Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
TL;DR. What makes a good acting headshot? What is "standard", and is there any way to "elevate" it so that it stands out, but still fits in? Hey guys, I'm a professional fashion/beauty photographer. I recently met a young actress, and we collaborated on a shoot. She was only 17, so her Mum (Who was also a fashion stylist, and worked at a modelling agency) was involved too. I was careful to shoot a few headshots for each look, but I was pretty confident that with my high megapixel camera I could pull a headshot out of almost anything. We did a mix of natural light, and artificial. She chose her best 5 to give to her agent (I was mostly in agreement), including one we thought was perfect for her professional headshot. That was a softly lit natural light shot, with the head turned maybe just a bit far to be a "traditional" headshot, but we had more straight to camera options too. It was very natural. But her Agent said "They were beautiful, but too 'Modelly' " So I went back to the other shots, cropped about 17 into headshots, and sent them off for approval. Her agent writes back this morning and is in love with one shot (to replace her old headshot), so I was right - and we got the shot. Job done. The thing is... it's absolutely not my fave shot. It's good, but we got better. In this shot she was wearing a low cut collared "business" jacket, and she presents as about 25? Is that a positive considering her actual age maybe? She's looking straight to camera, but it's a straight up fashion shot. Lots of attitude. Fashion lighting. Very editorial. More "modelly" than the one we were rejected on in my eyes. I guess it's a personal preference. But I'm wondering if Acting Agents are looking for something different? Because her Mum (A Model Agent) absolutely loved the other shots for a model folio (her daughter technically isn't one. Concentrates on acting). Also, I'm currently in a small market. And it's not known for being bold. Everything I saw of her other talent was very... safe. Is that a factor? If you could sum up the best acting headshots you've seen or had taken, what would you say they have that makes them work? Is it a certain type of lighting? Location? Expression? Clothing? Is there any way to elevate them beyond what everyone else is doing? Or best to stick to what's proven to work?
I am moving to LA a few months before the major network release of my first supporting role in a drama series. I am aware that it’s hard to get the attention of the big and reputable agencies, but I’d like to know a few things: Are top talent agencies looking for new and upcoming talent? Would they sign someone after they have their first major role in a show? As an actor with only a few credits, would it be harmful to join a top talent agency? Do they treat all talent the same and give all of their talent the same opportunities? And are these agencies all SAG-AFTRA? I have received a SAG invitation, but I won’t join until I have to, but if I get signed, will I have to join? Do I reach out to the agency first? Of course, I’d only reach out if they accept submissions, but do the agencies ever reach out to the talent? Would an email submission considered annoying? If I chose to email, am I supposed to market myself to these agencies and convince them to sign me? Would it be responsible for me to reach out to the agencies BEFORE my first appearance on a major network comes out? And would it be wise to connect with talent repped by these agencies so that I can get a recommendation? I am open to any other creative ways, thoughts, or ideas that can help me sign with a top talent agency. Thank you for taking the time to read this. I really would like to have a strategy going into this industry. And I can use all the help I can get.
We just found out that my daughter was pinned for a series regular role on a SAG-AFTRA pilot for a major streaming service. We know we can't celebrate yet, but I'm new to this and wondering what to expect if she actually gets it. Filming is expected to start in two months. I am wondering: 1. What happens if filming happens in another state/country? Do they help with lodging and travel expenses and things like that, and how would this be decided? What if the parents can't make the move, even if temporary? (We totally can and would, but as she's a minor I'm just wondering how they make this work for everyone involved). 2. Will they let us read the entire script to make sure we approve of the content before agreeing to the terms? 3. Is it possible for the agent to blow the deal and we never even find out that an offer was made/discussed? Does this happen sometimes and the actor never even knows that they were "in the mix"? Thank you!
Hey I am looking to cast 2 male actors for lgbtq role, ages between 16-27, let me know if anyone here would be possibly interested? I am looking for one with a decent athletic build, the other thin-regular.
