I am going to graduate from high school in around 6 months or so, I have planned to apply to a list of numeral Acting colleges and my college applications start in November. I have a decent amount of experience acting in short films and projects due to luckily my mother owning a production house and allowing me to learn how its like working on a set. I've always wanted to be an actor ever since I was little. I love acting from school assemblies to competitions I've loved doing them all, is always like to add to the background of the character I am supposed to be as it helps me become more immersed. My plan seems to be pretty solid on paper but I'm scared, what if I don't make it to a good college? Once I do that does not guarantee me jobs in the field, I'm Indian but I don't look like an average Indian I would say I look more white than most of the people here but don't look 'white' enough to be considered as a role for a white male. Now obviously that affects my chances right? Cuz when casting directors are looking for an 'indian male' character they are looking for someone more brown, however when they are looking for a white male they are looking for someone who is ethnically white so that would disqualify me from a few roles and how would I fit into a niche category for these directors to find? im sorry if this seems like a rant but im overall very scared as this already is a tough field and even though I love being inf front of an audience or a camera im just really intimidated by the idea of being out there alone, trying to make it as an actor.
I am an unemployed 24 year old actress in Portugal. Right now I am studying to get a plan B but I am so tired ot this country. Finding jobs in the creative scene is impossible!!! But not only in the creative scene. It is impossible…. Plus our salary is TERRIBLE. I dont speak german. But in 2 years I think I can start learning. I would love to share some ideas
I sat in on a webinar with a voice actor and did a read. While I was thankful to make them laugh with my delivery, it was repeated for me to slow down. How do you pace yourself?
Hey there. This may have been asked a hundred times already (I may have even already asked) but I’m curious… Is anyone finding more success on one platform over the other? I see Backstage has more roles aligned with what I want to be doing. I’m getting auditions via Casting Networks though. Just want other actors’ thoughts and opinions. Casting directors, please feel free to weigh in as well. Which one is more worth my money and time sifting through? Thank you.
There have been multiple people (complete strangers and acquaintances at work) who have randomly asked if I’m an actress, or who say I should be an actress. Why would they say this without even knowing me? Is it purely a looks thing?
My current last name is the same as a couple famous actors who used to be relevant 10+ years ago (no relation). I have been thinking about changing my “stage name” to my birth name (not a name I’ve ever used publicly as I was adopted as a baby)… however my birth name is Italian and I don’t know that I necessarily “look” Italian - I have dark blonde hair and am fair skinned, but my grandparents on my bio dad’s side were from-Italy-Italian. I look at some famous Italian actresses (Edie Falco, Drea De Matteo, Lady Gaga) and they’re all blonde.
Hey guys, what’s your dream role? For screen actors and teather actors as well! Or even what kind of character you would like to be in the future? And if you already got it, who it was?
I’m sure this question gets asked a lot, but I’m literally someone that has no idea how unions work, and I’m extremely confused. Are these unions the same as like a working union as some people protest for? I’m just so confused. What makes SAG kinda necessary and what even is it? It says it’s like a group of actors but like I’m still extremely confused. Explain like I’m 5? From the beginning as much as possible.
Just graduated high school. Is nursing a good job for pursuing acting?
I see a lot of posts where people seem discouraged because they don't think they have the model looks or they are too old or that their race or height or gender will set them back. I thought it might help some newer folks to hear stories about how actors get cast in roles they never in a million years thought they would get. It doesn't have to be a big part, just something where you were cast against type. My example: Tears ago, I auditioned for a major commercial where I was supposed to play a supervisor. The supervisor was training the lead character (20-something man, all men auditioning were White or Asian)on his first day of work as an aerospace mechanic. I did not get the part of the supervisor but I did get the lead part of the 20-something...they rewrote the script for me and I'm a 40-yr, BIPOC woman. Surprise! Sometimes good work in the audition is enough to make them rethink the script. So, be okay with being yourself.
Not sure if there’s really an answer, but I sent in a self tape for a role in a low budget feature and I thought I did really well. The deadline was yesterday, and today the breakdown was posted with new specs for my role specifying that they want actors who are exactly 17-19 years old so they look like high schoolers. They said not to resubmit, as they are still considering all actors, but that feels like a lie to keep people from resubmitting. I just, like just, turned 20, and I look young, so I feel like I have a chance, but I also feel like they’ve given up on the past submissions. Is it just false hope thinking I’m still be considered/got the part?
is it just chemistry reads?
Hey folks, As per the title I am struggling a bit to maintain my productivity when out of work. I suppose it's the great irony of acting that actors tend to spend more time not acting than actually doing so. I have a strong work ethic and want to continue to feel a sense of accomplishment each day so I'd be curious to hear what daily rituals you all have to keep in the game. So far I have been focusing on writing, reading (scripts, plays etc) and doing some vocal exercises. It feels good but I have this nagging sensation that the best way to hone my craft is by doing it, so it tends to stay in my mind. Any tips, tricks or ideas you have would be greatly appreciated- I'm sure there is something I could be doing that I'm not or working on some skills that would make me more employable! Thank you
basically the title but basically after my callback/director’s session, my eco cast description changed and it said this. Does that mean I specifically got sent to the producers or the role itself got sent to the producers? I know none of it matters but just wanted to know if this has happened to anyone else before? Thanks in advance!
