This is my favourite part of every actor's resume and I'm curious what you put in yours!
Can a non-union voice actor also do union work? Because I know that union actors aren't allowed to do non-union work or something like that but is it different the other way around? I would assume that non-union voice actors would get paid less.
DIVINE SPARK is looking for 2 actors for an audio recording of a fictional phone transcript. If you are interested, email [devisers@divinespark.co](mailto:devisers@divinespark.co) with your resume. If submitting for Joan, also include your reel or audio reel. If submitting for George W. Bush, also include a recording of yourself doing a Bush impersonation. George W. Bush - The Republican candidate for the Presidency of the United States. A Christian man from Texas. Joan Quigley - The former White House astronomer during the Reagan administration. Organized and analytical. We will be paying $20/hour. The recording should not last longer than 1 hour. More information about DIVINE SPARK can be found at [our website](https://www.divinespark.co/).
Hey all! I'm a young SAG actor and I was wondering how residuals work for tv series on streaming platforms? I'm having difficulty finding an answer online
Title. Actor's Access says "Instructional Media - No files"
when do casting directors usually message you back on actor access for auditions? i recently submitted for a project and been waiting to get the audition portion. When i’ve submitted for other projects they usually responded in 4-5 days lol so also why do they take so long?
Hello /r/VoiceActing, I'm an audio engineer and music producer looking for someone to play the lead role in a pop music based project centered around a ultra-rich girl, Cloé Kore, transforming herself into a pop-star. This has heavy NSFW themes being a pop music/pop culture based project and requires someone with a high comfort level who can commit long-term. Auditions are being held on Casting Call Club right now. You can find them *[here](https://www.castingcall.club/projects/paid-cloe-kore-lead-role-in-exciting-pop-music-project)*. **What's this Character Like?** > Good question. I'm glad you asked! > Cloé is a sharp-tongued, educated, authoritative, and bitterly sarcastic old-money millionaire in her early 20's with unshakeable confidence and unforgiving cruelty. She is business minded and always conducts herself in an assertive, driven manner - never allowing herself to show a moment of weakness. She has a lot in common with the [Alpha Bitch Trope](https://tvtropes.org/pmwiki/pmwiki.php/Main/AlphaBitch). **Why cast an actress to play a singer?** >Good question. I'm a lot more focused on getting Cloé's character to come through rather than getting someone who can perform the music on a technical level. She is not necessarily a talented musician, but very confident either way. **Yikes!** > Yeah, I know. **Any Requirements?** > Good question... ... ... > I am requesting you have a high-quality microphone and low noise recording space. Being able to be loud will likely come in handy. USB microphones are not recommended. > I'm looking for someone with some music knowledge or music background. If you can sing alongside melodies and read poetry quickly and rhythmically, that's something we can work with! > 18+ ONLY! NSFW themes and situations. **Is it only music?** > ... ... ...Good question... ... ... > No, we hope to be branching out into other mediums in the future when appropriate, but music will remain at the center of the brand. There are already non-musical vocal performances planned for this project, but not anything necessarily to do with animation right now. > If you're interested in the sound of this project, you can hear an early demo of one of the songs planned for the EP [here](https://soundcloud.com/cloeunclothed/cloe1/s-BxshCqGfvvC). And another [here](https://soundcloud.com/cloeunclothed/cloe-1/s-TiOhm0h1g8d). > (click the link if the Soundcloud embed doesn't work) **Cha-Ching $$$... ?** > Good question again... You're just full of them aren't you? > This is a paid role at $200 per recording session (maximum of 4 hours per session - min $50/hr). I will be working with you directly so we can discuss things about the character and get the right inflections out of each performance. **How are you doing today :) ?** > Enough questions! >You can find more info on the Casting Call Cub page *[here](https://www.castingcall.club/projects/paid-cloe-kore-lead-role-in-exciting-pop-music-project)*. Thank you for checking out my project! I'm super excited to hear all your auditions!
Hey all, I'm looking for voice actor to perform and record a short script(58 words) for a comedy YouTube channel. The script needs to be read in a legal disclaimer style. Paid gig is for 25$. If interested please private message me with your reel. [Reference of the pace, legal disclaimer starts at 00:37](https://www.youtube.com/watch?v=9s5W78LMlM4)
If I am an actor with a SAG-Aftra membership and I am in a band, do I have to have a waiver or SAG-Aftra participation to be in my own music videos? It might make it a little more complicated, but I'm just wanting to make sure I am not crossing any lines before we start production. I am not a member of AGMA or any other musicians union.
or any experience of any kind?