For the past 15-ish years I have had a passive interest in being an actor. I have had some experience in front of the camera since high school, 8 years ago. Mostly non-directed informative "roles". Some background on unionized sets. I have auditioned for plays, but often found I did things that I had no idea I was doing. Like shifting from side to side too often, or not projecting enough. And with no forgiveness as I would usually do when casting things myself. Not that I do many auditions, but short of my years of experience directing others, I have surprisingly, no f*cking clue how to act. I don't find it feasible to go to school for acting at this point in my life. Are there any good acting resources or help for someone in my boat? Basically I don't even know what I don't know.
I love seeing the tapes that book actors the role. Ruby Barker posted hers on her Instagram – nothing fancy, but such clear choices and facility with Shonda Rhimes' language. Inspiring! [https://www.instagram.com/p/CKY0koujtUz/](https://www.instagram.com/p/CKY0koujtUz/)
Hi there! I am a doctoral student at the University of Oregon trying to get in contact with people who earn some income with acting while also working a full-time job (i.e., 30+ hours a week) unrelated to acting. For my dissertation project, I want to understand the unique experiences of people who have a second source of income that has its origins in a personal passion. I am interested in understanding how this second source of income impacts emotions, attitudes, and behaviors. My study will involve completing 3 short (about 15 minutes each) surveys about three weeks apart each. Participants must also be willing to ask a co-worker at their full-time job to participate in one short study on their behalf. Co-workers do not need to know about your second job or side gig; I only say that the study is about work engagement. All questions in the co-worker survey concern your full-time job and I do not share any information about your second job with your co-worker—surveys are confidential. I reward each participant with a gift card for completing three short surveys and asking a coworker at their full-time job to complete a short survey (co-workers get a gift card, too). If you are an actor in addition to working a full-time job, I would be delighted if you can participate. Shoot me a message and I will get you registered for the study!
What's the average number of auditions an actor was requested in a month? Especially in January when TV Pilot and feature films are preparing to start in the spring.
to my fellow actors who have attention disorders, in the hopes that you're out there, I'm finding that it's been getting in the way more and more lately, but specifically when it comes to my acting / prep work. When I get a scene, I am often unable to see the big picture of the scene or the role because of all the noise in my head, and when it comes time to actually work on the scene, I have so many things to consider (objective, character, relationships, atmosphere, etc) that my mind feels overwhelmed and can barely focus on anything. has anyone found anything that helps you focus when breaking down a scene? or is there anything in particular you guys have found is most useful to focus on? as always, anything is helpful! thanks!
I'm a fan translator, and the characters I usually translate are theater kids. This time, I'm really stuck on how to localize a line. Note that these are all just rough drafts, and translated more literally. >**Tomoya:** Ahaha. More often than not, he overshadows the lead despite being a supporting actor. That guy likes taking up comedic roles. *Actually, with how he grabs everyone's attention in an instant, it's more accurate to say he's a projectile (*[*飛び道具*](https://www.dorakuou.com/kaizoku2/yogo/yogo_t.html)*).* I mean, he never ceases to surprise others. >>**Shinobu:** *"Projectile"? Such as shuriken and blowguns?* >>**Tomoya:** Nah. *It's theater jargon for a character actor (*[色物](http://www.moon-light.ne.jp/termi-nology/meaning/iromono.htm)*).* Since Hibiki-senpai can pretty much do anything, there's no need for him to rely on little tricks. Since a literal translation cannot convey the same nuances a Japanese reader would understand, it has to be localized. Is there a term for a character actor that would somewhat fit in this situation? I do know of "chameleon," but it doesn't have the same "attention-grabbing" meaning "projectile" does.
I’m looking for a A or B list agency! Thank you so much.
I'm a student filmmaker looking to recruit other students at my high school who act in theatre for a talent agency. I'm looking to make a short film which would take multiple hours to shoot - should I try reaching out to the students and ask whether they'd be interested in acting in the film for no pay but a share in the prize if we win an award in a film festival? Due to financial reasons and still being a minor I don't really have money lying around to pay actors for a small film project. One part of me says that asking them to ask without pay is unrealistic as they are part of a talent agency; the other part of me says that they might be willing, since they are still high school students and might be looking for more exposure in the industry. I've also been selected in film festivals before. Reddit, what is your advice on this?
