feels like I've been stuck in the same place too long, that maybe I should risk losing the stability I have now and that projected stability, and look into going into grad school somewhere else just for the experience of a new city, new state new people, new everything I'll be honest part of (or maybe most of) this wanderlust is most likely caused by the fact I'm healing from a break up to an LDR with an amazing young woman, and it was a really good healthy deep relationship and friendship for the both of us that happened rather unexpectedly but was a welcome new thing and a hard but amiable ending. She was fully pursuing her dream of acting regardless of the cost and lack of stability with that area of work, and was making plans for grad school as well. And being involved with her sort of re kindled my own love of theater and just sort of opened my eyes to the wider world and since the ending of that connection (she felt pulled in another direction that wasn't me) I have started to wonder if maybe I've been playing it safe for too long, that maybe I should've forgone education and dove into writing like I originally wanted to when first starting college. (side note, we had met in person and had enough vid chats/phone calls/communication despite the distance to know each other to a great degree) I still write on the side, and even self published a book and am working on others, and I have taken advantage of doing theater again and realized I have missed acting a lot. I do enjoy teaching, it's just recently I've been feeling like maybe I should expand my horizons? Take some risks, jump into the unknown. Film is another passion I have and I even had a gig as my college Newspaper critic for all 3 1/2 years I was there. So maybe a degree in teaching film or just dropping it all together and pursue acting fully? I've realized to it could just be a case of just finding happiness in myself without her, without anyone specifically and making the most of where I am at, with what I have and taking advantage of the stability I have now, to build a better secure future for later. Any advice or thoughts would be very welcome, and I can answer any other questions too. Thank you! TL;DR Stick with 5 years of for seeable job/income/schooling stability or take a risk and "start over" in a new city, new place for grad school with a possible new degree?
Hello, I'm currently in production of a film called The Children Of Limbo and I need actors in albuquerque, New Mexico between the ages of 15-21, it's very low budget so I won't be able to pay much but I will pay what I can and this will film will be promoted everywhere it can be, message me for details, thank you
I've been in TMFA for a while and have learned some great stuff. All I hear is praise for the HWC. I've been acting for 5 years (4 of those in college) and I'm seeking business training and how to put together a really, really good package for representation. It seems like HWC is the best option, but idk if that's more or less TMFA propaganda. Wendy seems like an incredible person. She has raving reviews from actors in the group. It seems every day someone posts that thanks to her, they have a manager/agent. She seems kind and tough and someone who will whip your package into shape. Thing is... It's $795. That seems very steep for a master course. Those who have taken it, is it worth? Id be taking it for the business instructions, because I know it's not an acting class, and I think that's what I want. I'm torn on whether I should buy the course, or find the info elsewhere and piece it all together over a longer period of time. Really I'm looking for feedback from those who have taken it. Good investment, or waste of $800?
Hi! I'm filming audition apes for drama schools. Some require full body shots, and after watching my practices back, I often find my body language is awkward and I kind of instinctively flap my arms and switch weight on my feet without realising it, any tips my fellow actors can give on keeping your body language neautral as possible/ being able to connect it with your head and shoulder acting? Thank YOU! ps. I have ADHD so that doesn't help.
I recently read Jenna Fischers book called "The Actors Life" and absolutely loved it! Wondering if there are any other ones you guys would recommend.
If you've turned down multiple paid gigs then what was the story of either the first or most interesting role you turned down?
I love self tapes. As someone who gets nervous during in person auditions and stresses about forgetting my lines, self tapes are where I feel like my best work gets to shine. They truly are a blessing for me. But being an LA actor, one who moved here from a small town- I miss driving to Hollywood or a studio lot looking my best and feeling like a million bucks. Driving down palm tree lined streets on a beautiful sunny California day, while listening to music that makes you feel something and going over lines. Always having that small glimmer of hope that today could be the day that everything changes. I miss the energy of commercial auditions, and the back and forth banter with a casting director that you really hit it off with. Or that celebratory special treat after an audition, when you feel like you did well. I appreciate self tapes, and the convenience of them. But I’m ready for the world to go back to normal now, because I miss the LA audition experience.