Hey y’all. I’m 33 and just feeling disgruntled and beat down after 7-8 years in LA. I just wrapped up a lead role in a small theater show here in LA proper that was really well received… the producers are searching for a bigger venue/theater right now. I have a speaking part on a cable tv show (not network) airing in August and I’ve worked with some serious heavy hitters- directors and actors but mostly in the capacity of indie short films and indie features and the few and far between commercial. My point is - I’m now 8 years into this city and I have yet to book an episodic on a network show or a studio feature etc etc. i have my SAG card, but don’t want to give up but also don’t want to be delusional. There have been so few auditions lately I’ve even thought about switching markets. Atlanta maybe ? Thoughts on any of this appreciated. Much love to everyone in this thread for keeping going and doing the damn thing!
Hey actors, do you generally plan out your characters emotions moment by moment, or just understand the scene as a whole?
Actors, how do you know you’ve done enough preparation to fully play your role? You can prepare till the cows come home but when is the point where you trust you are ready?
Hi everyone. I'm an actress living in CO. I used to live in Los Angeles but moved a few years ago. Currently, I have no agent. I have a manager and get maybe 1-2 auditions a year from them. Does anyone know if talent agents in Los Angeles would be willing to represent talent that live outside of LA? I have a good reel, including an Oscar nominated short film I worked in. Recently, I worked in a historical biography (I found the auditions via Facebook groups). I train consistently and practice, honing my skills. I love acting, and will never give up! I would love any guidance or suggestions. Would getting a talent agent in CO be better, perhaps?
When you play a sport you can always take private lessons to get better. But after those private lessons you can go to the park and practice your kicking, or throwing, or skating, etc. When it comes to acting you can also take classes to get better, but what is actors “going to the park?”
So based of the little bit of research I did. You can work union (SAG-AFTRA) or non-union. And apparently, in order to join SAG you have to work at least 3 days on a union project. So I guess my questions are. 1. Could I work for a union project on actors access like SAG even tho I’m not in a union? 2. if I get into SAG am I not allowed to work non-union projects anymore?
Hey everyone! I booked my first recurring on a show and it’s the coolest role. My adhd is something I struggled with in university when it came to studying, and now it’s really affecting my acting prep- no matter how badly I want or need to prep something, I cannot seem to being myself to do it. A part of it is also my fear of not doing it “perfectly” and it’s just not a fun time. I know this is just how my brain works but I can’t help but be disappointed in myself and I refuse to feel like this for the run of the show. Any actors with adhd- please advise!!
My girlfriend is an actress and has been in a few TV shows. She has an IMDB page that someone else created but has no idea who, but it doesn't have a photo. I've registered for a free trial use of IMDBpro but I still have absolutely no idea how to add images Anyone know how to do this?
I've spent the last year, perhaps even longer, where I haven't had a single hour of not worrying. "Will I be a good actress?" "Will I even get into college?" "How will I afford to live?" Well, this morning I decided that I've had enough. I'm going to get into a BFA program. I'm going to apply and audition to many many schools. It may not be a top school, (I mean, who knows, it very well could be!) but I'll still get into a place where I'll be happy and learn as much as possible. I'm going to get into a rep company. Equity positions are few and far between - so what? I'll audition for every company in the country if I have to. And I may not get in the first time around, but I'll find a place where I'll feel comfortable and get to put on good theater, season after season. I'm going to found a successful rep company. Yes, I'll have to start small of course - but luckily small outdoor theaters are my favorite type! WHO DOESN'T WANT TO SEE TWELFTH NIGHT IN DRAG?!? It's time to start living my life!
Good day everyone, so I've just been placed on a Watch & Advise for a co-star role for a network show. Just wanted some brief information, if anyone else has been placed on one of these before. Its my first time hearing it. My manager said that I made it past the casting to the producers and that its being sent up even further, but that they may have sent the same message out to another actor(s) but does anyone have any knowledge of this terminology? Does it mean the same thing as a "pin" or "on avail"? Would definitely appreciate it. Thank you!
Now I’m not giving up acting it really is a passion of mine and I’ve been fortunate enough to get a agent recently. I love being on sets in front of the camera. I respect theatre but it’s not really my thing. I did a thirty minute play in June and I was very nervous ( I know it was super short haha) but it went great everybody ended up liking it had a bunch of people come up to me afterwards, it felt great as a actor. The same theatre company reached out to me to do another play which is much longer ( I’m guessing between 1-2 hours) they gave me the role without having to audition for it. Even though I accomplished a few nights of that short play I’m honestly not sure if I can handle this new one. They haven’t cast the other characters yet but I know rehearsals start in august and performing is in September and I just don’t feel like that’s enough time for me. I woke up today feeling a little anxious just thinking about it. Almost to the point where I want to take Xanax or something, hell I even wanted to for the 30 minute play. I know we are supposed to push ourselves out of our comfort zone but I just don’t think I can pull this off on a stage. Is it okay to quit and to give up this credit? They haven’t posted casting yet like I said so I want to give them time to find another actor. Am I being too dramatic? I don’t know what to do I don’t know if it’s wrong. If this character was on a set I’d be much more into it.