I worked really hard to even get to a point where I get auditions, and the slow drip, the inconsistency / infrequency, the stupid ass co-stars the bad writing, it all just feels like a scam. How many actors are spending their time not working a full time job (because this truly doesn’t allow you too) putting their all into these tapes... for just a few lines.... and god only knows how many tapes casting is seeing. Not only that but the writing is just atrocious, for major shows. I didn’t get into this to play racist cops for poorly written ghetto television shows that further precipitate grotesque racist tropes of both black and white people. I don’t want to tell this story. I don’t want to tell any of these dumb ass shitty stories. I’m tired of sacrificing my life for these self tapes. One of these days I’m going to write a long ass post about the actual realities of being an actor and what my experience has truly been like, the shitty people I’ve met along the way, etc etc. it’s just not what you think it is. The right people don’t get ahead and im really starting to lose respect for this entire process to be honest. Man to come this far and to genuinely conclude that this shit is not for me, unexpected conclusion I’ll tell you that
Here's the email draft so far, for a London casting director. ​ Dear X, I hope you're well. I am writing to introduce myself to you as an actor and 2020 drama school graduate. I am represented by X. I am originally from X and speak X and X bilingually, and I also have a background in dance and modeling. I'm currently based in X, London. \[Insert Photo\] I'm wondering if you're doing any Zoom generals at the moment, and if so, I'd love to meet you and have a chat! I'm a huge admirer of your work, and it would be a privilege to meet you. You can find my Spotlight and showreel by clicking here \[Insert Link\] Wishing you all the best, LoveTempests \_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_ ​ So, is it too short? The general consensus I've seen is that you should keep it short and sweet with casting directors, however I'm worried it doesn't show personality. My heading is always "Graduate Actor, bilingual with modern look" or something along those lines. I heard that "Seeking Representation" is not eye catching enough. \[In the UK, it's customary and expected for actors to email casting directors directly to introduce yourself - I know it's different in other places but here actors do it all the time and CDs expect it, I was taught this at drama school and heard in numerous workshops with top casting directors\]
Based on various videos I've watched about voice acting, I was under the impression that mouth noises were something to be solve by the voice actor during recording, not by audio engineers. However, I often listen to live podcasts, and I never hear mouth noises. I can't imagine the podcasters simply make no mouth noises the entire time. Is this because of superior equipment? is it real-time filtering? Is there a higher standard for things like audio book narration that requires a higher quality recording? Should I simply use filters to remove my mouth noises?
Who are your favorite actors to point to or whom people bring up when they talk about actors who "made it big with no experience"? For example, people highlight that Emma Stone dropped out of high school to move to LA "without any acting classes because she was *that good*". This isn't to disparage Emma Stone, who is a talented and hard working professional - I'm just repeating notions I've heard. I'm from the same city, and I can tell you she worked with probably our most prestigious youth theatre (and they have her posters up to prove it, lol). I think she's talked about working with a coach, too, even if she hasn't had formal schooling. She also made the move with her parents' support and apparently took part in a reality TV competition - and she *still* has several smaller credits over a few years before she "made it". She wasn't "discovered", she was a teenager busting her butt to build on the luck and advantages she already had, and she did so very well. Other examples: Anna Kendrick (who had a Tony nomination at, like, twelve and still lived the "starving artist" life) and Dwayne Johnson (who had fame, consciously transitioned into acting, and made a point of studying the craft). I'm curious: what are the names you hear? What are your counterexamples?
Hi guys, Just wanted to see if there was anyone else who thinks that Stephen Graham is one of the most underrated actors io this generation. For anyone looking for examples of his work to be introduced to him : - This is England (best work) - The irishman - Boardwalk Empire - taboo - band of brothers These are some things he has worked on, please if anyone else in the comments who is a fan has any suggestions from his work then please comment below
Anyone else have random Haters from their acting videos? I mostly post gaming content now, along with other things for promotion, but for whatever reason I've attracted haters again off an old audition tape. It reminds me of my bullies in high school who bullied me more after I was a center of attention in drama class from being a main on a dance show. I think it's envy, but it's interesting how every so often there's faceless recent users with no videos writing an insult with a few likes from others. I've learned to ignore them and report. As far as I know they'll eventually get banned which happened to one.