Hello there, I’m a male new actor, late 20s. I have issues with touch but it’s not from ptsd or sexual abuse or anything. I’m often very uncomfortable with it and don’t know how to do it naturally. I’ve seen in acting classes people spontaneously do stuff like patting someone on the back as they’re walking by. Stuff like that that is normal for people. I don’t know if I can organically do that kind of stuff. I’m also bisexual which gives touch with anyone an extra layer of complexity. Anyways I’d love to hear from others who have maybe had a similar issue as me and what they’ve done about it
Hello! Soooo I have a few things I'd like to get more info on from more experienced actors or people from all sides of the biz. Sorry if some of these are difficult to answer! Background: I'm 24F (can play 17-26), Native American (but submits as ethnically ambiguous), 5ft 5in and average build and learning more about my type as I go along. 1- I recently signed with a boutique agent in LA and I'm super excited (my first agent!). I've signed up for a few casting websites and I'm looking at gigs of course but I'm curious what more I can be doing? So I have an agent, when I'm looking to submit, do I tell my agent every time I submit or can I do a "weekly update"? 2- when watching movies/tv, how exactly do you learn from watching someone's performance? What exactly are you looking for and how do you use it? 3- Another Redditr in r/acting talked about having an "aesthetic" as an actor. How do you decide this? Also, how do I brand myself? (2 in 1 question sorry ) 4- THE BIG QUESTION: How does this game work, and how do I play it well? While success is relative, I want it so bad. I want to be here in this industry, I want to do well. I want more than anything to be considered a somebody (hopefully soon) in this industry. What would you say is a key to get there?
I know they have relationships. I know I am new to them, I know I may not have enough credits for the agents they do have relationships with, so maybe I ask them to help me get somebody closer towards my level? Should I be expecting them to do this on their own? I know that’s what a good manager does. I don’t want to come off annoying and like I’m expecting too much to happen too fast but at the same time you don’t get a trophy or a prize for being afraid to push things, years will pass and nothing will happen if you are not assertive. I just want to work. I signed with them a month ago, I’m kinda surprised they haven’t gotten me any auditons yet, considering my other lower level reps have since the new year. They did mention trying to get me a read for a role on a popular show shooting in their market. While I wrestle with the thoughts of what’s appropriate somebody else is being brave and doing what they have to do for themselves. I just don’t know at what point do I let somebody else entirely steer the ship... I’m still trying to build my ship... and I dont want to shit the bed. Also, when a “bigger” actor has multiple reps, how can you ascertain which one of their reps got them that role? I feel like we do all this research and its not even accurate. all these hidden hands.
I have seen a lot from Marlon Brando,Al Pacino,De Niro etc.I saw Bryan Cranston's Walter White.They were all brilliant,especially Marlon Brando and Al Pacino. But there is no performance that amazed me like Gandolfini's portrayal of Tony Soprano. We are not talking about quality of movies and tv shows from these actors(they are all great).We are just talking pure acting.
# Introduction I am currently working on a mature cartoon titled **"Intercontinental Drag Racing"**. *(I label it as "mature" simply because of some of the swearing and occasional violence in it, though it's nothing too extreme.)* I am currently looking for voice actors to play the roles of main and side characters in the first episode, which is in production. Because of the minimal (and just about nonexistent) budget, the positions are unpaid, but the main characters will have recurring roles if the show continues. **The synopsis:** In a dystopian future obsessed with drag racing, Rho, an orphan racer from the inner city, strives to win the two billion dollar grand prize from the world’s first Intercontinental Drag Race in order to save his home city from its downfall. Each episode aims to be around 18-22 minutes total, which is a similar length to a lot of other mature cartoons (with the best example being Rick and Morty). Below are the characters being cast for the first episode. Included with each character is a "celebrity actor" choice, which helps to better understand what kind of voice we're looking for. # Characters List **RHO (16-18)**, an orphan racer from the inner city. Full of optimism, constantly battling discrimination and loneliness. Refuses to use deadly weapons during races. Japanese. Male. ***Celebrity actor choice: Ryan Potter.*** **LODA (34-38)**, the leader of the city's gang and head of the drug operation. Holds a grudge against Rho for thwarting the gang's plans on multiple occasions. African American. Female. ***Celebrity actor choice: Taraji P. Henson.*** **SPARKS (18-22)**, the youngest member of the gang. Extremely energetic and over-the-top. Always ready to use his electric weapons to gain the edge in races. Male. ***Celebrity actor choice: Zeno Robinson.*** **HOLT (40-50)**, the oldest and most intimidating member of the gang. Adopted a tough/abusive personality after facing a childhood full of trauma. Will fiercely defend fellow gang members, but will never admit to it. Male. ***Celebrity actor choice: Brad Garrett.*** **BUSINESS MAN (20-40)**. Minimal speaking lines, but quite a few "noise" lines. A simple character but vital to the opening of the episode. **WORRIED ANCHORMAN (30-60)**. Speaking lines in the beginning of the episode. Self-explanatory character. **EAGER NEWS ANCHOR (30-60).** Speaking lines halfway through the episode. Self-explanatory character. **TOUGH GANG MEMBER (22-40)**. Challenges the gang's leadership at the end of the episode. Minimal speaking lines. If you're interested in any of these characters, or would simply love to lend your voice to the project, leave a comment or shoot me a message! Anyone interested in the main characters will be sent a portion of the script to audition with. Thanks for reading through all this mumbo-jumbo! Have an incredible day!