Hey folks. I just finished Bryan Cranston's autobiography, A Life in Parts. It's a great read. It's inspiring, dark, funny, and ecomonically written. There's a lot for an actor, and a fan of Breaking Bad, to chew on. Bryan's passion for acting and ambition is something I can confidently say I share, for better or worse. And the fact that he came from a background in which he didn't have a whole lot of help in the business is something I relate to deeply as well. Reading this book in my life right now was a good decision...mostly...I think. Let me explain. I had this book for a few years before I got around to reading it, because living vicariously through better people than I isn't something I get any joy or inspiration from. I'm a doer, not a dreamer, as I know all of us here are. In fact, I'm at the point in my life where I struggle to watch some stories because of how badly I want to be at that level. Call it jealousy, lack of perspective, whatever you want. It's there regardless, and I'm done trying to fight against it. It's wasted energy, and I'd rather devote energy to figuring out how to use it. I've been at this a very long time, and I while I'm usually pretty confident in my abilities, I'm really struggling with what I can do to get to that next level (for context, I've been in the indie scene for many years, and I'm shooting to now be consistently auditioning for shows in the major TV scene, I've scratched the surface of that, but only a little). I have solid agents, but agents can only do so much. What I need is someone with real power in the industry that can really advocate for me. A real manager. I know 100 percent that if someone can get me a shot, a REAL shot, I can capitalize on it. I may not get cast in that project, that's not even what I'm worried about because it's ultimately not in my control, but I know once I get in the room for projects at that level I will be able to stay there. Consistently auditioning for major casting directors is the goal. Anyway, back to the book. Something that consistently rubbed me wrong, and this is a big reason that I don't particularly enjoy autobiographies, is how the process of finding a manager or agent is glossed over. He gets to LA, begins to "build heat" as he puts it by doing whatever projects he can and working whatever jobs he can (I'm at this step...have been for a very long time), then...he just kind of has management in the next few chapters. I may be reading too much into this because I'm too close to it. A Life in Parts isn't about the business, so I may be expecting too much. But as an actor, it was definitely frustrating. It gave me a crisis of faith if I'm being perfectly honest. I know that LA in the 80s is very different from what I'm dealing with now, but I can't shake the thought: "Bryan did the same thing I'm doing, but he found people willing to advocate for him. So, it stands to reason that it's lack of talent or likability to blame for why I've been doing the same thing and just spinning my tires for so long. I'm not enough...of what I'm not sure but I know that there ain't enough of it there." Hopefully someone else has read this book and can give me their thoughts on it. My lizard brain is going haywire about it. Also, if anyone knows of some autobiographies from actors that deal with the crushing rejection that comes with the titanic task of finding people that can advocate for you once you have solid work to show in a more tangible and honest way, please feel free to recommend it to me. I've been thinking of checking out Jenna Fischer's book. I'm trying to force myself to read more of them to try to get into their headspace.
I’m gonna keep this short, I’m in love with film and my desire to act is purely out of my love for cinema. I’m a great actor (or so I’ve been told) and I’m very confident in my abilities. However, I live in South West England (the middle of nowhere lol) and my parents aren’t the most wealthy. I’ve got a job and I’ve paid for a self taping setup, headshots etc. however, I’m really stumped on next steps and I don’t want to regret my decision. Thoughts?
There has been lots of chat among our fellow Union members about Casting Directors in Vancouver and it has led to a rather ugly thought. Some background: Prior to 2020, when auditions were 'in the room', I would get a callback about 15 - 20% of the time and book at about a 10% level. In the last 2 years I have had over 50 'self-tape' auditions and haven't ever had a reply from any of them. I have booked theatre and Indie movies, but they were all face-to-face auditions. Obviously, I do better in a format that may not ever come back. Let's face it, CD's have been saving themselves a lot of money over the last 2 years, so why would they return? Gossip has it that there were suddenly so many more actors taping themselves, widening the field for auditions. I don't get this: Why would union actors not go to auditions, but happily tape themselves when given the chance? To only audition during the Pandemic? Of course, the major negative in all of this is that you never get to actually met a CD who - apparently - "will remember you if you are any good and call for you to audition for other parts". One actor in our chats works part time for Casting Directors and has stated that the majority of the time, the 'first pass' of auditions aren't even seen by the CD - only an office assistant, who will then pass along a 2nd pass list to the CD for a look. A second actor spent an afternoon in 'video village' on a shoot in the last year watching a Producer looking at a 'final list' of auditions passed to them from a CD via phone. Apparently they never watched a single audition video, only made a decision based on look. At present in Vancouver there are over 30 projects filming in town. The roles list are forwarded by Producers in LA to CD's up here. They put the call out to Agents and actors audition. Given all of these facts, no-one is making enough of an impression to be 'special' in the eyes of a Casting Director. They never go to local plays to hunt for new talent, everything is done an a last-minute, 'need to fill this part, now.' basis. Thinking back to my past auditions over the last decade, I don't think that there has been a single case of a CD actually using my name in the room. You are called in, but no-one in there actually addresses you by name - they don't know you. In fact, no Casting Director that has been involved in my bookings have ever remembered me the next time I entered the room. There are less than 10 CD's working in Vancouver and they have all booked me at least once. So, You are sent to an audition based on age and look by an agent that may have more than a handful of clients in that age and look subset. The CD's aren't looking forward to anyone, particularly and don't even remember you. If you are on video, they probably won't see you, because their 'office temp' will cut you based on their ideas of what the boss wants. The Producers only see your video if you make the final, final list and probably won't watch you act as part of their decision, only to fill an immediate need. All of this leads me to think that there is no-one advocating for you and things aren't going to change anytime soon. Am I being too negative?