Hey all! Super excited to reconnect with my theatre/acting side again. Just some background info: I majored in theatre when I was in university. I got a taste of acting when I was 19 and realized that I sucked BIG TIME when I was 20.
This is my favourite part of every actor's resume and I'm curious what you put in yours!
Can a non-union voice actor also do union work? Because I know that union actors aren't allowed to do non-union work or something like that but is it different the other way around? I would assume that non-union voice actors would get paid less.
DIVINE SPARK is looking for 2 actors for an audio recording of a fictional phone transcript. If you are interested, email [devisers@divinespark.co](mailto:devisers@divinespark.co) with your resume. If submitting for Joan, also include your reel or audio reel. If submitting for George W. Bush, also include a recording of yourself doing a Bush impersonation. George W. Bush - The Republican candidate for the Presidency of the United States. A Christian man from Texas. Joan Quigley - The former White House astronomer during the Reagan administration. Organized and analytical. We will be paying $20/hour. The recording should not last longer than 1 hour. More information about DIVINE SPARK can be found at [our website](https://www.divinespark.co/).
Hey all! I'm a young SAG actor and I was wondering how residuals work for tv series on streaming platforms? I'm having difficulty finding an answer online
Title. Actor's Access says "Instructional Media - No files"
when do casting directors usually message you back on actor access for auditions? i recently submitted for a project and been waiting to get the audition portion. When i’ve submitted for other projects they usually responded in 4-5 days lol so also why do they take so long?
Hello /r/VoiceActing, I'm an audio engineer and music producer looking for someone to play the lead role in a pop music based project centered around a ultra-rich girl, Cloé Kore, transforming herself into a pop-star. This has heavy NSFW themes being a pop music/pop culture based project and requires someone with a high comfort level who can commit long-term. Auditions are being held on Casting Call Club right now. You can find them *[here](https://www.castingcall.club/projects/paid-cloe-kore-lead-role-in-exciting-pop-music-project)*. **What's this Character Like?** > Good question. I'm glad you asked! > Cloé is a sharp-tongued, educated, authoritative, and bitterly sarcastic old-money millionaire in her early 20's with unshakeable confidence and unforgiving cruelty. She is business minded and always conducts herself in an assertive, driven manner - never allowing herself to show a moment of weakness. She has a lot in common with the [Alpha Bitch Trope](https://tvtropes.org/pmwiki/pmwiki.php/Main/AlphaBitch). **Why cast an actress to play a singer?** >Good question. I'm a lot more focused on getting Cloé's character to come through rather than getting someone who can perform the music on a technical level. She is not necessarily a talented musician, but very confident either way. **Yikes!** > Yeah, I know. **Any Requirements?** > Good question... ... ... > I am requesting you have a high-quality microphone and low noise recording space. Being able to be loud will likely come in handy. USB microphones are not recommended. > I'm looking for someone with some music knowledge or music background. If you can sing alongside melodies and read poetry quickly and rhythmically, that's something we can work with! > 18+ ONLY! NSFW themes and situations. **Is it only music?** > ... ... ...Good question... ... ... > No, we hope to be branching out into other mediums in the future when appropriate, but music will remain at the center of the brand. There are already non-musical vocal performances planned for this project, but not anything necessarily to do with animation right now. > If you're interested in the sound of this project, you can hear an early demo of one of the songs planned for the EP [here](https://soundcloud.com/cloeunclothed/cloe1/s-BxshCqGfvvC). And another [here](https://soundcloud.com/cloeunclothed/cloe-1/s-TiOhm0h1g8d). > (click the link if the Soundcloud embed doesn't work) **Cha-Ching $$$... ?** > Good question again... You're just full of them aren't you? > This is a paid role at $200 per recording session (maximum of 4 hours per session - min $50/hr). I will be working with you directly so we can discuss things about the character and get the right inflections out of each performance. **How are you doing today :) ?** > Enough questions! >You can find more info on the Casting Call Cub page *[here](https://www.castingcall.club/projects/paid-cloe-kore-lead-role-in-exciting-pop-music-project)*. Thank you for checking out my project! I'm super excited to hear all your auditions!