[https://www.vice.com/en/article/qjpx7m/wealthy-couple-rodney-baker-charged-for-flying-north-to-take-vaccine-meant-for-yukon-first-nation](https://www.vice.com/en/article/qjpx7m/wealthy-couple-rodney-baker-charged-for-flying-north-to-take-vaccine-meant-for-yukon-first-nation) [https://www.cbc.ca/news/canada/north/great-canadian-gaming-ceo-yukon-covid-vaccines-1.5886734](https://www.cbc.ca/news/canada/north/great-canadian-gaming-ceo-yukon-covid-vaccines-1.5886734) Just curious. Ekaterina Baker has been active for what looks like two years, doing mainly small stuff (although from her [IMDb bio](https://www.imdb.com/name/nm9698063/) she appears to have ambitious aspirations). Curious whether she gets dropped from her agency or is able to find representation/work after this. Any thoughts?
Like all of us, I've had a rough year in this industry. I only auditioned a handful of times, and I got dropped by two agencies. When I was offered the chance to be interviewed for a blog, I had to say yes! Any other actors do some press recently they'd like to share?! I'd love to read up! Link: [https://www.onstageblog.com/profiles/2021/1/23/theatre-conversation-in-a-covid-world-with-montreals-chris-cavener?fbclid=IwAR0dHQm9TtUzfwLd2OjxCt9rxGOp4rOum3nkEI8gO92yTsXJunb4kurWR\_w](https://www.onstageblog.com/profiles/2021/1/23/theatre-conversation-in-a-covid-world-with-montreals-chris-cavener?fbclid=IwAR0dHQm9TtUzfwLd2OjxCt9rxGOp4rOum3nkEI8gO92yTsXJunb4kurWR_w)
so i recently submitted for this role and not even the next day later it said “archive” but i have got a audition or etc. Does that mean that they closed the casting call or? i’m just confused lol
I've learned so much from this Reddit Community, so first of all, thank you! I'm curious - we have all levels of actors on here - and I was wondering if anyone's had a brush with fame and what that felt like when you started to get noticed? Some people think it's great but I don't know...I'm pretty private. I gotten recognized on the train and at the mall a few times when the show I was on came out but that is it. (Obviously pre-Covid.) I liked it because the people were calm, chill, genuine, and it was NYC folk so I feel NYC ppl are not too insane about that kind of stuff in general.
Looking for an actress thats online I am willing to pay 25/hr, nothing sexual or illegal dm me if interested
This morning I decided I will make plans to pursue a hidden dream. I go out for a walk at noon, towards the town center, while listening to Dave Chappelle. At one point in the video, he says the word "Artform". I have a habit of looking down while I am listening and walking but THE MOMENT he says that word, I look up, and to my left I see a building in black paint with the word ARTFORM painted on it in white. It was never there before today. The building was there, but not the ARTFORM sign and the fresh black and White paint. I think I am gonna be an actor. If you believe me, let me know. If I ever become famous I promise to come back to this and find you. If you don't believe me, well, how many people didn't believe YOU could become an actor? ;)
Hope this isn't inappropriate. I'm planning to move there as soon as possible and / or sensible after lockdown and it would be nice to know some fellow actors before I do! Like: Podcasts, meisner technique, music, inclusivity, comedy If that sounds cool, my chat is open! Thanks!
I guess this question is more for the one's who have interned/worked at a CD office. I realized that the producers/decision makers probably don't have access to our full Actor's Access profiles...so what materials do CD's usually send to accompany our tapes? Also I'd like to know how the CD's share the tapes. Is it through DropBox or some other sharing medium. Is this also why having a professional website/ IMDb profile with all your headshots is important?