I want to experience big movie sets as a background actor. It’s easy money and I don’t need to be famous, lol. How do I know what movies are being filmed? Do I have a chance if I’m located around Sacramento/SF? I made a profile on Casting Networks but I was wondering if you guys suggest anything else I do. I know most filming is in LA…
I tried on /r/IWantOut but people weren't nice there. Hello. I'm an actress who's been on several Austrian TV shows since I was 22 in 2015, and would like to move to the US for a visa in acting. I have acted locally in theatre since I was 19 though, but not as the lead, supporting roles on stage, but went into TV as an extra aged 20 in 2013. O-1B seems to be the visa I could ask my agent to get. Currently I live in Vienna, but would be open to living in Los Angeles and working there. I have a very feminine look with ginger hair; I dress very feminine too and wouldn't really dress tomboyishly, it's not my style. I'm single, free, and able to move, no kids, no pets, nothing. Looking at moving to the US more permanently to get roles in films and TV since there's not much here in Austria and it's not as big as the US for acting. Austrian TV isn't well-rated abroad so I've heard. Wouldn't mind acting in something like a Marvel movie or perhaps a series like Grey's Anatomy which I believe has an Italian in anyway. Ideally, I'd like to be in one of Marvel's new films or TV series in the next 3-4 years, or perhaps something like a sitcom or comedy. If there's any major series for ABC, NBC, FOX, I'd probably apply to be on them. If I could, I'd really like to be in one of the next Marvel Cinematic Universe movies that are out in the US, I don't think they've had many Austrian actresses in major roles. I'd like to work with people like Benedict Cumberbatch, Elizabeth Olsen, Sabrina Carpenter, Julia Garner, those sort of actors. Moving to the US for entertainment work is more important, not the politics. I'll take any acting job provided it's not porn or onlyfans stuff, just superhero or crime dramas or period piece series, or sitcoms, provided the pay's good. Would my experience count towards being in a major franchise at all, being an actor for 7-8 years in Austria? I wouldn't mind being in a Netflix series or perhaps one for Amazon. I can speak good English, would my 7 years experience qualify me to move to the US? Dual German/English speaker. I do speak good English though. I've got an agent already, would they be able to get me an agent in the US? Sorry for all these questions. New to the American side of things.
Can somebody send me the link to the interview? I’m an Instagram editor and I make cheesy sad edits and I really want to put a clip of him in the edit saying “ he was the best character I ever played, it was everything an actor could’ve asked for”. Also if you wanna see the edit lmk lmao.
Why do a lot of actors not make it? Is it worth spending all this time acting to maybe not make it, or should I focus on something else?
Hi, everyone! I need some advice from those of you who’ve gotten or know how to get a good start in TV/Film—any advice is appreciated! I’ve been working in a major midwest city’s theatre scene for the past number of years after graduating. It’s been a pretty steady few years (minus the pandemic), usually with 2-3 shows per year, which I feel pretty fortunate about, and I've been EMC since starting here, as well. Most of my work has been in the ensemble/understudying, but the shows have been 2-3 month runs, which has been great. I've been signed by an agent for a couple years for theatre and just got signed for their TV/Film dept. a few months back after taking a couple on-camera classes. Up til now I’ve only had one on-camera audition through them, and, while it went well, I haven't received any further auditions for TV/Film from my agent. They recommended some new headshots and to continue looking for good classes with CDs. My question for you is what is the best strategy for breaking into some camera work on my own? Some of the things I started just a couple weeks ago to kick things off: * Getting new headshots done in the next couple months, emphasis on dramatic and commercial shots for TV/Film (last done in 2018) * Keeping an eye out for on-camera classes with some CDs in the city—have already taken a couple classes and have done a scene or two with friends for projects and storyboarding * Staying active on Actors Access for any indie or student films (only submitted for two so far, but just started looking there, myself, outside of agent submissions, a couple weeks ago) * Really want to get some of these for the experience on set, but also to get some footage for a demo reel * Looking out for any work as an extra on shows here to get some experience on set, too. Haven’t gotten Backstage yet since I know it’s a bit more expensive, but is there anything else I can be doing? Some of my friends out in LA and NY say that a lot of it is just the right opportunity coming up at the right time after you’ve spent time honing your skills and keeping active by acting whenever the chance comes up, but I suppose I really want to make sure I’m *ready* for that opportunity—to be sure I’m doing all I can for when it’s go time. Thanks, and, again, any advice is appreciated!