Hey all, I'm looking for voice actor to perform and record a short script(58 words) for a comedy YouTube channel. The script needs to be read in a legal disclaimer style. Paid gig is for 25$. If interested please private message me with your reel. [Reference of the pace, legal disclaimer starts at 00:37](https://www.youtube.com/watch?v=9s5W78LMlM4)
If I am an actor with a SAG-Aftra membership and I am in a band, do I have to have a waiver or SAG-Aftra participation to be in my own music videos? It might make it a little more complicated, but I'm just wanting to make sure I am not crossing any lines before we start production. I am not a member of AGMA or any other musicians union.
or any experience of any kind?
Hello there, I’m a male new actor, late 20s. I have issues with touch but it’s not from ptsd or sexual abuse or anything. I’m often very uncomfortable with it and don’t know how to do it naturally. I’ve seen in acting classes people spontaneously do stuff like patting someone on the back as they’re walking by. Stuff like that that is normal for people. I don’t know if I can organically do that kind of stuff. I’m also bisexual which gives touch with anyone an extra layer of complexity. Anyways I’d love to hear from others who have maybe had a similar issue as me and what they’ve done about it
Hello! Soooo I have a few things I'd like to get more info on from more experienced actors or people from all sides of the biz. Sorry if some of these are difficult to answer! Background: I'm 24F (can play 17-26), Native American (but submits as ethnically ambiguous), 5ft 5in and average build and learning more about my type as I go along. 1- I recently signed with a boutique agent in LA and I'm super excited (my first agent!). I've signed up for a few casting websites and I'm looking at gigs of course but I'm curious what more I can be doing? So I have an agent, when I'm looking to submit, do I tell my agent every time I submit or can I do a "weekly update"? 2- when watching movies/tv, how exactly do you learn from watching someone's performance? What exactly are you looking for and how do you use it? 3- Another Redditr in r/acting talked about having an "aesthetic" as an actor. How do you decide this? Also, how do I brand myself? (2 in 1 question sorry ) 4- THE BIG QUESTION: How does this game work, and how do I play it well? While success is relative, I want it so bad. I want to be here in this industry, I want to do well. I want more than anything to be considered a somebody (hopefully soon) in this industry. What would you say is a key to get there?
I know they have relationships. I know I am new to them, I know I may not have enough credits for the agents they do have relationships with, so maybe I ask them to help me get somebody closer towards my level? Should I be expecting them to do this on their own? I know that’s what a good manager does. I don’t want to come off annoying and like I’m expecting too much to happen too fast but at the same time you don’t get a trophy or a prize for being afraid to push things, years will pass and nothing will happen if you are not assertive. I just want to work. I signed with them a month ago, I’m kinda surprised they haven’t gotten me any auditons yet, considering my other lower level reps have since the new year. They did mention trying to get me a read for a role on a popular show shooting in their market. While I wrestle with the thoughts of what’s appropriate somebody else is being brave and doing what they have to do for themselves. I just don’t know at what point do I let somebody else entirely steer the ship... I’m still trying to build my ship... and I dont want to shit the bed. Also, when a “bigger” actor has multiple reps, how can you ascertain which one of their reps got them that role? I feel like we do all this research and its not even accurate. all these hidden hands.
I have seen a lot from Marlon Brando,Al Pacino,De Niro etc.I saw Bryan Cranston's Walter White.They were all brilliant,especially Marlon Brando and Al Pacino. But there is no performance that amazed me like Gandolfini's portrayal of Tony Soprano. We are not talking about quality of movies and tv shows from these actors(they are all great).We are just talking pure acting.