I recently did a short film in which one of the cast members decided to add their part to their IMDb credits, so there was a profile created automatically for me. Now that the casting landscape as turned to digital, actor's IMDb is inevitably going to be searched up by CD, producers, directors. So I was wondering, is it worth buying IMDb Pro to up my game? I never booked anything professional so all I can add are my student film credits. Please let me know your thoughts, thanks!
Hi. I'm currently planning on starting a youtube channel in order to build a video production portfolio. I want to start doing freelance work as well as potentially apply for jobs. So I need some content under my belt. It's something I've always wanted to do and I beleive in my ability to do it if I just get the ball rolling. My idea for my first project is to write a bunch of short scripts, perhaps 5 pages or so. Just short conversations between two people exploring various moments in human relationships. Conflicts between lovers, general discussions with family members, comedic exchanges between friends, people giving each other advice. Anything and everything that people might talk about. I want to focus on human interaction in all of it's forms, condensed into short 5 minute conversations. Actors of all ages, races and genders are welcome. I will be starting this project at some point in 2021. I'm based in Birmingham so the ability to travel to Birmingham would be essential. However depending on ideas and scripts I may go to other places. Of course Covid is a bit of a pain so we'll have to see how it goes. Given the brief nature of the videos I plan on making, shooting wouldn't take more than a day. I plan on having scenes already set up and lit a certain way to give a professional, cinematic feel. And I will absolutely pay you for your time. Hopefully it can be a mutually beneficial experience and add to not only my portfolio, but yours as an actor as well. I'd love to get in touch with some actors here in the UK who might be interested in being a part of this sort of thing. And even though starting this project is probably a little way off yet, it'd be nice to at least get in contact with people willing to take part so that I can contact you when I'm ready to shoot. ​ Thanks very much! Liam.
These are trying times for us all but that shouldn’t mean no longer being able to do the things we want so terribly to take part in! I am going to be putting together a cast, complete for background vocals, characters, and the like for those who are interested in being a part of the Waitress! Due to the Pandemic, of course, this will most likely manifest as a voice over/recorded reading of the script and its songs! I will spend as long as need be screening all those who are interested in the available positions and keep a solid hold on updating a list of Currently Available/ Taken parts! Current Prerequisites are as follows: - Due to the implicit sexual/serious nature of the Piece, This is a 18+ production. - You must have a basic understanding of sheet music, how to read it, and a moderate singing ability. You don’t have to sound like Patti Lupone, so don’t stress it! - For Speaking Only Parts, Disregard the previous bullet. - Originality is a must! While it’s good to fit the dynamic of your given role, preference towards originality is best! If you naturally sound like one of the fantastic Actresses/Actors from previous popular renditions, that’s fine. - Must use a Laptop/Desktop as this will be a virtual production - For Both Singing/Speaking the parts, a decent quality Microphone **IS A MUST**. Our read throughs/recording will require a decent audio quality and need a decent quality microphone to match. This will be a slow rolling production so if you audition and get the part for your desired/other role, don’t worry! I’ll be in constant contact, just understand this production will take time! If you are interested please send me a message at the contact information listed on my profile Bio! Thank you so much for your time, and I look forward to working with all of you Current Cast Availability: O = Open. T = Taken - Jenna Hunterson = O - Cal = O - Becky = O - Dawn = O - Joe = O - Earl = O - Nurse Norma = O - Dr. Jim Pomanner = O - Mrs. Pomanner = O - Ensemble — 3 Female 3 Male = O
Unless the scene clearly calls for an outward display of a particular emotion—sadness, pleading, joy—I’ve finding that most men, especially in typically masculine roles, project their voices in often low, sometimes whispery tones and there’s minimal inflection or lilt. As an amateur male actor who thought I need to express and vary my tone more as part of my beginner training, it’s seeming like that heightened expressiveness is situational.
Suppose I needed to book some actors for the following specific shoots. It was a video shoot, but the entire shoot would feature a single actor monologuing into the camera. The camera(s) would not move nor would the lighting. There would be nothing to adjust or slow the shoot down. There would only be one actor on the set. The pace the shoot moves at would entirely be up to them. We wouldn't even be cutting the camera between scenes, it would be our editor's job to dig through the footage and extract the usable parts (I'm the editor and my time isn't as valuable as a paid actor's time is). The entire shoot would consist of reciting 20-23 monologues, each 45-90 seconds long. They are dialogue only, the actor will be seated the entire time. The script would be provided well in advance of the shoot. The total length of all monologues would be between 15-25 minutes. How long do you think this would take? I'll need to book actors and rent location space for enough time to make sure we can get done. There would actually be several actors needed for shoots identical to this one (that's why there's a range listed for number of monologues) so if I get my estimate wrong it could cause a lot of problems. How long do you think would be appropriate?