How were they able to get into it and make it 'big'? Example: the actors/actresses in Bridgerton and even Emily in Paris (I'm not sure if they're 'big' in their countries, but they were mostly known for these roles which resulted in their fame).
So this is a project that none of the team is getting paid for, it is all in creative fun. We are a group of animators, music producers, and artists who are trying to make a big thing with a small budget/no budget to make a small demo of a concept. This all sounds pretty vague but I would be more than happy to explain the project in private. The team is all semi professional/in college for our craft and we are doing this at a very laid back in your own time pacing. So if anyone is interested please message me or comment!
I’m just starting out and I’ve started practicing and doing online lessons. I’m excited to be on this journey and want to be a working actor in LA in the next couple of years. I find myself getting anxious and slightly discouraged at times when I hear horror stories of how difficult it is to get anywhere. I’m not in it for the fame, but I’d like to know I could get work and make an impact if I work hard enough. Can you share some rewarding experiences you’ve had on your journey? How long you’ve been acting, if you’ve gotten to work on projects that you’ve enjoyed, and any other advice?
Hey guys, so just a brief bit about me I'm 19, and I've wanted wanted be an actor for awhile, I'm natural at public speaking and just enjoy performing for others. My dream has always been to attend university and study the arts, from music to theatre thats what I wanted. However, my family ain't rich. I'm currently attending community college and studying to be an engineer as I competed and won STEM competitions in highschool and figured if I had to do something "real" I'd enjoy engineering because I enjoy the creative problem solving... but mostly just the creative part lol. My question is this, what I really wanna do is art, acting and music etc. Should I minor in acting and keep my engineering degree to support myself or should I switch and go all in? Thanks in advance!
Hey guys, we have a podcast called Shades Of yellow that focuses on highlighting every-day asian people, including my friend Jim Liu who is an actor in China but is British-Taiwanese. Anyways, he was in a movie called The Farewell with Awkwafina a while back and we got. to talk about what it was like transitioning to be a full time actor in China, and whether or not it's possible for more foreigners to do so. Would love to hear your thoughts and whether or not more foreigners want to enter the China market as actors. https://www.youtube.com/watch?v=eIuNabKTVVw
I have this birthmark on the right side of my forehead about 1 cm across, and I honestly haven't seen many male actors on TV or in films with something like it. I'm not too insecure about it, but I'm a little worried that it could be distracting to a casting director or simply cause me to miss out on a role. Should I consider removing it at some point in the future, or is it something I probably don't need to worry about? (I should probably add that it's easily covered by my hair, and it often is. It's only really noticeable if my hair's combed back and my full forehead is in view.) \[Also, I realize this isn't directly related to this subreddit, but it was the only one I could think of to post it in. If anyone has any other subreddit suggestions please let me know.\]
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
TL;DR. What makes a good acting headshot? What is "standard", and is there any way to "elevate" it so that it stands out, but still fits in? Hey guys, I'm a professional fashion/beauty photographer. I recently met a young actress, and we collaborated on a shoot. She was only 17, so her Mum (Who was also a fashion stylist, and worked at a modelling agency) was involved too. I was careful to shoot a few headshots for each look, but I was pretty confident that with my high megapixel camera I could pull a headshot out of almost anything. We did a mix of natural light, and artificial. She chose her best 5 to give to her agent (I was mostly in agreement), including one we thought was perfect for her professional headshot. That was a softly lit natural light shot, with the head turned maybe just a bit far to be a "traditional" headshot, but we had more straight to camera options too. It was very natural. But her Agent said "They were beautiful, but too 'Modelly' " So I went back to the other shots, cropped about 17 into headshots, and sent them off for approval. Her agent writes back this morning and is in love with one shot (to replace her old headshot), so I was right - and we got the shot. Job done. The thing is... it's absolutely not my fave shot. It's good, but we got better. In this shot she was wearing a low cut collared "business" jacket, and she presents as about 25? Is that a positive considering her actual age maybe? She's looking straight to camera, but it's a straight up fashion shot. Lots of attitude. Fashion lighting. Very editorial. More "modelly" than the one we were rejected on in my eyes. I guess it's a personal preference. But I'm wondering if Acting Agents are looking for something different? Because her Mum (A Model Agent) absolutely loved the other shots for a model folio (her daughter technically isn't one. Concentrates on acting). Also, I'm currently in a small market. And it's not known for being bold. Everything I saw of her other talent was very... safe. Is that a factor? If you could sum up the best acting headshots you've seen or had taken, what would you say they have that makes them work? Is it a certain type of lighting? Location? Expression? Clothing? Is there any way to elevate them beyond what everyone else is doing? Or best to stick to what's proven to work?