# Introduction I am currently working on a mature cartoon titled **"Intercontinental Drag Racing"**. *(I label it as "mature" simply because of some of the swearing and occasional violence in it, though it's nothing too extreme.)* I am currently looking for voice actors to play the roles of main and side characters in the first episode, which is in production. Because of the minimal (and just about nonexistent) budget, the positions are unpaid, but the main characters will have recurring roles if the show continues. **The synopsis:** In a dystopian future obsessed with drag racing, Rho, an orphan racer from the inner city, strives to win the two billion dollar grand prize from the world’s first Intercontinental Drag Race in order to save his home city from its downfall. Each episode aims to be around 18-22 minutes total, which is a similar length to a lot of other mature cartoons (with the best example being Rick and Morty). Below are the characters being cast for the first episode. Included with each character is a "celebrity actor" choice, which helps to better understand what kind of voice we're looking for. # Characters List **RHO (16-18)**, an orphan racer from the inner city. Full of optimism, constantly battling discrimination and loneliness. Refuses to use deadly weapons during races. Japanese. Male. ***Celebrity actor choice: Ryan Potter.*** **LODA (34-38)**, the leader of the city's gang and head of the drug operation. Holds a grudge against Rho for thwarting the gang's plans on multiple occasions. African American. Female. ***Celebrity actor choice: Taraji P. Henson.*** **SPARKS (18-22)**, the youngest member of the gang. Extremely energetic and over-the-top. Always ready to use his electric weapons to gain the edge in races. Male. ***Celebrity actor choice: Zeno Robinson.*** **HOLT (40-50)**, the oldest and most intimidating member of the gang. Adopted a tough/abusive personality after facing a childhood full of trauma. Will fiercely defend fellow gang members, but will never admit to it. Male. ***Celebrity actor choice: Brad Garrett.*** **BUSINESS MAN (20-40)**. Minimal speaking lines, but quite a few "noise" lines. A simple character but vital to the opening of the episode. **WORRIED ANCHORMAN (30-60)**. Speaking lines in the beginning of the episode. Self-explanatory character. **EAGER NEWS ANCHOR (30-60).** Speaking lines halfway through the episode. Self-explanatory character. **TOUGH GANG MEMBER (22-40)**. Challenges the gang's leadership at the end of the episode. Minimal speaking lines. If you're interested in any of these characters, or would simply love to lend your voice to the project, leave a comment or shoot me a message! Anyone interested in the main characters will be sent a portion of the script to audition with. Thanks for reading through all this mumbo-jumbo! Have an incredible day!
[https://www.vice.com/en/article/qjpx7m/wealthy-couple-rodney-baker-charged-for-flying-north-to-take-vaccine-meant-for-yukon-first-nation](https://www.vice.com/en/article/qjpx7m/wealthy-couple-rodney-baker-charged-for-flying-north-to-take-vaccine-meant-for-yukon-first-nation) [https://www.cbc.ca/news/canada/north/great-canadian-gaming-ceo-yukon-covid-vaccines-1.5886734](https://www.cbc.ca/news/canada/north/great-canadian-gaming-ceo-yukon-covid-vaccines-1.5886734) Just curious. Ekaterina Baker has been active for what looks like two years, doing mainly small stuff (although from her [IMDb bio](https://www.imdb.com/name/nm9698063/) she appears to have ambitious aspirations). Curious whether she gets dropped from her agency or is able to find representation/work after this. Any thoughts?