So I'm a VA who has only recorded for video games and animation. It's occurred to me recently that if I want an agent, I need a commercial reel. I've listened to many different commercial reels on agency sites but every actor seems to have a reel made up of reads for big brand spots. My question is this: if you haven't done big brand work, what do you do? Read fake scripts for big brands? Read fake scripts for made-up brands? I'm not really sure what the etiquette or expectation is regarding commercial reels when it comes to agents and I don't want to send something over that could reduce my chances of being represented. Any advice would be much appreciated.
So you’re going into 2021 with the resolve that you’re finally going to follow after your long held dream of wanting to join the world of acting. You love everything acting; films, TV, acting as a vocation, the industry, changing voices, changing identity... everything! The only problem? You’re a complete acting noob!! For real this is me. I do love everything about acting and i’ve wanted to be an actor for a long time. Even before I had a comprehension of what an actor was, I just watched films and knew I wanted to be that guy! The cool or funny or evil or ugly or heroic guy on the big screen. But unfortunately the closest thing i’ve done to acting is an Oliver Twist play when I was very young. And I was painfully bad, I think even my mom may have walked out it was so bad. And thus! What instructions & advice would you give to a complete novice in order for them to get on the road to one day calling themselves a pro actor? :) thank you!!
These are trying times for us all but that shouldn’t mean no longer being able to do the things we want so terribly to take part in! I am going to be putting together a cast, complete for background vocals, characters, and the like for those who are interested in being a part of the Waitress! Due to the Pandemic, of course, this will most likely manifest as a voice over/recorded reading of the script and its songs! I will spend as long as need be screening all those who are interested in the available positions and keep a solid hold on updating a list of Currently Available/ Taken parts! Current Prerequisites are as follows: - Due to the implicit sexual/serious nature of the Piece, This is a 18+ production. - You must have a basic understanding of sheet music, how to read it, and a moderate singing ability. You don’t have to sound like Patti Lupone, so don’t stress it! - For Speaking Only Parts, Disregard the previous bullet. - Originality is a must! While it’s good to fit the dynamic of your given role, preference towards originality is best! If you naturally sound like one of the fantastic Actresses/Actors from previous popular renditions, that’s fine. - Must use a Laptop/Desktop as this will be a virtual production - For Both Singing/Speaking the parts, a decent quality Microphone **IS A MUST**. Our read throughs/recording will require a decent audio quality and need a decent quality microphone to match. This will be a slow rolling production so if you audition and get the part for your desired/other role, don’t worry! I’ll be in constant contact, just understand this production will take time! If you are interested please send me a message at the contact information listed on my profile Bio! Thank you so much for your time, and I look forward to working with all of you Current Cast Availability/ Character Breakdown O = Open. T = Taken *Singing Parts* - Jenna Hunterson = O Female, 20’s-30’s. Any ethnicity. A woman stuck in her life as an unhappily married waitress in a small town. Finds some happiness and expression through her meticulous baking of pies and her friendships with her coworkers, Dawn and Becky. Lives her live paycheck-to-paycheck, day by day, and wants nothing more than to get away and start fresh, unbeknownst to her destructive husband, Earl. Must have a fantastic pop/rock voice with great range. PRINCIPAL - Becky = O Female, early 40’s-early 50’s, ANY ethnicity. The oldest of the three waitresses. Irreverent, irascible, been there, made it back, and somehow kept her forward and sometimes wicked sense of humor with excellent comedic timing. Must have a soulful pop voice with an excellent pop belt. PRINCIPAL - Dawn = O Female, 20’s, any ethnicity. She youngest of the waitresses. Thick glasses, hair parted 14 centimeters to the left — eccentric is the nice way to say she’s slightly unusual, and not so slightly OCD. She sets the tables, painstakingly insuring each salt and pepper-shaker is equidistant from the napkin holder. Must have an excellent pop/rock/folk voice. PRINCIPAL - Ogie = O Male, 30’s, any ethnicity. Strange, yet oddly lovable. Becomes slightly obsessed with Dawn (in a hilarious yet endearing way) after she goes on a 5-minute date with him. Quirky, incredibly