[I'm a mod here and other mods can vouch for me] I'm an actor in Taiwan, and my friend is a casting agent for TV and movies, here. In an upcoming big-budget movie (big for Taiwan, anyways), their story revolves around the use of a dating app, and the main character falling in love with a foreigner. **(when I say foreign, I mean non-Asian looking)** Well, in one or two scenes, they need to show the main character flipping through various foreigners to eventually find her love interest. So, my friend needs "dating app" pictures from 10 different foreign men. Mainly looking for regular, good pictures/selfies; typical dating app pics. PLEASE NO NUDITY, but since it's men, topless can be accepted. (God, I better not get dick pics) **There is no pay for this**, but I promise that anyone who sends pics *and* gets selected for the scenes -- I will personally screen record those scenes and send to you! #What I need: * Make a comment here that you sent/will send photos. * Private Message me 2-3 pictures with whatever name you want listed in the dating app. * If you want to make up a fake name, please keep it within the realm of normalcy. * Maybe needs age, too, but my friend hasn't replied yet about that question. Again, you can make up your age as long as it somewhat reflects reality. * **Note**: giving any pics is consent for the movie to use them as needed. Maybe they change your age, or Photoshop pics to be a little more sexy. I don't know; just helping my friend. **TL;DR** - Want man pics, dating app style. Non-Asians, please, as the theme is foreign. Taiwan movie. Give scene after released (likely next year).
Hi r/acting, I have a...kind of odd problem. People are convinced that I look like someone else, to the point where I couldn't even begin to count the times when I've approached tables (I'm a server) and they've said "has anyone ever told you you look like x?" I've even been told that *whole tables* were talking or arguing with each other about who I most looked like quite a few times. I'm used to it now, although I do find it a little annoying - like, I look like me and that's fine! - but I'm concerned about how it could impact my prospects in the world of acting. Most of the people I'm compared to are established/A-list actresses. Which is good, because I have a "type" an agent could easily identify. It's also bad, because I doubt an agent would think "Ah yes, a dollar-store Margot Robbie/Emma Stone/Amanda Seyfried with no out-of-college experience and mediocre skin is exactly the kind of actress I need to add to my roster. That market *definitely* isn't oversaturated." On the other hand, I've been told I remind people of people they know (non-celebrities) which I feel like is good - if you look like someone the casting director did dance with in middle school, that means they're more likely to remember you...right? Anyway, I'd love some advice! Have you guys ever been told you look like an actor or actress? Is this a good thing? Is it a bad thing? And regardless of if it's a boon or disadvantage, how can I use this quality to my advantage?
I am an 18 year old who lives in Vancouver and is interested in acting. I do really want to try it and I’m not sure wether if it’s for the fame or just acting. I have 2 problems. First I actually do like it I find it fun and it’s a passion. I also have a plan B which I know people say if you go into acting it should be all or nothing, however my situation is different. My parents don’t support me going into acting and they want my to complete college. I’m in first year of electrical apprentice. My goal is to work part time once I graduate level 1 and do acting as well. That way I can bring in the funds I need to fund my acting career. I’m start an acting class in August and the studio name is Vancouver Academy of Dramatic Arts. It’s a pretty good studio and one of the only ones that really have a fully beginner program. I’ve talked with a friend of mine in tornoto who is and actor and said to join vada. I’m the type of guy who truly wants to be excited on most days going to work. If that’s working 9-5 as a apprentice or actor I’d always 100% pick actor. My goal is to just work as level 1 and go full into acting until I don’t need to work as an apprentice and can go full into acting. Is that a good plan? Is it bad for me to have a plan B? What do u guys think?
Hi everyone. I (20F) just got signed to an acting agency which also happens to be my dream agency and I was wondering what advice you have for a newer actor. I have (and continue to) take acting classes but I have no credits yet. Only my demo tapes and I’m getting new actor headshots next week. I guess I’d like to know what advice you have for me to book my first role. Whether it be tips on actors access profile or in preparation for my headshots. If you also have any story you’d like to share on how you booked your first role and what you did after finding an agent, that would be great. I’d love to hear your journey!! I’m just super excited and also confused on “what’s next”. I guess I just want to make sure I’m doing everything I can to push myself out there. Also im not really a Redditor so sorry if im missing any etiquette. Thank you!
I am 17 and been fascinated by acting for years but I am having hard building confidence and putting myself out there. I have starred in a student short film and did some VA work but that was out fun and boredom I know some actual professionals and they make everything so scary. I’m wondering whether If even want to be an actor anymore
I'm making a show on YouTube and Im in need of actors. DM me on discord for more information and auditions Disclaimer: YOU WONT GET PAID. IM ONLY 14 TheLoneTrumpet#1624
I’ve got accepted but I don’t know which one to choose. The unknown one has got positive reviews with professional actors training you but there’s no guaranteed that you will get an agent just a certificate.