Like all of us, I've had a rough year in this industry. I only auditioned a handful of times, and I got dropped by two agencies. When I was offered the chance to be interviewed for a blog, I had to say yes! Any other actors do some press recently they'd like to share?! I'd love to read up! Link: [https://www.onstageblog.com/profiles/2021/1/23/theatre-conversation-in-a-covid-world-with-montreals-chris-cavener?fbclid=IwAR0dHQm9TtUzfwLd2OjxCt9rxGOp4rOum3nkEI8gO92yTsXJunb4kurWR\_w](https://www.onstageblog.com/profiles/2021/1/23/theatre-conversation-in-a-covid-world-with-montreals-chris-cavener?fbclid=IwAR0dHQm9TtUzfwLd2OjxCt9rxGOp4rOum3nkEI8gO92yTsXJunb4kurWR_w)
so i recently submitted for this role and not even the next day later it said “archive” but i have got a audition or etc. Does that mean that they closed the casting call or? i’m just confused lol
I've learned so much from this Reddit Community, so first of all, thank you! I'm curious - we have all levels of actors on here - and I was wondering if anyone's had a brush with fame and what that felt like when you started to get noticed? Some people think it's great but I don't know...I'm pretty private. I gotten recognized on the train and at the mall a few times when the show I was on came out but that is it. (Obviously pre-Covid.) I liked it because the people were calm, chill, genuine, and it was NYC folk so I feel NYC ppl are not too insane about that kind of stuff in general.
Looking for an actress thats online I am willing to pay 25/hr, nothing sexual or illegal dm me if interested
This morning I decided I will make plans to pursue a hidden dream. I go out for a walk at noon, towards the town center, while listening to Dave Chappelle. At one point in the video, he says the word "Artform". I have a habit of looking down while I am listening and walking but THE MOMENT he says that word, I look up, and to my left I see a building in black paint with the word ARTFORM painted on it in white. It was never there before today. The building was there, but not the ARTFORM sign and the fresh black and White paint. I think I am gonna be an actor. If you believe me, let me know. If I ever become famous I promise to come back to this and find you. If you don't believe me, well, how many people didn't believe YOU could become an actor? ;)
Hope this isn't inappropriate. I'm planning to move there as soon as possible and / or sensible after lockdown and it would be nice to know some fellow actors before I do! Like: Podcasts, meisner technique, music, inclusivity, comedy If that sounds cool, my chat is open! Thanks!
I guess this question is more for the one's who have interned/worked at a CD office. I realized that the producers/decision makers probably don't have access to our full Actor's Access profiles...so what materials do CD's usually send to accompany our tapes? Also I'd like to know how the CD's share the tapes. Is it through DropBox or some other sharing medium. Is this also why having a professional website/ IMDb profile with all your headshots is important?
I recently did a short film in which one of the cast members decided to add their part to their IMDb credits, so there was a profile created automatically for me. Now that the casting landscape as turned to digital, actor's IMDb is inevitably going to be searched up by CD, producers, directors. So I was wondering, is it worth buying IMDb Pro to up my game? I never booked anything professional so all I can add are my student film credits. Please let me know your thoughts, thanks!
Hi. I'm currently planning on starting a youtube channel in order to build a video production portfolio. I want to start doing freelance work as well as potentially apply for jobs. So I need some content under my belt. It's something I've always wanted to do and I beleive in my ability to do it if I just get the ball rolling. My idea for my first project is to write a bunch of short scripts, perhaps 5 pages or so. Just short conversations between two people exploring various moments in human relationships. Conflicts between lovers, general discussions with family members, comedic exchanges between friends, people giving each other advice. Anything and everything that people might talk about. I want to focus on human interaction in all of it's forms, condensed into short 5 minute conversations. Actors of all ages, races and genders are welcome. I will be starting this project at some point in 2021. I'm based in Birmingham so the ability to travel to Birmingham would be essential. However depending on ideas and scripts I may go to other places. Of course Covid is a bit of a pain so we'll have to see how it goes. Given the brief nature of the videos I plan on making, shooting wouldn't take more than a day. I plan on having scenes already set up and lit a certain way to give a professional, cinematic feel. And I will absolutely pay you for your time. Hopefully it can be a mutually beneficial experience and add to not only my portfolio, but yours as an actor as well. I'd love to get in touch with some actors here in the UK who might be interested in being a part of this sort of thing. And even though starting this project is probably a little way off yet, it'd be nice to at least get in contact with people willing to take part so that I can contact you when I'm ready to shoot. ​ Thanks very much! Liam.