persistent, and odd, yet kind. Should have excellent comedic timing. Must have an excellent pop/rock tenor/baritenor sound. PRINCIPAL - Cal = O Male, any ethnicity, 40’s. CAL: A chef at the diner. A “Salt of the Earth” guy’s guy surrounded by gals. Brash, impatient, unsentimental, but somehow charming. Should have a strong pop/rock voice with great comedic chops. Must have a strong contemporary baritone singing voice in the style of Sara Bareilles and have excellent comedic timing. Will also understudy the role of; - Joe = O Male, 60’s-70’s, any ethnicity. The owner of the diner where Jenna, Dawn, Becky, and Cal work. A seemingly old, curmudgeonly man who has a soft spot for Jenna (and her pie), warm at heart. A sarcastically funny and no-nonsense guy with a keen ability to read people. Very funny. PRINCIPAL. - Earl = O Male, 20’S-30’s. Caucasian. Jenna’s husband. Peaked in high school, handsome in a gruff way, but that face is clouded with broken dreams, drowned with cheap beer. Just enough narcissism mixed with stupidity, to be a potent Molotov cocktail that can explode into unexpected anger one second and then turn into a sobbing mess the next. Actors auditioning for EARL would need to come prepared with a song in the vein of Elton John or a similar contemporary singer/songwriter. Guitar playing a plus. PRINCIPAL - Dr. Jim Pomatter = O Male, 30’s-early 40’s, any ethnicity. Handsome, endearing, and neurotic. Has a warm, if clumsy, matter. Jenna’s gynecologist with whom an unexpected extramarital affair is born. Has a quirky sense of humor and a big heart, despite the fact that he’s contributing to the affair. Must have impeccable comedic timing and must move well. Should have a very strong pop/rock tenor that can navigate the musical style of Sara Bareilles with ease. PRINCIPAL. - **Ensemble** — - Females, any ethnicity, ranging from 20’s to 30’s. Must have excellent pop/rock voices in the style of Sara Bareilles. Must have excellent comedic timing and be able to play a range of characters comprising the community in which the story takes place. Must be strong movers/dancers. 4 FEMALE ENSEMBLE PLUS 2 FEMALE SWINGS - Males, any ethnicity, ranging from Mid-Late 20’s to late 40’s. Must have excellent pop/rock voices in the style of Sara Bareilles. Must have excellent comedic timing and be able to play a range of characters comprising the community in which the story takes place. Must be strong movers/dancers. 3 MALE ENSEMBLE PLUS 2 MALE SWINGS *Speaking parts* - Nurse Norma = O Female, 20’s to 30’s, any ethnicity. Nurse Norma is a nurse at the doctor’s office where Dr. Jim Pomatter works, as well as St. Joseph’s Hospital, where she supports him in delivering children. She is secretly aware of his affair with Jenna Hunterson and is a fan of the pies she brings to the office. - Francine Pomatter = O Female, Mid 30’s to early 40, any ethnicity. Wife to Dr. Pomatter and doing residency at St. Joseph’s Hospital. She is unaware of the affair between Jim and Jenna, and is only seen before Jenna’s birth.
HI! Im figuring out my actor type, and I've set up a tool I learned from a book called "Self-Management for Actors". It's just a short 5 minute survey. It's anonymous, and all answers are appreciated! Here's the link:[https://docs.google.com/forms/d/19\_1a-HfMKWC30ARHzM40stt0xcvM1ceovkLvjaNgO6s/edit](https://docs.google.com/forms/d/19_1a-HfMKWC30ARHzM40stt0xcvM1ceovkLvjaNgO6s/edit) Thanks everyone!
Hey all! I recently participated in an open call, and was lucky enough to be contacted by a reputable Los Angeles Talent Manager who set up a meeting with me! I'm curious if there is anything specific I should expect other than us getting to know one another, and me asking her a few questions... should I expect to perform? I have experience with agency meetings in the smaller market that I'm a part of, but am not sure how greatly agency meetings differ from management meetings. I'd love to hear from working actors who could give me some perspective! Thanks so much.
Hey guys, just posting to say that if anyone needs a voice actress, you can PM me! I am new so I don’t have a demo, unfortunately, but I have a few auditions that I could send to anyone who needs it! I can do voices ranging from Barbie to Catwoman; I have a pretty good voice range. If you need a certain type of voice just let me know and I will be willing to do the best I can! I can also do a good British accent and Southern. I’m working on my Australian and Brooklyn accents, so with a little practice those will be more I can do. I am looking for any experience I can, whether it be for films, audiobooks, or video games! I am open to all VA and VO work. I am also a singer, if you need that for anything. My vocal range is soprano for my high range and pretty low alto for my low range. Please PM me if you need my voice for anything!