I am moving to LA a few months before the major network release of my first supporting role in a drama series. I am aware that it’s hard to get the attention of the big and reputable agencies, but I’d like to know a few things: Are top talent agencies looking for new and upcoming talent? Would they sign someone after they have their first major role in a show? As an actor with only a few credits, would it be harmful to join a top talent agency? Do they treat all talent the same and give all of their talent the same opportunities? And are these agencies all SAG-AFTRA? I have received a SAG invitation, but I won’t join until I have to, but if I get signed, will I have to join? Do I reach out to the agency first? Of course, I’d only reach out if they accept submissions, but do the agencies ever reach out to the talent? Would an email submission considered annoying? If I chose to email, am I supposed to market myself to these agencies and convince them to sign me? Would it be responsible for me to reach out to the agencies BEFORE my first appearance on a major network comes out? And would it be wise to connect with talent repped by these agencies so that I can get a recommendation? I am open to any other creative ways, thoughts, or ideas that can help me sign with a top talent agency. Thank you for taking the time to read this. I really would like to have a strategy going into this industry. And I can use all the help I can get.
We just found out that my daughter was pinned for a series regular role on a SAG-AFTRA pilot for a major streaming service. We know we can't celebrate yet, but I'm new to this and wondering what to expect if she actually gets it. Filming is expected to start in two months. I am wondering: 1. What happens if filming happens in another state/country? Do they help with lodging and travel expenses and things like that, and how would this be decided? What if the parents can't make the move, even if temporary? (We totally can and would, but as she's a minor I'm just wondering how they make this work for everyone involved). 2. Will they let us read the entire script to make sure we approve of the content before agreeing to the terms? 3. Is it possible for the agent to blow the deal and we never even find out that an offer was made/discussed? Does this happen sometimes and the actor never even knows that they were "in the mix"? Thank you!
Hey I am looking to cast 2 male actors for lgbtq role, ages between 16-27, let me know if anyone here would be possibly interested? I am looking for one with a decent athletic build, the other thin-regular.
For the past 15-ish years I have had a passive interest in being an actor. I have had some experience in front of the camera since high school, 8 years ago. Mostly non-directed informative "roles". Some background on unionized sets. I have auditioned for plays, but often found I did things that I had no idea I was doing. Like shifting from side to side too often, or not projecting enough. And with no forgiveness as I would usually do when casting things myself. Not that I do many auditions, but short of my years of experience directing others, I have surprisingly, no f*cking clue how to act. I don't find it feasible to go to school for acting at this point in my life. Are there any good acting resources or help for someone in my boat? Basically I don't even know what I don't know.