Logline: Five men living in one house struggle to get along and keep catastrophes to a minimum. The one stable man in the group must carry the burden of all the frightening chaos that these troubled men can inflict. I’m a private director and I’ll be directing a show I wrote, within a year. I have at most 5 characters to fill atm. You will be paid in a percentage of revenue not a salary as we are starting at a low income budget and putting all money into the production. It will not be a akin to a low quality YouTube short. We will film on sets and the screenplay for the pilot will be sent out to each audition requestee. We have 23 episodes written and 40 more planned out. This is experience and skilled work you can show on future resumes when auditioning for roles and as I’m confident this show will be a success (streaming online, ads will be used to bring in watchers and revenue will come from ads and product placement.) it’s a comedy in line with south park but it’s live action, it crosses the line South Park will not. Anyway here are the 5 characters I need filled so feel free to send us an email and submit a request for an audition: Glenn: Overweight Scottish Man with a heavy Scottish accent, red head(will also accept brown if you are good fit for the vibe of the character), good full beard. Says Laddie a lot for comical effect. He’s oblivious to how his destructive and idiotic behavior effects others. Otherwise Glenn is warm-hearted and cares for his group. He’s Perverted but deep down he’s innocent, must be okay with full nudity scenes as Glenn has some funny scenes where he’s caught doing stuff fully unclothed[dick out], these scenes are extraordinarily hysterical even on paper(whiling to compromise on this if it’s a line you don’t wish to cross). Pretty much the most important character in the show. John: A well built (not bulky but decent upper body, not necessary but ideal) tall man with a low tolerance for bs and a short quota of patience. Often is physically abusive toward the others when they cause a catastrophe due to his anger issues. 6ft in height at least, to best match others. Jules: relaxed chill engineer, average height. He fills in the filler dialogue to allow dialogue to flow more smoothly and be more comical. Timmy: Dumbass gullible guy, light blonde, was extremely sheltered by his Karen of a mother and may have autism as well. Very skinny but not very tall. Always causes catastrophes by doing stupid shit. Rufus: Stereotypical black guy who says “you white people crazy” and accuses people of being racist in absurd scenarios for comical effect. He’s ghetto and says the N word a decent amount. The contract will hold you legally responsible for the commitment to finishing the first 4 season(32ep) and after that we will see if we all wish to continue. Each episode could take as little as a day to film or as much as a week. All actors must be able to ride a bike as there is an episode where this is a major plot point. Accommodations can be made in this department if we feel you are a perfect fit for the character.
Yo, I’m Brent Mukai, and I like to pop up and do these when I can here. I’ve got a few hours today, so I’ll take on any questions from now til 5pm PST! Ask whatever voiceover questions you have, and I’ll answer whatever I can. ~Brent
Hello everyone, I really want to get into acting but I have no experience. I don’t know what are the first steps to fill out an actors resume and I also don’t know the first steps to audition to roles?
i’m literally just posting this to appreciate [my best friends website](https://www.danehobrecht.com/) that he programmed himself. he’s an absolute stallion of an actor and you can find a few clips from work he’s done (i’m also in some of them) as well as his resume. just constantly amazing work from this guy
So, I've always loved acting. I LOVED watching behind the scenes, making little films as a little girl with my littlest pet shop pets, just wanting to be behind the camera even though I was always so awkward. I liked to watch auditions and would try to make my own on my laptop or phone. When frozen came out, I literally wanted to purchase the whole script. I would read books and would try to imitate them, and see how much I could memorize. I admire how actors can play drastically different roles, and seeing their success. And cinematography in professional films is just so cool too. I've played with cameras all my life. I some of my reasoning for acting is my longing to "break" into Hollywood, because if I pursue acting I want to be able to make a good living out of it. I mean, come on imagine being able to voice act for Disney or Pixar, or work on a set for a film that you can show the world. I saw this interview with Kristen Stewart that explains this perfectly: [https://fb.watch/e2b-WUfdfN/](https://fb.watch/e2b-WUfdfN/) I know I know, only a very small percentage of people actually make it to this point and it has everything to do with connections, years of experience, and luck. But I don't know, I have this feeling in my stomach. Kind of like a pit in my stomach, maybe a little bit of hope. Maybe some disappointment and pessimism, or FOMO. I don't know if its my gut instinct but something is telling me "do it, do it, do it" at the same time. I'm currently a junior in college, pursuing a career in the medical field. Its interesting for the most part, but I feel like its just a placeholder for my real dream and just a means to make steady money. I just feel like I'm not in the right place because theres so many other people that are actually wanting to be immersed in medicine and they feel like its their calling. My mindset at this point is I work to live, not the other way around. But I really do want to find a job I find fulfilling!! If I ever have the chance to make a good living out of films I'd 100% do that instead. I've just been watching more and more young people like me, especially more diverse people getting their big break, or watching films that would just be a blast to work on (Top Gun: Maverick for cinematography and The Summer I Turned Pretty for the other reason). I'd consider myself an attractive person. I don't know if I'm lead character attractive, and I don't really have any feedback from a professional, but I feel like I have a decently versatile face. I am planning on taking an intro to acting in the fall, as I've never had any "serious" experience. I'll see how I feel about it, but if that peaks my interest I would really want to try to juggle my plan A career with acting. would this be possible? I'm not sure how to build my acting career while pursuing a medical career. I guess my plan would be if acting doesn't work out, I'll already be set and working for Plan A. I want to try to audition for smaller films, like making a profile on Backstage and filming during summer break, but then I feel like I should be spending that time accumulating volunteer hours or working an actual job. Now that I'm thinking about it, I could try and accumulate some films and try to gain some friction on social media by posting some demo reels or auditions, or perform some film scripts. I do know that acting takes serious dedication, and this kind of disappoints me because I feel like I'll never get a chance to work at my passion, and I will have to settle while I watch people live my dream. Or if I do, I'll never make it. I'd like some advice. Thanks in advance :)