[the appointment](https://youtu.be/i-aHECWFp8g) Dear all, I’m a amateur student actor and filmmaker have first time experience in making my own film. The film below is called the appoinment which shows a patient and a therapist. However there is more than meets the eyes to the doctor. Please comment on what’s great and improvements could be made for this film. Bless yall
Hi, I am the director of a short film born of a Reddit post last year. We came together after meeting on Reddit and wrote a screeplay for a short film. Now, we are preparing to move into production and are looking for interested actors who would like to audition. For more information, please email me at LMaF.Submissions@gmail.com On behalf of the Let's Make a Film team. *This is a non-profit film.
I’m 15 I live in the EU. My parents are Vietnamese. My dream have always been to be come an childhood actor in an American movie, but there’s 3 problems. 1. I don’t live in the US, and my English is only okay. 2. There’s barely a demand for Asian roles, let alone me being from Vietnam. 3. I don’t where or how I’m gonna get started. I do have some acting experience, from participation in school theaters. But that’s about it. I wish to pursue the career of being a childhood actor, but I’m pretty certain that I should just forget about it. I would like some advice.
I've been in and around the acting community for the past 12 years. During lockdown I've been reflecting on some of my actor training and classes. I've had some amazing, encouraging teachers and have dealt with some lovely casting directors but I've come across real bullies aswell who abuse the power they have. I've had a teacher roll up a newspaper and start whacking me violently with it to get a performance out of me, I've had teachers humiliate me in front of other students. I've had a casting director scream at me in an audition room saying how horrific I am and if only I could see how horrific my audition is. I've had an old agent say to me it's 'fxxin ridiculous that people say to you, you have a career in this industry'. I've been on the receiving of so much of this type of behaviour. I used to think that in order to be a successful actor you had to be 'tested' in order to survive and to develop a thick skin. Pre covid I had an actor friend crying her eyes out at the treatment she and her classmates received at a casting director workshop. I've heard of some classes where people have come out suicidal from the humiliation they received. I've also witnessed another friend of mine having a panic attack after coming out of meisner class. I wish I could go back and tell my younger self that this behaviour is not ok and to step away from those abusive people and classes but it is so difficult when you're trying to pursue your acting dreams. What are other people's experiences with abusive acting teachers/casting directors/agents?
I got the role really quickly. I auditioned once, a last-minute audition, and was told I got the role one day later. I had never had any acting experience, and I got the lead role. But I read the play, and it felt like a pity hire. The character was trans, and I was the only trans actor to audition. So, after some consideration, I've decided to drop the play. Completely. I'm done. My first ever play, with a lead role, and I dropped it. All because I was anxious and I hated the fact that I really wasn't chosen for the role but, instead, because I was trans. I'm either a fucking idiot or valid haha. But I feel better and less anxious already.
The last year and a half I was forced to live with a psychopath. A person whose only goal in life is to ruin my life. Little back story this man is my abusive "brother". He has made my life impossible to start. At age 18 I was SUPPOSE to be a radio DJ at our local college and he went out of his way to make sure I didn't THEN goes on and yells at me that if I don't become nothing by 23 he will kill me. He did go to prison for a while and that's when I got started on auditioning. And that's just one of many horrible moments. I should state I am very poor and pretty much forced to live at home with my mom. I'm also a care taker for her so I kinda can't leave, yet Fast forward to present day. I talked to my best friend and we made a voice over booth. We converted a closet into one. Its not the best but when your in it your ears get a odd feeling. Yes I have to go back home to that horrible stain of a human every few days to check up on my mom. But he's left me be since he's got back. But just to hear him laugh watching tv, or hear him talk about crazy government conspiracies is absolutely maddening. my mom told him what he did (he was a drinker, has no memory) and realized the damage he did. I will never forgive him and frankly his prison sentence should have been much long! I did some auditions on casting call club. It was a very emotional moment. I spent the last year mentoring a few other rookie voice actors. Some were able to actually get jobs. it really hurt. Of course I was happy for them but I missed the feeling of auditioning. I missed the people and looking for fun jobs. There were days where I wouldn't talk. I counted once. It was less then 20 words one day Now that I have that ability. I've been working out. I've been much happier. I'm constantly relearning my technique and technology. And yeah my first audition was very garbage but at least I CAN.