I love seeing the tapes that book actors the role. Ruby Barker posted hers on her Instagram – nothing fancy, but such clear choices and facility with Shonda Rhimes' language. Inspiring! [https://www.instagram.com/p/CKY0koujtUz/](https://www.instagram.com/p/CKY0koujtUz/)
Hi there! I am a doctoral student at the University of Oregon trying to get in contact with people who earn some income with acting while also working a full-time job (i.e., 30+ hours a week) unrelated to acting. For my dissertation project, I want to understand the unique experiences of people who have a second source of income that has its origins in a personal passion. I am interested in understanding how this second source of income impacts emotions, attitudes, and behaviors. My study will involve completing 3 short (about 15 minutes each) surveys about three weeks apart each. Participants must also be willing to ask a co-worker at their full-time job to participate in one short study on their behalf. Co-workers do not need to know about your second job or side gig; I only say that the study is about work engagement. All questions in the co-worker survey concern your full-time job and I do not share any information about your second job with your co-worker—surveys are confidential. I reward each participant with a gift card for completing three short surveys and asking a coworker at their full-time job to complete a short survey (co-workers get a gift card, too). If you are an actor in addition to working a full-time job, I would be delighted if you can participate. Shoot me a message and I will get you registered for the study!
What's the average number of auditions an actor was requested in a month? Especially in January when TV Pilot and feature films are preparing to start in the spring.
to my fellow actors who have attention disorders, in the hopes that you're out there, I'm finding that it's been getting in the way more and more lately, but specifically when it comes to my acting / prep work. When I get a scene, I am often unable to see the big picture of the scene or the role because of all the noise in my head, and when it comes time to actually work on the scene, I have so many things to consider (objective, character, relationships, atmosphere, etc) that my mind feels overwhelmed and can barely focus on anything. has anyone found anything that helps you focus when breaking down a scene? or is there anything in particular you guys have found is most useful to focus on? as always, anything is helpful! thanks!
I'm a fan translator, and the characters I usually translate are theater kids. This time, I'm really stuck on how to localize a line. Note that these are all just rough drafts, and translated more literally. >**Tomoya:** Ahaha. More often than not, he overshadows the lead despite being a supporting actor. That guy likes taking up comedic roles. *Actually, with how he grabs everyone's attention in an instant, it's more accurate to say he's a projectile (*[*飛び道具*](https://www.dorakuou.com/kaizoku2/yogo/yogo_t.html)*).* I mean, he never ceases to surprise others. >>**Shinobu:** *"Projectile"? Such as shuriken and blowguns?* >>**Tomoya:** Nah. *It's theater jargon for a character actor (*[色物](http://www.moon-light.ne.jp/termi-nology/meaning/iromono.htm)*).* Since Hibiki-senpai can pretty much do anything, there's no need for him to rely on little tricks. Since a literal translation cannot convey the same nuances a Japanese reader would understand, it has to be localized. Is there a term for a character actor that would somewhat fit in this situation? I do know of "chameleon," but it doesn't have the same "attention-grabbing" meaning "projectile" does.
I’m looking for a A or B list agency! Thank you so much.
I'm a student filmmaker looking to recruit other students at my high school who act in theatre for a talent agency. I'm looking to make a short film which would take multiple hours to shoot - should I try reaching out to the students and ask whether they'd be interested in acting in the film for no pay but a share in the prize if we win an award in a film festival? Due to financial reasons and still being a minor I don't really have money lying around to pay actors for a small film project. One part of me says that asking them to ask without pay is unrealistic as they are part of a talent agency; the other part of me says that they might be willing, since they are still high school students and might be looking for more exposure in the industry. I've also been selected in film festivals before. Reddit, what is your advice on this?