These are trying times for us all but that shouldn’t mean no longer being able to do the things we want so terribly to take part in! I am going to be putting together a cast, complete for background vocals, characters, and the like for those who are interested in being a part of the Waitress! Due to the Pandemic, of course, this will most likely manifest as a voice over/recorded reading of the script and its songs! I will spend as long as need be screening all those who are interested in the available positions and keep a solid hold on updating a list of Currently Available/ Taken parts! Current Prerequisites are as follows: - Due to the implicit sexual/serious nature of the Piece, This is a 18+ production. - You must have a basic understanding of sheet music, how to read it, and a moderate singing ability. You don’t have to sound like Patti Lupone, so don’t stress it! - For Speaking Only Parts, Disregard the previous bullet. - Originality is a must! While it’s good to fit the dynamic of your given role, preference towards originality is best! If you naturally sound like one of the fantastic Actresses/Actors from previous popular renditions, that’s fine. - Must use a Laptop/Desktop as this will be a virtual production - For Both Singing/Speaking the parts, a decent quality Microphone **IS A MUST**. Our read throughs/recording will require a decent audio quality and need a decent quality microphone to match. This will be a slow rolling production so if you audition and get the part for your desired/other role, don’t worry! I’ll be in constant contact, just understand this production will take time! If you are interested please send me a message at the contact information listed on my profile Bio! Thank you so much for your time, and I look forward to working with all of you Current Cast Availability: O = Open. T = Taken - Jenna Hunterson = O - Cal = O - Becky = O - Dawn = O - Joe = O - Earl = O - Nurse Norma = O - Dr. Jim Pomanner = O - Mrs. Pomanner = O - Ensemble — 3 Female 3 Male = O
Unless the scene clearly calls for an outward display of a particular emotion—sadness, pleading, joy—I’ve finding that most men, especially in typically masculine roles, project their voices in often low, sometimes whispery tones and there’s minimal inflection or lilt. As an amateur male actor who thought I need to express and vary my tone more as part of my beginner training, it’s seeming like that heightened expressiveness is situational.
Suppose I needed to book some actors for the following specific shoots. It was a video shoot, but the entire shoot would feature a single actor monologuing into the camera. The camera(s) would not move nor would the lighting. There would be nothing to adjust or slow the shoot down. There would only be one actor on the set. The pace the shoot moves at would entirely be up to them. We wouldn't even be cutting the camera between scenes, it would be our editor's job to dig through the footage and extract the usable parts (I'm the editor and my time isn't as valuable as a paid actor's time is). The entire shoot would consist of reciting 20-23 monologues, each 45-90 seconds long. They are dialogue only, the actor will be seated the entire time. The script would be provided well in advance of the shoot. The total length of all monologues would be between 15-25 minutes. How long do you think this would take? I'll need to book actors and rent location space for enough time to make sure we can get done. There would actually be several actors needed for shoots identical to this one (that's why there's a range listed for number of monologues) so if I get my estimate wrong it could cause a lot of problems. How long do you think would be appropriate?
So I'm a VA who has only recorded for video games and animation. It's occurred to me recently that if I want an agent, I need a commercial reel. I've listened to many different commercial reels on agency sites but every actor seems to have a reel made up of reads for big brand spots. My question is this: if you haven't done big brand work, what do you do? Read fake scripts for big brands? Read fake scripts for made-up brands? I'm not really sure what the etiquette or expectation is regarding commercial reels when it comes to agents and I don't want to send something over that could reduce my chances of being represented. Any advice would be much appreciated.
So you’re going into 2021 with the resolve that you’re finally going to follow after your long held dream of wanting to join the world of acting. You love everything acting; films, TV, acting as a vocation, the industry, changing voices, changing identity... everything! The only problem? You’re a complete acting noob!! For real this is me. I do love everything about acting and i’ve wanted to be an actor for a long time. Even before I had a comprehension of what an actor was, I just watched films and knew I wanted to be that guy! The cool or funny or evil or ugly or heroic guy on the big screen. But unfortunately the closest thing i’ve done to acting is an Oliver Twist play when I was very young. And I was painfully bad, I think even my mom may have walked out it was so bad. And thus! What instructions & advice would you give to a complete novice in order for them to get on the road to one day calling themselves a pro actor? :) thank you!!
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