Hello guys. I signed to an acting agency couple of weeks ago that sold me overpriced headshots ( $770 ) + other craps they make you believe you’re getting for free but in reality your paying for ( like a day acting class ). That being said. I paid an additional $175 to have 2 scenes recorded a monologue and a couple scene. Since I am paying I found very weird that I wasn’t able to pick my own scenes but that they decided this for the actors. My couple scene tho was going to highlight the other actress giving me only couple of lines to deliver: if I am paying for a product that it’s supposed to promote me and sell my talent I don’t see why I am paying to be a supporting actress? When I called and explained the situation Iv got shut down and basically got couple scene annulled if I didn’t want to do it their way. I decided I am not gonna show for the monologue as well. They make you pay everything upfront tho and sign a silly agreement that you understand you’re not gonna get refunded for pre-booked payments ( but they also tell you can’t get scheduled for a showreel session unless you pay upfront (?)... I know that I fucked myself signing but is there a way I can get my money back? Maybe because on the agreement it shows that the $175 would be for the editor to put your scenes on YouTube and stuff but if I don’t shoot the material than where the money going ? I tried to call and send emails but they are gone to ignore me. Please help
Hi there, I’m looking for a voice actress to work on my 40 second skit on my debut EP. This is a passion project and everything is home-made, so I don’t have a massive budget. I can offer very little, and 100% royalties from the skit. PM me for details if interested. Thank you.
Hey there, I am working on a single character (preferably male 16 - 25 y/o) short film. I request interested actors willing to contribute for free to hit me up so that we can discuss further details. I plan to enter the film in festivals later this year.
Greetings from the Cherokee Nation Film Office! I am Preston Smith, CNFO database specialist, and we are looking to connect with Native American actors. CNFO works to increase the presence of Native Americans in every level of the film and TV industries. We have launched the first-ever all-Native directories of talent, crew, consultants, and film-friendly business and support services that are within the Cherokee Nation and/or are Native American. You can learn more about the directories [here](https://cherokee.film/cnfo-native-talent-directory/). These directories are one-stop-shop for productions looking to hire Native Americans in the industry. It is our goal to start a conversation with you to spread the word these directories exist and are open for all Native Americans to join. To register, just log onto [www.cherokee.film](http://www.cherokee.film/) and sign up under our “Directories” tab. Contact me with questions about submissions or any other information that is needed. at [preston.smith@cn-bus.com](mailto:preston.smith@cn-bus.com) Wado! (thank you)
I know this is a silly question, and I’m not sure if this is the right subreddit for this question, but I’m really curious so I’m hoping someone knows the answer. When you think of a typical tv series, the characters tend to have a whole new outfit in each “day” of the episode, which includes new shoes. But as many of us know, when you wear brand new shoes, a lot of times they can be really uncomfortable and painful for a few weeks. Are actors just constantly working through that pain from the non-stop new shoes they wear in almost every scene?
Hi, New actor looking for some formal training for acting. What are the best classes/schools for acting in Toronto that I can attend and why? Quite hard looking for a school when only really TFS shows up and schools that are out of province. I have seen a lot of positive feedback for LBStudios and Pro Labs. Any reason why they are so reputable? I don't see much reviews online outside of reddit. Thank you ! :)
I’m 15 and I want to be an actor and I have an audition to get in to acting classes soon. So far things are going well and I remember my verse for the audition. Although I think I may need to get a job soon to save up for things like a car and other things that I may need. Please give me some advice and also tell me what you think about my situation right now, is it good or bad? Please pray for me, God bless.
Hello! This has been bothering me for so so long, I’m trying to identify a play I saw at Colorado Thescon 2019. I hope someone knows what I’m thinking about! It was a one act with a small cast, I want to say 7 actors? The gist of it was this: - A student (I think girl?) who is incredibly intelligent is placed into a special gifted kid school. - At said school, her classmates, kids her age, are all acting incredibly childish, throwing tantrums and everything. - The teacher assigned things like coloring and other child like tasks. - The new gifted student is confused by their actions and gets upset that this can’t possibly be the right class. - The big plot turn is that it’s a school for the incredibly gifted, but not to keep pushing them, but to let them relax and act like children since they matured so fast.
I’ve listened to so many comparisons on YouTube but I still just can’t decide, the u87 seems to be the highest end for voice over and basically can be the end game mic for my career, but so many professional voice actors who I am friends with choose the TLM 103. Any opinions or personal experience you’d like to share?
Hello, If you're reading this then you must agree with the title. I am working on a solution to that issue and wanted some feedback from my fellow actors-in-law. What separates this online casting platform from other platforms is that we leverage AI to find positions based on your face and other factors to automatically apply you to jobs that are most relevant to you. For example, if a Casting Directors post a job they can include a face with that position. Now for the user you will not need to apply to multiple positions, our system will automatically pick out the jobs you have the best resemblance to what the casting director wants and apply to that position along with other data-points. This would solve the issue of you having to apply for hundreds of roles that the CD are not a good fit for you due to what the CD had in mine, while at the same time allowing you to apply to multiple positions you are a fit for. I wanted to get the communities input on a service like this, which imo would be an improvement to the services out there today (Backstagae, Actors Access, etc). Thank you
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.