I'm seeing a sudden influx of school-related questions regarding what to major in, whether it's worth it or not, and what exactly you're signing up for. As a BA Theatre Studies (aka Theatre Arts in some places) major who has taken conservatory classes and been accepted into drama schools, I aim to demystify the different variations of theatre majors and what you will actually be doing in each one, so that high school students and mature candidates alike can make an informed decision. DISCLAIMER: Because different schools name their courses differently, the course name that you are interested in may not always match the descriptions I write here. You should still research on the individual classes of each degree course to figure out if you really want to study that. ## Types of degrees **Full-time conservatory training** * BFA in Acting * BFA in Musical Theatre * BM in Musical Theatre * BFA in Theatre * BFA in Performance * BA (Hons) in Acting (UK) * BA (Hons) in Musical Theatre (UK) Generally, a course which advertises itself as a BFA should have acting, voice and speech, movement and audition technique classes. Musical theatre majors should expect to spend their time on singing, acting and dancing. It has also expected these days that BFA programs have at least one semester of on-camera training to prepare its students for screen and new media projects. Note that in the UK, courses in drama school are denoted as bachelor of arts (BA) courses. That said, their training is often just as intense as US courses and top UK drama schools have been known to surpass US colleges in terms of intensity. This is because while US colleges have general education requirements and electives, UK schools focus on deep specialization which means that every class taken is subject-related. Usually, an audition is part of admission requirements for such programs. **Performance-based liberal arts degrees** * BA in Acting * BA in Musical Theatre * BA in Theatre Performance * BA in Theatre Arts * BA in Theatre * BA in Theatre Studies * BA (Hons) in Theatre (UK) Once we arrive in the liberal arts degree category, it is a lot harder to determine if a course will give you the training you need just from the name of the course alone. You will need to cross-check between this category and the next one (Academic-based liberal arts degrees) to figure out if the degree you are interested in focuses more on performance or academics. Some degree programs even give their students the opportunity to choose their own specializations, so a program is not limited to one category. A performance-based BA is not as intensive as a typical BFA due to the number of hours allocated to general education classes and electives. However, there are exceptions to this rule. Pace University offers a BA in Acting, while the American University offers a BA in Musical Theatre. In both schools, auditions are necessary to enter and a considerable amount of time is dedicated to practical conservatory-style training. However, the vast majority of liberal arts degrees do not require an audition. **Academic-based liberal arts degrees** * BA in Theatre * BA in Theatre Studies * BA in Theatre Arts * BA in Performance Studies * BA (Hons) in Theatre (UK) * BA (Hons) in Theatre Studies (UK) Most prospective actors would not find those courses very appealing as they tend to spend a lot of time on contextual issues such as culture, history, politics and performance theory rather than what we came to college for - which is acting. However, there are academic-based courses which allow students to take performance-based electives. The less rigorous structure of the BA also frees up time for projects and training outside school. This category of courses usually do not require an audition. **Alternative pathways** * Community college * Performing arts high school * Full time conservatory in a studio * Private coaching * Audition-only youth theatre Those are just some of the various options you can consider if you prefer a non-traditional route. ## So what should I choose? Here are some things you should consider as a student: **Cost:** * How much are you willing to spend on university? * Does your dream school require you to pay out-of-state or international tuition? * How much financial aid or scholarship money do you have? * Can you work part time? **Location:** * How far do you intend to travel? * Do you need a passport or visa? * Are you able to stay for work after graduating? **Prospects:** * Do you want a second major or minor as a parallel career track? * Are you able to fit that into your course requirements and graduate on time? * Is the (in)ability to participate in external auditions and projects a dealbreaker to you? **Interests:** * Do you feel ready for conservatory life? * If you're coming from a highly academic background, would an academic/hybrid liberal arts degree be more suitable for your needs? * Do you believe that understanding performance theory and dramaturgy can help you as a performing artist? ## Questions **Is a BFA better than a BA?** If better means "being able to book work", no. Neither degree guarantees that you will book work, and it all comes down to your own audition or selftape. If "better" refers to how intense/demanding the actor training will be, then the BFA is better than the BA on average, ceteris paribus. This assumes that two students of equal intelligence, ability and resourcefulness are put in each program with no external guidance or networking opportunities. However, from personal (anecdotal) experience, having an academic BA in Theatre can become a solid talking point with the director or casting director. That point alone has netted me a few bookings. Of course, ymmv depending on how well you handle casual conversations. **Do I really need training?** See Young Adult Pilot Bookings for 2022, 2020, 2019 and 2018. **How do I start?** Go to an acting class, in-person if you can. Trust me. That's your first step as an actor and if you want to be considered for any of the audition-based programs, you must first understand what acting is about. **I have more questions.** Ask them in the comments! I'll try to respond as fast as I can.