I worked really hard to even get to a point where I get auditions, and the slow drip, the inconsistency / infrequency, the stupid ass co-stars the bad writing, it all just feels like a scam. How many actors are spending their time not working a full time job (because this truly doesn’t allow you too) putting their all into these tapes... for just a few lines.... and god only knows how many tapes casting is seeing. Not only that but the writing is just atrocious, for major shows. I didn’t get into this to play racist cops for poorly written ghetto television shows that further precipitate grotesque racist tropes of both black and white people. I don’t want to tell this story. I don’t want to tell any of these dumb ass shitty stories. I’m tired of sacrificing my life for these self tapes. One of these days I’m going to write a long ass post about the actual realities of being an actor and what my experience has truly been like, the shitty people I’ve met along the way, etc etc. it’s just not what you think it is. The right people don’t get ahead and im really starting to lose respect for this entire process to be honest. Man to come this far and to genuinely conclude that this shit is not for me, unexpected conclusion I’ll tell you that
Here's the email draft so far, for a London casting director. ​ Dear X, I hope you're well. I am writing to introduce myself to you as an actor and 2020 drama school graduate. I am represented by X. I am originally from X and speak X and X bilingually, and I also have a background in dance and modeling. I'm currently based in X, London. \[Insert Photo\] I'm wondering if you're doing any Zoom generals at the moment, and if so, I'd love to meet you and have a chat! I'm a huge admirer of your work, and it would be a privilege to meet you. You can find my Spotlight and showreel by clicking here \[Insert Link\] Wishing you all the best, LoveTempests \_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_ ​ So, is it too short? The general consensus I've seen is that you should keep it short and sweet with casting directors, however I'm worried it doesn't show personality. My heading is always "Graduate Actor, bilingual with modern look" or something along those lines. I heard that "Seeking Representation" is not eye catching enough. \[In the UK, it's customary and expected for actors to email casting directors directly to introduce yourself - I know it's different in other places but here actors do it all the time and CDs expect it, I was taught this at drama school and heard in numerous workshops with top casting directors\]
Based on various videos I've watched about voice acting, I was under the impression that mouth noises were something to be solve by the voice actor during recording, not by audio engineers. However, I often listen to live podcasts, and I never hear mouth noises. I can't imagine the podcasters simply make no mouth noises the entire time. Is this because of superior equipment? is it real-time filtering? Is there a higher standard for things like audio book narration that requires a higher quality recording? Should I simply use filters to remove my mouth noises?
Who are your favorite actors to point to or whom people bring up when they talk about actors who "made it big with no experience"? For example, people highlight that Emma Stone dropped out of high school to move to LA "without any acting classes because she was *that good*". This isn't to disparage Emma Stone, who is a talented and hard working professional - I'm just repeating notions I've heard. I'm from the same city, and I can tell you she worked with probably our most prestigious youth theatre (and they have her posters up to prove it, lol). I think she's talked about working with a coach, too, even if she hasn't had formal schooling. She also made the move with her parents' support and apparently took part in a reality TV competition - and she *still* has several smaller credits over a few years before she "made it". She wasn't "discovered", she was a teenager busting her butt to build on the luck and advantages she already had, and she did so very well. Other examples: Anna Kendrick (who had a Tony nomination at, like, twelve and still lived the "starving artist" life) and Dwayne Johnson (who had fame, consciously transitioned into acting, and made a point of studying the craft). I'm curious: what are the names you hear? What are your counterexamples?
Hi guys, Just wanted to see if there was anyone else who thinks that Stephen Graham is one of the most underrated actors io this generation. For anyone looking for examples of his work to be introduced to him : - This is England (best work) - The irishman - Boardwalk Empire - taboo - band of brothers These are some things he has worked on, please if anyone else in the comments who is a fan has any suggestions from his work then please comment below
Anyone else have random Haters from their acting videos? I mostly post gaming content now, along with other things for promotion, but for whatever reason I've attracted haters again off an old audition tape. It reminds me of my bullies in high school who bullied me more after I was a center of attention in drama class from being a main on a dance show. I think it's envy, but it's interesting how every so often there's faceless recent users with no videos writing an insult with a few likes from others. I've learned to ignore them and report. As far as I know they'll eventually get banned which happened to one.
Hey all! Super excited to reconnect with my theatre/acting side again. Just some background info: I majored in theatre when I was in university. I got a taste of acting when I was 19 and realized that I sucked BIG TIME when I was 20.
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