I live in LA I’m SAG from years ago, but have no demo reel to begin acting again & have no agent. After researching supposedly legit companies that make acting reels, why do all the reels look terrible with shadows/bad lighting, shaky camera, edits that aren’t right and the actors are all terrible? They ask anywhere from $1 -5K for these reels that are not fooling anyone that it’s a real production. Would reps & casting directors rather look at a well-acted self tape with a scene partner off camera? Perhaps 90 seconds with clips from 3 different scenes? Seems very scammy & $$ for a SAG voiceover/singer older actor getting started in the business again to do on-camera work. Don’t they just have you submit a self-tape of audition material and upload online?
Most actors i have researched especially aussie/British ones have attended private high schools and i was just wonder if its the schools that give them a leg up or more so their parents money they have to fall back on? I dont see many working class actors which can be very discouraging but is it because of the schooling/money or the fact that the risk is much bigger for working class people that they don’t even try?
Hey! I respond to a lot of posts, but thought to do something different! I moved from LA, but spent a good amount of time there, 11 years, Half of it as a union actor. Here's what I think are some of the best and worst things about being an actor in LA! Best #1 - The Film Schools. Whether Union or Non-Union there are just SO many film schools. There's also a ton of variance in quality but that's also a good thing. You start with a class-room exercise at USC and years in you do an AFI thesis. Its a great way to become accustomed to the work on set, from skeleton crews to full sets, while still being low-pressure. I still keep in touch with a handful of talented folks, and who knows? Along with my acting studio I consider my on-screen training indebted LARGELY to student films, due to the 50+ I did over the years. It made me that much more ready when I did my first Co-star with a big intimidating star on a huge show. Worst #1 - The Loneliness I experienced it, and I would run into this all the time. Newbies to LA who can't seem to make friends. Nobody has time it seems. Everybody is on the other side of town. People are all friendly and super extraverted (actors of course) and want to hang and then ghost you. I don't think its as widespread as people say, and largely I think people just don't have time/are very networky by a kind of cultural forced habit. Still...I always felt bad for the person when they tell me something like this. Best #2 - Antidote to Loneliness - The Studios, The Improv! The Training I honestly don't know how much bad or scammy training there is in LA. I think a lot. But if you're careful there's quite a bit of good too. It's imperative to find a "home" even if its temporary because the best "networking" you do is not networking, its building meaningful creative relationships by doing good work in class, or doing improv etc. The other overlooked fact is that there are small theatre communities that are legit and can be good places to find refuge, or at least it seemed to me by colleagues experiences. Worst # 2 - The Life Balance You've developed a way to block it off and normalize it, but its going to bite you in the ass when you see that billboard with that girl/guy you don't like, who you know that just landed a pilot on that show. LA is like a constant reminder that you should be grinding harder, which is not the best thing in the long run. The fabric of the city is very difficult to find a life balance too, especially if you're broke. It's hard to find a cozy neighborhood, there are not a lot of easily accessible hikes...ugh, I won't go on. IF I could do it all over again (especially in this time of self-tapes) I would prioritize finding somewhere that I really really loved living (even if its pretty far from LA) for walkability, nature etc (doesn't really exist, but there's always a little bit better) and plan for vacations almost like clockwork. Best # 3 - The industry When I worked, it was great. I've of course heard of people having bad times with bad people, but my experience was that people in the industry are pretty good at being professional and pleasant. I mostly worked in the VO sphere, but I really enjoyed the big gumbo of people from all over the USA who meet up in Hollywood to pursue a familiar thing. There are a few macho jocks, sure, but mostly its creative, smart, geeky types who are good to be around. Worst # 3 - Being Outside The Industry It sucks. I didn't get to feel the ultimate feeling of suckage. I worked in VO, did Indie and Student Films (as mentioned) to express myself on-screen, and despite my efforts, almost never had good reps and auditioned so so so so little for legit projects. I would hear people complain about not booking, and be like...well, at least you get (on-screen) auditions! I was somewhere in the upper middle as far as industry experience, whereas most people I knew would be 1, 2, 3 years since their last booking. It's a very very common thing as some of you know. It makes for some intensely sad feelings, which would not be there quite so much if you weren't around people constantly reminding you of it. Wishing you all a happy holiday weekend!
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
